Top 110 Diane Quotes & Sayings - Page 2

A lot of my friends were mostly working in black-and-white-people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. What each of us was doing photographically was entirely different, but we were basically coming from the same place, sort of like a club.

The great photographers of life - like Diane Arbus and Walker Evans and Robert Frank - all must have had some special quality: a personality of nurturing and non-judgment that frees the subjects to reveal their most intimate reality. It really is what makes a great photographer, every bit as much as understanding composition and lighting.

I didn't see my mum Julia for a few years - she was very young when she married my dad and had me, and when they parted I lived with my dad and my other 'mum,' his wife Diane.

I won't have a cabinet as a President; I will have a closet. A giant walk-in closet with all styles of advisers, like Michael Kors, Kanye West, Diane von Furstenberg, Naughty by Nature, Stephen Hawking, Madonna, Karl Lagerfeld, and, of course, Tinkerbell.

My role as the chair of the fashion department at Parsons put me face to face with all the big designers, retailers, and editors. Since I was moving in these new circles regularly, I realized I needed to do something about my own personal style. It was really Diane von Furstenberg who gave me the nudge.

I'm always the one on the carpet that will be wearing something that nobody else will pick from the collection. I feel like I have some style soul sisters out there, like Diane Kruger and Zoe Saldana, they feel very much kindred spirits when it comes to style.

Women I admired growing up - Debra Winger, Diane Keaton, Meryl Streep - were all beautiful and thin, but not too thin. There are a lot of actresses who are unhealthy-skinny - much, much too skinny. You can't Pilates to that.

Did any agents ever put Diane Ladd up for some of the great parts, even though she always got great reviews? No! But do they put up the girlfriend of the studio executive who's gonna do them a favor later? You betcha.

Recently, [Diana Wilson] went on a hunger strike to protest Dow Chemical's refusal to accept responsibility for a 1984 chemical disaster in Bhopal, India, caused by a company they now own, Union Carbide. In the past, Diane's hunger strikes had been lonely affairs, but this time friends and co-conspirators from around the country took turns joining her on her flatbed truck under the hot Texas sun, greeting Dow workers as they entered the plant.

I love Diane Keaton's style in 'Annie Hall,' but I like to think my own style is like a cross between 'Annie Hall' and Prince.

In I Praise My Destroyer, Diane Ackerman demonstrates once again her love for the specific language that rises from the juncture of self and the natural world, and her skillful use of that language. Whether she turns her attention to the act of eating an apricot 'the color of shame and dawn,' or to 'the omnipotence of light,' or to grief when 'All the greens of summer have blown apart,' her linking of unique images, her energetic wit and whimsy, her compassionate investment in life, always bring new pleasures and perceptions to the reader.

I really like Pat Parker. I really like Audre Lorde. I read a lot of the Beats when I was younger, so Diane di Prima, Gary Snyder. I've been discovering a lot more modern poems as well.

The whole process of being one of the 10 finalists for the 'Vogue' Fashion Fund award has to be my biggest achievement to date. Meeting Anna Wintour, Diane von Furstenberg, etc., has been an amazing experience that even now gives me goose bumps when I think about it.

It was actually the movie 'Rushmore' that made me first realize that I could try writing, but 'Cheers' is the best show ever. The writers on that show created a relationship that writers today still fail to rip off successfully: the Sam and Diane.

I love being on camera. And I love knowing what's going on in the world. Diane Sawyer is my favorite. She never seems to lower herself to get the job done. She just always carries herself well. I really admire her.

Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.

I...understand that age is kind of awesome. I am fortunate enough to know women like Gloria Steinem - who I think is one of the most stunning women on the planet - [who] doesn't touch her face. Diane Keaton, Annette Bening - all of these fabulous, fearless women who are flawless - they embrace it!

'One Minute Mentoring' is written in the parable style Spencer Johnson and I popularized in 'The One Minute Manager.' It's an entertaining story about the mentorship between a young salesperson, Josh, and a seasoned executive named Diane. As the characters learn about mentoring, so does the reader.

The chorus of “Jack and Diane” is: Oh yeah, life goes on, long after the thrill of living is gone. Are you kidding me? The thrill of living was high school? Come on, Mr. Cougar Mellencamp. Get a life.

Diane Keaton, I've worked with her as a director, and I think she's a really intelligent woman. I like the fact that the things that make her feel beautiful are more than just her face; it's who she is, and I live by that same theory. There are things I want to achieve in my life intellectually that make me feel beautiful.

While I was thinking about the next film to do, I was also reading this book by Diane Ackerman called 'The Natural History of the Senses' - an anthropological and sociological look at the senses. But it also has this great sense of enthusiasm.

A sure way to claim a bit of cool in Hollywood - if you're an actress, at least - is to announce you don't have a stylist. Some of the most consistently elegant, inimitable women on the red carpet, like Marion Cotillard, Blake Lively, and Diane Kruger, say they go at it alone.

A lot of my friends were mostly working in black-and-white - people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing.

I still do all my developing and printing in my darkroom. Being in New York, you get tremendous exposure to great arts. In my student years, I saw exhibitions of August Sander and Diane Arbus. I still go back to their pictures. I don't really go for contemporary photo shows.

I've really been sort of focused on acting and I feel really lucky because great projects sort of keep coming my way. I guess the criteria that I look for, it gets increasingly difficult because when you have the privilege of working with someone like Diane [Keaton], it's kind of like, 'Well, where do you go from there.'

I spent a lot of time on Diane Arbus film, not only writing it, but running around talking through various production issues. All this crud, and then it didn't happen. There's a lot of time-wasting stuff that happens in life with movies.

