Top 1200 Delta Blues Quotes & Sayings - Page 20

So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.

My dad was very influential with the music he exposed me to. He was really into blues and folk, so he'd play me guys like Muddy Waters and T-Bone Walker and Richie Havens - a lot of very emotional players.

The fact I wasn't getting off made me realize that I really had to take a hard look at it and at the type of music that I played, which ranges from ballads to country type stuff to rock and rhythm 'n' blues. It takes in a wider spectrum.

When I play, maybe 'Back o' Town Blues,' I'm thinking about one of the old, low-down moments - when maybe your woman didn't treat you right. That's a hell of a moment when a woman tell you, 'I got another mule in my stall.'

The idea that Americans favor politicians who either remind them of themselves or can imagine what their selves are like because they too have struggled and sung the blues, is, like very best theories of human behavior, immune to falsification by mere evidence.

The Great Migration changed American history not just for the migrants but for all of us. It made possible American cultural milestones like the Harlem Renaissance, Chicago blues, and Motown, just to name a few.

The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.

Saturday night is your big night. Everybody used to fry up fish and have one hell of a time. Find me playing till sunrise for 50 cents and a sandwich. And be glad of it. And they really liked the low-down blues.

Well first of all, I'm a singer. I sing since I talk. So the great ballad singers, the people that sang with so much feeling, jazz, blues, all those singers, they were songs that I listened to, records that my mom played for me, and then later I bought.

When the great jazz and blues clubs closed - joints where the cash register rang loudly and there wasn't ESPN on TV over the bandstand, and people smoked cigarettes and drank whiskey and hollered 'Play on!' - When those places closed, I was pretty much done.

Rock'n'roll is nothing but Boogie Woogie with stuff on top of it. And if you're black, they name it rhythm'n'blues, and if you're white, they name it rock'n'roll. So, I don't give a... You know.

I grew up with music in the house. I was told I could sing as soon as I started talking. Everybody in my family sang, always lots of records, blues and jazz and soul, R&B, you know, like Mahalia Jackson, Aretha Franklin, Coltrane, that kind of thing.

The starting point of all great jazz has got to be format, a language that you can work within that, in some ways, is much tighter than the blues or even gospel. It's all working towards the same destination - the difference being that Miles Davis flew there, and I'm still taking the subway.

Country music originates with the colloquial, rural aspects of white America. It's really, truly, rural white America's blues.

I love walking down Beale Street, which is home to countless cafes, restaurants and bars. Every bar has a live band, and as you walk along the street in the evening you can hear raw blues and rock n' roll spilling out of them.

I think education was the key for me, and that's what I tell kids. That base in the classics gave me something to springboard from, which I wouldn't have had if I'd come out to Los Angeles early and been guest punk of the week on 'Hill Street Blues.'

I met a girl who sang the blues and I asked her for some happy news, but she just smiled and turned away. And the three men I admire most, The Father, Son, and the Holy Ghost, They caught the last train to the coast The day the music died.

I do research for every single book, regardless. For 'Double Dutch,' I learned to jump and learned the scoring system. For 'November Blues,' I interviewed pregnant teens. I like to get up close and personal with the kids involved in the situations I write about.

Elvis deserves a lot of credit for bringing the blues to middle America, not the Vegas stuff. The early stuff, The Sun records, and the first few RCA records. He was wonderful, he had the power, the drive, and he was so dedicated to his music.

I wanted to play blues. But I wasn't blue enough. I wasn't like Muddy Waters, people who really had it hard. In our house, we had food on the table. We were doing well compared to many. So I concentrated on this fun and frolic, these novelties.

Beale Street is a very famous street in the history of America. You know, American music in particular. From the blues to jazz, it's a connecting city from New Orleans that goes all the way up to Buffalo through New York.

Even with Neptune City, I feel like if you strip down all the arrangements, I feel like each of my songs is always going to be, at its core, either a country song or a blues song.

No wonder the tulip is the patron flower of Holland. Looking at it one almost smells fresh paint laid on in generous brilliance: doors, blinds, whole houses, canal boats, pails, farm wagons - all painted in greens, blues, reds, pinks, yellows.

I come from a democratic world. My world is moderate Democrats, Reagan-type Democrats if you want, the blues or whatever you call them, the Blue Dogs. That's been my world, historically.

The Rolling Stones have been the best of all possible worlds: they have the lack of pretension and sentimentality associated with the blues, the rawness and toughness of hard rock, and the depth which always makes you feel that they are in the midst of saying something. They have never impressed me as being kitsch.

When I got a little bit older I wanted to play piano - that's all I wanted to do. I remember learning how to play a blues progression on the xylophone in music class and thinking "This is the greatest thing I've ever learned."

I started with rock n' roll and...then you start to take it apart like a child with a toy and you see there's blues and there's country...Then you go back from country into American music...and you end up in Scotland and Ireland eventually.

Sunday blues often hit because the weekend was only about shopping and chores. If you can clear up some of that domestic detritus on weeknights, you might reclaim some time for what matters. Maybe the laundry can wait until Monday.

Benny [Carter] opened the eyes of a lot of producers and studios, so that they could understand that you could go to blacks for other things outside of blues and barbecue. He's a total musician. He was the pioneer, he was the foundation. He made it possible for that doubt to be taken away.

