Top 1200 Different Language Quotes & Sayings - Page 3

Experiment is necessary in establishing an academy, but certain principles must apply to this business of art as to any other business which affects the artistic tic sense of the community. Great art speaks a language which every intelligent person can understand. The people who call themselves modernists today speak a different language.

Quiet talk is the language of love. It is the language of peace. It is the language of God.

Literature belongs first and foremost to the language in which it is being written. The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.

When you work in a different language you are not so attached to the words.

I came from doing Wushu and other martial arts, and then I got into movies, and I had to learn that as well - the language of martial arts movie fighting. It's a different thing; it's a different kind of logic.

Language is the instrument in all cases and can language be trusted?If it were not for language, could we lie?

Doing TV is a different kind of language.

I asked myself, 'How are you going to change all these people, they have different values, different customs, different language, different interpretations?' So that’s the time I joined the Ku Klux Klan in Miami. The reason I joined is to see if I could change them. So I dissolved that organization in a month-and-a-half, alone. [Applause] Then I joined the White Citizen Council. The WCC hates foreigners – all foreigners. So I joined that organization; I dissolved it in one month.

Religion is much more than language, but to be Christian does mean speaking Christian for most people. The language many of us use has contributed to the crisis in Christianity in North America. Traditional Christian language is becoming less familiar to millions of people. The language is frequently misunderstood by people.

A partial Jewish State is not the end, but only the beginning. ... I am certain that we will not be prevented from settling in the other parts of the country, either by mutual agreements with our Arab neighbors or by some other means. . . [If the Arabs refuse] we shall have to speak to them in a different language. But we shall only have another language if we have a state.

I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.

It's like learning a language; you can't speak a language fluently until you find out who you are in that language, and that has as much to do with your body as it does with vocabulary and grammar.

All the kids are learning different languages. I asked them what languages they wanted to learn, and Shi is learning Khmai, which is a Cambodian language; Pax is focusing on Vietnamese, Mad has taken to German and Russian, Z is speaking French, Vivienne really wanted to learn Arabic, and Knox is learning sign language.

The language in a comic book or a graphic novel and the cinematographic language are really not the same language. They are false brother and sister. It's not at all the same.

There's a whole language to movement and how you embody someone, and how you can use different techniques for different characters. I guess just posture, and the way you walk, and the way you physically are. All of that says a lot about who someone is.

Urdu can not die out because it has very strong roots in Persia. The language itself is not only just the language of the Muslims, but it's also the language of the Hindus.

Nature is a language and every new fact one learns is a new word; but it is not a language taken to pieces and dead in the dictionary, but the language put together into a most significant and universal sense. I wish to learn this language - not that I may know a new grammar, but that I may read the great book which is written in that tongue.

Different persons growing up in the same language are like different bushes trimmed and trained to take the shape of identical elephants. The anatomical details of twigs and branches will fulfill the elephantine form differently from bush to bush, but the overall outward results are alike.

Was there a language of loss? Did everyone who suffered speak a different dialect?

External realities - worlds of politics, economics, law, war, interpersonal and social relations - are part of prose fiction. Fiction also includes the realities of a character's interior language. Poetry can encompass the same realities, but in compressed, intensified language, which creates entirely different degrees of emotional force.

My shirt and my hat always say 'World Champion' in some language. English, Spanish, Chinese, 'Star Wars' language, which is also known as Aurebesh, mermaid language.

The language of the moment or, as it were, the language of the order in which we live, is the image. I felt that if I wanted to commune with the public, I should best do so through the language of image. It's a conscious embrace of a contradiction.

One of my favorite literary theorists, Mikhail Bakhtin, wrote that the defining characteristic of the novel is its unprecedented level of "heteroglossia" - the way it brings together so many different registers of language. He doesn't mean national languages, but rather the sublanguages we all navigate between every day: high language, low language, everything. I think there's something really powerful about the idea of the novel as a space that can bring all these languages together - not just aggregate them, like the Internet is so good at doing, but bring them into a dialogue.

Language comes first. It's not that language grows out of consciousness, if you haven't got language, you can't be conscious.

I'm German! Actually, I love my countr, ;I love the language. The German language is very special because it is so precise. There is a word for everything. There are so many wonderful words that other languages don't have. It is impressive to have such a rich language, and I love to work in that language.

Dabbling with Tagore was always scary. It happens with masters, with contemporary poets you know their vibes and their meaning. Tagore was different; his aura and the feel of his language was different.

In animation, what's wonderful is that when you start to work with multiple nationalities, the common language becomes a visual language rather than a spoken language, which blends beautifully with the art form.

