Top 1200 Details Quotes & Sayings

It's true I didn't get a fair trial, but the problem is people don't understand the details. It is important to understand the details of the trial and why I'm not guilty under the charges that were brought against me.

Don't start with the details. Start with the key ideas, and in a hierarchical fashion, form the details around these larger notions.

I pick up the details that drive the organization insane. But sweating the details is more important than anything else.

When you're in a place, the details you focus on are different than details you focus on when you're writing about it.

They say that God is in the details. Then again, they also say that the Devil is in the details. Boy, talk about awkward.

I think the most important thing journalism taught me is to mine for details. The details are key. You can't try to be funny or strange or poignant; you have to let the details be funny or strange or poignant for you.

This makes his writing very pleasing to read: João Gilberto Noll pays attention to detail, but only to certain details. And it's never easy to foresee which details will send the narrator or the plot in an unsuspected direction.

Suddenly, details seemed extremely important. Details were something to grab on to, a way to insert myself into the story.

Just as our brains fill in the details of an image our eyes record only roughly, so, too, do our brains employ tricks we are unaware of to fill in details about people we don't know intimately.

When we encounter new details of our world we fill in more of the spaces. When we discover details that don't seem to fit with our view of the world, we have a kind of "crisis of faith," even if our worldview is not especially religious. We're forced to redraw our "map" a bit.

When I'm filling notebooks I'm trying to pin down what I'm really interested in and to find those details that are so hard to come by, details that I can look at and believe are right on the mark. Things which bring a novel to life. They can take a while to come.

I pick up the details that drive the organization insane. But sweating the details is more important than anything else

The detail adds an element of unexpected something. All fiction is false; what makes it convincing is that it runs alongside the truth. The real world has lots of incidental details, so a painting also has to have that element of imperfection and irregularity, those incidental details.

When you see an object, it seems that you see it as an entire thing first, and only afterwards do its details follow on. But for people with autism, the details jump straight out at us first of all, and then only gradually, detail by detail, does the whole image float up into focus.

One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out.

Whatever I do, whether it's cooking shows, books or events, the details count and that's what sets me apart from other food TV personalities. If you take out the details what's left?

People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.

Remember that the truth is in the details. No matter how you see the world or what style it imposes on your work as an artist, the truth is in the details. Of course the devil's there, too-everyone says so-but maybe truth and the devil are words for the same thing. It could be you know.

I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.

I'm very into details, so I watch movies just for the details.

Short stories can be rather stark and bare unless you put in the right details. Details make stories human, and the more human a story can be, the better.

I'm not interested in being gratuitously relatable and broadening out what I do in order to reach more people. When I'm going into specific details of the trauma, I think it's the details that connect with people. I'm accidentally relatable - I didn't mean to be, and I didn't think I would be. It feels like what I'm saying on stage is quite shameful and possibly perverted; so for other people to be laughing and go, "Oh, yes, we understand that. We are like that too," is very lovely.

The details are details. They make the product. The connections, the connections, the connections. It will in the end be these details that give the product its life.

Emotions are the sums created by details, whether those details are true or not.

It is one of the ironies of biographical art that some details are more relevant than others, and many details have no relevance at all.

Movies are details. Movies are billions of details that come into a certain moment. So with all the years and months and weeks and days and minutes of preparation, then finally you're shooting and it all comes down to these moments when you're shooting, which is sort of insane when you think about it. The details make a difference.

Just as a man is fulfilled through working out the intricate details of solving a problem, a woman is fulfilled through talking about the details of her problems.

The elements of a good story are most definitely details, little bitty details. That does it, especially when you're describing, when you're setting the scene and everything. It's like you're painting a picture, so details are very important. Also, the music gotta be right. The music can really set the tone for the story and let you know what the story is gonna be about, but definitely, it's the vibe in the place where you at and the detail.

I've heard it said that God is in the details. It's the same with the truth. Leave out the details, the crucial heart, and you can damn someone with the bare bones of it.

I would almost say that in our solo activities there is an overarching line of thought that is Porter Ricks itself. Our solo work delivers the details. So occasionally we have to go back to our corners and study and research these details to be able to bring it back into the Porter Ricks project, and into the dialogue.

My heart belongs to the details. I actually always found them to be more important than the big picture. Nothing works without details. They are everything, the baseline of quality.

Forgetting your mission leads, inevitably, to getting tangled up in details-details that can take you completely off your path.

I don't beat at the details, but I do always keep in mind that anything that isn't A) moving the story forward or B) enlarging my understanding of the central characters has to be sacrificed. I have huge folders of details - research - with a story like Netherlands. Only a very small part of it gets used. The old iceberg analogy again.

I am interested in details. If you go into anything far enough, you get into the details of it, and people turn out to be interested in what makes things work.

