Top 1200 Delta Blues Quotes & Sayings - Page 18

Explore popular Delta Blues quotes.
Last updated on December 21, 2024.
African American music can't happen in Germany or in Italy or in Mumbai. If America disappeared off the face of the Earth today, the greatest single cultural loss would be blues, jazz, hip-hop, R&B, rock-and-roll.
A lot of those early blues records and soul records were pretty much live. It was what it was, and they had goofs and mistakes, but it still kept its charm. We have to remember to keep the feel. It's so important.
Blues Clues' has been incredibly good to me, and I've been working so hard on it for so long that I take it very personally. I wouldn't want to do anything to jeopardize what so many kids love. So there's a lot of responsibility there.
When you ain’t got no money, you got the blues. — © Howlin' Wolf
When you ain’t got no money, you got the blues.
'Blues Clues' has been incredibly good to me, and I've been working so hard on it for so long that I take it very personally. I wouldn't want to do anything to jeopardize what so many kids love. So there's a lot of responsibility there.
I've been listening to quite a lot of classical music like Erik Satie, and quite a lot of blues.
For guitar players especially, blues is the foundation of rock and roll. You take country music and rock and roll and jazz and you mix it together, and that's my basic makeup.
Good things are associated with blue, like clear days, more than singing the blues. Just the word 'blue' in the singular is full of optimism and positive connotation to most people.
With my little band, I did everything they did with a big band. I made the blues jump.
People all over the world have problems. And as long as people have problems, the blues can never die.
My father's nephew was the blues musician, Lowell Fulson. Every time he came around, he had a pretty car, a beautiful woman and a slick sharkskin suit. Believe it or not, that's how I decided I wanted to get into music.
I stayed with them for about a year up there and, at night, worked over in Long Island at a club called The High Hat Club which was like a pseudo jazz / blues place.
All of my favorite songs can bring me to tears. Some are rock, some are blues, some are love ballads. That's why I play music - to touch other people as I have been touched.
My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
The Ramones are not an oldies group; they are not a glitter group. They don't play boogie music, and they don't play the blues. — © Tommy Ramone
The Ramones are not an oldies group; they are not a glitter group. They don't play boogie music, and they don't play the blues.
No. The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling?
My influences in this world have always been Crazy Horse and Malcolm X, my overall influences. But I was influenced by rock n' roll, blues, and country music. I was influenced by singers.
The blues have always had some of the best times, best feelings I’ve ever had.
Man, 'Hill Street Blues' was on when I was 12, and I remember feeling I'd never seen anything like it. It was that far ahead of its time, with dark characters you loved. I remember Ed Marinaro, the football star.
The world I live in is benefiting from things like satellite radio. Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I'm hearing is an appreciation of real music.
Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.
I'm always on duty, so I tend to wear suits. I've got double-breasted and single-breasted, mostly dark blues and grays. I'm obsessed with them, and I always have been.
My favorite television show of all time is 'Hill Street Blues.' I think it's the show that is to television what Pele was to football or Muhammad Ali was to boxing.
There's a difference between the blues of the New Orleans guys and anyone else and the difference is in a chord, but I can't figure the name of it. It's a different chord, and they all make it.
Songs like 'Outfit' and 'Decoration Day' and 'Dress Blues,' those were good songs, but the output wasn't as consistent in those days.
Gospel songs are the songs of hope. When you sing gospel you have the feeling there is a cure for what's wrong, but when you are through with the blues, you've got nothing to rest on.
I didn't want to disrespect my parents, so I never played blues around the house. But I knew then, same as I know today, that I wasn't doing anything wrong. I think that before they died, they both felt very proud of me.
There's such a wealth of arts and styles within the guitar... flamenco, jazz, rock, blues... you name it, it's there. In the early days my dream was to fuse all those styles. Now composing has become just as important.
People were saying that Southern folk song was dead, that the land that had produced American jazz, the blues, the spirituals, the mountain ballads and the work songs had gone sterile.
When I think of music, I think of music in its totality, complete. From the lowest blues to the highest symphony, you know, so what I'd like to do is exemplify each style of as many periods as I can possibly do.
If you've traveled independently through Tibet, Brandon Wilson's Yak Butter Blues will bring back memories...this lively memoir is sure to provide a yak-scented whiff of nostalgia.
We've come from the same history - 2000 years of persecution - we've just expressed our sufferings differently. Blacks developed the blues. Jews complained, we just never thought of putting it to music.
