Top 1200 Disney Cartoon Quotes & Sayings - Page 16

Born of necessity, the little fellow literally freed us of immediate worry. He provided the means for expanding our organization to its present dimensions and for extending the medium of cartoon animation toward new entertainment levels. He spelled production liberation for us.

As an editorial cartoonist now, I live for those moments of inspiration, and it is exhilarating to be inspired by a topic, have an opinion on the topic, come up with a good cartoon on the topic, and to draw it and get it in the paper the next day. That is what I live for.

I'm the kid who wanted to grow up and be Bugs Bunny. I was very, very disappointed when I realized I couldn't grow up and be a cartoon character.

For me as an audience member, it makes the characters more relatable and interesting if they're evolving and changing - it makes them feel more real in a way. But not every cartoon is trying to be real.

I'm a former hippie; I did drugs back when they were healthy. The only time I ever did LSD was at Disney World. I didn't go there - it came to me. I was Snow White.

You work like hell to get yourself ahead in the business. You could go anywhere before, and suddenly you can't go anywhere. It's like being a cartoon character.

I believe in a strong two-party system, and when one party is losing so spectacularly, it emboldens the other party to overreach and become a cartoon of itself, invoking awful things like - I'm just spit-balling here - child separation policies and trade wars.

I don`t think the Disney Channel gives us enough credit for the age range Lizzie McGuire actually has. College students come up to me, grandparents, famous people. It`s really funny.

I grew up watching all the great Disney animated films and to be able to carry that torch and know that I'm contributing to the same magic and wonder for a whole new generation is a great thing.

I was part of the Atlanta Boy Choir probably like fourth and fifth grade. I personally didn't enjoy the type of music that we were doing. I was more into like whatever was on Disney Channel and Nickelodeon.

If I was to pick a cartoon character I am most like, I would say Daisy Duck because she is very stubborn, she has a very feminine sense, and she knows what she likes.

I remember having a feeling like, 'I can't believe this is happening!' Two years ago I was auditioning for The Disney Channel, and now Paul Rudd is saying, 'Hey man, congratulations on your Emmy nomination!

When it comes to classic Disney, I've got it in my DNA. I mean, the guy who trained me, the man who mentored me when I first came to the Studio was Eric Larson, one of Walt's Nine Old Men.

It's weird, but I don't feel like think I deserve any of the attention. There's really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?

I wasn't a kid trying to become famous. I wasn't a part of any Disney Channel wheelhouse. I was basically a black kid whose parents put him into the business so he could go to college.

Disney's something to be a little alarmed about. It's not just a little theme park anymore. It's now an ethic and outlook and strategy that goes way beyond central Florida.

They're very, uh, you know, I don't come from the suburbs and a jolly, Disney type of lifestyle. I come from something totally different. And they're cool and bare minimum so it's not always a money issue for me.

Disney acting is a little more difficult than many people think it is. People feel like the characters aren't deep, but as an actor, you try to do everything you can do the best of your ability.

Now that had worked very successfully at Pixar, and he ended up adding one at Walt Disney Animation and one at DTS. So, I'm part of that Brain Trust where I sit in on all things creative for the whole studio, but especially in the Planes area.

The most challenging roles were Disney's 'A Christmas Carol' and 'Mars Needs Moms' because they were both motion capture, so there was a lot of physical work involved.

Apart from the seemingly magical Internet, life in broad material terms isn't so different from what it was in 1953... The wonders portrayed in 'The Jetsons,' the space-age television cartoon from the 1960s, have not come to pass... Life is better and we have more stuff, but the pace of change has slowed down.

I was an avid anime watcher until I was about 10, when I moved to manga. I think I am influenced by Osamu Tezuka's and Walt Disney's works which I watched during that time, such as Tetsuwan Atom and 101 Dalmatians.

I remember having a feeling like, 'I can't believe this is happening!' Two years ago I was auditioning for The Disney Channel, and now Paul Rudd is saying, 'Hey man, congratulations on your Emmy nomination!'

Walt Disney was a master of the human psychology. His sense of timing, sense of speed. In a sense, those cartoons are like Rorschach tests.

When Courtney's mother and I first separated I tried to be Disney Dad, showering her with gifts, trips and then I snapped out of it. You don't have to try to impress your kids. If they're not getting what they need from you, they will let you know.

You know, I'm a big comic book fan. As a kid I used to collect them until there was a horrible mudslide in Hollywood and I lost my collection, but I was also at an early age the voice of 'Jonny Quest;' it was a cartoon; so I am kind of a latent fan boy.

For sheer creativity and totality of involvement, 'Rolf's Cartoon Club' with HTV in Bristol was an amazing show to work on, but I think the 'Rolf on Art' series, culminating in the painting of the Queen's portrait to celebrate her 80th birthday, just nudges into the favourite spot.

Always like to look on the optimistic side of life, but I am realistic enough to know that life is a complex matter. Walt Disney Every decision you make is a mistake.

If you look back at Disney's 'The Hunchback of Notre Dame' or 'Pocahontas,' animated films were trying to get more and more real before CG really arrived.

