Top 1200 Different Colors Quotes & Sayings - Page 4

I associate colors with music, or music with colors.

Each band or level, being a particular manifestation of the spectrum, is what it is only by virtue of the other bands. The color blue is no less beautiful because it exists along side the other colors of a rainbow, and "blueness" itself depends upon the existence of the other colors, for if there were no color but blue, we would never be able to see it.

If there's any message to my work, it is ultimately that it's OK to be different, that it's good to be different, that we should question ourselves before we pass judgment on someone who looks different, behaves different, talks different, is a different color.

I can see forms and shapes in my mind when I solo, just as a painter can see forms and shapes when he starts painting. And I can see different colors.

I love eye makeup. I really like doing a cat eye, playing with liquid liners and different colors of liners, like emerald and deep blues, combining them with black.

You can be zany and funny or you can do something that really has some depth to it and serious, so there's many different colors to paint with. I would hate to get trapped in one little thing. I always feel like funny is an appendage, but it is not my whole body.

In that little party there was not one who would desert another; yet we were of different countries, different colours, different races, different religions--and one of us was of a different world.

Soon he'll come in again and kiss me, but differently. He'll be different and so I'll be different. It'll be different. I thought, 'It'll be different, different. It must be different.

I had four different colors of hats, one of which was pink. I just got on a roll with the pink hat. So what started out as a superstition grew into a tradition and an easy way for my family to find me at tournaments because I am the only one with cojones big enough to wear a pink hat.

We're creating a different universe with different rules and a different tone and different villains. We were very careful to honor the iconography of Spider-Man, but we wanted to tell it in a new and different way [in the film].

God is infinitely creative, and everyone's different, and everyone has a different path, a different lesson, a different song, a different face, a different voice.

Yes, we are all different. Different customs, different foods, different mannerisms, different languages, but not so different that we cannot get along with one another. If we will disagree without being disagreeable.

When Darroc returns, I know by the look in his eyes that I've chosen well. He thinks I picked black and red for him, the colors of his guard, the colors he has told me he selected for his future court. I chose black and red for the tattoos on Barrons' body. Tonight I wear my promise to him that I will make things right.

My African heritage is a part of reggae music roots, and the concept is that the album, 'Revelation Part 1: The Root of Life' is a tribute to roots reggae music. The fruit is what blossoms into different colors and shades, but the root has to stand predominant.

Bespoke tailoring: yes! I found this one pair of pants - they're Canali - and brought them into a tailor and said, 'Clone these, dammit.' They just do all the right things. I've got eight pairs in different colors and I never have to think about pants again. The only look otherwise that suits me is, like, the Professor from 'Gilligan's Island.'

One year, I was a go-go girl for Halloween, and I got all this glitter eye shadow, my hair was poufy with braids, I was wearing all these different colors and fake eyelashes that went all the way up to my eyebrows. I totally enjoy the whole Halloween feel.

I glance through the pages of all the top magazines every month just to see if there are any colors that are trending. I'll also go on Instagram and look at the 'popular' page to see what people are liking, what's cool. I'll check it at different times of the day; for example, if it's really late in L.A., you'll see a lot of posts in Asia.

With the Neal Morse Band, we're doing progressive music with a harder edge; it's a little more in Dream Theater territory for me. Flying Colors is a little more poppy, it's more Radiohead, Muse, and Coldplay territory, so I approach that drumming in a different way.

My uncle, who's an art teacher, took me under his wing and gave me a really strong foundation in art. I spent summers with him, and he taught me how to draw, how to see, how to mix colors, how to use different mediums and perspective, and so forth.

I was curious about experimenting with different colors - kind of like having an expanded orchestra. Suddenly, instead of just writing for strings, you can add bassoon and oboe and brass. I like these extreme differences in sounds right next to each other.

Generally I would say that I'm not a super-adventurous shadow girl. I'm all about a lip, eyebrow, and mascara, but through the years, working with different talented makeup artists, I learned how awesome eye makeup can be if you get it right. That's how we got the colors we came up with.

For me, painting is that magical material, that beautiful stuff that was invented, the ground-up pigments in oil which makes it very malleable. It can be manipulated and changed, darkened, lightened, given different hues and colors, so that by manipulating this material somehow I can find that figure I'm looking for, that figure that represents all the issues I'm bringing up and addressing.

When you make music, you're forming these invisible vibrations in the air into different shapes and consistencies and speeds in order to create music, and understanding how the math of that works just gives you more colors to paint with, and allows you to get to what you want quicker.

I feel like my music has become a lot of things. It's hard to label the evolution, but I like there to be an evolution. I just like to paint with all different kinds of colors.

We've had so many lifetimes of different cultures and different religions and different points of view and different wars and different loves and different children.

My earliest memory is seeing Michael Jackson in Melbourne with my sister when I was about ten. I still have this souvenir stick with a glove that would light up and make a peace sign in a bunch of different colors. I'm so happy my mom didn't throw that out.

Victor Faust did much more than help me escape a life of abuse and servitude. He changed me. He changed the landscape of my dreams, the dreams I had every day about living ordinarily and free and on my own. He changed the colors on the palette from primary to rainbow—as dark as the colors of that rainbow may be.

I like to adapt to each city. I like to come up with a concept for each space I do. The vibe in L.A. is a little sexier than New York, so the colors are a little different.

I use dull colors in my drawings because I started out using a root beer base because it seemed like an interesting idea and when it turned out that it worked quite well as an ink I started using other colors that would compliment it.

I give myself different roles. I think in different ways on different days. Sometimes I think of it as cooking - different flavors and different ingredients. Sometimes I think of it like orchestrating a piece of music with all the different instruments.

