Top 1200 Different Types Of Music Quotes & Sayings - Page 18

Growing up, Tina Turner was definitely one of my influences, and, um, I take things from different artists, and I put them in my music, and I put them in my persona and my - they help me form into the artist that I am, so - for people to actually hear that come through the music is exciting.

I'm sorry, but I do hate this differentiation between the sexes. The modern girl has a thoroughly businesslike attitude to life! That sort of thing. It's not a bit true! Some girls are businesslike and some aren't. Some men are sentimental and muddle-headed, others are clear-headed and logical. There are just different types of brains.

Listen, I think movies serve many different purposes, from those movies that are frivolous and just an entertainment, to movies that just go to exploring the complexities of the human soul. Everything is valid if it's done with honesty and dignity, and I actually do both of those types of movies in my career.

To me, it makes more sense to write different songs and to play different kinds of music and to find your own voice. But no matter what, get out and play for people. Get out and learn, and do everything that you can, you know?

Some of my best friends have written Broadway shows. Allee Willis and Brenda Russell wrote The Color Purple which has been recently revived on Broadway. That to me is such a different hat that you have to wear, but music is music. A Broadway show is something I would love to have the opportunity to do.

I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients. I love hip hop.

Music has been so healing in my life, so the fact that my music could be that for someone else is the best gift of my whole career. People have told me that they got married to my music, divorced to my music, and played my music while they were having their baby.

I am not only an athlete and sports entertainer, but also have a huge passion for fitness, beauty and fashion, so I am open to many different types of brands. When it comes to brands approaching me, I just need them to be very specific, to the point of what they want and need from me.

There were so many different influences in my life: being half Mexican and half Irish, growing up an only child of immigrant parents, being bullied in school, feeling alienated and lonely, this undertone of darkness. All that culminated and came out in my music and made it different.

There's so much music in Austin, and it's all so different.

I was inspired by what students have done in some schools organizing walkouts protesting the lack of funding and that sort of thing. There are opportunities for students to engage in those types of protests - taking to the streets - but there is also writing poetry, writing music, beginning to express themselves, holding forums, educating each other, the whole range.

I love watching all sorts of different types of movies, but that doesn't mean they're necessarily movies I want to be making. I'm not sitting around saying, "Man, I'd really love to direct a western." That's just not something I'm probably going to do. But, I'm just looking to work on things that both feel professionally exciting and personally relevant.

When I give a concert, I know they're not going to hear everything; there might be a lot going on. My individual perceptual and cognitive path through the music is just that: one path through music. My experience will be probably at some level different from other people's, and that multiplicity of experience has to be supported by the music. I might just focus on the cowbell the whole time - maybe I have a fever for more cowbell!

If humans want to see the same types of people over and over, that's what industries will give us. If we want to see something different, that's what they'll have to give us.

I've actually done more [music for] films than television. I love the process of writing for a film. I love that you are creating this suite of music for a film, that's all tied together sonically and thematically and hopefully people associate with the film. They all are meaningful to me in different ways.

In terms of music, each novel is different but I usually find my way into an era through the music. In this novel the New People, I listened to a lot of 90s hip-hop, which was just so genius. Also, all the musical references in the book from the Peoples Temple one and only album to Luther Vandross.

I love all kinds of different music.

I'm into music for all different sorts of purposes.

There are many different types of kisses. There's a passionate kiss of farewell - like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can't-really-be-with-you-but-I-want-to-be - like with Superman and Lois Lane. There's the first kiss - one that is gentle and hesitant, warm and vulnerable. And then there's the kiss of possession - which was how Ren kissed me now.

The music I make, I'm different.

I don't know why people have to categorize things in music under music. It's music and it's music and it's music. When you start putting genres on things, I think it's completely ridiculous, and I hate that.

Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn't know anything about scene politics, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.

There are different types of double act: the classic dumb-and-dumber, like Morecambe and Wise; the good cop/bad cop, where one's a bit spiky and the other's daft. Sue Perkins and I take what we might call the Ant and Dec approach: the double act came out of our friendship.

Growing up, I did quite a bit of reading on the mental side. My dad, who coached me, had us doing a lot of different types of mental work, like visualization. I read a couple of tennis books that talked about calming your nerves, belief, visualization, relaxing, breathing.

I didn't know if it would be a successful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter...I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along...I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't...The best music is essentially there to provide you something to face the world with.

My life has shifted to different levels financially, in terms of fame as a result of being blessed enough to be able to share my music with the world, and what that has done for me. Despite all of that, I always want people to listen to my music and be able to relate to it as well as to me.

I've always been a music fan. I played trumpet. When I was in 4th grade, we were getting demos from the music teacher about different instruments we could play, and I said I wanted to play the trumpet right away. It was easy: it just had three valves.

Human insulin differs from other mammalian types by having a different C-terminal amino acid on the B chain. The immunological difference between beef insulin and human insulin, which is presumably responsible for the antigenicity of the former in some human beings, is thus limited to very a small portion of the whole molecule.

When I was working on 'To Pimp A Butterfly' and 'DAMN.,' I'm really making music for Kendrick. It's a different mindset than when I'm making music for me. I'm trying to get into his head and figure out what he wants because it's his vision. That's what I expect from people when they're playing on my records.

He's from Fayetteville. I'm from Charlotte. We got two different upbringings. All in all though, I love J. Cole's perspective and I love his music. I love his approach. It's just two different things.

According to man's environment, society has made as many different types of men as there are varieties in zoology. The differences between a soldier, a workman, a statesman, a tradesman, a sailor, a poet, a pauper and a priest, are more difficult to seize, but quite considerable as the differences between a wolf, a lion, an ass, a crow, a sea-calf, a sheep, and so on.

