Top 1200 Digital Cameras Quotes & Sayings - Page 20

You can freak when you are at the Olympic Games. There are millions of cameras. Everyone is watching every move. Some people will trip where they would never trip in a routine. It's the small thing that nerves really bring out in people.

The sign at the entrance to my gym locker room says, no cell phones please, cell phones are cameras. They are not. A camera is a Nikon or a Leica or Rolleiflex, and when you strike someone with one, they know they have been hit with something substantial.

Most of the planet's terrestrial surfaces are visually accessible through video cameras and satellite imagery, if not physically within reach. Even the approaches to Mount Everest are now littered with human debris. One can drive to Timbuktu, which for centuries was synonymous with inaccessibility.

We had the guys from X Men 2 do the cameras. They had a 360 camera that would go from one car, up in the air and over to another car in a continuous shot while the film was still rolling, going 90 mph.

Apart from those other riders there is a whole production team [ of The Fourth Phase] behind the cameras too, hauling hundreds of kilos of fragile and awkward filming equipment up those same frozen landscapes. They're the real heroes.

In this century of hyper-postmodern ideals, with the digital future, we're segmented into different people, places, and things in a constant state of change.

I was partnered with the singer Drew Lachey of the popular group 98 Degrees. Drew and I complemented each other with our strengths. I was good at dancing and teaching dance, and he was a good student and a natural-born ham for the cameras.

Singers who are dependent on digital audio pitch correction software cannot last more than two-three songs.

I had an idea for a technologically advanced luxury watch. I got involved in digital art and neon painting and put on shows of my work.

'King Kong,' especially the first two acts of it, is a really good example of the use of miniatures mixed with digital characters and how convincing it was.

We make the patterns on the computer, but we also paint them by hand - it's a combination of digital and screen-prints. I'm trying to do as much as I can myself in the studio.

Tell me a musician who's got rich off digital sales. Apple's doing pretty good though, right?

Flash turns up the optical volume so that whatever lies behind the lens - be it film or a digital sensor - is a little more receptive.

Just in the past couple years, we've seen digital tools display skills and abilities that ... eat deeply into what we human beings do for a living.

From ad jingles, films, background scores, digital platforms to live concerts, I am open to all kinds of projects where I can showcase my talent.

Even when people are watching a movie in a multiplex, they insult the film by constantly checking their phones and flashing lights. At times, even when the audience is being told to not flash their cameras, they do, and you can't do anything because it's a habit for them and they can't stop. I don't want that for myself.

From closing the digital divide to after-school activities and eating well, we cannot afford to ignore the link between deprivation and underachievement.

Digital Asset has a talented team and technology that is uniquely positioned to solve challenging settlement issues facing global financial institutions.

Health innovation, enabled by digital technologies to build big consumer service brands, is an incredibly interesting, complex problem to work on.

For every shrill and violent voice that throws itself in front of microphones and cameras in the name of God, there are countless lives of gentleness and good works who will not. We need to see and hear them, as well, to understand the whole story of religion in our world.

Guns have metamorphosed into cameras in this earnest comedy, the ecology safari, because nature has ceased to be what it always had been - what people needed protection from. Now nature tamed, endangered, mortal - needs to be protected from people.

We have a completely unregulated digital landscape. There is almost no oversight. We are placing blind trust in companies like Facebook to do the honorable and decent thing.

What has now become conventional in terms of digital marketing and the discovery of new talent was once very unconventional - and people forget that.

I was a kid when the Tamagotchi craze hit, and I was always envious of my friends and cousins who got to hand-rear their little digital babies.

Digital video is so beautiful. It's lightweight, modern, and it's only getting better. It's put film into the La Brea Tar Pits.

The demographic of young people... in each hand is a phone, more powerful than a computer. It's a doorway to the digital nation, to education.

I used to watch 'The Apprentice' all the time and I thought Bill was a fox. That was that, we didn't see each other for years, and then we saw each other and 45 minutes after the cameras stopped rolling, we were still talking.

My house is full of antics, mayhem, foolishness, carrying on, cutting up, shucking and jiving, and I have that whether cameras are there or not. Our youngest just had us up with her shenanigans and hijinks all night. So, it's all the time, even off camera.

You know how in every heist movie they get past the security cameras that show the hallway leading to the diamonds by jamming the screens with a fake signal of everything looking safe and quiet? Usually a guard coughs so they don't notice the blip from switching to the bogus feed.

