Top 1200 Directing Movies Quotes & Sayings - Page 19

I didn't watch horror movies when I was a kid. I didn't watch any bad movies.

I loved movies. In particular, I loved movies depicting places and events that obviously you couldn't have gone out and shot. It was obvious you were looking at something that had been manufactured in some way. I was fascinated by that.

At Pixar, we've been huge fans of any new technology that makes the viewer experience of our movies better. Blu-ray is the best yet because the picture quality, especially for our movies, is unbelievable.

I don't like doing movies, period. Movies are hard. I like TV.

Do I have to see movies and television about the English throne or the Holocaust every year? There are multiple multi-million dollar movies with the same backdrop. But our Holocaust - meaning Latino - aren't ever told.

I was the kid in the neighborhood that was directing everyone else. I was director from the time I was a child.

I love 3-D, and for certain movies it can be really great, and for certain movies it can be poison.

I think of movies as depicting moments of change. Change is growth, and that change also possesses the same dynamism that movies do.

I love movies, don't get me wrong. But I don't go to the cinema. I see movies at the end of the year as a glut from the Academy. I binge-watch all the nominated films. Painting fills that void now. It's oils. It's acrylics. It's figurative, portraits and landscape.

I think it's dynamite, the way my career has just kept moving, even when people didn't know it did. I made such interesting films, but, yeah, they're not necessarily the big movies that go to the supermarket. I don't need those movies, because I don't wanna do them.

The only thing I find difficult to watch - horror movies - not that I don't like them. Like 'The Shining,' it's one of my favorite movies, but it's terrifying. I feel like I've watched a marathon afterwards.

I don't even know why, but my entire career is contemporary films. Entire career! There's no period movies - there's one - but there's no period movies, no special effects movies. I just do character studies and so, some of them are gonna bump into each other, but I love the challenge, with a good script. I love the challenge of playing not a very pleasant or attractive character that seduces an audience or wins an audience over by the end.

You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.

My parents were going through a divorce, and I used to go spend all weekend at the movies to get away from it all. There was something about the sameness of the movies. It was a place for me to go to express my emotions, you know, and let it out.

Growing up, I was obsessed with Disney movies like 'The Little Mermaid,' 'Aladdin' and 'Beauty And The Beast.' I was always singing the songs from these movies, so to find myself in the studio with Alan Menken was an amazing experience. In fact, it was a dream come true.

It costs a lot of money to release a movie. What you'd call art-house movies - movies that don't have big stars or big budgets - they're very hard for distributors to get behind 'em and take chances.

I really love the movies of Katherine Hepburn, movies like 'The African Queen.' I love 'Midnight Run' and I suppose, to pick something out of a different genre, I love 'Aliens.'

I was obsessed with movies when I was younger. During the summer, I would go by myself to a theater down the street from my house. I saw every comedy or science fiction movie that came out. My kids love going to the movies, but 3D scares them.

I describe television as feminine and movies as masculine, in the sense that television wants to examine a problem from all sides and talk about it for a long time, and movies just want to hit the climax and then maybe have a smoke.

Movies these days have made killers into funny people. What's that all about? I've got kids and family and friends, and I don't like bad things. I don't think they're funny, and it's irresponsible to make movies that don't show you how that's not good.

I don't like to watch my own movies - I fall asleep in my own movies.

I used to love the 'Star Trek' movies, 'Wrath of Khan' and stuff like that. Loved those movies when I was a kid. And 'Star Wars' obviously was hands-down probably - I mean I had the sheets. I was a big fan of that.

I was thinking about sort of the similarities between "art movies" and lowbrow movies like kitschy sexploitation films. I think they share certain qualities, whether they're hyper-stylized or overly emotive or just very visual.

Professionally, I like doing one thing at a time and enjoy directing the most.

I'm more of a thriller-horror fan - things that could really happen. I don't like scary movies, the 'Saw' movies scare the crap out of me - I think I've seen two of them and I wanted to go crawl in a hole.

I thought Jack's directing job was the best thing about the film.

North America makes a ton of movies and there's a ton of movies that are exceptional.

But when you're writing a script - for me anyway - you have to sort of create an enforced innocence. You have to divest yourself of worrying about a lot of stuff like what movies are hot, what movies are not hot, what the budget of this movie might be.

I love pre-code movies. Some of my favorites are movies with Warren William and there is an MGM film called "Skyscraper Souls" which is the best Warner Brothers movie that MGM ever made.

It's the purest form of silver and our tagline is "Taking the 'except fors' out of movies." We're trying to make movies with pure story - without the derogatory sex, violence and language to (rely on) a good story.

I love soundtracks to movies and am always touched by the music if it's good. The music in some old Disney movies, like 'Pinocchio,' 'Alice in Wonderland' and 'Peter Pan' really gets to me.