Identity is made up of lots of different things now. Different colors and patterns stand out at different times. Different instruments in the symphony of being are more distinct than others at different times.

My music is not only different but distinctive.

They have all different names for music. I think the music I'm going to change the style with is going to be really, really big-years and years after I'm gone.

To me living and music are all the same thing. And I keep finding out more about music as I learn more about myself, my environment, about all kinds of different things in life. I play what I live. Therefore, just as I can't predict what kinds of experiences I'm going to have, I can't predict the directions in which my music will go. I just want to write and play my instrument as I feel.

I can pass days Stretch'd in the shade of those old cedar trees, Watching the sunshine like a blessing fall,-- The breeze like music wandering o'er the boughs, Each tree a natural harp,--each different leaf A different note, blent in one vast thanksgiving.

When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.

As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.

The way people receive our music is different and some people may say that our music is not metal. But I feel that those reviews allow us to challenge ourselves and gives us an opportunity to grow even more.

I've been spinning dance music since 1990, and genres always come and go. I think as technology becomes more accessible and it's easier for people to make music, they come and go quicker now, but it just comes with the territory. You come up with something new, something hot, and it rocks for a year. It's nothing different from any other genre of music. I mean, name one genre that's sounded the same for its entire existence. It doesn't happen.

I love music. I love every kind of extreme sort of music, and many different genres, and if I were to have to dedicate myself to just one kind of genre, I would feel kind of gypped. I'd be like, man, I wish I could do this or that. And really all it takes is trying it out.

I have a cultural map in my head, where I find similarities between different cultures. For example, domestic Japanese pop music sounds like Arabic music to me - the vocal intonations and vibrato - and, in my mind, Bali is next to New York. Maybe everyone has these geographies in their head. This is the way I've been working.

People get inspired to write, paint, draw, sing, sculpt, dance in many different ways. And there are many types of art. But the one thing that they all have in common is that they are all a sort of magic. Sometimes the magic flows from one’s fingers, other times it is transferred to the person who experiences the result. Magic has always worked in mysterious ways.

It was quite frightening to be asked to write the music of a Western because there are so many things that you can refer to that can be cliche, and that could really poison your mind, from Morricone, to Bernstein, to Neil Young. So much music has been written for Westerns, that you wonder how you're going to find a new or different idea.

I find a therapy in playing music, in many different ways. At this point, I'm incredibly grateful for the relationship that it's given me with the men that I play music with. It's a great journey, and I'm really grateful for that. And also, being able to scream at the top of my lungs in front of people is very therapeutic.

Bob Marley performed the 'One Love Peace' concert in Jamaica with the two different warring political sides. There's always been that in black music and culture in general. It's no surprise because black music is such a reflection of what's going on in black life. It's not unusual for hip-hop.

Was not a breakup, you know - is just going three different ways and sending the music in three different directions. Was just that my inspiration was growing, and my cup filled and runneth over... One man grow mango, another grow pear.

I like plenty of different music.

To me music is music. A person of faith, a person that calls themselves a Christian, they are the Christian and they make music. Some music has more to do about God than other music, but in reality what makes the difference between "secular" and "Christian" music is simply a marketing channel.

When you say something is very different to a core base that expects heavy music from you or very aggressive music, everybody tends to go, 'Oh, they're gonna get mellow, they're gonna get soft.'

A lot of society tries to put people with disabilities into one cube, and when you think about it, many, many people have different types of disabilities, and you cannot put a code that applies to towards everyone - generally, they can be guidelines, but in the long run, interior designers and architects need more education on the subject.

When I was growing up, music was music and there were no genres. We didn't look at it as country music. Popular music in Tuskegee was country music. So I didn't know it in categories. It was the radio.

News, after all, is a spin of words and pictures. It's a kind of music. There are beats in a newscast, a newspaper story. Ed Murrow sounded like Ed Murrow. Huntley and Brinkley sounded different. Anderson Cooper, different still.

I got to travel around Anbar Province, had a great group of Marines who worked for me who traveled around Anbar Province. I got to hang out with a lot of different types of Marines and soldiers and sailors.

Many people have eclectic tastes. Many people like to listen to all kinds of different music. I mean, I do; I'll listen to many different styles inside a day, a week, a month, a year. It doesn't matter.

Because I feel like I can do so many different things, and people like my music for different reasons, I don't feel pigeonholed. I think people are always going to appreciate whatever direction I take.

I looked at all friends, and did not find a better friend than safeguarding the tongue. I thought about all dresses, but did not find a better dress than piety. I thought about all types of wealth, but did not find a better wealth than contentment in little. I thought of all types of good deeds, but did not find a better deed than offering good advice. I looked at all types of sustenance, but did not find a better sustenance than patience.

There is a beauty in discovery. There is mathematics in music, a kinship of science and poetry in the description of nature, and exquisite form in a molecule. Attempts to place different disciplines in different camps are revealed as artificial in the face of the unity of knowledge. All literate men are sustained by the philosopher, the historian, the political analyst, the economist, the scientist, the poet, the artisan and the musician.

I definitely think as much as I race and so many different types of cars that I run - and having success doing it too - I think helps grow the sport of motorsports. It's not something I really have to work to do though. It just naturally kind of happens. And it's what I love to do - I love to race so much.

I think there are two different types of people in television. There are people who can turn it on like a switch when the cameras go on, and then, when the cameras go off, they kind of lower it down a little bit. And then there are people who are on all the time, no matter if the cameras are there or not.