Top 1200 Different Worlds Quotes & Sayings - Page 6

Explore popular Different Worlds quotes.
Last updated on April 22, 2025.
What can you do when you don't fit in? What can you do when life seems to be passing you by?" "Follow me. I want to show you something. See the horizon over there? See how big this world is? See how much room there is for everybody? Have you ever seen any other worlds?" "No." "As far as you know, this is the only world there is, right?" "Right." "There are no other worlds for you to live in, right?" "Right." "You were born to live in this world, right?" "Right." "WELL LIVE IN IT THEN! Five cents please.
I'm moving - as a person and as a writer - through time. I'm a different age. I'm thinking about different things. I have different life experiences. I'm trying to get closer to being honest. And by closer I mean that at different ages I have different ideas of what the truth is, and at any point I'm trying to express that at that moment in time.
I had said that Le Guin's worlds were real because her people were so real, and he said yes, but the people were so real because they were the people the worlds would have produced. If you put Ged to grow up on Anarres or Shevek in Earthsea, they would be the same people, the backgrounds made the people, which of course you see all the time in mainstream fiction, but it's rare in SF.
This is the time to pull together as a Nation, as different people from all over the States with different perspectives and different social statuses and different income brackets, to unify into one and help those on the ground who need our help the most.
World trade depends on differences among countries, not similarities. Different countries are in different stages of development. It is appropriate for them to have different patterns, different policies for ecology, labor standards, and so forth.
Music means different things to different people and sometimes even different things to the same person at different moments of his life. — © Daniel Barenboim
Music means different things to different people and sometimes even different things to the same person at different moments of his life.
Just as in the body, eye and ear develop as organs of perception, as senses for bodily processes, so does a man develop in himself soul and spiritual organs of perception through which the soul and spiritual worlds are opened to him. For those who do not have such higher senses, these worlds are dark and silent, just as the bodily world is dark and silent for a being without eyes and ears.
I try to support groups that are about educating people about different races, different religions, different cultures and different situations so that we can break down the barriers of prejudice and bigotry.
Commentators frequently blame MMORPGs for an increasing sense of isolation modern life. But virtual worlds are less a cause of that isolation than a response to it. Virtual worlds give back what has been scooped out of modern life. The virtual world is in important ways more authentically human than the real world. It gives us back community, a feeling of competence, and a sense of being an important person whom people depend on.
Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
This whole new emerging science of sex differences is so interesting to me. We are such different creatures. Our anatomy is different. Our structure is different. Our purpose is different.
I think we need to teach children the importance of others, and that they cannot grow in this world without taking in others. The more worlds they take in, these unique worlds, the more they can become. We need to teach them to trust others again, because we're all frightened to death of each other. We're building higher and higher walls, stronger and stronger locks. Tear down the walls! Every day I see how we're distrusting and it hurts.
I've got a solid grounding in history, sociology, anthropology, philosophy, etc etc. That means I actually have a good idea about how societies change and evolve. I know how a lot of them have actually functioned through the years. I can put together a culture that's cool and different, while still being logically consistent, so that it feels real. So many fantasy worlds are either implausible, cookie-cutter, or both. Mine aren't.
The more that I can work in different mediums, the more I can grow, and learn from different actors and different types of actors and directors and different styles of acting and build a tool box.
For when we say that what is different is different, we affirm that what is different is the same as itself. For what is different can be different only through the Absolute Same, through which all that is is both the same as itself and other than another.
Jane Kindred’s THE HOUSE OF ARKHANGEL'SK dazzles with its surreal blending of worlds. Lost angel Anazakia, last survivor of her murdered family, finds herself in the hands of demons with suspect motives, betrayed by her own kind, stranded in the world of Man—21st century St. Petersburg, Russia, to be exact. Weaving startling visuals with compelling characters, Kindred reveals parallels in the two worlds that are ‘neither haphazard chance nor calculated design.’ It’s a dizzying, vibrant read.
Some people are just afraid of what's different. It doesn't mean different is bad. It just means different is different.
