Top 1200 Different Eras Quotes & Sayings - Page 3

As the different streams, having their sources in different places, all mingle their water in the sea; O Lord, so the different paths which men take through different tendencies, various though they appear, crooked or straight, all lead to Thee.

I wouldn't change a thing in my own life, but I'd like to go back in time anyway though, just to some sort of eras that I wish I'd lived in - like the '60s. I'd love to have been in London in the '60s, partying away.

I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.

When SoFi launched in 2011, it focused squarely on the burgeoning student loan market - a market that, unlike housing, had no viable option to refinance both federal and private student loans from higher interest-rate eras.

London is a city of ghosts; you feel them here. Not just of people, but eras. The ghost of empire, or the blitz, the plague, the smoky ghost of the Great Fire that gave us Christopher Wren's churches and ushered in the Georgian city.

It's always good I think in general to have different energies on screen, like it's nice to have different characters go at different speeds, just like different people work at different speeds.

I tend not to worry about what the perception is. I think people have their different views over different things. They have different opinions over different business models and over different business interests.

I think we need to develop the courage to write from the viewpoint of people who may seem quite different from ourselves, who might have a different sexual orientation or a different race or a different ethnicity.

I try to support groups that are about educating people about different races, different religions, different cultures and different situations so that we can break down the barriers of prejudice and bigotry.

There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.

We've got so many different cultural groups in my family that I've had to learn to accommodate them in different ways. My father speaks different to my mum. My mum speaks different to my grandmother. Everybody speaks different, so you find you start tweaking your language to be more accessible to people.

There was a lot of risk taken in the Mercury and Apollo eras, and we don't take those risks anymore. We've designed the systems to eliminate risk, which makes it take forever and cost too much money.

I think actors are very obsessed about looking different and behaving differently, but all people need is just a different film. They don't want a different you; they want a different story.

I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.

I'm different. I have a different constitution, I have a different brain, I have a different heart. I got tiger blood, man. Dying's for fools, dying's for amateurs.

Different films, different genres show the different things I do. It's nice because it brings different groups of people to following what I'm doing. So hopefully, it kind of reiterates that I'm not just a one-trick pony as well.

I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.

I love different themes, different venues, different movies. I love to jump about and tackle different subjects. I have no intellectual master plan.

You can't underestimate rest. Sometimes in tennis we don't realize that to rest your body is as important as it is to practice. We are traveling so much, all year, in different conditions, different courts, different surfaces, different balls - so we always have to adapt.

I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.

I think we like to romanticise about past eras, and for sure there have been great ones (like the 1820s maybe, or the 1530s) but I don't think London has ever been more culturally and sartorially rich as it is now.

Why are we reading a Shakespeare play or 'Huckleberry Finn?' Well, because these works are great, but they also tell us something about the times in which they were created. Unfortunately, previous eras and dead authors often used language or accepted as normal sentiments that we now find unacceptable.

When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.

We stand now at the turning point between two eras. Behind us is a past to which we can never return... The coming of the rocket brought to an end a million years of isolation... the childhood of our race was over and history as we know it began.

The reality of our century is technology: the invention, construction and maintenance of machines. To be a user of machines is to be of the spirit of this century. Machines have replaced the transcendental spiritualism of past eras.

I've got a variety of different sources of news that I follow and every day there's going to be different headlines, different stories spun different ways and different sources that they're going to cite as their facts.

I get very emotional about time periods I never lived in, but I have a weird connection to them. The mystery of it becomes about hearing the stories of those eras, and creating nostalgia from those stories.

I wouldn't change a thing in my own life, but I'd like to go back in time anyway though, just to some eras that I wish I'd lived in, like the '60s. I'd love to have been in London in the '60s, partying away.

I see history as really cyclical in terms of the intense idealism and the desire to create a better life outside of societal norms. In America, possibly because of whatever the American dream is, this happens over and over again. These eras repeat.

Perhaps genes did regulate the aging process. Perhaps different organisms had different life spans because a universal regulatory 'clock' was set to run at different speeds in different species.

I play with those two eras a lot. The '70s did actually take quite a lot inspiration from the '30s. I love the '70s, the bold color. There's something very sophisticated about it now, looking back.

I loved the idea of making history interesting for kids! When Scholastic approached me about 'The 39 Clues', I immediately started going through the 'greatest hits' from my years as a social studies teacher, and picked the historical characters and eras that most appealed to my students.

Even though there are so many different 'kinds' of music - different textures, different timbres, different attitudes - there is something divine at the core of all music.

