Top 167 Des Moines Quotes & Sayings - Page 3

The favor of princes does not preclude the existence of merit, and yet does not prove that it exists. [Fr., La faveur des princes n'exclut pas le merite, et ne le suppose pas aussi.]

Il ne faut point donner d'esprit a' ses personnages; mais savoir les placer dans des circonstances qui leur en donnent. You should not give wit to your characters, but know instead how to put them in situations which will make them witty.

L'univers?je l'en estime plus depuis que je sais qu'il ressemble a' une montre; il est surprenant que l'ordre de la nature, tout admirable qu'il est, ne roule que sur des choses si simples. I have come to esteem the universe more now that I know it resembles a watch; it is surprising that the order of nature, as admirable as it is, only runs on such simple things.

A look of intelligence is what regularity of features is to women: it is a styule of beauty to which the most vain may aspire. [Fr., L'air spirituel est dans les hommes ce que la regularite des traits est dans les femmes: c'est le genre de beaute ou les plus vains puissent aspirer.]

In Comme des Garçons, I hardly do any sketches; there's no fittings on bodies, there's no models that come in and say, "Oh, a little bit like this." In the beginning, there isn't even a theme. It's like getting the whole world at your feet - to empty your mind of everything that's ever happened before, to get an empty space.

Fashion is made up of paradoxes. There was a key moment in fashion. When the Japanese first arrived - Comme des Garçons, Yohji Yamamoto, and all - I have to humbly admit that I didn't understand the importance of it at all. It was Jean-Jacques Picart who explained it to me. They had a huge influence in that they showed that aestheticism could be different from prettiness, that there was beauty and that beauty was beyond pretty.

Guilleaume left La Praline with a small bag of florentines in his pocket; before he had turned the corner of avenue des Francs Bourgeois I saw him stoop to offer one to the dog. A pat, a bark, a wagging of the short stubby tail. As I said, some people never have to think about giving.

Il y a deux sortes d'esprits, l'un ge ome trique, et l'autre que l'on peut appeler de finesse. Le premier a des vues lentes, dures et inflexibles; mais le dernier a une souplesse de pense e. There are two kinds of mind, one mathematical, the other what one might call the intuitive. The first takes a slow, firm, inflexible view, but the latter has flexibility of thought.

Inspiration and ideas only come to me when I have not had a woman in a very long time... Ballads, polonaises, even a whole concerto may have been lost forever up your des durka, I can't tell you how many. I have been so deeply engulfed in my love for you I have hardly created anything.

As the antagonism between those who possess, and those who do not, is becoming more acute day after day, we can already foresee a moment when it will bring about ("entraînera", Fr.) severe (big, high, intense, - "grands", Fr.) disasters, if we do turn (direct, aim, - "dirige", Fr.) life in time the social life in new directions (or ways, - "dans des voies nouvelles", Fr.)

Congratulation s to my friends and all the team of famous the Dance of the Vampires! As the Chagal of the German production, I'm so proud of you. The performance of Le Bal des Vampires - Le Musical was amazing and well done. Also bravo to director Roman Pola?ski. A huge success of the most successful and powerful director in the world. Great to be in the family of Chagal's of #? TdV 's!

6.4311 Der Tod ist kein Ereignis des Lebens. Den Tod erlebt man nicht. Wenn man unter Ewigkeit nicht unendliche Zeitdauer, sondern Unzeitlichkeit versteht, dann lebt der ewig, der in der Gegenwart lebt. Unser Leben ist ebenso endlos, wie unser Gesichtsfeld grenzenlos ist. 6.4311 Death is not an event of life. Death is not lived through. If by eternity is understood not endless temporal duration but timelessness, then he lives eternally who lives in the present. Our life is endless in the way that our visual field is without limit.

I was a guest at CalArts. John Baldessari invited me out a few times. I've been there. I've been in Pasadena, taught out at Boulder, University of Colorado. And I've taught in Europe. I've lectured and taught. I've taught at the École des Beaux-Arts in Nigne [sp]. I was there for a couple of weeks, I was there. I've taught all over - in Switzerland, Germany.

L'imagination est la reine du vrai, et le possible est une des provinces du vrai. Imagination is the queen of the truth and the possible is one of the provinces of the truth.

After the German occupation of Holland in May 1940, the last two dark years of the war I spent hiding indoors from the Nazis, eating tulip bulbs to fill the stomach and reading Kramers' book "Quantum Theorie des Elektrons und der Strahlung" by the light of a storm lamp.

