Top 1200 Dialect Coach Quotes & Sayings

The word coach comes from the old English word coach, which was a vehicle, a carriage that took royalty or very important people from where they were to where they wanted to go. That's really what a coach is. He or she tries to create a vehicle that will help you get where you're going, not where the coach wants you to go.

If you are playing a Hispanic character who has to speak in dialect or in an accent, nail that dialect or accent. When I hear a character that's supposed to be Cuban speaking with a Mexican accent or vice versa, it grates on me and immediately pulls me out of the story.

I don't have a Jersey dialect. So when I approached the singing, I approached it the same way as an actor I approach a dialect, just as a singer.

Coach isn't the one playing. The players do that. The coach can only help with planning so if the team loses, I don't think the coach is not as accountable as we hold him as a nation.

If someone said, I want to translate your novel into Igbo, I would say, Go ahead. But when I write in the Igbo language, I write my own dialect. I write some poetry in that dialect.

I had a really fantastic dialect coach that I worked very well with, and I was constantly surprised by the different intonations that the Russian dialect has.

Coach K, he's just the most legendary coach to coach college basketball. I felt like going to Duke University I can learn a lot from him in my time there.

Working on the accent helped, enormously. I will tell you that when I brought Michael a correct 'British' accent, one that my dialect coach was happy with, he hated it.

I love Coach K's passion to coach his players and to coach the game. I examined and watched the interaction between him and his staff, along with the players, and was impressed how hard they played.

This isn't an easy lifestyle for a coach's wife. The coach is the guy who stands up and hears everyone tell him how great he is. The wife is the one waiting at home alone while the coach is spending every night at the office.

I'd like to coach the Liberty. That's my dream. But maybe I'd coach a college team. Either way, I'd like to stay involved in sports and to coach.

Dialogue that is written in dialect is very tiring to read. If you can do it brilliantly, fine. If other writers read your work and rave about your use of dialect, go for it. But be positive that you do it well, because otherwise it is a lot of work to read short stories or novels that are written in dialect. It makes our necks feel funny.

I hadn't trained to be a coach. That takes great training. Being an assistant under a Coach Lombardi or a Tom Landry or whoever, that prepares you to do a better job when you become a coach. I hadn't received that training. It showed.

The Coach is the antidote to the Victim's Rescuer in the DDT...Mainly, a Coach supports, assists, and facilitates the Creator in manifesting a desired outcome. A Coach holds others to be whole, resourceful, and creative...They help you dig deep inside yourself to gain clarity about what you want to create in your life.

Becoming a coach has to be in your blood. There are hundreds and thousands of former athletes out there, but there are maybe only 10 people who want to dedicate their lives by taking on a job as a coach. Not only a master, a coach should also be a brother or sister to his apprentices.

I don't like to see any coach get sacked - not Lopetegui, not the Huesca coach, not the Granada coach, and, of course, not the Barca coach.

You don't coach a Magic Johnson, you don't coach a LeBron, you don't coach really a Lonzo. They understand the game, they smart, they understand.

Of course, on the road with me, I've got my coach, my own private physiotherapist. Back home, I have another coach who coaches me and also does all my racquets. I have a fitness trainer. I have a mental coach. It's a pretty big team.

The most important relationship a head coach has on his team isn't with the other coaches, the owner or the general manager. It's with the quarterback. He's the one who runs the show on the field; He's the ultimate extension of his coach. If there isn't a high level of mutual trust between them, both coach and quarterback will be doomed.

Dialect was my biggest fear. So, I spent a long time working with dialect coaches just trying to get American down. I think it's very important and very easy to misinterpret.

There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.

I love working with Coach O'Brien, Coach Godsey, and they are terrific football coaches.

When using dialect, use it lightly. A dialect word here and there is enough. All you want to do is suggest. Never let it call attention to itself.

I had a wonderful, an incredible dialect coach, Brendan Gunn, from Belfast, who has worked with Brad Pitt and Daniel Day Lewis, and me.

When I arrived in L.A., I assumed I'd be able to put on the American accent. It proved difficult, so I had six months working with a dialect coach, and it's become a habit.

I was too kind of brave and proud to want a dialect coach because I thought that showed weakness in my armor. But then you just learn it's a more efficient way of doing it. A dialect coach is really important because it takes a certain technical responsibility off your shoulders.

I coach at Rutgers University and help out there as a part-time assistant coach. I feel like the coach is kind of in me, and it would also be great exposure, so I'd be down for it, for sure.

The accent got lost somewhere along the way. I'm a little embarrassed about it. When I arrived in LA I assumed I'd be able to put on the American accent. It proved difficult so I had six months working with a dialect coach and it's become a habit.

The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to. It has a much more percussive rhythm to it.

