Top 942 Desk Quotes & Sayings - Page 14

I was living under a desk in West Hollywood. It was a closet that I shared with another comic. I was shocked when they called me to come in to try out for the show. The chances of me getting on a TV show and winning it is like one-in-a-million. I had only been doing comedy for six years at that point, so I was basically considered an open mic-er or maybe a feature act once in awhile.

At exactly fifteen minutes past eight in the morning, on August 6, 1945, Japanese time, at the moment when the atomic bomb flashed above Hiroshima, Miss Toshiko Sasaki, a clerk in the personnel department of the East Asia Tin Works, had just sat down at her place in the plant office and was turning her head to speak to the girl at the next desk.

This famous quote hangs over my desk, as well as the desks of many people with the hubris and optimism to believe they can change the world for the better. It seems implausible, yet time and again history has proven it true. Virtually every major shift in cultural history can trace its origins to the work of a small group, often gathered around an innovative thinker or body of thought.

Baba dropped the stack of food stamps on her desk. "Thank you but I don't want," Baba said. "I work always. In Afghanistan I work, in America I work. Thank you very much, Mrs. Dobbins, but I don't like it free money."...Baba walked out of the welfare office like a man cured of a tumor.

I have a library room with four desks in it. On one of them is a spec, on one of them is a present work, on one of them is reading for a future work, on another desk is a novel I'm not doing until I'm a hundred and fifty, and things like that. But, contractually speaking, you just do one at a time when it's on and paid and live. You do your real day on one project and the rest is just literary life. Or intrusions.

To be a writer is to sit down at one's desk in the chill portion of every day, and to write; not waiting for the little jet of the blue flame of genius to start from the breastbone - just plain going at it, in pain and delight. To be a writer is to throw away a great deal, not to be satisfied, to type again, and then again, and once more, and over and over...

At my first Olympics, I didn't have a contract, and I wasn't making any money. After my first Olympics, I was working at 24 Hour Fitness at the front desk. I would go to practice in the morning, run home, shower, grab some food and then go straight to work. I didn't get off of work until 10 or 11 o'clock at night.

An aptitude test established architecture as an alternative [career]. But what decided the matter for [Teddy Cruz] was the sight of a fourth-year architecture student sitting at his desk at a window, drawing and nursing a cup of coffee as rain fell outside. 'I don't know, I just liked the idea of having this relationship to the paper and the adventure of imagining the spaces. That was the first image that captured me.

Young Baby Boomers were forced to play duck-and-cover in school, in hopes that a desk would protect them from an atomic explosion. It was all bullshit, and they knew it. They were questioning the entire adult establishment, and that was the root cause of juvenile delinquency. It was also the root cause of EC's success; kids were looking for ways to numb themselves to this horror that they felt.

Regard yourself as a small corporation of one. Take yourself off on team-building exercises (long walks). Hold a Christmas party every year at which you stand in the corner of your writing room, shouting very loudly to yourself while drinking a bottle of white wine. Then masturbate under the desk. The following day you will feel a deep and cohering sense of embarrassment.

If you sit at your desk and reach and grab a cup of coffee, you don't look directly at the cup, focus on it, and get your fingers lined up before grabbing the coffee. In real life, you reach for a cup that you see out of the corner of your eye, and when you feel it, you know you can grab it.

Sometimes to write you need to do more than just appear at your desk-you need to take care of the part of you that dreams and imagines and creates. Reading can usually do this for writers, but sometimes you also need to watch films, listen to music, go to an art museum, or see a play. Or just sit outside and soak up the sky.

I sit at a table close to his desk. Ivy is in this class. She sits by the door. I keep staring at her, trying to make her look at me. That happens in movies - people can feel it when oother people stare at them and they just have to turn around and say something. Either Ivy has a great force field, or my lazer vision isn't very strong.

They don't make poles long enough for me want to touch Microsoft products, and I don't want any mass-marketed game-playing device or Windows appliance near my desk or on my network. This is my workbench, dammit, it's not a pretty box to impress people with graphics and sounds. When I work at this system up to 12 hours a day, I'm profoundly uninterested in what user interface a novice user would prefer.

