Top 1200 Designer Quotes & Sayings - Page 17

Explore popular Designer quotes.
Last updated on December 22, 2024.
Is the 'black designer' label there to warn everyone not to have the same level of expectations for me, or is it some type of prize? I just want to work in an even playing field where I can get press for my work and not just my race and my personal views on it.
I wanted to be a designer since I was a kid, and I was always attracted to the way rock stars dressed and the way their girlfriends dressed. I always thought that they were the most interesting people.
I would want like, model-slash-actress-slash-designer-slash-mother-slash... cook! I just like having my finger in loads of pies all the time. — © Daisy Lowe
I would want like, model-slash-actress-slash-designer-slash-mother-slash... cook! I just like having my finger in loads of pies all the time.
I'm really a nightmare for the fashion designer because I take away all of his authority, and I become the authority, and I turn him into my assistant. You could say I intervene, and I intervene in a very determining way in all the aspects that have to do with the visual construction of the film.
For me, it's not about being the best designer. I'm interested in being the best partner. The best collaborator.
Topshop is one of my favourite shops, and I love shoes by Giuseppe Zanotti. There's a graduate fashion designer called Kate Falcus who makes me beautiful commissioned pieces - one of my favourites was the white Glastonbury dress she made me with the puffy skirt.
My plan was to model and pay the rent and then intern with designers and work on the other side of the industry however I could, but then it just got to be too much, especially with casting, fashion week, and also working for a fashion designer.
I'm a designer, and I work very hard at that. People sometimes want to put down fashion by saying it's frivolous or superficial, but it's not that way at all. It's actually very hard work.
It's funny when I hear people complain - particularly about the most fabulous parts of being a designer, like when you're getting ready to work on a show. I don't even know that I'm tired. I could stay up for six days straight! No drugs, no coffee, no nothing. I'm just so excited.
Photography obviously lends itself so well towards fashion. It's capturing that moment and that inspiration, and as a designer you are constantly walking through the world assimilating those visual references you have and so being able to solidify that into a photograph and keep it on your mood board is essential to creating a collection.
I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being.
If I wasn't a designer, I would love to be a doctor. That is my fantasy, my dream. A doctor will give you a tablet if you have a headache, and I will give you a dress, and we both make you feel good.
Halston was one of the hardest-working designers I have come across. The way he cut, moulded, manipulated and draped fabric was inspiring. I was submerged into the Halston subculture alongside Andy Warhol, Liza Minnelli, Elizabeth Taylor and Truman Capote. They shaped who I have become as a designer.
The life of a designer is a life of fight: fight against the ugliness.
For me, it doesn't matter if I am wearing a dress designed by a renowned designer or a regular dress. How I am carrying myself in it is what matters to me the most. I must feel complete in that outfit.
The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing.
Our co-founder and company president, Jim Levy, came from a record industry background and understood the marketing and promotion of artists as well as products. So the video game business went from absolutely zero designer credit to something approaching rock star promotion.
To make good films, you have to have a good relationship and good collaboration as composer-director, composer-editor, composer-production designer-actor because you're working with the actors on screen.
Designers can show us a better future, can present us with all kinds of new possibilities so that we can decide: Is this what we want? Before any of that can happen, though, the designer must first commit—by taking what is just a faint glimmer in the mind’s eye and giving it shape and life.
You need to be curious one way or another as a designer. Your eye has to stay curious. I look at people and think about how they live. I think about bodies.
I think I'm a whole lot to handle. I definitely am, on every aspect. I'm the video director. I'm the graphics designer. I'm the rapper. I'm the visionary. I'm the music producer. I'm the executive producer. I'm just going to end it off to be poetic: I'm the future of music.
Intelligent Design is a remarkably uncreative theory that abandons the search for understanding at the very point where it is most needed. If Intelligent Design is really a science, then the burden is on its scientists to discover the mechanisms used by the Intelligent Designer. (80)
If I wasn't a designer I would love to be a doctor. That is my fantasy, my dream. A doctor will give you a tablet if you have a headache and I will give you a dress and we both make you feel good.
I'm not obsessed with the idea of doing what you're supposed to be doing when you're a rapper. Walking around with cash that you haven't even provisioned for tax. Spending all of your time in the designer store to create some weird impression. I'm not interested, bro. I just like making music, and that's it.
Michael Bastian is a designer line and priced a certain way because of where it's made and the materials we use, and Gant is the more accessible version of that: more sports-inspired, more branding. It has the same DNA; it's just a different time and place.
As a designer, when someone wears my clothes, the biggest compliment I can receive is that the woman looks amazing because my designs have flattered her, not taken over her. I take that philosophy to heart myself each morning when I am getting ready for the day.
I would love to persuade Christopher Bailey to get even just a section of Burberry that's, like, organic or free trade. I love him, he's a very good person and an amazing designer, and I have a lot of respect and time for him.
As a designer, you've always got to push yourself forward; you've always got to keep up with the trends or make your own trends. That's what I do.
As for Instagram, I follow about 100 people, but I am not interested in what a designer is doing or what a friend of a friend is doing. I upload my photos on Instagram.
From since I could remember I've always been an artist, drawing, painting and so forth. I would also always draw made up rock n' roll characters in a band who each had their own style and personalities. I think by accident I was already becoming a fashion designer.
