Top 1200 Different Characters Quotes & Sayings - Page 20

It's always fun when you see different comics at different weights or with different hair.

I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.

You start to fall in love with characters as you work with them, and anytime that you care about your characters and you realize that you're gonna have to kill them, that fear creeps in. It's sad. It's scary, and it's also sad. Because you like these people.

I think my characters with my fingers, I think my characters with my guts. But when I say I think them, that is what I do, I feel them with the sympathetic neurons and I work out with my brain what it is that I am trying to write about, or I can't do it.

Part of me wants to be married and have everybody around the table for Christmas. But when you're married, your life becomes integrated solely with that person. There are too many characters running around inside me. Maybe they should all be married to somebody different.

'Blue is the Warmest Colour' - I'm not a lesbian, I'm not French, I'm not a woman, but I saw so much of myself in those women and in those characters. I saw different parts of myself than I ever would've seen if I hadn't seen that film.

I've always preferred writing about grey characters and human characters. Whether they are giants or elves or dwarves, or whatever they are, they're still human, and the human heart is still in conflict with the self.

Social Security is a plan that actually was designed in a much different time, in a different era, and with a different set of American demographics in mind.

We have to understand where we have strategic relationships that require us to take a different approach. I guess the easiest way to describe it is: different strokes for different folks.

There's different girls in my life that play different roles and I see at different times, but collectively they kind of make up the roster of happiness for me.

I have different books for different times of the day, let alone different seasons of the year!

By the time I was 19 years old, I had lived in five different cities in four different countries and three different continents.

I always say that characters must drive plots, never the reverse. Writing about large-scale events creates the risk that the scope of the events themselves can overwhelm the characters. I emphatically do not want that. That was the only trepidation I felt when I started 'The Twilight War.'

The Jews started it all-and by 'it' I mean so many of the things we care about, the underlying values that make all of us, Jew and Gentile, believer and aethiest, tick. Without the Jews, we would see the world through different eyes, hear with different ears, even feel with different feelings ... we would think with a different mind, interpret all our experience differently, draw different conclusions from the things that befall us. And we would set a different course for our lives.

I think as artists we have an opportunity to shed light and share different stories and expose different realities and inspire people and give a different perspective.

I honestly go back and forth in my head about using advanced and innovative technologies for creating my characters. There's something more 'real' and charming when the characters aren't perfect. It's the difference between anything that's built by a computer and machine versus the same thing being made by hand.

I'm a very visual thinker, so the characters are running through my head, doing what they're doing when I'm writing them. And there'll be moments where I'll just kind of throw a look off to the side as if I'm talking to one of the characters. It's always been something that I've had with me since I was a little kid.

There are always leading characters. There are always complex characters; there are very rewarding plays with great directors and tremendous playwrights, yeah. I've done a lot of things with theater that I'm very, very proud of.

When I did 'Fast Times,' I felt very close emotionally to the characters. I liked those characters because they all had to work, so they were dealing with adult problems even though they were very immature, and I could relate to that.

Left to myself, I would only play an Indian. But the reality was that there were hardly any Indian characters I could play in the films made in England and Hollywood. So I had to learn how to disappear into a variety of characters.

Different groups in different areas developed different traits to assure their survival.

'Lonesome Dove' was the movie. I watched that over and over and over again, and I know every line. It was one that I loved as a kid for all the horses and characters that went over my head, but then the older I got, I realized how amazing it was on so many other different levels - Robert Duvall and Tommy Lee Jones' relationship.

That's so different in Hong Kong when I'm using my own mother language, I can treat the line in one thousand different ways, with many different reactions.

The big takeaway I got from 'Thelma & Louise' was the reaction of women who had seen the movie being so profound, so different. It was overwhelming, and it made me realise how few opportunities we give women to feel excited and empowered by female characters, to come out of a movie pumped.

Diversity is just 'the world.' It's different cultures, different backgrounds, different ethnicities, different religions, genders, sexual orientation, shapes, sizes. That is the world, but we call it 'diversity' because there is this one type that has always been accepted in the media, and it's finally starting to change.

I love my job, I love being an actor and stepping into the shoes of different characters and exploring their lives. It's enriched my life extremely. I've learned more about myself and the ways of life through being an actor.

Different roles call for different aspects or different faces of Sterling to emerge.

I think everybody came into it with the understanding that they would go through an experience that is literally not by the book, that is not executing the script and then going home, but living and breathing these characters and being in the moment with each other, and improvising and creating a lot of present-tense intensity between characters.