When traveling, I usually keep a notebook: when home at my desk, the notebook serves mainly to remind me how little I saw at the time, or rather how I was noticing the wrong things. But the notes do spur memories, and it's the memories I trust. The wine stain on the page may tell me more than the words there, which usually strike me as hopelessly inadequate.

If you haven't noticed yet, working sucks. Unless you are a racecar driver or an astronaut or Beyonce, working is completely and utterly devoid of awesome. It is hard, it lasts all day, the lighting is generally fluorescent, and, apparently, drinking at your desk is frowned upon. If you ever needed to ruin someone's fun, I mean really poop a party, just move things to the workplace. Fun terminated.

In the days that follow, he begins to remember things about Moushumi, images that come to him without warning while he is sitting at his desk at work, or during a meeting, or drifting off to sleep, or standing in the mornings under the shower. They are scenes he has carried within him, buried but intact, scenes he has never thought about or had reason to conjure up until now.

My first job was with the Burns Detective Agency. They sent me over to the East River to guard coal barges during these god-awful hours like three to six in the morning. It wasn't a very difficult job -- all I had to do was make a round every fifteen minutes -- but it turned out to be a great environment for writing. I was completely alone in a little outhouse with an electric heater and a little desk.

I met journalists that were on both sides of things. People who are young, enthusiastic and hard working journalists working on the online side and people who had been there forever. There was one journalist who had running shoes under her desk in case she had to kick of her heels and go out and cover a breaking news story.

I never regard my characters, my protagonists, as personifications. It's not that I sit by my desk and I pick up a character who will be the spokesperson of the Israeli Left, another one will be the spokesperson of the Right, another one will be the spokesperson of Middle Eastern Jews, European Jews, religions Jews and so on.

I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.

In fact, a very similar phrase was invented to account for the sudden transition of wood, metal, plastic and concrete into an explosive condition, which was "nonlinear, catastrophic structural exasperation," or to put it another way--as a junior cabinet minister did on television the following night in a phrase which was to haunt the rest of his career--the check-in desk had just got "fundamentally fed up with being where it was.

I do have a treadmill desk in my office, and for a while, I would walk on it while checking email and going through jokes. I haven't walked on it in probably four months. Now it's more of an upright dining table for me. At some point, moss will grow over it, birds will build nests, and nature will reclaim the treadmill as its own.

I phoned the KKK Grand Wizard David Duke in Louisiana and asked why my membership was being delayed. He said my application was on his desk and promised to deal with it personally. It was the first of many conversations with David Duke. We talked about his family, the weather, and about his political ambitions.

In luggage claim at the Minneapolis airport, the guy came up to me and said, "Maybe you're wrong, maybe stories do matter." I wrote that on a scrap of paper and put it above my desk. That was the thing that pushed me through to the end of telling Despereaux, that comment, "Maybe they do...maybe stories matter."

The Chinese say that you should never, ever buy a used desk unless you know the history of it. They claim that if it belonged to a bad businessman, his karma will befall you. This one here belonged to President Kennedy. So what do you think that means? (Randy) I don’t know, but if I were you, I wouldn’t ride through Dallas in a convertible in November. Bad feng shui. (Steele)

Of all the forms of exercise that I have done, Power Plate® training is the most concise. If I start my session at 9.30am, I know I can be at my desk by 10.15am and I can even fit in a workout before rehearsals. Power Plate® exercise is not at all intimidating, and I know that in a short session I have had a complete workout.

If you want to write and can't figure out how to do it, try this: Pick an amount of time to sit at your desk every day. Start with twenty minutes, say, and work up as quickly as possible to as much time as you can spare. Do you really want to write? Sit for two hours a day.

I went to art school... but I worked at the Museum of Modern Art. I worked in fundraising at the information membership desk. I ended up, over a period of time, doubling the amount of membership revenue that came in through people entering the museum, so people would ask me to come and work for them.

