Top 466 Detective Quotes & Sayings - Page 7

The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story.

Someone asked me when it was that I felt confident enough in my writing that I could rely on it as a career. The truth is, I never have. I'm always on the hunt for second, third, or fourth careers. Private detective and cinematographer were previous career choices, but now that I'm older I think I'd be a good portrait painter, rug merchant, or florist.

I really believe that studying organization, even in the form of studying detective story organization, is very, very valuable for a playwright, a budding playwright.

Detective stories keep alive a view of the world which ought to be true. Of course people read them for fun ... But underneath they feed a hunger for justice ... you offer to divert them, and you show them by stealth the orderly world in which we should all try to be living.

The demons you have are what motivate you to make your art. This is what drives the detective, this is what drives the painter, this is what drives the writer: a conflicting urge to forget pain and at the same time remember it and fight for some kind of justice. I know these powerful things are inside of me and everyone in some way or another.

I started out in life as a poet; I was only writing poetry all through my 20s. It wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels; I liked them.

I think that is one of the things that is beautiful about fiction and that you can do through drama. If I was a detective, I could make a certain version of everything we know to be exactly true. And that would have a certain kind of truth value. And there are certain other things that we know that are emotionally true.

I read the script [of Dirk Gently's Holistic Detective Agency] and went, "I haven't read anything this good, in a long time." I thought it was absolutely brilliant. The dialogue is so sparkling, smart and witty. You also have these insane, crazy characters, like energy sucking vampires and holistic assassins. It's all completely weird.

Speaking from personal experience, I watch zero shows when they air. The only shows I watch live are awards shows or sports. Shows like 'True Detective' and 'Game Of Thrones,' I watch every episode, but I don't watch them as they air, and I think that's becoming the case for people more.

I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think.

The detective story itself is in a dilemma. It is a vein which is in danger of being worked out, the demand is constant, the powers of supply variable, and the reader, with each one he absorbs, grows a little more sophisticated and harder to please, while the novelist, after each one he writes, becomes a little more exhausted.

If the detective should suffer overmuch from the artistic temperament, and his fellow lodger should dwell overlong upon the fairness of a wrist or the timber of a feminine voice, so much the better for us. Literature never produced a relationship more symbiotic nor a warmer and more timeless friendship.

I went to pick my son up from school and walked him back and was in the house preparing dinner, and he came in the house and gave me this flower of chrysanthemum that was full of ants. And he went back out to play and ran out into the street and got hit by a car. The car happened to be driven by a LAPD detective.

I had to wear a fat suit to play Mma Ramotswe in 'The No 1 Ladies' Detective Agency.' She's described as being like a small elephant, but she loves her body and size. When we were filming in Africa, it was 110F. It was torturous. I drank a lot of water and ate cucumbers all the time, and underneath the fat suit I shed pounds - I couldn't help it.

I've intentionally played things very straight with Batman. I didn't want to be too jarring for fans. Zero Year accommodates a bit more style. But, on the whole, I feel Batman - a stoic, methodical, detective - is better served a wee bit reserved. And, I'm anything but comfortable. Zero Year is pressure, man.

Television is making, there was in independent film renaissance late '80s through the mid-90's. It was an amazing time. Television is doing that right now. So that's why everybody wants to do it. I mean if you're writing stuff like, you know, Fargo, or True Detective, or any of these things that are on, Breaking Bad, there are no rules in television.

I can relate to someone whose life is falling apart, and they are doing the best to get by, using humor to survive. Backstrom really wears his heart on his sleeve and his life is unraveling... I would much rather hang out with that person than a slick procedural detective who has all the answers... it's human, it's frail, it's interesting.

I love the rabbit hole. I spend a lot of time looking at images, Google mapping, etc. I also love to read court transcripts, FBI files, stuff like that. You go through vast, boring stretches, but the voices are always so fascinating and slowly a story begins to emerge. It's very much like playing detective.

Yeah, I'd say there's probably about a couple of hundred people I admire - but that has nothing to do with what a person does themselves. That's why I never mention these things. You can read a detective novel you really like, but it had no bearing on what you do yourself, you just think, "God, how this guy wove this together!" Or you get into the energy of it. Or you see a poem which makes a great statement about sentiment, but it's not sentimental.

Bosh. I find a rival - but no, I won't flatter myself that Tecumseh Fox would consider himself a rival of Dol Bonner - I find an eminent detective in your apartment, and that alone is enough, without adding that he is concealed in your bedroom while I am discussing my business with you.

The careful scholarship of the dedicated amateur mycophile R. Gordon Wasson reads like an exciting scientific detective story. Moreover, his willingness to pursue the quest through the wide range of linguistics, archeology, folklore, philology, ethnobotany, plant ecology, human physiology, and prehistory constitutes an object lesson to all holistic professional students of man.