I like going back in time and writing historical fantasy. I use some real historical characters as a background to give depth to the fantasy. And I throw my fictional characters into the midst of this, and, so far, it has turned out interesting.

I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story.

I didn't want to give up my career. That's what kept me alive, kept me going. I couldn't stop - didn't want to stop - being all these different characters.

How I would describe my characters is absolutely different from how I would describe myself.

As an actor, if I just did sci-fi, I think it would get limiting, like if you just play lawyers or doctors, over and over. It's a lot more fun, if you get to play lots of different types of characters.

In my platoon, we came from different parts of the country, with different backgrounds, different religious beliefs, different political beliefs—and yet we all put those differences aside. Fundamentally, I believe that’s what the American people expect of Congress as well. We all ought to be able to come together in Washington and do what’s best for our America.

I'm interested in gay characters - not trying to sensationalize gay characters, just [representing] who are in my personal life. I'm interested in exploring my world and my friends, and a lot of them happen to be gay.

Who on earth is going to use 'utilize' in a text message, a whopping seven characters including the always-hard-to-type 'z,' when you can say the exact same thing in three characters? I can't think of a sentence in which 'use' can't replace 'utilize.'

I think different people have different problems and different relations to the exhibition of their work.

There are technical tricks that may help you create more effective characters. My approach to characterization is not at all technical. I can't really analyze how I do it, but I am sure of one thing. To write convincing characters, you must possess the ability to think yourself into someone else's skin.

The exciting thing about Bleachers and fun. are they're different, and they're aesthetically different in many ways. But it's also like my role is very different, and that's cool.

Because I had some roles that resonated with women, I immediately noticed that there were far more male characters than female characters in what we're showing little kids in the 21st century, which was stunning to me. But I couldn't find anybody else who noticed.

When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.

I always find it actually funny that the analysis is that the characters I play in comedies are the manchild, the adolescent, characters that refuse to grow up. And yet, if you look back in the history of comedy all the way back to the Marx brothers, that's a big part of comedy.

Mysteries always have the potential for interesting connections between the elements. I'm also most interested in the relationship between the characters. As in 'Masterpiece,' I'm trying to create characters who not only are solving a mystery but are solving the riddle of their own personal relationships.

After 'Prom Night' I did two movies where I was playing a prostitute. I gravitate towards characters that have some sort of inner turmoil or some sort of character arc. That's the great thing about acting, so many different things and being really diverse in your choices.

That's the beauty of the acting world. You can play so many different characters who know and do so many things that you have no idea about as yourself. So I'm a big fan of workshops and classes and learning new things because you can always apply it. It's your little supply bag of creativity. Keep filling it up.

'Transparent' was huge for me when I first saw it. I felt that, from an authorial point of view, no one was trying to sell characters to us, you know? It's the idea of not having to adore these characters and want to cuddle them; you just have to be into them and their psychology and be compelled by them.

I enjoy playing real human beings after playing a lot of larger than life characters. I love playing true to life characters and that is what I intend to do for the majority of my career.

Well, I mean, the original is certainly the jump-off, it certainly is what it is, you know, I grew up around that era so I watched all those shows. The basic concept is there, it's just a different movie. Totally different actors, different filmmakers, different script, but same concept.

I think part of what I love about being an actor is getting to take on different worlds and investigate different genres and travel to different lands.

There are plenty of secondary characters that I had always hoped to write, but I don't know if it will ever happen. The way contracts work, if you leave one publishing house for another, the characters tend to stay with the previous publishing house.

Each championship has felt different in its own way, I guess because I've been in different place of my life; I've gone through different things.

Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.

I think that's the kind of women that people are interested in. They're interested in strong women characters who are stronger than the male characters sometimes, in some ways. That's what's interesting and attractive about women.

I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]

You may be pulling from different influences because of different things that are going on in your life, different people that are around you and more experiences to pull from.

I think different designers have different points of view and different strong personalities can influence the way certain cities are perceived.

You have to think about good storytelling and characters first. Then hopefully, the rest of that stuff will follow, some more than others. But if you don't have a good film and strong characters, then you don't have anything down the road.

Most writers have no idea how to make a film. It's a totally different skill set. Nor is it just to translate exactly what's on the page directly on to the screen - because that would be terrible. It would be five hours long, and the structure would be a mess. But the writers know the characters and the story.

I love science fiction, and one of the things I love about it is that it's so very different. You can read stuff that's just fast-paced adventure, and the characters are cardboard, but who cares, because they're heroes, and we love it. And you can read stuff that's really deep character, and everything in between.

That's always the bucket list for me: Different countries, different experiences, different food. To be able to do that through work? I'm the luckiest person alive.