Top 1200 Different Story Quotes & Sayings - Page 4

I didn't mind if they yelled at me, but when they came on the field, it was a different story.

I think that every country presents its own particular challenges, different cultures, different histories, different religions, different people. And different ethnic make-ups in those countries present different challenges.

Coming out of high school, I think it was good for me instead of going to college because college and the NBA are two different things. You can dominate on the college level, but the NBA is a whole different story. The dudes that do the best are the ones who work hard.

The happening and telling are very different things. This doesn’t mean that the story isn’t true, only that I honestly don’t know anymore if I really remember it or only remember how to tell it. Language does this to our memories, simplifies, solidifies, codifies, mummifies. An off-told story is like a photograph in a family album. Eventually it replaces the moment it was meant to capture.

If I sing "you broke my heart, you left me flat," everyone knows exactly what that means - they know the story. But if I sing a line that's plaintive or wailing, people can experience their own set of emotions and their own story. Each of us might give that phrase a different meaning. It's open to interpretation, and one song becomes a thousand songs. I love that.

The humorous story is American, the comic story is English, the witty story is French. The humorous story depends for its effect upon the manner of the telling;the comic and the witty story upon the matter.

We become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams.

I also learn a lot about everybody else's process. People create in different ways, so that has opened me up to different processes and experimenting. Laurie Keller is a character person, so she came to the project with these blades-of-grass characters that we were able to literally grow a story around.

It's not easy to tell a story about writers and make that feel like a complete story and an interesting story.

Directing made me realise what I do as an actor that's extraneous, it focuses your mind on story, story, story.

Things look different when history is seen as His-story.

Black Nativity certainly lends itself to reinterpretation. It was kind of designed to be infused with the creativity of whoever is putting it on, and every performance is a little bit different. So, this is definitely my version of Black Nativity. It has its own story, which is a family story. Langston Hughes' Black Nativity informs it, and is contained within it.

The true story of every person in this world is not the story you see, the external story. The true story of each person is the journey of his or her heart.

You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.

My story was not a football story. My story was more about going against the odds of what life was handing me.

That energy and enthusiasm of telling a story is a different magic.

He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.

Toward the end of the film ['Life, Animated'] we see 'The Sidekicks Story,' and that is a story that Owen drew himself. We took that style, which is decidedly different from Disney animation, and used it as a basis. It's a 'two-dimensional' hand drawn animated form, so I went to this company in Paris called 'Mac Guff,' and they assembled an amazing group of young animators, and brought it to life.

I'll try to find a character or a story that is different from those I've done before.

News, after all, is a spin of words and pictures. It's a kind of music. There are beats in a newscast, a newspaper story. Ed Murrow sounded like Ed Murrow. Huntley and Brinkley sounded different. Anderson Cooper, different still.

The desert tells a different story every time one ventures on it.

Brooke might tell a different story, but I've always loved the water.

I'm a man that's unique to the world. That's kind of the star I was born under - on the cusp of Capricorn and Aquarius. My mother is Irish-American, and my father is Afro-Panamanian, so it's kind of been the story of my life to be a bridge between different cultures and different styles, and musically, that's between jazz and R&B.

I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.

People think that what I see diving must drive what I put into films, but that isn't really the case. When I am making a Hollywood production, I am telling a different kind of story. Of course, if I see something interesting that works, we will look at it, but they are different things.

Maybe instead of strings it's stories things are made of, an infinite number of tiny vibrating stories; once upon a time they all were part of one big giant superstory, except it got broken up into a jillion different pieces, that's why no story on its own makes any sense, and so what you have to do in a life is try and weave it back together, my story into your story, our stories into all the other people's we know, until you've got something that to God or whoever might look like a letter, or even a whole word.

Whether the story reflects the facts is obviously a different matter.

Everyone's story is different, and we can't really be inside them.

I can respect different opinions, because everybody has a story.

The opera tells the story with all the built-in contradictions and from many different angles.

Tell me a story. In this century, and moment, of mania, Tell me a story. Make it a story of great distances, and starlight. The name of the story will be Time, But you must not pronounce its name. Tell me a story of deep delight.

The stories I grew up with, whether it came to queer representation or representation of anyone that was different, it was always a story of, like, very sad, usually ended up with somebody dying, and it made the idea of being queer or different really scary, actually.

A necessary part of our intelligence is on the line as the oral tradition becomes less and less important. There was a time throughout our land when it was common for stories to be told and retold, a most valuable exercise, for the story retold is the story reexamined over and over again at different levels of intellectual and emotional growth.

I pick different projects for different reasons. Usually, it's a combination of things. I admire the director, and I am interested in working with the director. Or, it's the cast. I can be moved by the story. The ideal situation is you love the director and you love the cast.