The main effect of the Internet on language has been to increase the expressive richness of language, providing the language with a new set of communicative dimensions that haven't existed in the past.

I never taught language for the purpose of teaching it; but invariably used language as a medium for the communication of thought; thus the learning of language was coincident with the acquisition of knowledge.

The world was made before English language, and seemingly upon a different design.

The Urdu or Hindustani language we use isn't popular in theatre these days. It was a language that was being used in cinema from the 1950s until the '80s. It is a very communicative language.

The language of the land in the Parthian empire was the native language of Iran. There is no trace pointing to any foreign language having ever been in public use under the Arsacids.

I have learned to interface - what I think would be the contemporary term - with various different lexicons, and people speak very different languages. I've learned to speak in a lot of tongues, and I can live with the bellicose language of some fervent, fire-breathing Christians, sure.

When everyone at school is speaking one language, and a lot of your classmates' parents also speak it, and you go home and see that your community is different -there is a sense of shame attached to that. It really takes growing up to treasure the specialness of being different.

Sexist language, racist language, theistic language - all are typical of the policing languages of mastery, and cannot, do not, permit new knowledge or encourage the mutual exchange of ideas.

The four most expensive words in the English language are, 'This time it's different.'

There's never been a culture without poetry in the history of the world. In every culture, in every language there is expressive play, expressive word play, there's language use to different purposes that we would call poetry.

Today we all speak, if not the same tongue, the same universal language. There is no one center, and time has lost its former coherence: East and West, yesterday and tomorrow exist as a confused jumble in each one of us. Different times and different spaces are combined in a here and now that is everywhere at once.

Now, the language that had grown up and formed itself on those principles is what one is dealing with, and the problem is to bring a work of art in that medium into another medium formed on different principles and heard and understood in a different way.

There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work.

Now the point of comedy is not just looking funny, it's use of language. We have at our disposal a great language... and the imaginative, creative use of that language can be at the service of humour.

Public speaking is done in the public tongue, the national or tribal language; and the language of our tribe is the men's language. Of course women learn it. We're not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man's world, so it talks a man's language.

I love communicating with people, and sometimes language is not enough. I think that's what poetry is, where you can mess with language and get through to things that can't be described or communicated through regular language or scientific processes.

A special kind of beauty exists which is born in language, of language, and for language.

There is a language beyond human language, an elemental language, one that arises from the land itself.

The language in New Mexico is very different. At first when you hear the speech here, you don't really know what to do with it, but then I just went with it, because as a writer as well as a translator I do believe that translated words are not different names for the same thing. They're different names for different things. I tried to stay as true as I could, so I used Ruben Cobos' dictionary of Southwestern Spanish, and when I went into Spanish I never assumed the word I would use would be the word a nuevomexicano would use.

Because of the Turing completeness theory, everything one Turing-complete language can do can theoretically be done by another Turing-complete language, but at a different cost. You can do everything in assembler, but no one wants to program in assembler anymore.

I think there's always some good reason to try and modernize most period things, because at the end of the day, they may have, I suppose, used a different language or a different etiquette, but ultimately, these are still people that loved and breathed and lived and ate and weed and pooed just like we do now.

Le langage est une peau: je frotte mon langage contre l'autre. Language is a skin; I rub my language against another language.

Poems have a different music from ordinary language, and every poem has a different kind of music of necessity, and that's, in a way, the hardest thing about writing poetry is waiting for that music, and sometimes you never know if it's going to come.

We should replace bilingual education with immersion in English so people learn the common language of the country and they learn the language of prosperity, not the language of living in a ghetto.

Chess demolishes differences. It's a language of different generations.

Each actor requires a different language.

In Italy, you're in your comfort zone when it comes to language, lifestyle, your habits and preparations, and moving abroad is not easy. It's not easy to carry over your own ideas about football, your own methods. You have to get everything across in a different language, and that wastes a lot of energy.

I once wrote that the first week in Jerusalem was the hardest week of my life. I was different, other; my clothes were different, as was my language. All of the classes were in Hebrew - science, bible, literature. I sat there not understanding one word. When I tried to speak, everyone would laugh at me.

It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.

Obviously no language is innate. Take any kid from any race, bring them up in any culture and they will learn the language equally quickly. So no particular language is in the genes. But what might be in the genes is the ability to acquire language.

Language is not a genetic gift, it is a social gift. Learning a new language is becoming a member of the club -the community of speakers of that language.

Visual art is a foreign language I'm fluent at, but my native language is language.

Language is always ambivalent. Its forms mutate and connect in unexpected ways. It's hard to instrumentalize language. But I think it's better to explore linguistic potentials than to keep on using language that's past its expiration date.