Top 1200 Different Kinds Of Music Quotes & Sayings - Page 19

Music is for making people happy, lyrics tell them who they are. Everybody is free to interpret the music, as they want. The lyrics of my songs are about different things, but it's all about my issues.

I just love music. Every genre of music: country, rock. I originally first loved punk rock. Pop punk. I don't know, just rock in general. And getting to rap. And now K-pop. Different types of music. I love everything.

There's different ways to approach music for sleeping. Things like white noise are functional, like a lullaby. This is more like an inquiry, a question about how music and sleep fit together.

My father, who was the one who really got me hooked on movies, liked all kinds of films, and I saw all kinds of films at a very young age.

You have a lot of educating to do hip-hop wise in Europe. When you tour, when you go out there, most of the people that come see you at the venue listen to a lot of different kinds of music, not only hip-hop; they're not heads. From time to time you're going to do a little concert in front of three or four hundred people that are only hip-hop heads and they're going to understand and know all about the gimmicks and the swagger but the rest of the people are just regular European people that listen to pop [or] rock & roll.

My mood board says that there should be a G.O.O.D. Music festival. Why not? Like, we haven't - I don't think - and I think all of the G.O.O.D. Music artists and affiliates are doing so many different things that we never get to Voltron up. So that would be a thing of mine.

I can work with all these different kinds of artists and still be able to come up with huge records. Not just cool records, but game-changing records.

Naturally, if I'm singing over really loud music, my approach is gonna be different than if I'm singing over some quiet acoustic music.

Sunshine is delicious, rain is refreshing, wind braces us up, snow is exhilarating; there is really no such thing as bad weather, only different kinds of good weather.

The Democratic Party is a house of many mansions. It is a body which is extremely important in representing all kinds of people in all parts of the country who have very broad and very different views.

When I work in English, I'd say I don't see a big difference in my rapport with my team or the actors. When I work in English or French, the music of the language is different, but beyond that music, in the depths, it's the same.

The world of music is changing so dramatically every day, the way people hear music. It's different. It's a new day and requires new thinking.

People recognize me on the street for all kinds of different things that I've done. 'That Thing You Do' remains to be my favorite film in which I played my favorite character. That role is the one that I'm most recognized for.

You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.

My favorite thing about acting is that I can play all kinds of different people. Frankly, I don't consider myself a very interesting person, so the characters I play are usually much more fun.

I would say the songs that have different lyrics. I always write the music first, and there's a couple of songs on this box set that have different lyrics from what ended up on the final recording.

One of the things I can do is to try to put myself in different kinds of movies and that kind of subtly changes my work. By the time my obituary is written, I want there to be a great western and a great comedy.

All trades, arts, and handiworks have gained by division of labor... Where the different kinds of work are not distinguished and divided, where everyone is a jack-of-all-trades, there manufactures remain still in the greatest barbarism.

Country music is different because we [musicians] are all actually happy for each other. We're all friends. It's a little family. So if you don't win [an award], usually one of your friends does. So it's kind of a cool thing. I think it's the only genre of music to have that camaraderie.

So I got a lot of music because it's all different. I'm not just one side. I wanna show you the good, the bad, and the ugly. I wanna be as truthful as I can because I love music.

In real life I'm shy sometimes, sometimes I'm romantic, sometimes I can be funny, so it's great to be doing different kinds of parts that expose your personality.

Mathematics is the summit of human thinking. It has all the creativity and imagination that you can find in all kinds of art, but unlike art-charlatans and all kinds of quacks will not succeed there.

He who says he hates all kinds of flattery, and says so in earnest, has undoubtedly not as yet become acquainted with all kinds of it, whether in substance or in form.

An old pop music producer once said that there are really only four kinds of song a person can write: "I love you/I hate you/go away/come back!" That's a funny observation.

Churches should be able to decide what kinds of unions are sanctified by their denomination, but not what kinds of unions are accepted in the civil arena.

[I did impressions] of relatives because I heard so many different sounds. My dad was in the music business and of course my uncle was a giant [music producer], but my dad in particular had the house filled with these Dixieland jazz stars.

I'd like to be wanted for my body, too! As an actor I want to play all different kinds of women - independent women but also very vulnerable women.

With Moloko, we tried to be the opposite of what was out there at the time. I like to be different. In the mid-Nineties, music was quite dour and serious, and everything was dressed down. So we went the other way. Our first record was about not wanting to do four-to-the-floor dance music.

I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references.

