When things aren't working out, we have a tendency to say, 'Go do other things,' but you shouldn't do other things. You need to stay at your desk and continue to try to write. You need to insist on it.
I was nominated at first by a group called Justice Democrats. They were trying to essentially field non-corporate candidates in the 2018 midterm election. They were looking for people with a history of community service, and my name had come across their desk, and they called.
County library? Reference desk, please. Hello? Yes, I need a word definition. Well, that's the problem. I don't know how to spell it and I'm not allowed to say it. Could you just rattle off all the swear words you know and I'll stop you when...Hello?
Successful writers say you should never work from a desk with a view, and the view I have from this one is a huge distraction. There's a garden bursting with fresh vegetation, and just beyond the high wall at the end of it, I can see the sign of the local pub across the road. Distractions, eh? I'm so easily led.
We're not militant, but there are certain things that are absolutely secret. There was a pilot printed on red paper, and I read everything on my iPad and have a scanner on my desk for these purposes. I scanned in the script, and red paper script scans in perfectly fine.
I have bougainvillea and a magnolia tree outside my window. Not that anything will ever beat the view I had from my desk window in my little farmhouse in Nebraska. Just a dirt road stretching out as far as you could see, with prairie grass on either side.
In my perfect imagination, with stern discipline I rise with the first bird, salute the dawn, have a healthy breakfast of fruits, wander over to my faux-oak desk, tap the On button on my Macbook Air, acknowledge the muse, and skip into the world where the story flows over the day and into the night.
My morning begins with trying not to get up before the sun rises. But when I do, it's because my head is too full of words, and I just need to get to my desk and start dumping them into a file. I always wake with sentences pouring into my head.
I compose with bells a lot. Bells and breath. Both things you react to without thinking about it. Bells traditionally give us orders: come to the desk, the truck is backing up, the ice cream is here, it's time to go to church. They're sounds our brains are already associated with.
The deadlines are much, much longer with books. When I was a reporter, a lot of times I'd come in at 8:30 a.m., get an assignment right away, interview somebody, turn the story in by 9:30, and have the finished story in the paper that landed on my desk by noon.
When things aren't working out, screenwriters have a tendency to say, "Go do other things," but you shouldn't do other things. You need to stay at your desk and continue to try to write. You need to insist on it.
I've got friends who are so good at getting away with things, like going up to the desk to get upgraded on a plane, for example. I haven't got any of that kind of confidence in those situations. I look so awkward. I act awkward. I'm really apologetic.
There's no question in my mind of the value in technology in fueling young minds. Like any other tool, if you simply throw it in the classroom and don't consider how best to take advantage of that tool, and you try the old ways with a new piece of technology on the desk, it's no panacea.
Mad Hatter: “Why is a raven like a writing-desk?” “Have you guessed the riddle yet?” the Hatter said, turning to Alice again. “No, I give it up,” Alice replied: “What’s the answer?” “I haven’t the slightest idea,” said the Hatter
When somebody was looking in my locker, it was like going in my desk. Somebody happened to be looking in my locker when they shouldn't have been.
Many a forenoon have I stolen away, preferring to spend thus the most valued part of the day; for I was rich, if not in money, in sunny hours and summer days, and spent them lavishly; nor do I regret that I did not waste more of them in the workshop or the teacher's desk.
I enjoy what I do every minute of the day, even when the going gets tough. When I first began writing, I used to work at a desk in the bedroom, of a small development house. My three sons all under the age of 3 would come running in and out of the room every minute.
Take Milton Friedman, he sits at his desk pontificating about such bunk as the monetary system being the answer to our problems. The monetary system is a legal contrivance. Property, not money, is real wealth. It's physical, not legal.
I didn't want to be behind a desk. I didn't want to do a normal job. I had made my mind up. I became despondent prematurely. I had my mid-life crisis when I was 16. I suppose I'd agree with that. But acting has helped me develop a lot in my private life.
At the start of my two years at Juventus, I had big plans for the club, but it turned out that the Intertoto Cup was the only medal in my desk drawer when finally they told me to pack my bags. We started the first season really well, and Conte was so important for me.