When I speak in Christian terms or Buddhist terms I'm simply selecting for the moment a dialect. Christian words for me represent the comforting vocabulary of the place I came from hometown voices saying more than the language itself can convey about how welcome and safe I am what the expectations are and where to find food. Buddhist words come from another dialect from the people over the mountain. I've become pretty fluent in Buddhist it helps me to see my home country differently but it will never be speech I can feel completely at home in.

I went to a dialect coach and she told me that I had five problems; two were my Israeli accent and three were my New Jersey accent. I don't even want to know what I sounded like back then!

There's different types of coaches in life. I don't have to be a coach on the basketball court. I can be a coach for businesses. I can be a coach for kids. I can be a coach for people who have gone through adversity, because everyone has had some type of damn accident in some form or capacity.

While Coach Hedge was having dinner on the foredeck, a wild pegasus appeared from nowhere,stampeded over the coach’s enchiladas, and flew off again, leaving cheesy hoof prints all across the deck. “What was that for?” the coach demanded.

The pessimistic coach complains about the play. The optimistic coach expects it to change. The realistic coach adjusts what he can control.

When I am playing a role far away from me with an accent that is not mine I always employ a dialect coach. I am almost always playing someone that has an accent that is not mine.

The burdens of being a head coach are different from being an assistant. If I had been an assistant coach for awhile, then become a head coach, I probably would have lasted longer.

By county, there's like 14 different accents in Mississippi alone. And now, present day, a Mississippi accent is different than in 1963. So we had a dialect coach, which is like going to visit France and having to translate all your emotions into French, and French isn't your first language. I had to go through that filter, so it was interesting.

As a parent, you have to be good coach and bad coach, and I think in the college-application process, I didn't want to be bad coach. 'This is amazing! I'm so proud of you!' That's the role I wanted with my kids.

I think there is a lot of experiences you have in coaching, and if you learn from the experiences as you go through them, whether it's as a coordinator or position coach, a quality-control coach, a head coach, whatever it might be, and you learn from those mistakes you make.

I'd rather be involved and somebody say, 'Hey, coach, here's what I need you to do. Go down to the D-League and work with guys'... I want the D-League coach to learn how to be a head coach.

Change does not mean you will win with a new coach and achieve victories, but rather it causes instability in the team as the new coach needs some time for the players to adapt his new plans, which are always different than the previous coach.

Coach Bo Pelini and coach Carl Pelini are two coaches I talk to on a regular basis, especially coach Bo. They are coaches I feel elevated my game.

A coach these days is more of a manager than a coach. At this level, you shouldn't really need a coach. You need someone to organise, to come up with gameplans and tactics, rather than someone who is going to do much actual coaching.

I have an acting coach, a dialect coach, and just a great team around me.

I had a dialect coach from the Royal Shakespeare Company who was from Sheffield.

It's like a puzzle, putting together your individual accent and what you grew up with or what you heard. It must be insane to be a dialect coach, to balance all that out.

I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.

'Particularly' is particularly difficult because the 'L' and the 'R' are totally different, like totally different letters. I would spend hours in front of the mirror with my dialect coach to observe my tongue. You don't think, when you speak, about all the things that happen in your jaw and your mouth, how everything reacts, so you have to watch all those things and realise we have a totally different use of our tongue and jaws.

Coach Wilks really embraces that growth mindset and trying to learn and grow every day so he's a good fundamental teacher. He understands the passing game which is important when you coach as a defensive coordinator and also as a secondary coach like he has, so he's one of the top-notch coaches in our business.

The riskiest thing I have done in my fifties is to do a Polish accent for a new film. I had a great time working on it and two wonderful people to guide me. A dialect coach that I have known for thirty years and a Polish actor.

It was crazy, like I watched him on TV growing up. And you know, I'd be a little starstruck sometimes, because we'd be in a game, and then you know, I'm looking over at Coach for the play. And I'm lookin' like, Man, that's Coach K right there! He's my coach.

I never want a coach to feel like he needs to be my friend, I always want a coach to be the coach and I'm the type of guy that wants to be held accountable all the time, so I respect coaches.

I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.

I always say if you're going to do a movie about Charles de Gaulle get a Frenchman, you know. I'm not French. And yeah, sure I could get with a dialect coach and work for six months trying to talk like a Frenchman. But there's some French actors. Just get one of them, you know.

No head coach does it by himself. I don't care who the coach is or how great he might be. Mike Krzyzewski is is a great friend of mine and he's a great coach but he has great, great assistant coaches and they bring a lot to the table and that's what it takes.

I had a dialect coach to get an American accent, and then another dialect coach to come off it a bit. There is something deep and mysterious in the voice when it isn't too high-pitched American.

The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to.

I have the mindset of a coach. I have to think, what would a coach think? How would a coach feel if I'm playing a guy a certain way?

If a man can coach a female, why can't a female coach a male? When I was looking for a coach, the gender of the coach never occurred to me. It was about who I thought was good and who I could get along with and listen to.

A coach - any coach, not just a national team coach - should try to be exemplary. And a national team manager even more so.