It was months later when I was sitting at the board in my studio and my wife would stick her head in and say, "What if you did Pooh and...oh, we don't do that anymore." I do have my soapbox and will go to my grave being a Disney company man.

At the end of the day I'll be able to keep everything that I really loved about my time with Disney. The friendships won't be lost, nor will the free tickets to Disneyland, so I really can't complain.

I've jumped off pianos, I stopped climbing up curtains when the screws popped once and I fell to the floor like a Looney Tunes cartoon character, and ended up off for six months because of a broken ankle.

There’s not one major greatest influence on my career. It would be film and great artists and great imagineers - Jim Henson, Walt Disney, Charlie Chaplin, people who understand the joy of the imagination.

The only position when violence is threatened in response to a novel or a cartoon or a crappy YouTube video is a no-surrender position. This is how we live. We live in a country in which we have these rights, and we're not going to give them up. Full stop. The end.

The standard way to record a meeting is to list people's names, the topics, and action items. The visual way is to doodle a rectangle (the table) populated by figures (the participants) sitting around the table with their comments as cartoon word balloons.

Whether we think of Disney's blonde beauty and her pumpkin carriage or Marissa Meyer's recent recasting of 'Cinderella' as a cyborg in the young adult novel 'Cinder,' we know that there are countless modern retellings of the tale.

My agent didn't want me on Disney because I'm older. But honestly, I'm not ready for older roles yet, or even the things older girls do. I am still young.

'Cinderella' the cartoon scared me. I watched the bits with the mice, and the scenes with the stepsisters ripping her dress apart scared me. Cinderella was never even my favorite character in 'Into the Woods.'

I love 'Sons of Anarchy.' I was so excited to be able to be on this show, just because I personally watch it. Of course, I come from Disney, and I have a lot of young fans, but I do have fans who have grown with me as well.

I started to look like a cartoon character with the fringe and the catsuits. Yes, I want to change and mix it up. I want to change my hair, change my style. I want to be allowed to grow.

I think, so far, 'Jessie' has to be the show I've loved working on most. Coming in at age 12, I was so excited to work on Disney, since it had been my dream as a kid. I also feel like there was such a bond with that cast.

Disney World has acquired by now something of the air of a national shrine. American parents who don't take their children there sense obscurely that they have failed in some fundamental way, like Muslims who never made it to Mecca.

Pixar's short films convinced Disney that if the company could produce memorable characters within five minutes, then the confidence was there in creating a feature film with those abilities in story and character development.

It hurts that, you know, the media's made me into sort of this like punching bag or cartoon character-they think that I don't have any feelings, and, you know, it hurts like anyone else.

Disney's clearly in the business of doing giant tent pole movies based on properties that they own. And that's what they should be doing because they're great at doing that.

I consider every one of the Disney films that Bob & I worked on, to have been the luckiest break any two songwriters could have ever had. They all aimed at quality and timelessness. That's why they live over the years.

I actually grew up watching a lot of these cartoons - a lot of the animated series. 'Batman: The Animated Series,' 'Justice League,' all the stuff that would come onto Cartoon Network.

I loved the Disney films, and Sterling Holloway was one of their chief talents. He never had to put on a voice, and that's what Mike [Mitchell] and I encourage. I love the voices that have a unique texture, but it's their real voice.

There's not one major greatest influence on my career. It would be film and great artists and great imagineers - Jim Henson, Walt Disney, Charlie Chaplin, people who understand the joy of the imagination.

I just survived a Disney career without singing. I don't want to, like, fall back in. I feel like I escaped, so if we could avoid it for as long as possible, that would be great.

We blame Walt Disney for goldenrod's undeserved bad name. Despite Sneezy's pronouncement, plants such as goldenrod with heavy, insect-carried pollen rarely cause allergic reaction.

It is more raw and unfettered and I'm more likely going into something you could call extreme cartooning. There's a lot of that in the course of 'Holy Terror.' There are interludes where there are pictures - cartoon pictures - of modern figures and they are all wordless. It's up to readers to put the words in.

Scooby's the greatest cartoon character ever. He isn't cute like Mickey or smart like Bugs or fearless like Woody and Buzz - he's a talking dog who's more human than I am. It's his humanity and imperfections that make him special.

My dad used to draw these great cartoon figures. His dream was being a cartoonist, but he never achieved it, and it kind of broke my heart. I think part of my interest in art had to do with his yearning for something he could never have.

Part of the Disney success is our ability to create a believable world of dreams that appeals to all age groups. The kind of entertainment we create is meant to appeal to every member of the family.

My God, that scene in Monster Inc. where the monsters realise that their entire world is founded on hurting children -look at that for a change! Two galumphing cartoon characters making a shattering realisation about their world and their role in sustaining it. A truly epic moment. It's stunning.

It was not once upon a time, but a certain time in history, before anyone knew what was happening, that Walt Disney cast a spell on the fairy tale, and he has held it captive ever since.

I love classic animation, and I especially love classic cartoon music.

I know, too, that millions and millions of people voted for Trump not because they are cartoon racists, but because they did not like Hillary Clinton for a variety of reasons, because they had real economic and social grievances.

I had this imaginary world where fairies were my friends. If you told six-year-old Juno that she'd one day play a Disney fairy, she'd totally freak out.