I never got to play with Art [ Blakey], but he was kind and spoke to me a number of times. He said, "You know, the people who are working 40 hours a week. Those are the ones who are really paying dues. Sitting at a desk doing the same thing every day. We're really blessed to do what we do."
As a child, I was always a sucker for anything in miniature, and it didn't have to be a dress: a desk, a Matchbox truck. Perhaps a childhood attraction to shrunken but compellingly realistic facsimiles is commonplace, if only because children themselves are compellingly realistic facsimiles of the giants who rule their world.
Establish a closing ritual. Know when to stop working. Try to end each work day the same way, too. Straighten up your desk. Back up your computer. Make a list of what you need to do tomorrow.
Now I don't drink, and I get up in the morning and I write in my diary, and I can write in my diary for hours if I feel like it. And I'm still sober so I can write the stories that I'm working on, and I can sit at the desk as long as I need to. So that changed a lot, I think.
Louis B. Mayer and I got along like a house afire. He never chased me around his desk or tried anything with me. Of course, he never gave me any good parts, either.
Prior to Saving Private Ryan I never worked with men. I was always working with some babe, and it was always about falling in love, and it just got turned around. I'm not looking for any particular kind of story. I wait until it comes across my desk.
Jay Prince is a real gangster. He ain't hiding behind a desk talking. He is the true living definition of what a gangster is. If you wanna see the truth and what gangster really is, that's what Jay Prince is.
I'd just woken up from a nap, it was around 6:30 in the evening. I was eating some shrimp crackers at my desk. Then I get a call from an unknown number in Burbank, California and my heart immediately skips a beat because I know the Disney home office is in Burbank.
On the first day of school, you got to be real careful where you sit. You walk into the classroom and just plunk your stuff down on any old desk, and the next thing you know the teacher is saying, 'I hope you all like where you're sitting, because these are your permanent seats.'
I'd rather do manual labor than sit behind a desk. And as my grandparents got older, I'd fly out there and help out around the farm. We'd tear barns down; we'd build barns. I'd rather be outside rolling hay or driving the tractors.
I don't know where my ideas come from, but I know where they come to. They come to my desk, and if I'm not there, they go away again.
How I envy writers who can work on aeroplanes or in hotel rooms. On the run I can produce an article or a book review, or even a film script, but for fiction I must have my own desk, my own wall with my own postcards pinned to it, and my own window not to look out of.
But you now, you wear your soul on your sleeve, exhausting your energy, propping yourself up on a tree, mumbling, or bent over your desk, asleep. Heaven gives you a form and you wear it out by pointless argument.
I'm quite an untidy person in a lot of ways. But order makes me happy. I have to have a clear desk and a tidy desktop, with as few visual distractions as possible. I don't mind sound distractions, but visual ones freak me out.
I think that the joy of writing a novel is the self-exploratio n that emerges and also that wonderful feeling of playing God with the characters. When I sit down at my writing desk, time seems to vanish. ... I think the most important thing for a writer is to be locked in a study.
I loved journalism until the day my journalism teacher, a man I revered, came by my desk and said, 'Are you planning on going into journalism?' I said, 'Yeah.' He said, 'I wouldn't.' I said, 'Well, why not?' He said, 'You can't make a living.'
Bush explained his strategy for transfer of power. It's a two part plan. Part one: clean out his desk. Part two: rent a U-Haul.
Everyone who is educated today wants to sit at a comfortable desk under a fan and live in an air-conditioned house surrounded by a garden, coming and going in an American car as wide as the street. If we do not tear out this disease by the roots we shall have with us a bourgeoisie that is in no way connected with the reality of our life.
Every day I would wake up and think, 'Today is another missed opportunity to do something important.' After enough days like this, you start feeling like you are getting old, even when you are relatively young. We are all natural entrepreneurs, and being manacled to a desk job is not for us.