My definition of Blues is that it's a musical form which is very disciplined and structured coupled with a state of mind, and you can have either of those things but it's the two together that make it what it is. And you need to be a student for one, and a human being for the other, but those things alone don't do it.

It's perhaps easier to say what prog rock isn't than what it is: it's not three-minute pop songs, it's not straightforward rock, metal, blues or jazz, but can have elements of all them and more. It's a form that is on the boundaries of many different forms, that is open to all sorts of influences.

It frustrated me at college that all the acts in the Top 10 were like The Moody Blues and Phil Collins. It was like why did we get stuck with the last generation's music, why can't we have our own?

Is there one blues guy who was the most sophisticated and influential, like Duke Ellington or Louis Armstrong in jazz? Was it Muddy Waters, Little Walter, Lightnin' Hopkins, John Lee Hooker, B.B. King, Robert Johnson, or all of them? I think you have to pick all of them.

I knew Paul when he was in the Beatles. We did the second Beatles British tour with the Moody Blues. And we became friends. I went to a couple of the sessions for the 'Sgt. Pepper' album, we went to parties together, we went to see Jimi Hendrix together.

If you're going to impeach him, impeach [Donald Trump].If he did something wrong, arrest him. But don't cry the blues because you didn't get the vote out and this man had a genius way of winning the election.

I like soul, I like rock, I like new wave, I like punk music, I like blues, I like jazz, and I was brought up on all of them from a young boy all the way to my teenage years, when I was wild and crazy, in college.

Sometimes I feel like nothin,' somethin' throwed away, Somethin' throwed away. And then I get my guitar, play the blues all day.

It was the early days of Rock 'n' Roll in this country. We were all struggling to learn music, it might be Country, Jazz, Classical, Blues or even Rock 'n' Roll.

I don't look at our society today too much. My focus is still in the past, and part of the reason is because what I do - the wellspring of art, or what I do - l get from the blues. So I listen to the music of a particular period that I'm working on, and I think inside the music is clues to what is happening with the people.

I was 17, and it was my first summer in London as a professional singer. One hot, humid evening, I heard that the Jimi Hendrix Experience was playing in a blues club above a pub in Finsbury Park. I was flat broke and couldn't afford a ticket, so I went along just to stand outside and listen.

She had been proud of his decision to serve his country, her heart bursting with love and admiration the first time she saw him outfitted in his dress blues.

I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing.

I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.

I love Yamaha Clavinovas. I have them at home, in the studio and on tour with me. I find them ideal for all sorts of things: silent practice with headphones at home; writing; arranging and... just playing the blues!

I feel I've had three careers in one, really. There was the 'Benny Santini' stuff; that came with a general sense of, 'Who the hell is he?' And then there was 'The Road To Hell' stuff, and now there's the blues stuff.

The blues to me is like being very sad, very sick, going to church, being very happy ... it's sort of a mixed up thing. You just have to feel it.

The instrumental stuff is a good challenge, and it keeps my fingers athletically tuned, but I'm totally happy to bang away on some chords, sing some harmonies and play some wailing blues solos after the second chorus.

Venues had segregated seating - but when Chuck Berry fused together blues, boogie-woogie and country music, it caused people not to be able to sit still. They bounced up out of their seats, knocking over ropes, dancing together.

I was born in love with music. My mother is a singer, many of my aunts and uncles on my mother's side are musical, my grandparents sang and played blues piano. It's literally in my blood. My mother wrote an original song to teach me the days of the week.

I don't even think whether I play the blues or not, I just play whatever feels right at the moment. I also will use any gadget or device that I find that helps me achieve the sort of sound on the guitar that I want to get.

Some musicians play blues, others classical jazz or bluegrass. I like to play political roles because I can merge my political interests with my creative interests.

Growing up in the icy isolation of Hibbing, Minn., Dylan, who was still Robert Allen Zimmerman then, found comfort in the country, blues, and early rock 'n' roll that he heard at night on a Louisiana radio station whose signal came in strong and clear.

I'd been watching documentaries about early rock where white artists took 'race records' from blues and soul musicians to achieve mass appeal. I wanted to flip that and do an EP covering only white artists.

If you're an impressionistic painter and you want to paint expressionism, you've got to change. You've got to figure out a way to do it and do it. If you've been playing jazz all your life and you want to start to play rock n' roll, blues, then do it.

The blues, the way it's interpreted, is always a product of your environment, and so it's almost like food. You know, it's like you use the ingredients, and you use your life experiences that you have.

My big influences are Joni Mitchell, and a lot of classical and Indian music, as well as Nina Simone and the personal blues and jazz of Billie Holiday. Other influences for me include Bjork, Nick Drake, and Sufjan Stevens.

Spring is the fresh green of young corn and the pink blush of blossoms. Autumn contrasts the yellowed foilage with violet hues. Winter is the white of snow against its black forms ... Summer is the contrast of blues and the golden bronze of the corn.

Poor people have the blues because they're poor and hungry. Rich people can't sleep at night because they're trying to hold on to their money and everything they have.

My folks have played everything from rock, disco, pop, funk, and blues. My dad has always brought and played different genres like jazz, classical, and Latin. With all this in my pocket, I feel I have a taste of everything for my influences.

I was playing organ at a silent movie house at Harlem and they'd be showing some death scene on the screen. Likely as not, I'd grab a bottle and start swingin' out on 'Squeeze Me' or 'Royal Garden Blues'. The managers complained but, heck, they couldn't stop me!