Top 1200 Different Strokes Quotes & Sayings - Page 3

We won't be different for different's sake. Different is easy... make it pink and fluffy! Better is harder. Making something different often has a marketing and corporate agenda.

[A primate ban] would force us to abandon research that could lead to treatments for Alzheimer's, motor neurone disease, strokes and many other illnesses

In many ways, Mitt Romney and I are very different. Different starts in life. Different paths to leadership. Different cultures.

I love working with different artist with different styles and different producers with different sounds, creativity is everything.

I must say, I am trying to live my life with a sharpie marker approach. You can't erase the strokes you've made, but each step is much bolder and more deliberate.

I like the theatre because you paint with broad strokes. To me the theatre is stretching its definition really far.

Symbols have power and meaning and can mean different things to different people at different times and in different contexts.

I been me from day one, I'm not 'bout to start acting different, talking different, treating people different, or looking different.

I've got a variety of different sources of news that I follow and every day there's going to be different headlines, different stories spun different ways and different sources that they're going to cite as their facts.

It's always good I think in general to have different energies on screen, like it's nice to have different characters go at different speeds, just like different people work at different speeds.

We are different because our brain is wired differently. This causes us to perceive the world in different ways and have different values and priorities. Not better or worse - different.

I don't like to follow someone, but I really like A B de Villiers as a batsman. I think he has got all the strokes and plays according to the situation.

Practice, work out, proper nutrition, lots of work on my short game. In golf, that's really where the strokes come off the scorecard.

A lot of victims, for example, have become addicted to alcohol and drugs. It seems to me that the church's healing ministry is going to be enhanced through this in much broader strokes. That's good, it's all positive.

I think that, for so long, there was only one type of actor, and now you see these different colors, different people, different shapes and different sizes. It just makes it more interesting.

When introducing a character, you're usually better off sticking with broad strokes. The important thing at that point is not what color hair someone has or how tall they are, but rather, what kind of person they are.

If you know the differences between an oak and a poplar, a spruce and a pine, down to the needles... you are able to paint that tree with more conviction, even if done with a few broad strokes.

There you are, diligently swimming a straight line, minding the form of your strokes, when you look up and see, always a shock, the currents you can't even feel have pulled you off course.

When I moved to Beijing in 2005 to write, I was accustomed to hearing the story of China's transformation told in vast, sweeping strokes - involving one fifth of humanity and great pivots of politics and economics.

It's like playing tennis, you play a different rally with different people. Every actor is different and the chemistry between actors is different.

The Chinese use two brush strokes to write the word "crisis." One brush stroke stands for danger; the other for opportunity.

To me, I love being able to see some of John C. Reilly's face in Ralph, and some of Sarah Silverman in Vanellope. That there are hints of them there. In the broad strokes, they are there.

Both my parents had strokes. My father had several, but the last one was fatal. It's a horribly disabling bug, a stroke.

Each environment is different, each job is different, and each realm of creativity that they give you is different. You try to do the best you can and put as much time into it as you can, but different jobs have different circumstances come about.

It doesn't take more skill to paint hundreds of strokes rather than one right stroke but it takes more patience.

Everybody has a direct view of the person "behind" the art, so there is going to be a certain amount of awareness of who is making songs. But I like paintings where you can see the brush-strokes.

I don't work on poems and essays at once. They walk on different legs, speak with different tongues, draw from different parts of the psyche. Their paces are also different.

I understand now the different games and the different approaches that you need to take at different times, with different styles of play.

And every match is different: you have different opponents, different situations, different conditions. So there's no one approach that's going to work all the time.

Different films, different genres show the different things I do. It's nice because it brings different groups of people to following what I'm doing. So hopefully, it kind of reiterates that I'm not just a one-trick pony as well.

Extremely large greens breed slovenly play. When any green ceases to command respect, it loses its value as a test of that rarest of all strokes, the shot home.

Different men seek after happiness in different ways and by different means, and so make for themselves different modes of life and forms of government.

Almost all great painters in old age arrive at the same kind of broad, simplified style, as if they wanted to summarise the whole of their experience in a few strokes and blobs of colour.

The new generation of Labour is different. Different attitudes, different ideas, different ways of doing politics.

I usually find several ways to express myself: different moods, different days, different voices, different things, 'I'm lighthearted today, I'm gonna do this.'

When an artist begins to count strokes instead of regarding nature he is lost. This preoccupation with technique, at the expense of truth and sincerity, is the principal fault I find in much of the work of modern painters.

I'm about as monolingual as you come, but nevertheless, I have a variety of different languages at my command, different styles, different ways of talking, which do involve different parameter settings.

It didn't matter that I wore clothes from Sears; I was still different. I looked different. My name was different. I wanted to pull away from the things that marked my parents as being different.

My job is just to be more consistent and if I can keep being more repeatable, have my dispersion be a little less as I'm hitting it farther, there's a lot of strokes to be gained there.

I'm a goal setter, but in broad strokes. I don't have a by-October-2009-I-want-to-be-here plan. All I do is work with an element of challenge and an element of enjoyment. With that, anything can happen.

He that embarks on the voyage of life will always wish to advance rather by the impulse of the wind than the strokes of the oar; and many fold in their passage; while they lie waiting for the gale.

We should know at least the broad strokes of the powers that the government's claiming in our name, and using allegedly, on our behalf. And also against us as well.

For fools admire and love those things they see hidden in verses turned all upside down, and take for truth what sweetly strokes the ears and comes with sound of phrases fine imbued.

The art of avoiding extremes is an art that is drawn on the canvas of maturity and painted with the abstract strokes of many experiences.

How much of your life can you account for? My life is a collage of unaccounted for brush strokes; I am all random”.

I used to be afraid of things like strokes, but I've now discovered that the fear of the stroke is worse than the stroke itself.

To be successful, you have to expose yourself to different situations-different styles of play, different teammates, different coaching.

The googly and the slider are my favourite type of deliveries, and I love it when batsmen try to cut or sweep me and, while attempting those strokes, get lbw or clean bowled.

I think we need to develop the courage to write from the viewpoint of people who may seem quite different from ourselves, who might have a different sexual orientation or a different race or a different ethnicity.

I think every year that comes, comes with different games, different kinds of players, different coaches and different philosophies, I know that.

I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.

There is no game like the direct attack. Fancy strokes, while effective to watch, do not bring the results a fast driving game does.

I'm not the dude with the message. I'm a human being with different sides, different shades and different emotions, different feelings.

Each museum is different - the collection is different, the context is different, the relationship between the art and architecture is different.

I love getting to have different food and getting to be around different people and different cultures and different ways people look at life. It's really kind of helped me open up my mind and see the world from different perspectives.

Strokes carry a message whether you will it or not. The stroke is just like the artist at the time he makes it. All the certainties, all the uncertainties, all the bigness of his spirit and the littlenesses are in it.

I never get bored, because there’s always different puzzles, I’m wearing different clothes, there’s different contestants, there’s different prizes.

You're different. And I'm different too. Different is good. But different is hard. Believe me, I know.

Comedy, surprisingly for a form that intends to bring joy and joviality, is always upsetting people. Jokes rely on broad strokes, stereotypes, caricatures, exaggerations and simplifications.

When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.