One should absorb the colour of life, but one should never remember its details. Details are always vulgar.

The devil's in the details. The way I view my job is to bring the reader into a world they otherwise could not enter and let them see it through the character's eyes. And you can only do that with detail. The details make the characters distinct from one another. If you can give them those little grace notes, those little touches, that's what makes the reader relate.

You probably think of the orchestra as a heterogeneous mass of instruments producing a confused agreeable mass of sound. You do not listen for details because you have never trained your ears to listen to details.

People's live are expressed in little details....The soap in the bathroom, the flowers in the garden, the books on the bedside table are all strong symbols of a life in progress. You look at these details and a world unfolds - here are their books, the paintings they cherish, the music that soothes their souls.

I do look into the details, but I think all women are like that, they like to look into minute details, isn't it?

I think fiction isn't so good at being for or against things in general - the rhetorical argument a short story can make is only actualized by the accretion of particular details, and the specificity of these details renders whatever conclusions the story reaches invalid for wider application.

As little boys, my brother and I used to spend hours with my grandmother, asking her about the details of how she came to America. She could only give us a smattering of details, but they all found their way into our collective imagination, eventually becoming a part of our own cultural identity and connection to the past.

The Negro. The South. These are the details. The real story is the universal one of men who destroy the souls of other men (and in the process destroy themselves) for reasons neither really understands. It is the story of the persecuted, the defrauded, the feared, and detested. I could have been a Jew in Germany, a Mexican in a number of states, or a member of any 'inferior' group. Only the details would have differed. The story would be the same.

I believe C++ instills fear in programmers, fear that the interaction of some details causes unpredictable results. Its unmanageable complexity has spawned more fear-preventing tools than any other language, but the solution should have been to create and use a language that does not overload the whole goddamn human brain with irrelevant details.

Women notice details that most men don't. They notice if your belt and shoes match. They notice what kinds of foods you like to eat. They notice all the details, then make assumptions about every other area of your life based on these details.

Are the details of our lives who we are, or is it owning those details that makes the difference?

There's a tendency at the senior and middle-manager level to be too big-picturish and too superficial. There is a phrase, "The devil is in the details." One can formulate brilliant global strategies whose executability is zero. It's only through familiarity with details - the capability of the individuals who have to execute, the marketplace, the timing - that a good strategy emerges. I like to work from details to big pictures.

If one is but secure at the foundation, he will not be pained by departure from minor details or affairs that are contrary to expectation. But in the end, the details of a matter are important. The right and wrong of one's way of doing things are found in trivial matters.

Power lies in the details, and the tenacious pursuit of such hidden levers can pay off enormously. While you don't want to get a reputation as a prissy worrywart, worrying about the details in private is important. You may think you are the world's greatest speaker, but if the auditorium's sound system is singing static - well, forget it.

There is force and vitality in a first sketch from life which the after-work rarely has... In your sketches keep the first vivid impression! Add no details that shall weaken it! Look first for the big things! 1st. Proportions! 2nd. Values - or masses of light and shade. 3rd. Details that will not spoil the beginnings!

In proportion as man approaches the outer rim, he becomes lost in details, and the more he is preoccupied with details, the less he can understand them.

For each detail I include, I throw dozens away. So I guess the first trick is to pick the right details, the most revealing details. Then I think one must simply write quick, clean, bright prose. For me, this means rewriting and rewriting: almost never adding, almost always cutting.

There are little details in everything you do, and if you get away from any one of the little details, you're not teaching the thing as a whole. For it is little things which, together, make the whole. This, I think, is extremely important.

Streamlined time details are especially important, because by having to take a close look, we discover new things. Because of this, details will remain part of the building in the mind's eye

The details are not the details. They make the design.

Many oriental cultures make a distinction between two ways of looking - 'hard eyes' and 'soft eyes'. When we look with hard eyes, we see specific details with sharp focus, but we don't see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don't see all the details as clearly. It's possible to look in two ways at once.

There are details within details within details to anchor you in the fact that we are talking about the real world, not an illustrated children's book fantasy world.

I think I have a very detailed sense of observation. I am interested in the details of people's lives and what information these details give.

In a sense, knowledge shrinks as wisdom grows, for details are swallowed up in principles. The details for knowledge which are important, will be picked up ad hoc in each avocation of life, but the habit of the active utilization of well-understood principles is the final possession of WISDOM.

When we don't have all the details about our characters, we have to make it up to fill in all the details. So, for me, writing and acting go hand in hand.

If I'm writing about a modern-day suburb, there's going to be details of the home and furniture, and if I'm writing about a historical period, those details, those pieces of the world are going to be there as well, but they'll be simplified, because I'm cartooning it.