The media is looking every season for a designer to tell a story. I have a long story I have to tell, continuing fluently year after year.
Each individual garment has its own customizations based on a collaboration between us and the designer. We say what we think our woman wants, and they say, 'This is what we think we can do with our production.'
We've taken on health care in a big way in our office, ever since nine years ago when I was paralyzed. I was in eight different hospitals, three different rehab centers, and all the rooms were dreadful. As an architect, designer, and patient, I can do something to help.
Torrid was that company that I went to as a plus-sized kid. They're the ones that kind of got me out of my shell and gave me the confidence that I needed to experiment with my wardrobe, and they really inspired me to become a plus-size designer.
Maybe it's because I'm a designer, but when I am in a state of excitement, everything is so sharp and colorful and amazing, and I can look at blue and I see the yellow in it and the green in it, and the green-blues, the yellow-blues, so.
I always wanted to be a fashion designer and I learned costume illustration in high school. That was an incredible high school. It was more like a college. I'm moving more in that direction, just kind of merchandising my name.
...and motioned me toward a spot next to a middle-aged Moroi in a very formal and very designer black suit. The suit screamed, I'm sorry the queen is dead, and I'm going to look fashionable while showing my grief
In my opinion, Armani, better than any other designer, does great things for the female form. And a pair of Levis does great things for the male physique. Not that I look. — © Sandra Brown
In my opinion, Armani, better than any other designer, does great things for the female form. And a pair of Levis does great things for the male physique. Not that I look.
I'm not a designer, I'm a sifter. I can sift everything, all the time. My sift level lines keep shaking all the time for everything that is around.
To me, graphic T-shirts are the most important and most expressive format for a designer or a person. Your taste in graphic tees says a lot about your point of view.
I never expected to be a model. I never expected to be a stylist. Or a designer.
Becoming a fashion designer is agreeing with the fact that what you experience or what you see as free is also connected to a system. Does that mean giving up your freedom? I still don't know the answer. There's a very different kind of psychology going on in the fashion scene than in art.
I'll be so excited to take my daughter to her first fashion show, but I think, for her, it's best to wait until she's old enough to appreciate it. Or, at least, until she can pronounce the designer's names!
People make you feel like a bad guy for asking for seven quid for your album, like you are slapping them in the face, when they'll go and pay two grand for a scarf somebody knitted in a sweat shop and stitched a designer label on.
When I was a child I loved my dolls and I was practically born with a needle in my hand. I really had an aptitude for sewing - my mother taught me. I even learned to embroider when I was very young and I made the most fantastic dresses for my dolls. So I thought I could be a designer.
When I was a kid, I really wanted to be a writer and an artist when I grew up. So in college, I was an English major, and then I became a fine artist. But when I arrived in San Francisco in 1995, I figured I could leverage my artistic skills by becoming a Web designer and programmer.
People always think that designers hate each other. And we're certainly a competitive lot, but we also enjoy each other's company. No one else knows what you're going through other than another designer.
I don't say I create. I copy, of course. I've never been interested in the point of view of the tailor or creator. Fashion is a visual impression. This is why I often refuse the name of fashion designer. It's a superficial, stupid job. The social-psychological aspect is more interesting.
What a designer does is he makes things possible that you didn't imagine could exist before, and it makes the world a better place. You know, it's a great thing to be doing. A fine artist does that, too, but they make the expression for themselves, not for others' use.
I don't call myself an 'industrial designer,' because I'm other things. Industrial designers want to make novel things. Novelty is a concept of commerce, not an aesthetic concept.
I wonder if I would have been less organic of a designer without my background. Maybe I would be more academic about designing, more methodical. I want things to be a certain way, and I'm very precise, but school itself wasn't that relevant for me.
A catwalk show is just how it's done; it's just what you do - it's central to the presentation of a collection. It will be a very brave designer who gives up the catwalk entirely in favour of a digital show.
I'm part of the first generation who grew up with manga [comics] and anime [animation], you know, after 'Godzilla.' I was absorbed with Ultraman on TV and in manga. The profession of game designer was created really recently. If it didn't exist, I'd probably be making anime.
Sneakers are a new era. Anyone can feel new with a new pair of shoes. They make you feel contemporary. It's fun because I'm not a young designer, and it opens my brain. Hip-hop isn't just for the U.S. Everyone loves it.
The main thing we thought was lacking in the luxury market were basic pieces that could break up an outfit so you didn't feel like you were totally dressed in one designer. You could add some ease and comfort, tone it down.
I'm not a designer, I'm a creator. To me, it's always been about collaboration, I've never studied styling or fashion. As far as I'm concerned, it boils down to common sense: have fun, more importantly have fun with your friends and keep a global view on what you're doing.
In 'Fable 1,' the number of features was more important to me than what the features did. And as a games designer I've come to realize that it's not the number of features you have, it's the way that those features interact.
We are finally entering an exciting time in medicine where we have the technology to custom-tailor treatment and preventive protocols just as we'd custom-tailor a suit or designer gown to one's individual body. But it all begins with you. You have to know yourself in a manner that you've probably never done before.
Good design is also an act of communication between the designer and the user, except that all the communication has to come about by the appearance of the device itself. The device must explain itself.
I personally have no shame in saying I am extremely interested in fashion. I am not as interested in trends. I won't go on Style.com unless I'm looking for stuff to wear to an event, or there's a designer I am interested in.
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