Top 995 Desktop Publishing Quotes & Sayings - Page 9
Explore popular Desktop Publishing quotes.
Last updated on December 12, 2024.
Because publishing is becoming more business-oriented each day with more examination of the bottom line, it's harder to break out than ever.
I was so naive about writing, I went to the public library and checked out the only volume they had on the topic - an academic treatise about publishing from the WWII era.
The year 2015 brought me so many further chances to spread the word about human rights violations in North Korea, from addressing the United Nations to publishing my autobiography.
I knew very early what I wanted to do, and I considered myself lucky to know that's what I wanted, even in a place like Saint Lucia where there was no publishing house and no theatre.
I've been here 21 years, and I literally did walk up and down Music Row trying to break into the business. I felt very free to go into any publishing company.
The formation of the News America Publishing Group will lead to greater editorial excitement, new business opportunities and greater efficiencies and coordination.
The Southern Ground warehouse is rocking and rolling in Atlanta, with a T-shirt shop and a leather shop; everything we're selling at our shows we're making or publishing ourselves.
I began illustrating children's books because of a growing disillusionment with the sort of work I was doing in the advertising industry. Book publishing offered me the chance to be far more creative.
The liberty of thinking and publishing whatsoever each one likes, without any hindrances, is not in itself an advantage over which society can wisely rejoice. On the contrary, it is the fountainhead and origin of many evils.
Not only are unpaid internships exploitative, they're one of the main forces keeping publishing in this country a primary white middle-class industry, which has a direct knock-on effect on what gets published and how.
My grief is that the publishing world, the book writing world is an extraordinary shoddy, dirty, dingy world.
The publishing industry is an archaic and inefficient industry.
I'm always amused when people point out that Benjamin's naivety about the publishing process is just so unbelievable in Starborn #1 since, of course, no aspiring writer in reality could ever be so naive.
To read a book, to think it over, and to write out notes is a useful exercise; a book which will not repay some hard thought is not worth publishing.
So long as readers keep reading and my publishers keep publishing, I plan to keep on writing. I'd have to be an idiot to be burnt-out in this job.
Publishing parental pay benefits will let employers show that they're family-friendly and enable them to better attract talent, potentially spurring on some very healthy competition.
My family was very unsure, and they told me to have a 'plan B' - until I did my publishing deal at 21 for over a million dollars. Then I tattooed my neck to prove I'll never become a lawyer.
So, while I gave up the notions of publishing at that time, I never stopped editing and refining that book. A few years later, in 1987, I thought I had it ready to go out again.
I'm very privy to the way bookstores work, and I think a lot about the ecosystem that my books have been published in. I think it's great to be aware of how publishing works.
The first accepted piece of writing is the most exciting. No other publishing experience matches it. Perhaps jaundice sets in, or expectations are raised, or one starts to think that one is better than is the truth.
Today's marketing success comes from self-publishing web content that people want to share. It's not about gimmicks. It's not about paying an agency to interrupt others.
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
I had a lot of space as a kid. My mother worked with human rights for the government, and my dad had a book publishing company, but they weren't really musical.
Most people quit. If you don't quit, if you rewrite, if you keep publishing in fancier places, you will understand that "What's the secret?" is not the question, which is, "Are you having fun?"
In 2008, when I wrote Book 1 and Book 2, the head of the publishing house suggested twelve books - one each month. For practical reasons, that didn't work out.
Since signing up to Think Act Report, the majority of members are taking more action and publishing more information on gender equality.
I think that the practice of writing every day was what made me remember that writing doesn't have anything to do with publishing books. It can be totally separate and private - a comforting thought.
I have advice for new writers, first of all, at any time in the history of publishing in my experience, there will be endless number people telling you that you can't do what you are trying to do. You won't succeed, there's something else you should be doing.
When I was 16 I started publishing all kinds of things in school magazines. My main feedback came from my English teacher, Miss Bessie B. Billings, who said, 'I can't understand this at all, dear, so it must be good.
I think that writing texts, publishing texts, selling texts in a physical book store is one of the important tools for breeding this new generation.
