Top 206 Descriptions Quotes & Sayings - Page 3

In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you'll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball.

It takes talent to please the people in a sermon by a flowery style, a cheerful ethic, brilliant sallies and lively descriptions; but such a talent is inadequate. A better sort of talent neglects these extraneous ornaments, unworthy to be used in the service of the Gospel: such a preacher's sermon will be simple, strong and Christian.

One of the most important things about the geology on the moon is your descriptions of what you see, comparing them to things that you've seen on Earth so that the geologists and the scientists on the ground would know what you're talking about; and then take pictures of them.

When I taught writing classes to psychiatric patients, I met people whose stories of manic highs and immobilizing lows appeared to be textbook descriptions of classic bipolar disorder. I met other patients who had been diagnosed with myriad disorders. No doctor seemed to agree about what they actually suffered from.

Scientists often invent words to fill the holes in their understanding.These words are meant as conveniences until real understanding can be found. ... Words such as dimension and field and infinity ... are not descriptions of reality, yet we accept them as such because everyone is sure someone else knows what the words mean.

I like a novel to have a certain amount of dead time and filler - unremarkable scenery, descriptions of getting from point A to point B, dialogue in which not much is said - in between the parts that are electric. With a long work that you don't read in one sitting, I think that makes for the best reading experience.

The Master made it his task to destroy systematically every doctrine, every belief, every concept of the divine, for these things, which were originally intended as pointers, were now being taken as descriptions. He loved to quote the Eastern saying "When the sage points to the moon, all that the idiot sees is the finger.

Stories--from the literature of our culture to descriptions of our days to the lunatic's ravings--appear to be hardwired into us. Even in sleep we tell ourselves stories through our dreams, and it's been shown that those who are prevented from doing so cease to function.

The idea that hardware on networks should just be caches for movable process descriptions and the processes themselves goes back quite a ways. There's a real sense in which MS and Apple never understood networking or operating systems (or what objects really are), and when they decided to beef up their OSs, they went to (different) very old bad mainframe models of OS design to try to adapt to personal computers.

Habits of thought lead us to brush aside descriptions of cruelty to animals as emotional, for "animal-lovers only"; or if not that, then anyway the problem is so trivial in comparison to the problems of human beings that no sensible person could give it time and attention. This too is a prejudice - for how can one know that a problem is trivial until one has taken the time to examine its extent?

For generations, field guides to plants and animals have sharpened the pleasure of seeing by opening our minds to understanding. Now John Adam has filled a gap in that venerable genre with his painstaking but simple mathematical descriptions of familiar, mundane physical phenomena. This is nothing less than a mathematical field guide to inanimate nature.

I hate those endless descriptions of a heroine's physical attributes . . . it really bothers me how in books it seems like the only two choices are perfection or self-hatred. As if readers will only like a character who's ideal--or completely shattered.

The magical descriptions of Italy and hilarious observations about love, travel, natives and foreigners in Love in Idleness are but a few of its many pleasures. Amanda Craig has created a hot shimmery climate in which a cast of old friends, quirky family members and naughty children who make love potions come to know themselves and their hearts. A delightful brew.

Through Heaven's Gate and Back speaks to all of us that have been abused as children. Lee Thornton's descriptions of the aftereffects of repeated trauma and a profound Near-Death Experience (NDE) are not only true but explained in a way that the reader can take in. It is rare to find a book so well written that it has both sexual abuse and an NDE under one cover. We definitely will be recommending this book to our patients.

The challenge of abating one with a genuine ego problem is to not try to put him down. Any and all antagonization, in his mind, is merely compensated for by his own descriptions: his feelings of persecution by the envious and his ideals of worth. Arguably, the genuine ego is more of a circumstantial defense mechanism rather than a steady arrogance in need of starvation.

There is no point in being a responsible member of society, nor is there any point in being an irresponsible member of society. Both are very defined descriptions of selfhood

If the resurrection of Jesus cannot be believed except by assenting to the fantastic descriptions included in the Gospels, then Christianity is doomed. For that view of resurrection is not believable, and if that is all there is, then Christianity, which depends upon the truth and authenticity of Jesus' resurrection, also is not believable.

I mean not to accuse any one, but to take the shame upon myself, in common, indeed, with the whole parliament of Great Britain, for having suffered this horrid trade to be carried on under their authority. We are all guilty—we ought all to plead guilty, and not to exculpate ourselves by throwing the blame on others; and I therefore deprecate every kind of reflection against the various descriptions of people who are more immediately involved in this wretched business.

My greatest strength as a writer is that I'm a storyteller. But, it was a long, hard struggle for me to make the transition from verbally telling stories to writing them. You'll note I don't dwell on descriptions in my writing, because I'm far more interested in telling the story. There are many better writers in this world, but you'd be hard pressed to find anyone more passionate about stories than I am.

