Top 1200 Dialogue Quotes & Sayings - Page 15

I have to tell you that we never had any scripts. Jean-Luc never wrote a script in his life. He would write the dialogue that morning before shooting.

Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It’s always the unspoken word and what’s happening behind someone’s eyes that makes it so rich.

Animated films are so precisely engineered - right down to forming lines of dialogue with words pulled from several different takes - how do you translate that spontaneity from the live-action to the digital realm?

Scientific reasoning is a dialogue between the possible and the actual, between proposal and disposal between what might be true, and what is in fact the case.

As a film composer I deal with short bursts of musical ideas that are defined to a large extent by what's happening on the screen, by not only narrative and action, but staying out of the way of dialogue, sound effects.

Because the twentieth century was a century of violence, let us make the twenty-first a century of dialogue.

From the day I was elected, I began focusing on governing the best way I know how - transparently, openly, and in a way that encourages debate, dialogue and discussion on all sides of an issue.

There was not a lot of dialogue. The titles were just to keep you up. It's the visual stimulation that hits the audience. That's the reason for film. Otherwise, we might as well turn the light out and call it radio.

With any mannerisms or dialogue, you have to be careful you're not just serving yourself. What happens with improving is a lot of times, if you're not in the framework of the script, you're just making everything easier so it fits you.

There's nothing wrong with being an actor, if that's what a man wants. But there's everything wrong with achieving an exalted status simply because one photographs well and is able to handle dialogue".

I have a wonderful English-language dialogue coach. All the time I have to speak English, he is with me. It is a double effort, because you have to say the words correctly and then act them.

Real answers need to be found in dialogue and interaction and, yes, our shared human condition. This means being open to one another instead of simply fighting to maintain a prescribed position.

If you gather a lot of stuff, then you write it, write in scenes with dialogue. Somewhere in the middle, rising from all this research like strong metal towers, is your opinions.

The security of faith does not make us motionless or close us off, but sends us forth to bear witness and to dialogue with all people.

It's not enough simply to record the way people actually talk. The dialogue must be concentrated, shaped, dramatically moving, in a way that real-life conversation seldom is.

Most of the time I approach a track as series of experiments: seeing what fits, and trying to manipulate sounds into each other so they have some kind of dialogue, and then start building a structure around it.

Also, as a result of the involvement of American foundations that have backing from the U.S. State Department in Iranian internal politics, cultural exchange and dialogue have become more and more problematic.

I want an open dialogue. I want husbands and wives and people in relationships to walk out of the theater thinking, "Could this happen to me? I know I'm being tempted."

When I was in elementary school, I watched 'Cinema Paradiso' 22 times and memorized the dialogue. In the movie, everyone had a place, even the bum who thought he owned the piazza. Eccentricities were celebrated, and no one was isolated.

Help each other to live and to grow in the Christian faith so as to be valiant witnesses of the Lord. Be united, but not closed. Be humble, but not fearful. Be simple, but not naive. Be thoughtful, but not complicated. Enter into dialogue with others, but be yourselves.

Media used to be one way. Everyone else in the world just had to listen. Now the internet is allowing what used to be a monologue to become a dialogue. I think that's healthy.

Any director, if you really ask them, will tell you that the toughest thing to do is like a dinner table or a dialogue scene, because you need to keep that electricity maintained throughout the course of the film.

You gotta trust your artist. I love writing pages without dialogue, which seems weird, I guess. But few things are as powerful in comics as a really strong silent page.

Perhaps adding a line or two of dialogue to try to better capture an emotion. But I've found that if the story isn't there in the beginning, right from the start, I generally can't beat it into shape no matter how much rewriting I do.

Our love of kung fu goes back to the Bruce Lee days in the 1970s. Outside the action, we loved the interesting, heartfelt stories and the dialogue. It was RZA's idea to draw all that in there as samples.

I need to be in front of my obstacle. I like to have a back dialogue; I like to talk with people; I like to share ideas.

When you write a character and their dialogue, you can't help imagining how you would be acting if you were them. You kind of have to relate to all of them. It's the most personal thing I've ever done.

