Top 91 Diaspora Quotes & Sayings - Page 2

Even today I am willing to volunteer to do the dirty work for Israel, to have everyone hate us, to pull the rug from underneath the feet of the Diaspora Jews, so that they will be forced to run to us crying. Even if it means blowing up one or two synagogues here and there, I don’t care.

I mean in the community that I grew up in, you know, a very, you know, mixed, almost entirely African Diaspora community, one of the things that we were not ever supposed to say was how much self-hatred and colorism determined and guided what we would call our desire. In other words, what we would consider beautiful.

Look, we have existed for 4,000 years - 2,000 years in diaspora, in exile. Nobody in the Middle East speaks their original language but Israel. When we started 64 years ago, we were 650,000 people. So, you know, we are maybe swimming a little bit against the stream, but we continue to swim.

I think I would like to see more roles for South Asian performers that are more inclusive and part of the American Diaspora, the American tapestry, perhaps the way that African American and Hispanic roles have developed.

There is less pressure on abandoning native communities: what for? There is nothing to be gained by it. On one hand, there are plenty tempting opportunities of experimenting with identities - being one kind of person today and a different the next day. On the other hand, there is little pressure to include the ethnic identity or religious identity into this mechanism, because now everybody is in a kind of Diaspora today.

I think that I altered history in 'Elizabeth,' and I interpreted history far more than Danny Boyle or Richard Attenborough did to 'Slumdog Millionaire' or 'Gandhi.' They took Indian novels or Indian characters and very much stayed within the Indian diaspora.

The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.

I understand now my father really thought he was doing me good. Education means a lot to Palestinians. We’ve become some of the most educated people in the world through our diaspora. We’ve had to be. When you ain’t got land, your degree may be your only solid ground. May father felt (feels) that being a doctor would give me security. How can I explain that I’m not safe from anything if I don’t write?

Lawrence Hill, a cultural and spiritual descendant of West African griots, has used his vast storytelling talents to create an epic story that spans three continents. The Book of Negroes recites the pain, misery and liberation of one African woman, Aminata Diallo, who was stolen from her homeland and sold into American slavery. Through Aminata, Hill narrates the terrifying story of slavery and puts at the centre a female experience of the African Diaspora. I wept upon reading this story. The Book of Negroes is courageous, breathtaking, simply brilliant.

Giants of Africa holds such a special place in my heart. It's not just another non-profit organization - this is personal. What started as a dream to give back to the country that raised me has since blossomed into an intercontinental mission to uplift youth across the diaspora, and shed light on the greatest part of Africa: its people.

All three of my books, "Perfume Dreams: Reflections on the Vietnamese Diaspora," "East Eats West: Writing in Two Hemispheres," and "Birds of Paradise Lost," are immigrant narratives - their dreams, their traumas, their struggles - and I write them with the confidence that these stories, written from the heart, will belong, in time, to America.

Krys Lee has written a book of unforgettable stories, each one building on the other to create a complex, moving portrait of contemporary Korea and its diaspora. She guides us surely through the fallout of war, immigration, and financial crisis, always alert to the possibility of tenderness, transcendence, and even humor along the way. Lee is a writer who really understands loneliness, but her voice is so appealing, and her perceptions so wise, that we feel all the less lonely for knowing her characters and experiencing their lives.

Hence, when some members of the Iranian diaspora, especially women at the moment, use different tropes including the trope of the veil and the issue of gender to construct an image of oppression or to describe the 'silenced' Iranian woman, western intellectuals, policymakers, and publishing houses are all quick to introduce them as presenters of the authentic Iranian experience.

While I might not have a specific experience that is fully American, there is still a knowledge, something that I logically understand as a black woman and a black woman who is existing in America and a black woman who is in the diaspora that are just known quantities that I think anyone can relate to who is black.

Ireland is a series of stories that have been told to us, starting with the Irish Celtic national revival. I never believed in 'Old Ireland.' It has been made all of kitsch by the diaspora, looking back and deciding what Ireland is. Yes, it is green. Yes, it is friendly. I can't think of anything else for definite.

Whereas our common past, out of Africa, saw a global diaspora of humankind, our common future depends on a global coming together and consensus, resulting in a more equitable distribution of the Earth's largesse. When Africa, which gave us the wealth of life, has that debt returned, the world will have come of age.

While violence is part of what it means to be part of the black diaspora in the United States, that is not all it means to be black.

It is very difficult to be a non-religious Jew outside Israel. The synagogue keeps Jews together in the Diaspora. In Israel, you are a Jew from morning to night. We don't even have to think about it, just as a Dutch citizen doesn't spend his whole day thinking about the fact that he is a Dutch citizen. It's a given.

In his 40s, my dad refound his youth a bit, and started going to the West Indian club in Northampton, where I'm from, where the West Indian diaspora would go to socialise on a Friday night, and have a drink and a dance to soca and the like.

I think that in the diaspora, and among immigrants, religion becomes a vehicle for the transmission of cultural information, and cultural codes, and this does end up re-inscribing certain things about the religion - like caste. Caste discrimination and hierarchy are still a very fundamental and violent part of Hinduism. My family was upper caste, and that was very clear. I feel like caste and religious practice are inextricable, actually.

The biggest challenge Malayalam cinema faces is territorial. We operate within a small territory in Kerala, and the Malayalam diaspora across the world in comparative terms is quite small. But we have world-class talent in terms of technicians, actors, and writers.

Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.

It's time for Haitians to have access to health care. It's time to open our borders to the Haitian diaspora, open our markets to the world. It's time to open our country to potential investors.

I think that Judaism has been, throughout its history since A.D. 70, a diaspora culture that's all about being a minority. In fact, being a small minority. When I'm in Israel, I cannot get used to the notion that we're all Jewish. It doesn't seem to me that we're supposed to all be Jewish.

I consider that all Jews in the Diaspora, and thus it is true in France, should everywhere they can lend their support to Israel. This is why it is also important that Jews take political responsabilities. .... In sum, in my functions and in my everyday life, through the whole of my actions, I try to make so that my modest stone is brought to the construction of the land of Israel.

Israel's economic and cultural progress is due to three things: the pioneering spirit that inspires the best of our immigrant and Israeli youth, who respond to the challenge of our desolute areas and the ingathering of the exiles; the feeling of Diaspora Jewry that they are partners in the enterprise of Israel's resurgence in the ancient homeland of the Jewish people; and the power of science, and technology which Israel unceasingly, and not without success, tries to enhance.

I like Diaspora because it's audacious, it's driven by passion, and it's very, very hard to do. After all, who in their right mind would set as a goal taking on Facebook? That's sort of like deciding to build a better search engine - very expensive, with a high likelihood of failure.

As a youngster, my parents made me aware that all that was from the African Diaspora belonged to me. So I came in with Caribbean music, African music, Latin music, gospel music and blues.

Israel needs to change direction, and this is not just political. We're becoming more closed-in, more isolated, more scared. Those who talk tough are making the State of Israel very weak, very isolated - very Jewish, in the Diaspora-sense, in that 'everyone is against us.' We need to get out of this.

There's nothing more true in being a child of a diaspora, a child of immigrants. We're completely new to our parents. We're not something they can ever understand. And it's not as if we are ever going to be accepted. We're accepted as long as we conform to what we are expected to be, and I'm sure that's not any different for anyone else.

Lenelle Moïse's poems render the abstract - policy, disaster, history, diaspora - specific. Her words make the political not just personal, but corporeal: the beautiful system of the human body as canvas and subject, perfect in all its attendant complications and complexity, and still ruled, undeniably, by a warm, beating heart.