People have different takes on clothes and what to wear and colors and all that stuff, so why make a big deal about uniformity? It took me a long time to grasp that particular concept, simply because I was coming from the James Brown thing. Again, I wouldn't trade that experience for anything.

In the work of Seurat, you can see the dots of neutral colors carrying the form and then the dots of more intense color that make the color texture. It is a totally different principle that than of the Impressionists who used broken color to imitate visual effect.

I have really long hair, so I don't cut it all that often. Sometimes, when I'm working, I just have the stylist on set trim it for me. I don't dye my hair. When I was a teenager, I dyed my hair five colors at one time. It was all different shades of red going from more orange to more purple. I thought I looked so cool.

I'm interested in the sculptural experience, glass, marble, colored bricks, stones, wood. There's no stadium out there that approximates it [the Marlins'] because it will be so white and with primary colors all around. It sort of looks like a spaceship that just landed, something different, something people can call their own.

Nothing grows among its pinnacles; there is no shade except under great toadstools of sandstone whose bases have been eaten to the shape of wine glasses by the wind. Everything is flaking, cracking, disintegrating, wearing away in the long, inperceptible weather of time. The ash of ancient volcanic outbursts still sterilizes its soil, and its colors in that waste are the colors that flame in the lonely sunsets on dead planets.

It seems obvious that colors vary according to lights, because when any color is placed in the shade, it appears to be different from the same color which is located in light. Shade makes color dark, whereas light makes color bright where it strikes.

Adultery is the vice of equivocation. It is not marriage but a mockery of it, a merging that mixes love and dread together like jackstraws. There is no understanding of contentment in adultery.... You belong to each other in what together you've made of a third identity that almost immediately cancels your own. There is a law in art that proves it. Two colors are proven complimentary only when forming that most desolate of all colors--neutral gray.

The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.

Part of our tradition as black women is that we are universalists. Black children, yellow children, red children, brown children, that is the black woman's normal, day-to-day relationship. In my family alone, we are about four different colors.

This whole which is visible in different ways in bodies, as far as formation, constitution, appearance, colors and other properties and common qualities, is none other than the diverse face of the same substance a changeable, mobile face, subject to decay, of an immobile, permanent and eternal being.

Bruce McGill and Sasha Alexander are regulars on the show. That shows that it's not just a typical procedural show. We have these actors because they can come in and actually act, and show the different colors of actual people. No person is just one color. No person is just who they are at their job, 24/7. That was really what I was excited about.

Light and color are closely linked. The colors can make a crucial change in nature, if you switch from daylight to artificial light or just from strong to weak illumination. In addition, color perception is affected by the material structure. Even if a piece of textile can have the same color as a shiny enamel plate, then they will act completely different.

Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.

I organize the opposition between colors, lines and curves. I set curves against straight lines, patches of color against plastic forms, pure colors against subtly nuanced shades of gray.

What I loved the most about Oakland was that all of my neighbors came in as many colors, ideas, and religions as there are people on the planet. How lucky I was to know so many people that were so different and yet so much alike!

Personal evolution has nothing to do with art, it's never. Art is a sine curve: dark and light change permanently, in cumulative radicalism. Art decides what to do. The choice of colors is made by the colors themselves. The evolution of art is the evolution of the future itself.

When I was a kid, I collected cactuses. I had hundreds of different kinds in my room. I was a weird child. Everyone was playing football, and I was collecting cactuses. I spent all my money on them. I had so many colors and shapes. I even gave them names.

We'll get to the details of what's around here, but it looks like a collection of just about every variety of shape - angularity, granularity, about every variety of rock.... The colors - well.... There doesn't appear to be too much of a general color at all; however, it looks as though some of the rocks and boulders are going to have some interesting colors to them. Over.

Flying Colors is more alternative pop with a prog edge. Think the Beatles meets U2 meets Muse and Foo Fighters. It is the opposite of Adrenaline Mob, which has more classic metal influences like Black Sabbath, Van Halen, Pantera, or Disturbed. They are completely different ends of spectrum.

This art of conservation is strength, and makes the masterpiece a masterpiece. Otherwise, the man who simply brought all the different colors obtainable, and squeezed them out upon the canvas to give it 'full force,' would be the greatest master, instead of being merely extravagant.

This much I have learned: human beings come with very different sets of wiring, different interests, different temperaments, different learning styles, different gifts, different temptations. These differences are tremendously important in the spiritual formation of human beings.

Our home, just like our garden, evolves. We experiment, try out different things and new colors until we feel content. Try to keep the metaphor of home as garden in your consciousness.

We become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams.

I think that every country presents its own particular challenges, different cultures, different histories, different religions, different people. And different ethnic make-ups in those countries present different challenges.

All my family, my blood, is mixed up now. They don't even all know each other. I just hope they don't never hate or fight each other, not knowin who they are. Cause all these people livin are brothers and sisters and cousins. All these beautiful different colors! We!... We the human Family. God says so! FAMILY!

When you want to make the main color pure and bright, don't just keep adding bright colors on it. Just make the colors around the spot darker and dull. It will give the scene dramatical effects.I think the life is the same.

Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information. Typography should not vary widely in an interface.

I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.

I invent by analogy. I thought, 'It's commonplace that you can mix colors, smear them together to get new emerging colors. Likewise, you can mix radio waves to get new frequencies.' So, I wondered, 'Why can't you mix sound to get new sounds?'

Ever since third grade, I had a notebook and was putting together words just for fun. I liked different etymologies, different slang that came out in different eras. Different languages. Different dialects.