Rene Char wrote somewhere, apropos poetry, that there are those who create and those who discover; they are too completely different worlds. Photograph also has two sides to it and thank goodness, I am only intersted in those who discover; I feel a certain solidarity with those who set out in a spirit of discovery; I think there is much more risk invovled in this than in trying to create images; and in the end, reality is more important.
Choose one thing and become a master of it. Choose a second thing and become a master of that. When you become a master of two worlds, say, engineering and business, you can bring them together in a way that will a) introduce hot ideas to each other, so they can have idea sex and make idea babies that no one has seen before and b) create a competitive advantage because you can move between worlds, speak both languages, connect the tribes, mash the elements to spark fresh creative insight until you wake up with the epiphany that changes your life.
I think the great thing about grandparents is seeing another home, realising that people you love can have different priorities, different diversions, different opinions and lead quite different lives from the ones you see every day, and that is immensely valuable.
I've been in a lot of different factions my whole career, and all the guys who made up those factions are different performers. For example, if you look at the Undisputed Era as a whole, I'm very different than Roderick Strong, who's very different from Kyle O'Reilly, who's very different from Bobby Fish.
I went through various phases of different accents - I get ridiculously obsessed with different accents, different regional ways of using the voice, different types of singing. It's all tied together. Speaking is a kind of singing, as are crying and laughing.
Certainly, we all have within us the potential to live in a hugely different way. And how happy you can make yourself, I think, a lot depends on how much you beat yourself up about that; and how much you can, in some sort of providential way, console yourself and say, 'Well, it's all worked out for the best, in the best of all possible worlds.'
I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.
I think actors are very obsessed about looking different and behaving differently, but all people need is just a different film. They don't want a different you; they want a different story.
More gates you open, more worlds you discover! More worlds you discover, more gates are opened!
When I go to a great movie, I can live somebody else's life a little bit for a while. I can walk in somebody else's shoes. I can see what it feels like to be a member of a different gender, a different race, a different economic class, to live in a different time, to have a different belief.
It's always the case that the minority has to navigate two different worlds. Women have to know how to live in a man's world. Gay people have to know how to live in a straight world. Black people gotta know how to live in a predominantly white world.
Until now in world's history, whenever we've had a dark age, its been temporary and local. And other parts of the world have been doing fine. And eventually, they help you get out of the dark age. We are now facing a possible dark age which is going to be world-wide and permanent! That's not fun. That's a different thing. But once we have established many worlds, we can do whatever we want as long as we do it one world at a time.
When you travel like I do, just within our own country the atmosphere is different. The environment is different; the way people talk is different. The energy is different. And that's just material-wise, with the local culture.
Perhaps genes did regulate the aging process. Perhaps different organisms had different life spans because a universal regulatory 'clock' was set to run at different speeds in different species.
I love hip-hop and R&B. People always say, "You are dark, you make dark dresses. You probably only love The Cure or Diamanda Galás." I love Diamanda Galás, but I also love Madonna, Beyoncé, and Courtney Love. They are all from different worlds, but they all evoke emotions in me. I am someone who needs emotions and needs to transmit them. If that weren't the case, I'd be better off changing professions.
When you go to South Africa, you get a different vibe and a different sound. The music is awesome the people are loving it. When you go to Botswana, it's a different ball game. The people out there love Afro Beat Hip Hop so much. When you go to Sierra Leone it's different, when you go to Nigeria it's different... It's all pretty exciting!
You can't underestimate rest. Sometimes in tennis we don't realize that to rest your body is as important as it is to practice. We are traveling so much, all year, in different conditions, different courts, different surfaces, different balls - so we always have to adapt.
You're always struggling because you're not playing on a 53-and-a-third by a 120-yard field. You're not playing on a baseball diamond. With golf, every field is different and every atmosphere is different. The grass is different. The weather is different. You're outside. You're not in a stadium. There are so many different variables, so you never master golf. So, I think good athletes like a challenge.
Sooner or later for good or ill, a united mankind, equipped with science and power, will probably turn its attention to the other planets, not only for economic exploitation, but also as possible homes for man. . . . The goal for the solar system would seem to be that it should become an interplanetary community of very diverse worlds . . . . Through the pooling of this wealth of experience, through this 'commonwealth of worlds,' new levels of mental and spiritual development should become possible, levels at present quite inconceivable to man.