Albert and I would spend hours and hours looking at them. Cleo had this big magnifying glass on his desk, and we'd find centipedes and grasshoppers and beetles and potato bugs, ants . . . and put them in a jar and look at them. They have the sweetest little faces and the cutest expressions. After we'd looked at them all we wanted to, we'd put them in the yard and let them go on about their business.

Even at the time—twenty years old—I said to myself: better to go hungry, to go to prison, to be a tramp, than to sit at an office desk ten hours a day. There is no particular daring in this vow, but I have not broken it and shall not do so. The wisdom of my grandfathers sat in my head: we are born for the pleasure of work, fighting, love, we are born for that and nothing else. (Guy de Maupassant)

I really didn't realize the librarians were, you know, such a dangerous group. They are subversive. You think they're just sitting there at the desk, all quiet and everything. They're like plotting the revolution, man. I wouldn't mess with them. You know, they've had their budgets cut. They're paid nothing. Books are falling apart. The libraries are just like the ass end of everything, right?

The summer has seized you, as when, last month in Amalfi, I saw lemons as large as your desk-side globe-that miniature map of the world-and I could mention, too, the market stalls of mushrooms and garlic bugs all engorged. Or I even think of the orchard next door, where the berries are done and the apples are beginning to swell. And once, with our first backyard,I remember I planted an acre of yellow beans we couldn't eat.

From a productivity perspective, prioritization is key. And it's very easy to focus on clearing the decks of minutia, especially when one's very busy. It's almost easy to want to sit down at your desk when you have a free five minutes and try to clear out some of the incoming emails rather than strip things strategically and foundationally and ask about what the most important objectives for you and the company are.

I remember when I went to a gallery in Paris at one point, they had drawings of earthworks set in different places. I asked the person sitting at the gallery desk where these works were - where in France they could be found. She looked at me in horror as if I'd asked something completely insane. She said, "Well, of course, these works don't actually exist. They're concepts."

The secret of it all, is to write in the gush, the throb, the flood, of the moment – to put things down without deliberation – without worrying about their style – without waiting for a fit time or place. I always worked that way. I took the first scrap of paper, the first doorstep, the first desk, and wrote – wrote, wrote…By writing at the instant the very heartbeat of life is caught.

DEMON MATH What is JUST in a world you've ripped in two as if there could be a half for me a half for you what is FAIR when there is nothing left to share what is YOURS when your pain is mine to bear this sad math is mine this mad path is mine subtract they say don't cry back to the desk try forget addition multiply and i reply this is why remainders hate division.

This is very rare for anyone in life to pursue something and that thing being the thing you actually most want to do. It's all about the inner, rather than the outer. Whether people like or don't like my work, read it or don't read it, it's just been a gift from the gods that I've been able to sit at my desk for the last almost 50 years and do the things I've wanted to do.

Mr. Pickwick took a seat and the paper, but instead of reading the latter, peeped over the top of it, and took a survey of the man of business, who was an elderly, pimply-faced, vegetable-diet sort of man, in a black coat, dark mixture trousers, and small black gaiters; a kind of being who seemed to be an essential part of the desk at which he was writing, and to have as much thought or sentiment.

Never before have I written so long a letter. I'm afraid it is much too long to take your precious time. I can assure you that it would have been much shorter if I had been writing from a comfortable desk, but what else can one do when he is alone in a narrow jail cell, other than write long letters, think long thoughts, and pray long prayers?

I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile? At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.

The philosopher stands at his desk in the lecture hall, and demonstrates away the soul of man, and with exact thought measures out his atoms and resolves him back to gas and air. But the revolutionary, below in the crowd, hears, and only translates what he hears thus to his brethren: 'Let us drink while we may; property is robbery; this life is all; let us kill and eat; there is no God.

Getting fired can produce a particularly bountiful payday for a CEO. Indeed, he can 'earn' more in that single day, while cleaning out his desk, than an American worker earns in a lifetime of cleaning toilets. Forget the old maxim about nothing succeeding like success: Today, in the executive suite, the all-too-prevalent rule is that nothing succeeds like failure.