Those folks who try to impose analog rules on digital content will find themselves on the wrong side of the tidal wave.

I think the biggest challenge we faced in making 'The September Issue' was the fact that people in the fashion world are very suspicious of cameras. They're used to a camera being the enemy, something that is prying and looking to catch you in a compromising position, something that's judging you.

I used to sit near Marilyn Monroe in the Actor's Studio. She'd get dressed up because that was her identity. Sad. Those cameras wouldn't leave her alone. She didn't know where to hide.

I will always prefer a hardback book, but I'm drawn to digital because it's so easy to acquire them when I'm having a need-to-read moment.

I just love the process of working with other actors. It's like jamming with a musician, except it takes a little more effort to get to that place as an actor, because you have the cameras and lights and everything. But I love jamming with these people.

Im ridiculously fortunate to get a chance to experience the sitcom world. The schedule is extremely easy, and you get fed as an artist because youre not only working on a project, but you get to work with cameras, and you get the audience there.

Today, for the first time - and the Obama campaign showed us this - we can go from the digital world, from the self-organizing power of networks, to the physical one.

There's no such thing as going to a soapbox and saying, 'The government's corrupt,' and not having the intelligence service see your face. In the digital world, that can be done.

Tokenization applies to scarce assets. Today, the most appropriate thing to tokenize is something that's purely digital. Bitcoin and ethereum are the canonical.

Our strategic rationale in Happiest Minds was to have disruptive technology, providing a smart, secure, connected experience enabling digital transformation.

Even in manipulating the images, I would like to do my dailies in a digital way because you can do so many things in that stage that I cannot do in real photography.

Thriving in the digital space is about constant commitment and engagement rather than being hit-driven like traditional media.

All countries will eventually need to rebuild their growth models around digital technologies and the human capital that supports their deployment and expansion.

I support any procedure that allows photographers to express themselves, whether that involves color, black and white, platinum, palladium and digital technology.

I fear that we are beginning to design ourselves to suit digital models of us, and I worry about a leaching of empathy and humanity in that process.

As devices become more portable and content is increasingly digital, connectivity is fast becoming a fundamental expectation and lifestyle requirement.

With digital technology there's a huge spectrum of flexibility in what you can do to manipulate sound and image - which you can push into a really artificial realm if you aren't careful.

I was 19 when I first auditioned for 'American Idol.' I'd never been on an airplane; I'd never been outside of my hometown, except to go to Myrtle Beach. I'm 22 now. I'm learning a lot about life, and it's all in front of the cameras.

We know that almost all Americans are avid consumers of technology, but many lack the opportunity to do the creative work that fuels our digital economy.

I'm really interested in the new nonfiction. I think the hyper-digital culture has changed our brains in ways we cannot begin to fathom.

Cameras began duplicating the world at that moment when the human landscape started to undergo a vertiginous rate of change: while an untold number of forms of biological and social life are being destroyed in a brief span of time, a device is available to record what is disappearing.

We cannot solve the STEM gender gap without solving it for millennials. They're our first digital natives, and they're willing to learn quickly.

Illegal downloading, digital cheating, and cutting and pasting other people's stuff may be easy, but that doesn't make those activities right.

If you shoot with a billion cameras, then there's no perspective. You want to use one shot at a time, so it's better to discover what that is before you shoot, rather than trying to make something in the cutting room, and then it just becomes generic.

I feel very, very grateful. I'm a lucky guy, you need a lot of luck, and then when the cameras roll, you have to have this group of writers, directors, and actors that just gel, and it seems to literally be happening more and more.

If we can put a man on the moon and sequence the human genome, we should be able to devise something close to a universal digital public library.

Art and culture are nonetheless vital, essential even, to what it means to be human, yet digital abundance has diminished our sense of their worth.

I am simply the most conspicuous part of a large, thoroughly dedicated and professional staff that extends from just behind these cameras, across this country and around the world, in too many instances, in places of grave danger and personal hardship. They're family to me.

The idea of a national digital library has been in the air for a long time, and there was a danger that some people would feel that it's their property, so to speak.

I love the idea of thinking of cinema as not that far from music. A lot of my favourite movie makers, the way they move their cameras or the way they cut just feel very musical - even if the movies have no music in them at all.

Even back in the '90s, I shot certain things on something that wasn't digital then, but it was on VHS with a smaller camera and we would up it to film.