I started publishing stories in small magazines early on, but after seven or eight or nine years you feel like you need a little more than that to show for your efforts.
In some ways, getting published in children's literature is a little more open than publishing adult literature. It's less hinged on who you might know.
I was spoiled growing up in the 1970s because magazines were publishing the photographs of Helmut Newton and Guy Bourdin without compromise. You really felt that sense of freedom through their images.
I realized very young that I loved reading and wanted to do something related to books/reading for a living. I didn't think of publishing, really, until I was out of college.
When I started publishing my work, one of the biggest surprises to me was the recurring question about my background and why I wasn't doing more stories about Asian-Americans.
The magazine was being started by a company that had no experience in business magazine publishing. It was a little difficult to get people to sort of buy into it and to join the staff, but we did.
There is a marvelous peace in not publishing ... I like to write. I love to write. But I write just for myself and my own pleasure.
I have taught Philosophy, Religious Studies, English Literature, Cultural Studies, Writing and Publishing Studies, Critical Thinking.
Even in my side of the world, I've been in publishing for what, 25 or 26 years, and it's gone from being a gentlemen's club to being a few big players, and it's very corporatised.
Tin House magazine is a port in the storm for people who love language. It is unfailingly excellent, and committed to publishing new voices in addition to delivering freaky-fresh work from established writers.
I wouldn't encourage new writers to start off publishing through electronic media... it still isn't wide enough for the readership they would need to get a good start.
It was a great time to be born, because I got to have my own publishing company right from the beginning, so I made more money than somebody would have doing what I did ten or fifteen years before.
I wouldn't encourage new writers to start off publishing through electronic media... it still isn't wide enough for the readership they would need to get a good start
To write what is worth publishing, to find honest people to publish it, and get sensible people to read it, are the three great difficulties in being an author.
Nobody sells books like J.K. Rowling. We have a rule in publishing: Never compare anything to 'Harry Potter' because it's like lightning in a bottle.
Publishing is a very mysterious business. It is hard to predict what kind of sale or reception a book will have, and advertising seems to do very little good.
I write slowly by hand. Publishing is effectively bankrupt for you unless you are Danielle Steele. It takes a year to write book and advances are going down or disappearing.
I took the process of doing as much myself as I could like a duck to water. I set up my own label and publishing, etc, and it was a fun learning curve two decades ago.
That's a lonely place when you think that nobody wants to work with you, but in reality, what it is is they're just wanting to see you get good enough to get a publishing deal or to be a professional songwriter.
I did a lot of freelance desk publishing jobs when I graduated from college. I sort of earned a living doing that while I was writing plays, which was what I wanted to do. My hope was to become a playwright.
Male critics and men in the publishing industry want from their women writers what they want from their wives. I'm interested in presenting characters that are more challenging, threatening, complicated and unpredictable.
Thank god magazines like 'Heat' weren't around in our day. The thought of someone catching you unawares on a beach and publishing photos of your cellulite... it's so hurtful, causes so many problems.
Johnson Publishing has been built on filling a need for African-Americans. This is what's happening with E Style. There was nothing that addressed the specific needs of African-American women.
I learned a lot of things about literature talking to people at the publishing company. Did you know that about 90 percent of celebrity autobiographies are ghostwritten?
I have a problem with censorship by the lawyer - by legal people by the publishing firm, and I may be changing publishers. They don't seem to want to take too many risks with living people.
A lot of influencers who have made the pivot to publishing, they tend to be ghostwritten, they tend to be younger. It's a little bit of an uphill battle by nature of coming from YouTube.
The publishing industry stopped having new ideas out of respect for the untimely death of Ernest Hemingway in 1961 and has been doing everything the same way ever since.
When I went into the publishing industry, many women talked about the difficulty they had in persuading their families to let them go to college. They educated the boys, and the girls had to struggle.
I couldn't really experience being an author when I was still working in publishing - I was trying to negotiate being both. Sometimes the knowledge doesn't translate between the two roles.
I always tell students that writing a poem and publishing it are two quite separate things, and you should write what you have to write, and if you're afraid it's going to upset someone, don't publish it.