I don't know what it is that makes a writer go to his desk in his shut-off room day after day after year after year unless it is the sure knowledge that not to have done the daily stint of writing that day is infinitely more agonizing than to write.

You've got to create a dream. You've got to uphold the dream. If you can't, go back to the factory or go back to the desk.

I work seven days a week and I work about 12 hours a day, from the beginning of September to about the end of May; the school year. I take two days off, Christmas and New Year's, Thanksgiving sometimes - two and a half. And the result is that I bonded myself to my desk.

The Democratic line is that the Republican House does nothing but block and oppose. In fact, it has passed hundreds of bills only to have them die upon reaching the desk of Senate Majority Leader Harry Reid. He has rendered the Senate inert by simply ensuring that any bill that might present a politically difficult vote for his Democratic colleagues never even comes to the floor.

I know, you've been here a year, you think these people are normal. Well, they're not. WE'RE not. I look in the library, I call up books on my desk. Old ones, because they won't let us have anything new, but I've got a pretty good idea what children are, and we're not children. Children can lose sometimes, and nobody cares. Children aren't in armies, they aren't COMMANDERS, they don't rule over forty other kids, it's more than anybody can take and not get crazy.

I couldn't get myself to read the want ads. The thought of sitting in front of a man behind a desk and telling him that I wanted a job, that I was qualified for a job, was too much for me. Frankly, I was horrified by life, at what a man had to do simply in order to eat, sleep, and keep himself clothed. So I stayed in bed and drank. When you drank the world was still out there, but for the moment it didn't have you by the throat.

As writers, our craft makes us sit alone at a desk and hammer away at our novel. Doing that day in and day out makes it really easy to forget that there's a whole community of writers out there, and they love contributing to other writers' success!

Writing is not a job or activity. Nor do I sit at a desk writing for inspiration to strike. Writing is like a different kind of existence. In my life, for some of the time, I am in an alternative world, which I enter through day-dreaming or imagination. That world seems as real to me as the more tangible one of relationships and work, cars and taxes. I don't know that they're much different from each other.

Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books . . . books . . . books. . . .

Now, here we are, and we have Obama in office, and he has drawn down forces in Iraq - which is a plan that was on Bush's desk the day that he left office. The forces in Afghanistan, he's going to draw down, too. But at the same time, Obama has also expanded a lot of the more unsavory, covert aspects of the wars, with the drone strikes and some of the night-raid missions.

Over the years, I've found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.

In the most basic way, writers are defined not by the stories they tell, or their politics, or their gender, or their race, but by the words they use. Writing begins with language, and it is in that initial choosing, as one sifts through the wayward lushness of our wonderful mongrel English, that choice of vocabulary and grammar and tone, the selection on the palette, that determines who's sitting at that desk. Language creates the writer's attitude toward the particular story he's decided to tell.

A large group of us were crowded into the Gestapo hall, and at that moment the circumstances of all our lives were the same. All of us occupied the same space, the men behind the desk no less than those about to be questioned. What distinguished each of us was only our inner attitude.

I don't think that there's a guy behind the desk at every newspaper saying "No, woman" and sending her on her way, but that's what's systemic about it, right, like that people don't quite realize that maybe they're attracted to a male op-ed more than a female op-ed, or because of networking they know this person from going out to a bar with them.

Charlotte slammed the paper down onto her desk with an exclamation of rage. “Aloysius Starkweather is the most stubborn, hypocritical, obstinate, degenerate—” She broke off, clearly fighting for control of her temper. Tessa had never seen Charlotte’s mouth so firmly set into a hard line. “Would you like a thesaurus?” Will inquired. “You seem to be running out of words.

We boast of our system of education, but why stop at schoolmasters and schoolhouses? We are all schoolmasters, and our schoolhouse is the universe. To attend chiefly to the desk or schoolhouse while we neglect the scenery in which it is placed is absurd. If we do not look out we shall find our find schoolhouse standing in a cow-yard at last.

When I go to a library and I see the librarian at her desk reading, I'm afraid to interrupt her, even though she sits there specifically so that she may be interrupted, even though being interrupted for reasons like this by people like me is her very job.