I was very different than everybody else growing up. I spoke a different language at home, I ate different food, and I looked different. So I could always relate to Aladdin in that way, being the outcast.

The nineteenth century is a turning point in history, simply on account of the work of two men, Darwin and Renan, the one the critic of the Book of Nature, the other the critic of the books of God. Not to recognise this is to miss the meaning of one of the most important eras in the progress of the world.

For liberalism is a delicate thing. It encompasses so much -- constitutional government, democratic elections, freedom of worship, civil rights, free trade -- that we think of it as timeless and universal. But liberalism came into being in a real place and time, like a flame it has wavered in various eras, and it can be snuffed out.

Different victims, different survivors of different crimes will choose to pursue different paths. And hopefully, over time, we can collectively transform our culture into one that prioritizes healing and prevention instead of simply focusing on punishment.

We're really creating a whole different kind of travel experience. One that really celebrates the different places, different cultures, the different cities and immerses you in that culture.

I think the great thing about grandparents is seeing another home, realising that people you love can have different priorities, different diversions, different opinions and lead quite different lives from the ones you see every day, and that is immensely valuable.

This is an exciting time. I believe we stand at the edge of a new age - a Golden Age - of freedom that will rival any of the great eras of world history because it will be the entire world itself that is changing.

Idealism that makes no distinction between areas where our national interest lies and those from which it is remote does no good for America. The weariness of the post-Versailles, post-Korea, post-Vietnam eras is never far from the national mood.

My process for determining which eras I'd write about was to just read history books that gave a really broad overview of Chinese history. And when I came across a historical figure or a historical incident that was especially interesting to me, ideas for characters and stories would surface.

I'm moving - as a person and as a writer - through time. I'm a different age. I'm thinking about different things. I have different life experiences. I'm trying to get closer to being honest. And by closer I mean that at different ages I have different ideas of what the truth is, and at any point I'm trying to express that at that moment in time.

I think that, for so long, there was only one type of actor, and now you see these different colors, different people, different shapes and different sizes. It just makes it more interesting.

An ambitious, surreal tale of the love between a young Arab girl sold into marriage and the orphan boy she adopts, 'Habibi' spans multiple eras of conflict and change, stretching the lifetimes of its two protagonists over many centuries.

I kept quiet, but the knowledge gathered like a storm. I could see the future: My father wasn't coming back. And this one fact seemed to point to other facts and others still: Love frays and humans fail, time passes, eras end.

I love doing roles and movies that are different from each other. That's kind of why I like to be an actor because I get to play different characters and pretend I'm different people going through different situations.

Music means different things to different people and sometimes even different things to the same person at different moments of his life.

You gain and lose different things in different mediums or different sectors of different mediums. There are liberties you get on tiny indie films in terms of not having to be designed toward a marketing demographic.

You're different. And I'm different too. Different is good. But different is hard. Believe me, I know.

When I go to a great movie, I can live somebody else's life a little bit for a while. I can walk in somebody else's shoes. I can see what it feels like to be a member of a different gender, a different race, a different economic class, to live in a different time, to have a different belief.

There is a quality of lightness, easiness, and in some sense blatant unseriousness that pervades Classical Christianity's dialogue with modernity. The Christian intellect has no reason to be intimidated in the presense of later-stage modernity. Christianity has seen too many 'modern eras' to be cowed by this one.

One of the most exciting parts of the Nexus and 'Bad News' Barrett eras were I had a lot of influence in the character and I had a lot of influence in how I was going to portray myself.

As a black and as a woman, I didn't think that I would really want to live in any of the eras before this, because I would inevitably be worse off. I would have spent more time struggling just to prove I was human than doing my work.

World trade depends on differences among countries, not similarities. Different countries are in different stages of development. It is appropriate for them to have different patterns, different policies for ecology, labor standards, and so forth.

Though I'm not religious, I am interested in religion. I read a lot of history and I think it came out of that. I just think I couldn't understand certain eras of history without knowing what these people believed in.

I love getting to have different food and getting to be around different people and different cultures and different ways people look at life. It's really kind of helped me open up my mind and see the world from different perspectives.

When you travel like I do, just within our own country the atmosphere is different. The environment is different; the way people talk is different. The energy is different. And that's just material-wise, with the local culture.

Paradoxically, the few eras of peace were times when men of war had high influence. The Pax Romana was enforced by Caesar's Legions. The Pax Brittanica was enforced by the Royal Navy and His Majesty's Forces.

Every person I've known has had an effect on me, as have people whom I've not met in the physical in this life, but whom I've met inwardly, teachers from other eras - Sri Ramana Maharshi, Sri Ramakrishna and Lao Tse.