Daytime television, you can tell who’s watching by the three kinds of commercials. Either it’s clinics for drying out drunks. Or it’s law firms who want to settle injury suits. Or it’s schools offering mail-order vocational degrees to make you a bookkeeper. A private detective. Or a locksmith. If you’re watching daytime television, this is your new demographic. You’re a drunk. Or a cripple. Or an idiot.

A lot of readers and a lot of editors had a story problem with Oracle, in that she made for such an easy, convenient story accelerator, that we missed the sense of having characters have to struggle to discover, to solve mysteries. Famously, it helped make Batman less of a detective and more of a monster hunter.

With any project I work on - not just 'True Detective' - I don't feel the need just to play a strong woman. I don't want the audience to say, 'Oh, she was so strong.' I want to play characters that are flawed and interesting.

I liked dark, urban stories like 'Peter Gunn,' which was a detective series on network TV when I was a little boy. I grew up in a farmtown in the Midwest where not much exciting happened. I liked the idea of lives lived at night and the shadowy characters who lived in that demi-monde.

I started out in life as a poet, I was only writing poetry all through my 20s, it wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels, I liked them.

Since the era of 'Sherlock Holmes,' private detectives had long been able to influence cases on their own. But the online detective, who had no sort of professional training or even long practice, is a purely modern phenomenon. The Internet changed everything by letting anyone become a self-appointed 'expert' on a case.

'The Big Sleep' would have been a more effective study of nightmarish existence had the detective been more complicated and had more curiosity been shown about his sweetheart's relation to the crime.

The Big Sleep' would have been a more effective study of nightmarish existence had the detective been more complicated and had more curiosity been shown about his sweetheart's relation to the crime.

I try to keep each different book different from the last. So 'Sag Harbor' is very different from 'Apex Hides the Hurt;' 'The Intuitionist,' which is kind of a detective novel, is very different from 'John Henry Days.' I'm just trying to keep things rich for me creatively and for the readers who follow me.

I'm not a great student, so I don't know that I would have been a great detective. Part of my brain sort of works that way, like wanting to figure out puzzles and figure out what happened and why people do the things they do and who they are and how it happened.

Y'see, I get so bored so easily. I like to start with a clean slate each time. Sure, I'll have characters drop in and out of books but the main cast of characters always changes. Maybe I'm wrong but I think if had the same joe detective guy or gal, I wouldn't write them as well; I wouldn't do as good a job.

In adopting the form of the adventure novel, Wells deepened it, raised its intellectual value, and brought into it elements of social philosophy and science. In his own field - though, of course, on a proportionately lesser scale - Wells may be likened to Dostoyevsky, who took the form of the cheap detective novel and infused it with brilliant psychological analysis.

I started writing novels while an undergraduate student, in an attempt to make sense of the city of Edinburgh, using a detective as my protagonist. Each book hopefully adds another piece to the jigsaw that is modern Scotland, asking questions about the nation's politics, economy, psyche and history ... and perhaps pointing towards its possible future.

I had a Super Beetle that I restored and painted deep purple in honor of Jimi Hendrix that was stolen. After that, I got a Ford Falcon that had no windshield wipers, so whenever it rained - which, thankfully, in L.A. it doesn't do very much - I'd have to lean out my driver's side window like 'Ace Ventura: Pet Detective.'

It often seems to me that's all detective work is, wiping out your false starts and beginning again." Yes, it is very true, that. And it is just what some people will not do. They conceive a certain theory, and everything has to fit into that theory. If one little fact will not fit it, they throw it aside. But it is always the facts that will not fit in that are significant.

I used to work as a private detective years and years ago. And my boss gave me this one very simple piece of advice about trying to figure out who to interview first in any investigation. His recommendation: Always pick the people who were fired. Pick the people who are pissed off.

As a biographer, I try to uncover the adventures and personalities behind each character I research. Once my character and I have reached an understanding, then I begin the detective work reading old books, old letters, old newspapers, and visiting the places where my subject lived. Often I turn up surprises, and of course, I pass them on.

Bolkenstein, a Minister, was speaking on the Dutch programme from London, and he said that they ought to make a collection of diaries and letters after the war. Of course, they all made a rush at my diary immediately. Just imagine how interesting it would be if I were to publish a romance of the "Secret Annexe." The title alone would be enough to make people think it was a detective story.

I couldn't get away with Halloween pranks 'cause my parents owned the health food store. So, it was so easy to bust me. I was the only kid on the block egging houses with those big 'ole brown eggs. Like, you didn't have to be a detective to figure it out. 'Oh, I wonder who Tofuttied my mailbox. Is it the same evil genius who filled my bird bath with Rice Dream?

The psychological detective story in "Equus" made Peter Shaffer's name as a playwright. But it was his next play, "Amadeus," that cemented his reputation, largely because of the movie version. Another battle of wills, it was the story of composer Wolfgang Amadeus Mozart seen through the eyes of lesser composer Antonio Salieri.