When we remember something, we're taking bits and pieces of experience - sometimes from different times and places - and bringing it all together to construct what might feel like a recollection but is actually a construction. The process of calling it into conscious awareness can change it, and now you're storing something that's different. We all do this, for example, by inadvertently adopting a story we've heard.

Writers are given one great story to tell their story. I’m telling my story as a political document.

In fiction, you can be as true as you want. Real life is a different story.

In that little party there was not one who would desert another; yet we were of different countries, different colours, different races, different religions--and one of us was of a different world.

Trust the story ... the storyteller may dissemble and deceive, the story can't: the story can only ever be itself.

Most people never really sat down and got to know a homeless person, but every homeless person is just a real person that was created by God and it is the same kind of different as us; they just have a different story.

It occurred to me that there was a story behind the scar -- maybe not as dramatic as the story of my wrists, but a story nonetheless -- and the fact that everyone had a story behind some mark on their inside or outside suddenly exhausted me, the gravity of all those untold pasts.

Just as with the quartet, each part of a painting is telling a different story.

I think people should be allowed to do what they want to do. I think that it doesn't make sense for a certain class to be able to get married and be treated differently when others are not. But I don't equate polygamy with same-sex marriages - and I know you don't either. Polygamy is a different story because it has different class differentiations in it.

I try to employ a different strategy for each story. Often, I'll have a specific look in mind before I even have the story to go with it. I'm not so much interested in forcing the issue of reader identification through various graphic tricks. I'm more interested in creating specific characters that resonate with my own particular inner struggles.

You have to be dynamic. You have to be able to change. So a lot of times we'll go to a country or go meet people, and then while we're there, the story changes and you have to be able to go with that. And then the story comes out in the editing room, which is a very documentary sort of process - not how news works. So that's different.

If we wish to know about a man, we ask 'what is his story--his real, inmost story?'--for each of us is a biography, a story. Each of us is a singular narrative, which is constructed, continually, unconsciously, by, through, and in us--through our perceptions, our feelings, our thoughts, our actions; and, not least, our discourse, our spoken narrations. Biologically, physiologically, we are not so different from each other; historically, as narratives--we are each of us unique.

I learned a lot about American history though jazz, and that's why I loved American history when I was in high school. I could hear different stories - the story that they would tell in school, and then the story that I would hear in the music.

I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake...

When you can state the theme of a story, when you can separate it from the story itself, then you can be sure the story is not a very good one.

Hauntings are memes, especially pernicious thought contagions, social contagions that need no viral or bacterial host and are transmitted in a thousand different ways. A book, a poem, a song, a bedtime story, a grandmother's suicide, the choreography of a dance, a few frames of film, a diagnosis of schizophrenia, a deadly tumble from a horse, a faded photograph, or a story you tell your daughter.

God is infinitely creative, and everyone's different, and everyone has a different path, a different lesson, a different song, a different face, a different voice.

I think that 'Heroes' really is about family. I mean, sure, it's this surreal story, and it's about people with powers, but the story behind that story is a story of family.

Curating, in the modern sense, is something I gravitate to. Taking different ideas from a bunch of different places and putting them into one place or space, a story that makes sense or a new idea. Everything is remixed and taken from other things to make something new.

Take the story of Cain and Abel. Why were we given that story? Scientifically, you may have an explanation for it, but I'm not approaching it from the scientific point of view. I'm saying: Why do we need that? It's a sordid story, a depressing story, a dark story. Why should I believe that I'm a descendant of either Cain or Abel? Thank God there is a third son! [Genesis 4:25]

When thousands of people discover that their story is also someone else's story, they have the chance to write a new story together.

I start with the story, almost in the old campfire sense, and the story leads to both the characters, which actors should best be cast in this story, and the language. The choice of words, more than anything else, creates the feeling that the story gives off.

Books are a really fun way to get yourself in a certain mindset or mood as an actress. Also, the way people tell a story is so revealing and I think it's important as an actress to see all the different ways people can unravel a story, and introduce the characters and the way people speak.

I thought my story was over. But that was when I realised I finally had a story to tell - and it seems to remind people of their own story.

We have the same genetic code for all living creatures. We have a large number of genes that are manifestly the same, but with detail differences - they look like different drafts of the same book. In extreme cases, like a human and a beetroot, it's like the difference between Matthew and Luke's Gospel - clearly they tell the same story, but with different words. Whereas with a human and a chimp, it's like two different printings of Matthew, with a few typos in one.

The story it told was unremarkable: a tale of love found and lost- the oldest story in the world. The only story.