As a man may know about Africa either by going there personally or by reading descriptions written by travelers who have been there, so may he visit the super-physical realms if he will but qualify himself therefor, or he may learn what others who have so qualified themselves report as a result of their investigations.

The British are proud of their ability to create a muddle and then muddle through all difficulties. I must shake the British pride: muddle is not an exclusively British institution. Read descriptions, for instance, of the over-organized, wonderfully systematic and "thorough" German war machine during the last war.

Her pleasure in the walk must arise from the exercise and the day, from the view of the last smiles of the year upon the tawny leaves and withered hedges, and from repeating to herself some few of the thousand poetical descriptions extant of autumn-that season of peculiar and inexhaustible influence on the mind of taste and tenderness-that season which has drawn from every poet worthy of being read some attempt at description, or some lines of feeling.

Northern Sweden holds a special kind of magic. It's cold, lonely, and the people are tough and silent, or so the stereotype says. This is Asa Larsson's home turf and I find as much joy in reading her closely observed descriptions of the environment, as in following her intriguing plots.

When I first collected these authorities, I was desirous that every quotation should be useful to some other end than the illustration of a word; I therefore extracted from philosophers principles of science; from historians remarkable facts; from chymists complete processes; from divines striking exhortations; and from poets beautiful descriptions.

You can read a character that feels amazing, but if the world around it and all the writing around it - even the way the stage descriptions are written - don't feel just right, then you know there's no point in doing the project. No character is ever bigger than the whole film.

One of the fascinating things about researching Heaven and Hell is, of course, the fact that there are so few descriptions of Heaven, because most people can't really explain what it would be like beyond a couple of sentences, whereas Hell is quite often personal.

You look at the descriptions of Whitey by law enforcement during his early years, and they sum him up pretty well. He was the same guy 40 years later; he just had $40 million more, and had committed 40 more murders.

Studying the universe engages us in something bigger than ourselves. Science tries to describe, in terms we can only grasp intuitively, things that are beyond our intuition. . . . all we can hope for is that our physical descriptions, like a song or a good painting, are a faithful evocation of some ineffable truth.

There's nothing "wrong" with anything. "Wrong" is a relative term, indicating the opposite of that which you call "right." Yet, what is "right"? Can you be truly objective in these matters? Or are "right" and "wrong" simply descriptions overlaid on events and circumstances by you, out of your decision about them?

There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.

What makes screenplays difficult are the things that require the most discipline and care and are just not seen by most people. I'm talking about movement - screenwriting is related to math and music, and if you zig here, you know you have to zag there. It's like the descriptions for a piece of music - you go fast or slow or with feeling. It's the same.

'Jane Eyre' must have been something I read six or seven times as an early adolescent. And 'Kristin Lavransdatter,' and 'Lorna Doone' when I was younger. My parents had a pretty rich library, no jackets on any of the books, so no descriptions. You just pulled something off the shelf and started to read it.

All elongated objects, such as sticks, tree-trunks and umbrellas(the opening of these last being comparable to an erection) may stand for the male organ...Boxes, cases, chests, cupboards, and ovens represent the uterus...Rooms in dreams are usually women...Many landscapes in dreams, especially any containing breidges or wooded hills, may clearly be recognized as descriptions of the genitals.

Restaurants stress the protein. People read menu items left to right, with the protein first. I read descriptions right to left.

Estimates are that in 2012, more than 32 million books were available - the explosion, thanks to the ease of self-publishing; 2013 could see even more titles grace our virtual bookstores! That means we are going to be awash in covers and titles, plot descriptions and characters.

My needs were simple I didn't bother much with themes or felicitous phrases and skipped fine descriptions of weather, landscapes and interiors. I wanted characters I could believe in, and I wanted to be made curious about what was to happen to them. Generally, I preferred people to be falling in and out of love, but I didn't mind so much if they tried their hand at something else. It was vulgar to want it, but I liked someone to say 'Marry me' by the end.

I must discipline myself. I must be imaginative and create plots, knit motives, probe dialogue - rather than merely trying to record descriptions and sensations. The latter is pointless, without purpose, unless it is later to be synthesized into a story. The latter is also a rather pronounced symptom of an oversensitive and unproductive ego.

Nothing can be more striking to one who is accustomed to the little inclosures called public parks in our American cities, than the spacious, open grounds of London. I doubt, in fact, whether any person fully comprehends their extent, from any of the ordinary descriptions of them, until he has seen them or tried to walk over them.