We had a lot of difficulty in getting the French to accept the pyramid. They thought we were trying to import a piece of Egypt until I pointed out that their obelisk was also from Egypt and the Place des Pyramides is around the corner. Then they accepted it. The pyramid at the Louvre, though, is just the tip.

Wo die Liebe herrscht, da gibt es keinen machtwillen, und wo die macht den vorrang hat, da fehlt die Liebe. Das eine ist der Schatten des andern. Translation: Where love rules, there is no will to power; and where power predominates, there love is lacking. The one is the shadow of the other.

Fiona Bruce isn't some token middle-aged woman at the BBC. Alongside her, at 52, my former running partner Sophie Raworth is a familiar face on our screens, with enough energy to run the scorching desert challenge, Marathon des Sables, to celebrate her 50th.

L'imagination m'apportait des délices infinies. En recouvrant ce que les hommes appellent la raison, faudra-t-il regretter de les avoir perdues...? My imagination gave me infinite delight. In recovering what men call reason, do I have to regret the loss of these joys?

I am attached to an incredible script called 'Wonder Drug,' about the DES drug disaster. It's a female-based drama, and I am so proud to be a part of because hopefully it will help evoke change - not only in our industry, but in the battle again corruption in big pharma.

Que me voulez-vous?' said he in a growl of which the music was wholly confined to his chest and throat, for he kept his teeth clenched, and seemed registering to himself an inward vow that nothing earthly should wring from him a smile. My answer commenced uncompromisingly: - 'Monsieur,' I said, je veux l'impossible, des choses inouïes.

I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who's an illustrious director now, and it starred... Well, I was in it, Mandy Patinkin, Dianne Wiest, Saul Rubinek, and Maury Chaykin. It was an amazing show. But it was definitely ahead of its time, and people didn't quite get it.

Why are you worried about him? Des is a punk. (Urian) Desiderius is dead. Kyrian killed him. (Tabitha) Yeah, and I'm the Easter Bunny- see my fluffy tail? You don't just kill a Spathi, little girl. All you do is take him out of commission for a while. (Urian)

Mine was, as it were, the connecting link between wild and cultivated fields; as some states are civilized, and others half-civilized, and others savage or barbarous, so my field was, though not in a bad sense, a half-cultivated field. They were beans cheerfully returning to their wild and primitive state that I cultivated, and my hoe played the Ranz des Vaches for them.

Once I saw Desjardins’ house, I hated him even more. It was a huge mansion on the other side of the Tuileries, on the rue des Pyramids. “Pyramids Road?” Sadie said. “Obvious, much?” “Maybe he couldn’t find a place on Stupid Evil Magician Street,” I suggested.

Most men employ the first part of life to make the other part miserable. [Fr., La plupart des hommes emploient la premiere part vie a rendre l'autre miserable.]

Soyons fermes, purs et fidèles ; au bout de nos peines, il y a la plus grande gloire du monde, celle des hommes qui n'ont pas cédé. [Let us be firm, pure and faithful; at the end of our sorrow, there is the greatest glory of the world, that of the men who did not give in.]

In the past the French came to Germany less with the desire to understand it than with a zealous desire to interpret, to analyze it dispassionately something for which their training at the Ecole Normale Superieure or the Ecole des Hautes Etudes and the French language superbly equipped them to do.

On tue un homme, on est un assassin. On tue des millions d'hommes, on est un conquérant. On les tue tous, on est un dieu. Kill a man, and you are an assassin. Kill millions of men and you are a conqueror. Kill everyone, and you are a god.

Physiognomy is not a guide that has been given us by which to judge of the character of men: it may only serve us for conjecture. [Fr., La physionomie n'est pas une regle qui nous soit donnee pour juger des hommes; elle nous peut servir de conjecture.]

My initial plan was to spend a year in France, go to some kind of school and learn a bit of French. I went a year in an American college in the outskirts of Strasbourg, but got a glimpse of a real art school, L'Ecole des Arts Decoratifs, and enrolled the following year.

The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.

I had joined Yes in 1971. I was a classically trained musician who had worked with numerous artists as a session musician. I played on David Bowie's 'Life On Mars,' Cat Stevens's 'Morning Has Broken' and even on some Des O'Connor records, though I kept that quiet.

