Top 311 Dick Cheney Quotes & Sayings - Page 6

I got down to business and started writing furiously. I wore my fingers down to a callous state writing with every Tom, Dick and Harry around the world, including a chap named Charlie who plays for a man named Bob, to wrestle my emotions and bring out the raw grit hiding in my tightly guarded sub-conscious.

When I get the possibility of using a character like Bruce Wayne or Dick Grayson, I try and think about what's most exciting or interesting about them as a person, so I try and think what they are at their core, or what piece of their psychology do I gravitate toward that I respect, and I'm excited by it when I read books about them.

I didn't get a chance to see Bruno Sammartino regularly because I didn't grow up in the northeast, but he came into Indianapolis in his in-between time of being the champion between '71 and '73 when he worked for Dick The Bruiser because he liked The Bruiser. I got to see him and the The Bruiser against the Valiant Brothers.

There are many styles of standup, but the comedians I like are people like Dick Gregory and Richard Pryor. Because Richard Pryor told the truth. Chris Rock. I love Chris Rock. He's funny, but he's also poignant. He's not there just to make people laugh; he's there to make people wake up, too.

I was invited to do an all-female improv festival in Portland called All Jane, No Dick. The person running it asked me if I had a female improv team, and I just said yes and then figured out who I would want to bring with me. We had such a fun show together that we decided that we should keep doing it.

My first experience in a movie theater was Dick Tracy. There was a scene with a guy with a Tommy gun and a wall of fire behind him. I panicked, screamed, and jumped out of my seat. And I ran six New York city blocks, running into the street and almost got hit by a bunch of cars and had my mom chasing after a panic-stricken four-year-old.

When I started out on 'Min Kamp', I was so extremely frustrated over my life and my writing. I wanted to write something majestic and grand, something like 'Hamlet' or 'Moby Dick,' but found myself with this small life - looking after kids, changing diapers, quarreling with my wife, unable to write anything, really.

I was always a fan of the old-style comics. I loved vaudeville. I loved Milton Berle, Dick Shawn, Phyllis Diller, Don Rickles, Charlie Callas, all those guys. Hilarious. I love the Bing Crosby and Bob Hope movies, and Abbott & Costello. My television influences were 'Monty Python's Flying Circus,' 'Benny Hill,' and 'Hee Haw.'

There were no weapons of mass destruction in Iraq. But he still says so. There was no link between Saddam Hussein and al Qaida. But he still says so. And thus, gripping firmly these figments of his own imagination, Mr. Cheney lives on, in defiance, and spreads - around him and before him - darkness, like some contagion of fear. They are never wrong, and they never regret - admirable in a French torch singer, cataclysmic in an American leader.

I felt very comfortable playing Don Draper, because I knew that Don Draper is a character - that Dick Whitman is playing Don Draper. I felt very comfortable in that manufactured-confidence mode. He himself is manufacturing it.

The Cheney team had, for example, technological supremacy over the National Security Council staff. That is to say, they could read their e-mails. I remember one particular member of the N.S.C. staff wouldn't use e-mail because he knew they were reading it. He did a test case, kind of like the Midway battle, when we'd broken the Japanese code. He thought he'' broken the code, so he sent a test e-mail out that he knew would rile Scooter [Libby], and within an hour Scooter was in his office.