Top 995 Desktop Publishing Quotes & Sayings - Page 11

We've been publishing the TechStars data fully since the beginning on TechStars.com. For every single company, you can see if it's a failure, success, how much they raised. Entrepreneurs deserve that sort of transparency from accelerators, and it's not hard to do.

I have a theory that you can tell what the head of a company is like by the people who work there. I knew a publishing house that was run on fear and paranoia, and I felt sorry for everyone who worked there. Needless to say, the person at the helm was not known for kindness, warmth, or grace.

The press doesn't stop publishing, by the way, in a fascist escalation; it simply watches what it says. That too can be an incremental process, and the pace at which the free press polices itself depends on how journalists are targeted.

The goal is to become the central hub of publishing, where we have all the written material - user-generated and professional. We want to be the place where people can publish instantly to their audiences... and to get there, it's just about doing things step by step.

I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.

No nation ancient or modern ever lost the liberty of freely speaking, writing, or publishing their sentiments, but forthwith lost their liberty in general and became slaves.

Australian SF book publishing has undergone a boom recently, and sometimes it's easier for new writers to sell a book to a local publisher first, which then makes a US edition more likely.

The publishers, as I remember at the very beginning of my career, wrote letters with their fountain pens. A letter is different from a phone call or fax. It's a different kind of intimacy. That pervaded the entire business of writing and publishing.

Despite what you hear about the publishing industry being a fixed game that you can only get in if you know somebody, I'm here in person to tell you it ain't so. If your stuff is really any good, sooner or later some editor will take a chance on you.

At every writers' conference, you have the opportunity to hear from best-selling authors, top literary agents, and excellent editors who will demystify the publishing industry and give you great advice, no matter where you are in your writing career or what you're currently struggling with.

He was the editor of our paper. He created the publishing house in Hebrew. He was - I wouldn't say the 'guru' - but really he was our teacher and a most respected man. I wrote for the paper of the youth movement.

I was brought up in a publishing home, a newspaper man's home, and was excited by that, I suppose. I saw that life at close range and, after the age of ten or twelve, never really considered any other.

In publishing The First Man I said to myself, 'this is going to be awful,' but awful from the point of view of the criticism. I'm not afraid of [Albert] Camus' public. I'm afraid of what will be written in the papers.

Part of my impetus to get famous is to have access to printed matter. I love all the stuff like postcards, books, little things. I can make my own zines, but it just helps if you've got somebody behind you publishing things.

So forget about blogs and bloggers and blogging and focus on this - the cost and difficulty of publishing absolutely anything, by anyone, into a global medium, just got a whole lot lower. And the effects of that increased pool of potential producers is going to be vast.

One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.

Our first manager really pushed that we not sell our publishing rights, which is one of the earliest things an artist will do: They'll sell in order to get a cash advance.

When I started as a writer, I knew nothing about publishing-nothing about anything!

It's fun to see someone grow as a writer, moving from their first workshopped poems to publishing their earliest poems to having a book accepted for publication. It's great to see poets with persistence succeed.

I think having power ingrains people with a conservatism. There's a tendency to hedge one's bets. (Which explains a lot, actually, about why the movie business is the way it is, and why the publishing industry is too.)

Because the Internet is so new, we still don't really understand what it is. We mistake it for a type of publishing or broadcasting, because that's what we're used to. So people complain that there's a lot of rubbish online, or that it's dominated by Americans, or that you can't necessarily trust what you read on the Web.

Google helps us sort the Internet by providing a sense of hierarchy to information. Facebook uses its algorithms and its intricate understanding of our social circles to filter the news we encounter. Amazon bestrides book publishing with its overwhelming hold on that market.

For seven years I wrote and published my texts on the Internet and no Arab festival invited me and no Arab publishing house wanted to publish my books, and I wasn't known in the Western world because of my political positions.

I think publishing is a cost of research in the same way as buying a centrifuge is a cost of research.

But I guess the first time I made career money was signing a publishing deal when I was still at uni. That was when I waited to tell my mum that I was dropping out, which was half-way through my first year.

If you think of India in the 1980s, there weren't many writers in English around. The ones that were there, Amitav Ghosh or Vikram Seth, were living abroad or publishing from abroad.

If you look at the publishers I've worked with, generally, they're a great bunch. Creation is unlike any other publishing house you can think of. The people I've worked with have integrity and intelligence and, almost always, less money than ideas.

Marc Almond has done a couple of covers, a few people in Europa have done them. I own all the publishing. It's never really been addressed, as I haven't had the time to go out and tout the songs.

I want to record many albums, have a healthy record label with talented artists, keep building my publishing catalogue, and maintain our culture with good music that will be remembered for years to come.

But I account the use that a man should seek of the publishing of his own writings before his death, to be but an untimely anticipation of that which is proper to follow a man, and not to go along with him.