Blues songs, like folk songs, are a continuous stream, and catching the continuities and thefts is part of what puts meaning and complexity into it - also part of the fun of it all.
You don't know what love is, until you've learned the meaning of the blues, until you've loved a love you've had to lose.
The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
I have to have music playing constantly. It creates the tone and mood for anything you are doing. I specifically love rock, and Jimi Hendrix is one of my favorite artists. My favorite song is 'Red House,' because it's heavy on the blues.
Justin Hayward was a teenager when he was drafted into the Moody Blues in 1966. He brought with him one song he had written for his girlfriend. This was called 'Nights in White Satin,' which subsequently made a fortune for a lot of people.
Once upon a time . . .” “In the beginning was . . .” That’s the way it always starts off. Every story, gospel, history, chronicle, myth, legend, folktale, or old wives’ tale blues riff begins with “Woke up this mornin’. . . .
Most of the songs I sing have that blues feeling in it. They have that sorry feeling. And I don't know what I'm sorry about. I don't. — © Etta James
Most of the songs I sing have that blues feeling in it. They have that sorry feeling. And I don't know what I'm sorry about. I don't.
For a new payment product, you always have to ask, how much better is it than the current solution? So when we started Paypal, for eBay micro merchants, it was much better than getting the 7 to 10 days process of cashing a check in the mail. When you look at stores or physical worlds, places, a lot of these places are already set up to take cash or credit card. Apple Pay may be an incremental improvement, maybe a little bit better. But when you have something that's pretty good and you go to something that's perfect, sometimes it's very hard to drive adoption because the delta is not that big.
That's where my influences lie, in the blues with people like Muddy Waters and Tina Turner. At first I didn't really like the idea of working with synthesizers but now I think they're fun, there are no restrictions. Not that I understand how they work.
When you look at so much of what we all love, there's either soul-based to it, or it's the blues. It's really the beginnings of any kind of music. It really is; it all starts there. Because after that, it's music of the moment.
I sang 'A Closer Walk with Thee' along with blues singer Brownie McGhee, ... Then there was a show where Carol Houston, an actress on 'Matlock' sang 'It Is Well With My Soul' accompanied by a choir. Boy, that was powerful.
I like to play guitar, jam out, play the blues, go watch movies. I love movies.
I never thought I was playing black music. I was just playing music, the stuff I liked. I sang blues at parties and things when I was a kid.
I didn't get into music to become a blues musician, or a country musician. I'm a singer-songwrit er. In my book that means I get to do whatever I want.
When I'm singing the blues, I'm singing life.
There was a time we decided that it was songs that were done especially from my background because of the things we were dealing with, but nowadays, anybody who has a need, and can find the need, they can sing the blues.
I have been accused of being a very simplistic, very lyrical player, and that's okay. That just comes from the blues, which is my background. But every day you wake up and transcend. You can't ever rest on your laurels.
There wasn't really a lot of difference from a Mississippi perspective between what Elvis did on 'Mystery Train' or 'Milkcow Blues' or what Bill Monroe was playing or what Flatt and Scruggs was playing; it was rock 'n' roll to me.
The blues was like that problem child that you may have had in the family. You was a little bit ashamed to let anybody see him, but you loved him. You just didn't know how other people would take it.
When I was a kid I really liked the guitarist of The Doors [Robby Krieger]. He plays blues, but he plays a lot of melodic things. He plays scales that are kind of unusual, and some bent notes.
Get rhythm when you get the blues. — © Johnny Cash
Get rhythm when you get the blues.
I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.
Not that I got bored with it all, or I didn't like the people in The Moody Blues. I just wanted to go off and do other things purely because it was out there, you know. I'm kind of glad that I did and that I didn't just stick with one thing.
I didn't get into music to become a blues musician, or a country musician. I'm a singer-songwriter. In my book that means I get to do whatever I want.
The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.
I was listening to a lot of bebop. And to Miles Davis. Everyone thinks I was just in the folk world in 1966, but in 1963 and 1964, I was absorbing enormous amounts of music, from baroque to jazz to blues to Indian music.
The Rock'n'Blues Fest is my kind of festival series! It's always great playing shows with my brother and, add to that, all the other great artists and their bands and this should make for one historic round of concerts.
I base myself in African-derived music. Blues is one of the modern forms of African music.
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