Jeremy Corbyn couldn't have won without Labour changing its leadership election rules in 2014, but which more importantly got rid of the electoral college that had given MPs a third of the say over who leads the party. That's why Diane Abbott came last when she ran for leader in 2010, even though in the absolute number of votes she came third out of five. It's one of those wonderful historical ironies that the change to the rules was a victory for the Labour right, the result of a push back against the unions who had been asserting themselves more forcefully within the party.

Regardless of how you feel inside, always try to look like a winner. Even if you are behind, a sustained look of control and confidence can give you a mental edge that results in victory. - Diane Arbus By letting it go it all gets done. The world is won by those who let it go. But when you try and try. The world is beyond the winning.

I don't think I've actually ever had cheesecake from the Cheesecake Factory. I've had the Steak Diane. I don't like cheesecake!

I love 'Annie Hall'; I will always come back to that film again and again. Diane Keaton has been such an inspiration to me. She always brings humour, but complexity, and I love watching her on screen. She's got real charisma.

My first album after 'American Idol' I did with Desmond - we paid for it together, and we literally were together working on it every day for a year and half, just writing. We wrote in New York, Nashville, L.A., Sweden - we wrote with some other amazing songwriters like Diane Warren, too.

Whenever I give a talk about my work I am invariably asked who my influences are. Not what my influences are, but who.. As if the gutter, misunderstandings, memories, sex, dreams, and books matter less than forebears do. After all, in terms of influences, it is as much the guy who mugged me on Tenth Street, or my beloved dog who passed away much too early, as it was Giotto or Diane Arbus.

Nancy has her vision and she's a formidable force to be reckoned with, and that's similar to most of the male directors I've worked with. The only difference is probably inbetween scenes, gossiping with Diane Keaton, Frances McDormand and Nancy Meyers about who's had Botox and who hasn't.

'Jack & Diane' was originally about race. I was playing nightclubs, and I was seeing new American couples, mixed-race couples. I thought it was cool. The song was my effort to make a song about that, but of course the record-company guy didn't like it.

In some ways Lawler is a conceptual Diane Arbus. She's a stalker who takes advantage of situations. She pulls back curtains, causing normal things to look freakish and the freakish to turn mundane.

At the top, successful blacks, like David Lammy and Diane Abbot, have merged effortlessly into what continues to be a largely white elite: they have studied at Oxbridge and gone on to Oxbridge-style careers, such as that of an MP. But they have done so at the cost of losing much of their credibility with blacks on the street and in the ghettos.

There is another movie I love that always sticks with me and influenced me called "Frankie" starring Diane Kruger as a model past her prime trying to make it work and going crazy from how she is treated.

Diane von Furstenberg actually gave me a very good piece of advice. She said, 'When you doubt your power, you give power to your doubt,' so that's something I'm going with. I think that's a really good answer: Just don't listen to the doubts. Your doubts are generated by fear, and fear is a series of distorted thoughts."

For somebody to take a shot at him is totally disappointing and hurtful to my family, my mother, his wife and child. For Dianne to say we turned our back on her or nobody helped her. I paid Randy's bonus in '04. I paid him six months in '05. She got a BMW. I paid her insurance. When you attack my family personally when we've done everything we can, I was very disappointed in Diane and I thought it was uncalled for and inaccurate.

Growing up, I always had my dreams set on being an actor, so I looked up to Julia Roberts, Audrey Hepburn. I also look up to Kate Winslet and Renée [Zellweger] and Cate Blanchett...and Diane Keaton - she's a genius. I think it's very inspiring to see these women attack such complex roles.

Diane Wilson asked, "Why aren't people upset? Why aren't people protesting?" The mayor and county commissioners told her to keep quiet, and everybody else was afraid to speak out against the companies, which included some of the country's biggest chemical companies. There were even attempts on her life. Family members abandoned her, and certainly none of the other shrimpers stood with her.

People had been so attached to the Diane [Cheers] character that audiences and producers found it difficult to think of me in any other terms. It took some time before people would consider me for other parts.

Newsweek recently asked American women which women they admire the most, and the answer varied, actually, depending on which political party you were from... Republican women picked Oprah as the most admired woman, followed by Sarah Palin. Democratic women said Hillary Clinton is the most admired woman, followed by Oprah Winfrey. Independents also picked Oprah Winfrey, followed by Diane Sawyer.

I get goose-bumps when you talk about Diane Wilson. Who knows where she found that courage? When she was a child, she would crawl under the bed when a stranger came to the house. But in 1989, she found out that her county in south Texas was ranked worst in the country for toxic waste. She wondered if the effluent, dumped into the waters where she and her family had shrimped for generations, might be responsible for the dwindling fish populations. And she suspected that her son's autism might be related to the pollution.

I grew up falling in love with music videos and those images: Hype Williams and Mark Romanek, David Fincher and Diane Martel and Paul Hunter, just from the video side. I grew up also watching a lot of independent films and foreign films.

What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."

In an era when museum curators were busy introducing the public to photographs of daily life taken by Robert Frank, Henri Cartier-Bresson, and Diane Arbus, why did they simultaneously disdain paintings depicting the same kind of people?

What first caught my eye about Rihanna was an interview she did with Diane Sawyer after the Chris Brown incident, where she was very articulate, very poised, obviously a smart girl who talked about a very traumatic experience.

I got, like, Diane Keaton's manager, and she was very connected; she had power. And she was like, "Your star is in tears on this comedy. Do you even notice that at all?"

For me it is essential to understand that everyone is alone. Not in the sense of loneliness, but rather in the sense that no one can completely understand someone else. I know very well what Diane Arbus means when she says that one cannot crawl into someone else's skin, but there is always an urge to do so anyway. I want to awaken definite sympathies for the person I have photographed.