L'homme est ne pour la socie te ; se parez-le, isolez-le, ses ide es se de suniront, son caracte' re se tournera, mille affections ridicules s'e le' veront dans son coeur; des 274 pense es extravagantes germeront dans son esprit, comme les ronces dans une terre sauvage. Man is born to live in society: separate him, isolate him, and his ideas disintegrate, his character changes, a thousand ridiculous affectations rise up in his heart; extreme thoughts take hold in his mind, like the brambles in a wild field.

Des Bulpin discovered me and, along with my dad, would be the biggest influence on my career. I remember him telling me when I was 15 that Jermain Defoe and I would play together for England when we were older, and he hasn't been too far wrong.

What were the relations between the Jews and the secret societies? That is not easy to elucidate, for we lack reliable evidence. Obviously they did not dominate in these associations, as the writers, whom I have just mentioned, pretended; they were not necessarily the soul, the head, the grand master of masonry as Gougenot des Mousseaux affirms. It is certain however that there were Jews in the very cradle of masonry, kabbalist Jews, as some of the rites which have been preserved prove.

Ah, bien je prétends que les courbes des quatre areêtes du monument, telles que le calcul les a fournies, donneront une grand impression de force et de beauté. Well, I think the curves of the four pillars of the monument, as the calculations have provided them, give it a great sense of force and beauty.

La parole humaine est comme un chaudron fe" le o u' nous battons des me lodies a' faire danser les ours, quand on voudrait attendrir les e toiles. Human speech is like a cracked kettle on which we beat out tunes for bears to dance to, when all the time we are longing to move the stars to pity.

We worked six days a week [on the The Breakfast Club], so you have one day off. So on that Saturday night, it's not like we could all go out and have a drink because Molly [Ringwald ] and Michael [Hall] weren't old enough. And Ally [Sheedy] pretty much kept to herself. So Emilio and I, every Saturday night, would go into Chicago because we were shooting outside of Chicago in Des Plaines. It's so funny, because even though we might be adversaries in the film, we certainly weren't off-camera. He's a very funny guy.

Premie' re approximation: j'e cris pour de truire, en les de crivant avec pre cision, des monstres nocturnes qui menacent d'envahir ma vie e veille e. First general point: I write to destroy, by describing exactly the nocturnal monsters that threaten to invade my waking life.

When my father made 'Jean de Florette' and 'Manon des Sources' back to back, everybody said, 'Why two movies?' But you need two movies to show how criminality evolves, and to tell the story: You can't show a man in love with so many women in one big biopic.

Every blue-stocking will remain a spinster as long as there are sensible men on the earth. [Fr., Toute fille lettree restera fille toute sa vie, quand il n'y aura que des hommes senses sur la terre.]

The antagonism between nationalities will lose all its acuteness on the day when neither the iniquitous tendency to oppression and domination, nor the perpetual danger of the threatening preparations for war will exist. ("L'antagonisme entre les nationalités perdra toute son acuité le jour où n'existera plus la tendance inique à l'oppression et à la domination, ni le perpétuel danger des menaçants préparatifs de guerre. », Fr. ")

As I drove westwards along the A8, the purple hills of the Massif des Maures were rising towards a clear bluebell sky. Cradled within the Var between Frejus and Hyeres lies a bewitching hinterland, a low mountain range known in Provencal as Lei Mauro: the Sombre Ones.

Pastoureau combines a charming, conversational tone with a haughtiness I found entirely endearing. A director of studies at the Ecole Pratique des Hautes Etudes at the Sorbonne in Paris, he writes from a position of professorial confidence. He has conducted extensive research into the history of colour for a quarter century and his aim is to correct misapprehensions and banish ignorance. His style is not to inquire, explore or interrogate, in the fashion of academic studies today. It is to impart knowledge.

My mum was the most wonderful cook and our house was always full of delicious food and interesting people. I remember dad entertaining the likes of Des O'Connor and Bruce Forsyth. But what really shaped my childhood were the amazing Jamaican dishes that mum produced so effortlessly.

Civilization is an active deposit which is formed by the combustion of the Present with the Past. Neither in countries without a Present nor in those without a Past is it to be encountered. Proust in Venice, Matisse's birdcages overlooking the flower market at Nice, Gide on the seventeenth-century quais of Toulon, Lorca in Granada, Picasso by Saint-Germain-des-Prés: there lies civilization and for me it can exist only under those liberal regimes in which the Present is alive and therefore capable of assimilating the Past.