I love being a worship leader, but because I'm also a record company owner, a publishing company owner and a brand developer, I have an economic and a fiscal responsibility as well.

The majority of the wealth of human knowledge is owned by a few publishing companies that hoard information and make billions off licensing fees, although most scholarly articles and journals are paid for by taxpayers through government grants.

He was the editor of our paper. He created the publishing house in Hebrew. He was - I wouldn't say the "guru" - but really he was our teacher and a most respected man. I wrote for the paper of the youth movement.

Since my first novel was rescued from a slush pile, it makes me sad that most publishing houses no longer accept unsolicited manuscripts. Nor are many willing to take chances on novels that are not deemed immediately "marketable."

I certainly think that the publishing houses have to learn more about this informal network of literary blogging and get over the idea that sending an author on a book tour - to Dallas, Houston, Los Angeles - is a successful model anymore.

I don't take investment advice from wealth managers. I have grown several businesses from scratch and amassed many millions from my publishing empire - why would I take advice from someone who has never experienced that?

The thing about having true fans, it seems, is that they remain loyal to their idea of what the work meant to them. And that might make them more exacting than the toughest studio executive or publishing boss.

I've always felt writing is an art. Publishing is a business. I felt strongly if I was going to write, I would write what I wanted to, and if the 'market' didn't respond, there was nothing I could really do about it.

Electronic distribution is more of a fall-back strategy for putting out a book that isn't deemed profitable enough to print. You hardly make any money publishing an electronic book.

Print-on-demand publishing is the new farm system for new voices in fiction. Authors who have compelling things to say, who can market their stories in compelling ways, will succeed.

I like people a lot, but I am not comfortable in literary New York situations. There is deep anxiety and tension around success here. I don't share problems I'm having about my work, and I think conversations around publishing are boring.

Truth is, people like buying things for $0.99 and $1.99 for their digital devices. We know that from iTunes. We know that from the app store, and now we know that from publishing.

I wrote and produced millions and millions of selling records, so my publishing company alone was worth millions of dollars. I didn't have to work anymore in life because when the rappers started sampling... I'm the most sampled artist in history.

I have no trouble publishing in Soviet astrophysical journals, but my work is unacceptable to the American astrophysical journals.

I don't mind your thinking slowly; I mind your publishing faster than you think.

In 1981, Ms. Ebtekar was made editor-in-chief of the English-language newspaper 'Kayhan International.' The man who gave her the job was Mr. Khatami, who was then head of the Kayhan publishing house.

Writing is rewriting. A writer must learn to deepen characters, trim writing, intensify scenes. To fall in love with the first draft to the point where one cannot change it is to greatly enhance the prospects of never publishing.

Publishing had been successful where there had been natural geographic monopolies.

I have no desire to write fiction. I did what I did, and it's done. There's more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date.

I loved publishing; I loved working in the book industry, but I've been writing pretty much nonstop since I was 19. I realized very early on that I would need a day job, and I wanted one that was in books.

I don't agree with the way labels are set up. I don't agree that anyone should sign 360 deals or sign away their publishing or take most of the infrastructure that's included in a formal deal.

I record all my speeches and have DTP prints of them. When I happened to read the speeches compiled I thought it made for an interesting read. This set to me thinking on publishing it in book form.

It's my belief that you should never show your work to anyone in the publishing world until it shines like a diamond. Rough drafts don't shine, as a rule. Mine certainly didn't. That's why I was rejected for years and years.

Just as the web democratized publishing and development, Bitcoin can democratize building new financial services. Contracts can be entered into, verified, and enforced completely electronically, using any third-party that you care to trust, or by the code itself.

I noticed you the first week. Not just because of how pretty you are, though of course, that played into it. It was the way you lean onto your elbows when you 're listening in class, when something catches your interest. And when you laugh, it's never to get attention, it's just-laughter. The way you obssevively tuck your hair behind your ear on the left side, but let the right side fall down like a screen. And when you 're bored, you tap your foot soundlessly and move your fingers on the desktop like you 're playing an instrument. I wanted to sketch you.

I've always liked the tradition of publishing work serially in the comic-book 'pamphlet' format and then collecting that work in book form, so I've just stuck with it.

Fame, money and the size of the market are not very important to me. What is, is writing a book that is worth doing and then publishing it. I don't write books for entertainment, for people to pass the time then throw away.

It [eBook] is like introducing the machine gun to a revolutionary war. It changes everything. If you can reach your fans directly without having to go through a middle man, the entire economics of the publishing business changes.

Given the current state of publishing, I think it helps to have a brand name on the cover of your book. Comedians are proven commodities with built-in audiences. They may not have the writing chops of a Dave Eggers, but they're salacious and funny and self-reflective.

When I was submitting my first novel, I had no idea that publishing scams existed. I never encountered any, but I could have - and knowing how easily I might have been taken advantage of makes me determined to protect others from falling into that trap.