Like many older D.C. organizations, Common Cause has had to come a long way both in its use of the Internet and its understanding of the great value of engaging people in a broader online dialogue.

Rarely does a complete idea come to me. I basically start with just a small scene or a snatch of dialogue and force myself to write and to keep writing. Sometimes it becomes a book.

In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic novels, you're writing haiku-length dialogue. Your job is to be efficient, to get out of the way of the art.

An actor has so much less space and responsibility. Sometimes you come on, and there are already tape marks for where you are supposed to stand, and the dialogue is already decided on. If you want to make a change and contribute something, it has to be approved by a number of people.

This may sound a little bit idealistic, but when I go to my blog, my Facebook page, my Twitter account, I talk to different people from all over the world, and you see how it's easy to establish a dialogue.

My hope always when I am working with a new client is that I will cultivate a relationship with them: develop a dialogue and a way of working. This makes it easy for a star to trust you.

New dramatic writing has banished conversational dialogue from the stage as a relic of dramaturgy based on conflict and exchange: any story, intrigue or plot that is too neatly tied up is suspect.

The overwhelming majority of Americans want decent and civil political dialogue, and candidates for office and elected leaders must continue to call for calm and unity, even when there are intense differences of opinion.

When talking with a set designer the dialogue is more centered on locations, interior design, what I like and what doesn't work. There is a certain taste I'm drawn to and feel inspired by, and finding that inspiration is what keeps the conversation moving forward.

A culture of dialogue is breaking down and giving way to a culture of threats and impunity, you can see the strategy already ... and what you have is essentially the threat of imprisonment in order to control people better.

I am so focused on the fact that the conversation doesn't address any of the things I think are important. I think our political dialogue in America is distorted and completely off track.

I don't see Dior as something that could become mine. I see it as a dialogue with the women who wear it. I want to stay connected to them rather than to an abstract brand.

I love saying dialogue and creating a full character more than just being physical. But I always end up doing physical stuff in my roles.

I can think of a handful of auditions where the director has literally said, "That is the opposite of what I think." But it's really good to be honest and have that dialogue. I don't think you should be criticized though.

Let me say this loud and clear. There is a world of difference between terrorist acts and the Islamic Shari'a. Islam is not only a religion, but a way of life. And at its heart lie the sacred principles of tolerance and dialogue.

Any director, if you really ask them, will tell you that the toughest thing to do is like a dinner table or a dialogue scene because you need to keep that electricity maintained throughout the course of the film.

I'm not good at dialogue. I'm not good at holding a mirror up at a real world. I'm not good at believable characterisation.

If there's anything I'm keen to get better at in my writing, then it's the writing of prose as opposed to the writing of dialogue.

Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It's always the unspoken word and what's happening behind someone's eyes that makes it so rich.

Musicians have to do what they do and express it musically. All the blah blah blah will get lost in the dialogue.

I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.

When you're an actor working in the theater, you would never say anything to the writer, never alter the dialogue, never dream to ask for changes.

My kids will find me walking around the house talking to myself and think I'm going crazy. I like to read the scripts out loud and really get the rhythm for the dialogue.

Ads create dialogue, they create conversation, they create attention - that's our objective.

Part of the fun of writing, touring, teaching, is engaging with real people about all of it: what to do now, how to build a movement, of approaches to teaching, of parenting - it's exciting to be in that dialogue.

If you have a good ear for dialogue, you just can't help thinking about the way people talk. You're drawn to it. And the obsessive interest in it forces you to develop it. You almost can't help yourself.

The reality today is that we are all interdependent and have to co-exist on this small planet. Therefore, the only sensible and intelligent way of resolving differences and clashes of interests, whether between individuals or nations, is through dialogue.

You must fight others, but through peace, and through dialogue, and through education.

When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.

I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.

I think fashion is art. The dialogue I am concerned with as an artist has more to do with the art and artists that I've been influenced by. I can't help but be affected by all the art that I've seen.

Reading any piece of writing aloud is an acid test, particularly when it comes to dialogue. There were writers I'd always admired who suddenly rang false when I spoke their words in our living room.

I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style.