I never really have to sit at a desk thinking, "What should I do now?" It doesn't work like that for me, and it never has. My thinking process is constant. The difference is that once I was in Antwerp only doing two men's shows a year. And the weird thing is I thought I was busy then.
Faith ... is a conscious apprehension of something inevident, something which unlike this desk and this chair is not seen to be there, even if it enters into the fabric of our personal relations to reality with at least as much force, relevance, and moment as things which are seen to be there.
What will die with me the day I die? What pathetic or frail image will be lost to the world? The voice of Macedonio Fernandez, the image of a bay horse in a vacant lot on the corner of Sarrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?
You can’t go back. Can’t fix what broke. But you can go forward. And every step matters. Every one makes a difference.” She pushed away from the desk, cupped his face in her hands. “From where I’m standing, you’re the best step I ever took.
I lose things. I write things and they disappear from my desk, my life. I move a lot. I wanted to gather them and put them under one roof, under one cover, so I could document my life in a series of snapshots.
Before the iPhone, cyberspace was something you went to your desk to visit. Now cyberspace is something you carry in your pocket.
Your core holds you upright; it helps you bend and twist and jump; it helps you transfer power through your body; and it strengthens your posture, whether you are batting, sitting at a desk or running around a park.
So many times each day we support each other informally without ever becoming 'helper' or 'helped.' Perhaps we're finding an article of clothing for a partner, cutting bread for one of the children, collecting the mail for the person at the next desk, holding the coat for someone at a restaurant.
It was my responsibility that this world got itself an atom bomb, because there were only a handful of nuclear physicists in the thirties - only a handful. And we were all beating the desk and saying "How wonderful it will be if we discover atomic fission."
I would rise, monk-like, at 6 A.M., speak to no one, make tea, and go immediately to my desk from which I didn't move until frills appeared around the edges of my eyes or I heard the sound of a wine bottle being uncorked. It would give the wrong impression to describe these as Writing Days.
The secret to life is to put yourself in the right lighting. For some, it's a Broadway spotlight; for others, a lamplit desk. Use your natural powers -- of persistence, concentration, and insight -- to do work you love and work that matters. Solve problems. make art, think deeply.
Many aspects of the writing life have changed since I published my first book, in the 1960s. It is more corporate, more driven by profits and marketing, and generally less congenial - but my day is the same: get out of bed, procrastinate, sit down at my desk, try to write something.
Everyone that works behind a desk wants to know how many bones I've broken and how much money I make. It seems that people who've never experienced the excitement of sport seem to think the only thing worth taking risks for is money.
While you, the leader, can teach many things, character is not taught easily to adults who arrive at your desk lacking it. Be cautious about taking on reclamation projects regardless of the talent they may possess. Have the courage to make character count among the qualities you seek in others.
In fact, I spent 25 years as a reporter, swearing I would never become an editor. Sitting at a desk, watching other people go out and find the story, and then fussing with other people's words - I just didn't get the appeal of that.
When I'm writing a novel, which is what I like to write, I get up early, sit zazen, make a pot of green tea. I wear wrist cuffs to keep my wrists warm and minimize irritation from extended contact with the surface of my desk. I sit down and write.
I love sitting at my desk and facing a quiet day with a pen in my hand, and putting myself into a story. It's kind of weird, isn't it? I mean, to absent myself from real life and make up stories is strange, but I started doing this when I was ten years old. It was all I wanted to do.
I have a lot of great racing memories growing up in Europe as a young boy - playing with car parts on my dad's desk, watching the races on Sunday afternoons to try and spot him on TV, even having the chance to go to Formula 1 races where he was working.
For years I kept a sign on my desk that helped me maintain the right perspective concerning yesterday. It simply said, 'yesterday ended last night.' It reminded me that no matter how badly I might have failed in the past, it's done, and today is a new day.
To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.
Lazy Line Painter Jane - it was an insane way to make a record! It was just in a church hall, no separate rooms for instruments, and a crappy digital desk, and I think it's fantastic. I think it's one of the best records we ever made. But if you actually said that to a professional recording engineer or producer they'd laugh at you.
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