I was into all sorts of music as a kid. I was very curious about ethnic music and different styles. I loved Django Reinhardt. I loved Ella Fitzgerald. I was also influenced by all the crooners of the day, like Johnny Ray, Frankie Lane.

I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.

I became friends on a social basis with a music professor (Dr. Alan Stein) who took a real interest in my work. He encouraged me in countless different ways, urged me to try different arranging styles, etc.

My understanding of environmentalism, of the things that radicalize people, of the ethics and effectiveness of different kinds of social protest have definitely become more nuanced and more informed, but they aren't much clearer.

I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.

Country music is just country. It's going to shift around a little bit, doing some different instrumentations, different production styles. But it will always come back to what you heard at the Opry. Nobody wants it to change.

Seriously, my music really does help my acting, and, like, getting in and out of a character from a different lifestyle and writing a song about it. Likewise, my acting inspires the music because I can write a theme that I wouldn't necessarily approach at all in life.

My grandfather and my father disagreed about music, not least of all because my dad wanted to improvise. It wasn't just that he wanted to play different music; it was just that he came off the dots.

No pills, not even aspirin, and certainly no supplements ever enter my mouth - everything I need comes from my fish and vegetarian diet, which incorporates many different kinds of fruit and vegetables every week.

I don't know -- maybe the world has two different kinds of people, and for one kind the world is this completely logical, rice pudding place, and for the other it's all hit-or-miss macaroni gratin.

My experience of life is that it's very fragmented; certain kinds of things happen, and in another place, a different kind of thing occurs. I would like my work to have some vivid indication of those differences.

With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.

When I fell in love with music, particularly hip-hop, I listened to it in the car. In Texas, you've got to drive, and sometimes you wanna listen to something good. Not something that's loud with a bunch of screaming for two minutes. That's a different type of music.

It's different from music because music is like going deep down into soul, like scooping out all the difficult, beautiful, messy stuff and putting it into songs. Writing is more like playing for me.

In English films, they concentrate more on background scores and the music will be the main highlight of movie. When it comes to our local language, we have comedy, emotion, hero buildups, etc., and the music for each will be different from the other.

I used to be the guy who wanted to do everything myself, wanted to write and play everything myself, but the older I've gotten, the more collaborations I've gotten. I really enjoy working with other people to create different styles of music, because I really do listen to everything, and I enjoy every kind of music. I think some of the best stuff comes from working with people who have different perspectives on the same thing.

God is infinitely creative, and everyone's different, and everyone has a different path, a different lesson, a different song, a different face, a different voice.

IGNORAMUS, n. A person unacquainted with certain kinds of knowledge familiar to yourself, and having certain other kinds that you know nothing about.

I love all kinds of stories and movies, and I did work hard to get through to the creative community and studio executives that I could work in a number of different genres and tones.

As a Japanese actor, I really want to work with a lot of actors and actresses in the world and many directors who have many different kinds of talents. I feel like nationally doesn't matter at all.

I listen to a lot of different music. I have a really open ear when it comes to music in general. I like everything. You have to. You have to know your history and learn everything you can, you know?

I was the youngest child and really spoiled. I loved to play make-believe. I loved pretending to be all kinds of different people and it just seemed natural that I would go into acting.

I'm not mannerist. I don't think I'm interested in mannerism. If I ever use it in a way, or if manner is like some kind of product of certain sorts of usage of different kinds of materials, then it's about involution or turning in on that.

When you get new people around you, the excitement is new because they have different take on your music. They play it in a different way, and that's always exciting to be around. It elevates everybody onstage.

In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.

In difficult times, people just like to hear music. They like to be moved by what they hear. And music speaks different languages.

I'd like it to be a bit of everything, the kind of music you can dance to, but also something a bit more personal, that you can listen to in other contexts. I think it's very important to maintain the contrasts between the different types of music that I make.

I feel some allegiance to pushing electric-guitar music into a different realm, somewhere that isn't retrospective. There's a lot of guitar bands that are a tribute to the 1970s or the Nineties. I want to experiment with guitar music more.

Anyway, solitary people interest me. There are so many different ways of being solitary.' 'I know just what you mean,' said X. 'I know exactly what you're going to say. Different kinds of solitude. Enforced solitude and voluntary solitude.' 'Quite,' said Viktoria. 'There's no need to go into it further. But when people understand one another without speaking, it can often leave them with very little to talk about, don't you think?

The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.

If you're not a real chameleon of an actor and if you're not one of those guys who can really shape-change themselves all the time, one of the ways to keep pushing yourself and keep changing is to be in different kinds of movies.