Then there are some minor points that strike me as suggestive - for instance, the position of Mrs. Hubbard's sponge bag, the name of Mrs. Armstrong's mother, the detective methods of Mr. Hardman, the suggestion of Mr. MacQueen that Ratchett himself destroyed the charred note we found, Princess Dragomiroff's Christian name, and a grease spot on a Hungarian passport.

I said that he was my superior in observation and deduction. If the art of the detective began and ended in reasoning from an armchair, my brother would be the greatest criminal agent that ever lived. But he has no ambition and no energy. He will not even go out of his way to verify his own solutions, and would rather be considered wrong than take the trouble to prove himself right.

My first films were comedy, 'Murder By Death,' and 'The Cheap Detective.' But now they won't think of me as a comedian. Now, they think of me as a bad guy, and I can't do comedy.

In history, one gathers clues like a detective, tries to present an honest account of what most likely happened, and writes a narrative according to what we know and, where we aren't absolutely sure, what might be most likely to have happened, within the generally accepted rules of evidence and sources.

I could never be anyone I've played. I am so not a detective; I can barely get 200 yards from A to B with the help of Google maps, and I am just about the least observant person on the planet, so I never notice what people look like or how they walk or if they're committing a crime in broad daylight.

When I started writing, most of the police department in New York City, especially above the rank of detective, were Irish, Irish-American. I thought it would be more interesting... to use the actual ethnic background in New York City at the time.

I've never before had the same main character appear in consecutive novels, but I liked Yancy and his attitude, and I was curious to see what would happen to him after Bad Monkey. And I liked the idea of him still trying to get his detective job back while he's stuck on roach patrol.

[True Detective] is an intense show, even in terms of the dialogue - there's a little rhythm to it, in particular in his monologues. I think on those days, he [Woody Harrelson] really had to stay in the zone. Because there's a certain cadence in which that character speaks and talks about life, you know? But then there are other days that he was able to be a little more loose.

Quotations are powerful tools. Michel de Montaigne, the father of all essayists, observed, 'I quote others only to better express myself.' Intrepid quotations detective Ralph Keyes helps us to discover the clear truth about exactly what was said and who exactly said it.

The vast results obtained by Science are won by no mystical faculties, by no mental processes other than those which are practicedby every one of us, in the humblest and meanest affairs of life. A detective policeman discovers a burglar from the marks made by his shoe, by a mental process identical with that by which Cuvier restored the extinct animals of Montmartre from fragments of their bones.

Walter Mosley was not the first black crime writer, nor was he the first to fuse genre conventions with larger social concerns. But when 'Devil in a Blue Dress' introduced the Los Angeles-based private detective Easy Rawlins nearly 20 years ago, it was clear the author set out to stretch the boundaries of the mystery and thriller framework.

I am such a 'True Detective' fan. I was anticipating it each Sunday as it came. I'm kind of a sci-fi fan. I was really hooked on the 'Battlestar Galactica' series. I think I owned every box set of 'Battlestar Galactica.' I also really love 'Bob's Burgers.'

Boredom has been used as a technique, it is a device. In Zen, boredom is used as a device: you are bored to death, and you are not allowed to escape. You are not to go outside, you are not to entertain yourself, you are not to do, you are not to talk, you are not to read novels and detective stories. No thrill. No possibility to escape anywhere.

The truth is that every intelligent man, as you know, dreams of being a gangster and of ruling over society by force alone. As it is not so easy as the detective novels might lead one to believe, one generally relies on politics and joins the cruelest party.What does it matter, after all, if by humiliating one's mind one succeeds in dominating every one? I discovered in myself sweet dreams of oppression.

What I warn you to remember is that I am a detective. Our relationship with truth is fundamental but cracked, refracting confusingly like fragmented glass. It is the core of our careers, the endgame of every move we make, and we pursue it with strategies painstakingly constructed of lies and concealment and every variation on deception.

Dirk Gently [from Dirk Gently's Holistic Detective Agency], needs a sidekick, as all good detectives do, and he gets this message from the universe that this guy, Todd Brotzman, played by Elijah Wood, is the guy to help him through this mystery. But of course, that doesn't really explain the breadth of it.

I met a retired police detective. And he said to me that the interesting thing about heatwaves, from a police perspective, is that the number of people who just walk out of their lives when the weather gets unbearable is astronomic. He said the police prepare themselves for it - for a huge rise in the instances of missing persons. People choose to disappear when it's hot. It was fascinating.

While I was writing poems, I would often divert myself by reading detective novels, I liked them. And there was a period when I read many of them. I absorbed the form, and I liked it, it was a good one, mostly the hard-boiled school, you know, Chandler, Hammett, and their heirs. That was the direction that interested me most.

Whether I build a character from the ground up or develop one, whether within my own copyright or in licensed work, I can step into that character's mind. It takes a kind of voluntary dissociation akin to method acting, military planning, marketing, or detective work: to think like the other guy and work out what he's going to do next.