I want to make movies like 'The Upside of Anger,' 'Maria Full of Grace,' old-school films like 'Some Kind of Wonderful' or 'Vision Quest': movies you remember songs and lines from.

I feel like there's a randomness in real life that too many Hollywood movies just shave off. It feels too intentional, and life just isn't that intentional. I like popcorn movies. I like entertaining movies. But, I feel like I could do something more in the real world.

I loved movies. They inspired me more than anything growing up and wanted to do for others what those movies have done for me. I do a lot of other creative stuff but am not very good at it.

I really think that movies are the most popular form of story telling ever and have such a huge impact on culture when they do. So I really want to be a part of those movies that say something good to a lot of people.

I believe that pain can be a rite of passage into learning. I believe that the worse thing that can happen is the sin of banality and comfort. Those things are in my movies, but also my movies are quite the fruit of somebody who defines himself as an agnostic.

Movies don't create psychos. Movies make psychos more creative.

I'm not going to have a perfect career. It's better to be Billy Wilder and make lots of movies and have five or six great ones than to make so few movies that when you make a bad one it crushes you.

Its difficult to do a genre film well, and it doesnt matter if youre talking vampire movies or Dawn of the Dead or The Thing or Escape From New York. Those kind of movies, they understand what the old-school B-movie is supposed to be, they get the throwback of it.

If you like dark movies or light movies, 'The Empire Strikes Back' is one of the great movies of all time. It's probably the greatest movie of all time. 'A New Hope' is a superb movie. It's probably the second-greatest movie of all time, but 'The Empire Strikes Back' is better.

I'm either offered window-dressing parts in large movies or little art films no one ever sees. People think the movies I end up doing are my real choices. I do the best things I'm offered.

I really want to work on characters that have a lot of complexity and you don't always get that in comic book movies because they're not character explorations. I have nothing against movies like that, but I do see them as kind of like a cheeseburger.

A reporter told me it is very rare to see a woman of my age in the movies. Right! In the movies! But they have been for so long in very serious and important positions in life: scientists, prime ministers, candidates to be the president.

I think one day I want to be on the other side of the camera-maybe directing.

I certainly was an actor and then I drifted more towards writing and directing.

All I know is movies; I went to school, but movies are my reference point for everything. I figured I'd have to P.A. or intern in the art department. Because the filmmaking process is so many people creating to make one piece of magic, so I've always wanted to be involved. With the acting, I doubted it.

I have really strong feelings about sex scenes in movies. I care a lot about sexuality and how it's depicted in mainstream media, period, but what I know is movies, and what I find is that they tend to be kind of one-note.

El Santo's movies were kind of out there, but Mil Mascaras did the more reality-based type sci-fi movies. You could say he was one of the first to open the notion for those that subscribe to the mentality that this is sports-entertainment.

You know, I think the film business is its own worst enemy, because it sells movies on 'behind the scenes' footage. It's seeing the secrets of how the movies are made, and now it's a real struggle trying to keep storylines and plots a secret.

I have a tendency to think that that stereotype of American movies and Hollywood movies doesn't exist. Of course you have the studios that have a very hard policy upon their artists, but then I haven't really been doing any real Hollywood movie yet.

We have a thriving subculture of 'independent' American movies that makes an impact on America as a whole roughly equivalent to that of a the modern literary novel. These are the films sincere viewers marry, whereas, once upon a time, movies were a lifetime of one night stands.

I don't like my movies. I prefer John Ford's movies. I've made some movies that are interesting, or that have some point, or are more or less beautiful. But I've never made anything big to me, from my point of view. "Big" like John Ford or someone of that kind. I say John Ford because he is my favorite director.

I loved old movies as a kid, so I always watched old movies.

Most people are interested in seeing 27-year-old women who are in movies somehow connected to sex. It's interesting to everyone. Especially little movies that are having trouble getting made, there's always sex.

I grew up on a very specific diet of certain weird movies. Of course, being black, there are more black movies in there. I'll get to bring some of those references into 'Mystery Science Theater 3000.'

I think I am a writer, but professionally I feel drawn to and suited for directing.

Mel Gibson is losing it. I don't know how people still supporting this dude's movies like it's all good. That dude is nuts. All you gotta do is shut him down and don't support any of his movies.

Horror movies travel pretty well anyway. They're like action movies: People overseas can watch them and enjoy them, and they're not so culturally specific in terms of their references, and they can follow a good scary story.

People complain about Hollywood movies being similar. That goes right down to the fundamental green light process, because the process involves having to compare it to three other movies.

Some movies run off the rails. This one is like the train crash in The Fugitive. I watched it in mounting gloom, realizing I was witnessing something historic, a film that for decades to come will be the punch line of jokes about bad movies.