Whenever the Christian idea of meditation is taken seriously, there are those who assume it is synonymous with the concept of meditation centered in Eastern religions. In reality, the two ideas stand worlds apart. Eastern meditation is an attempt to empty the mind; Christian meditation is an attempt to fill the mind. The two ideas are quite different.
As part of the process, there are a lot of different ways to evaluate players. There are a number of different companies and things out there that do different things; that have different ways of evaluating and those types of tests and so forth.
Sometimes I am a different character in different languages. I have different enjoyment from them. Sometimes different answers come out of me. Like, I didnt even know that about me. I get to know myself through different languages, actually.
Acting is a job you can learn a lot in. You get to play lots of different characters with different professions and different backgrounds; they come from different places than you do, so it's really fun when you're immersing yourself in that world of that person to learn about how other people's lives are.
It is nice to be out there, amongst contemporaries on a global scale. You meet different people, see different things, meet different producers, eventually grow to collaborate in different ways. The world is getting smaller. It's nice not to be insular.
Everybody's different and every person is different and every actor's different and everybody has different wants and needs, but I'm a kid who loved comic books my whole life.
I love different themes, different venues, different movies. I love to jump about and tackle different subjects. I have no intellectual master plan. — © Ridley Scott
I love different themes, different venues, different movies. I love to jump about and tackle different subjects. I have no intellectual master plan.
Even though there are so many different 'kinds' of music - different textures, different timbres, different attitudes - there is something divine at the core of all music.
There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.
I came from the stage so it was a different kind of acting, or a different arena of acting, and I just loved to do it as a kid. It's really gratifying to get to create these different characters and to get to create different voices and to get to wear different clothes.
To me, one of the most profound questions we can ask is: "So what?" And so what if there's an indefinite number of worlds with alternate "us-es" in them? The "so what," to me, comes alive when I ask myself: "What if I could find a way to get in touch with those alternate mes who made those choices?" That is, persons who, if I saw them now, I wouldn't even recognize because their choices, once small, have multiplied to make them such different people.
We all go to different churches or no churches, we have different favorite foods, different ways of making love, different ways of doing all sorts of things, but there we're all singing together. Gives you hope.
You gain and lose different things in different mediums or different sectors of different mediums. There are liberties you get on tiny indie films in terms of not having to be designed toward a marketing demographic.
The fact that different cultures have different practices no more refutes [moral] objectivism than the fact that water flows in different directions in different places refutes the law of gravity
Sometimes I am a different character in different languages. I have different enjoyment from them. Sometimes different answers come out of me. Like, I didn't even know that about me. I get to know myself through different languages, actually.
[Ruslan Provodnikov] s a fantastic fighter but in terms of his style and Manny's [ Pacquiao] they are completely different and the preparations for each are completely different but that is no different for me because I am always fighting guys with different styles.
If you compare Russia and America, they are two different worlds. People, cars, clothes. Girls' figures. Especially girls' figures. Why do you think that is, that when an American goes to Russia for a week, he stays for two extra weeks? Girls! And when a Russian goes to America for a week, he leaves in five days. I'm serious!
Just like there are different roads that lead to different places, so there are different levels of awareness that lead to different places and we shift in and out of them. These are the ten thousand states of mind that we study in Zen.
We're really creating a whole different kind of travel experience. One that really celebrates the different places, different cultures, the different cities and immerses you in that culture.
I'm different. I have a different constitution, I have a different brain, I have a different heart. I got tiger blood, man. Dying's for fools, dying's for amateurs.
It's different for each individual. It's different when you talk about homosexuality. It's different when you talk about a malady like deafness. Everybody might have a different response to that and that's what makes it an interesting subject to throw in a movie.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
What sets worlds in motion is the interplay of differences, their attractions and repulsions. Life is plurality, death is uniformity. By suppressing differences and pecularities, by eliminating different civilizations and cultures, progress weakens life and favors death. The ideal of a single civilization for everyone, implicit in the cult of progress and technique, impoverishes and mutilates us. Every view of the world that becomes extinct, every culture that disappears, diminishes a possibility of life
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