I was brought up to understand Darwin's theory of evolution. I spent hours and hours in the Natural History Museum in London looking at the descriptions of how different kinds of animals had evolved, looking at the sequence of fossil bones looking gradually more and more and more and more like the modern fossil.

While there are corporal descriptions of what the afterlife is like in Christianity, Islam and Judaism, what's going on there is the finite trying to describe the infinite. If God knows everything, started everything and is the only one who knows how it's going to end, how can any human know what God wants?

the only real time as far as Buddhism is concerned is right now. Right now there is no old age or death because old age and death are descriptions of things as they are now when we compare them to things as they used to be.

By an application of the theory of relativity to the taste of readers, today in Germany I am called a German man of science, and in England I am represented as a Swiss Jew. If I come to be represented as a bête noire, the descriptions will be reversed, and I shall become a Swiss Jew for the Germans and a German man of science for the English!

How can love be worthy of its name if one selects solely the pretty things and leaves out the hardships? It is easy to enjoy the good and dislike the bad. Anybody can do that. The real challenge is to love the good and the bad together, not because you need to take the rough with the smooth but because you need to go beyond such descriptions and accept love in its entirety.

I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.

All the stories and descriptions of that time without exception peak only of the patriotism, self-sacrifice, despair, grief, and heroism of the Russians. But in reality it was not like that...The majority of the people paid no attention to the general course of events but were influenced only by their immediate personal interests.

If you're seen as beautiful or sexy then your only options in terms of character descriptions are beautiful, sexy, cute - and that's it. And that affords you a certain amount of opportunity but that opportunity ultimately leads to a spark, never a flame.

Let's say I find a lot of current American fiction too overwritten for my tastes, too self-conscious; I like something that's simpler and more direct. The story is what matters to me. I hope to make it seem real to readers, as if it happened just like this - so I don't want fancy descriptions getting in the way.

If you are deaf, you need captions for spoken elements. If you are blind, you need voiced descriptions of Web contents and spoken renderings of e-mail. The range of physical disabilities is very large, and we need many different tools to overcome the consequential barriers to Internet use. Let us commit ourselves to truly assuring that the Internet really is for everyone.

Our normal expectations about reality are created by a social consensus. We are taught how to see and understand the world. The trick of socialization is to convince us that the descriptions we agree upon define the limits of the real world. What we call reality is only one way of seeing the world, a way that is supported by social consensus.

But when I went to Hiroshima and began to study or just listen to people's descriptions of their work, it was quite clear they were talking about death all the time, about people dying all around them, about their own fear of death.

Siobhan said that when you are writing a book you have to include some descriptions of things. I said that I could take photographs and put them in the book. But she said the idea of a book was to describe things using words so that people could read them and make a picture in their own head.

The apportionment of taxes on the various descriptions of property is an act which seems to require the most exact impartiality; yet there is, perhaps, no legislative act in which greater opportunity and temptation are given to a predominant party to trample on the rules of justice. Every shilling which they overburden the inferior number is a shilling saved to their own pockets.

The greater the scientist, the more he is impressed with his ignorance of reality, and the more he realizes that his laws and labels, descriptions and definitions, are the products of his own thought. They help him to use the world for purposes of his own devising rather than understand and explain it.

An American professor complained that a crypto-Marxist like me was invited in the USA, and I was denounced by the press in Eastern European countries for being an accomplice of the dissidents. None of these descriptions is important by itself; taken together, on the other hand, they mean something. And I must admit that I rather like what they mean.

So near are the boundaries of panegyric and invective, that a worn-out sinner is sometimes found to make the best declaimer against sin. The same high-seasoned descriptions which in his unregenerate state served to inflame his appetites, in his new province of a moralist will serve him (a little turned) to expose the enormity of those appetites in other men.

People tend to hold on to their first impressions - that's why those first descriptions can be so important. You don't even necessarily look at people that carefully after a while; you just hold on to that early impression.

When you graduate is when you start to find yourself looking at the information in the audition breakdown and it says tall black African - or African-American built such and such. And you start seeing these character descriptions and seeing that, oh, you're only going in for the ones that are described as your look.

What appear to be the most valuable aspects of the theoretical physics we have are the mathematical descriptions which enable us to predict events. These equations are, we would argue, the only realities we can be certain of in physics; any other ways we have of thinking about the situation are visual aids or mnemonics which make it easier for beings with our sort of macroscopic experience to use and remember the equations.

The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power, or those who still believe that language is 'only words' and that an old language is good enough for our descriptions of the world we are trying to transform.

I used to pile on the detail, which was probably a way of hedging my bets while I was working out my own way of doing things. I've cut it back over the years, but some of the descriptions can still be still pretty dense. So the answer is somewhere between fairly detailed and maybe too detailed. Fortunately, people are seeing the final pages and not my raw script.