Top 1200 Disney Cartoon Quotes & Sayings - Page 17

We've never been squeaky-clean from the jump. We've never been Disney or Sesame Street, you know.

I think jewelry is beautiful on all women and I think it's sentimental - and Disney is sentimental. It's subtle and it's low-key and it's just a sweet reminder of sweetness.

I listen to every type of music there is, and I also have a little girl, so I listen to ultra-fun Disney stars' music as well.

I don't have any [specific] intelligence about a Vice-Disney deal, but I do know that everybody's nervous about these emerging players, who can come in and have enough attractive, original content to take market share.

As a feminist, just to speak to what women go through, I think women are put in a box way too often. What I love about 'You're the Worst' is that no female character is portrayed as a black-and-white cartoon character. We're all complicated, messy human beings.

We all know that the Disney brand is our most valuable asset. It is the sum total of our seventy-five years in business, of our reputation, of everything that we stand for.

We are Disney, in a sense. When you've been there for 20 years, there's a certain heart and soul to one of those films, and you inhabit that to a certain degree. So if it feels true to you, then your audience will hopefully go for it.

Probably the biggest contribution that Disney has made to the Lucasfilm franchise management was their international component. That was something Lucasfilm hadn't made significant inroads with.

I was shocked when I heard that Farghadani had been sentenced to 12 years and nine months in prison on spurious charges, as Amnesty International notes, of 'spreading propaganda against the system,' 'insulting members of the parliament through paintings' and 'insulting the Supreme Leader' with her cartoon.

You buy any book on color theory today, and it's just complete poppycock. Everybody comes out of school painting pink, purple and green. The whole damn cartoon industry has pink purple and green on their mind.

No matter what the provocation, I never fire a man who is honestly trying to deliver a job. Few workers who become established at the Disney Studio ever leave voluntarily or otherwise, and many have been on the payroll all their working lives.

'That's So Raven' was my favorite show growing up! I loved Raven so much! That show is what made me want to be on Disney Channel!

I studied piano and viola and voice in high school and music composition in college. For many years before I became an author I was a singer songwriter, writing for Disney and Sesame Street. I believe in perfect rhymes - no cheating!

I would watch different TV shows on the Disney Channel like Raven Symone on 'That's So Raven'... and I was like, 'that's something that I really want to do when I get older.'

Heavy metal to me is this cartoon idiom where people have their hair stuck-up all over the place dyed blonde with black roots showing through and Spandex trousers and chains around their neck, eating raw meat on stage. It just doesn't mean anything to me.

On my door is a cartoon of two turtles. One says, 'Sometimes I would like to ask why he allows poverty, famine and injustice when he could do something about it.' The other turtle says 'I am afraid that God might ask me the same question.'

One of my biggest Disney influences in terms of world-building on this record was a background painter named Eyvind Earle, who was working in the '50s. He would make hyper-modern shapes that were sharp retellings of pastoral themes.

Of course the Disney movies, you know all the soundtracks, and anything Gene Kelly and Fred Astaire were doing - Singing in the Rain was one of my favorite musicals I used to watch a lot because my mom came from a theatre background.

Ariel got me into animation. She was the first Disney heroine that really felt alive. She felt like a real young woman.

Disney made a fortune out of inventing the businessman's idea of the imaginary as the contradictory of the businessman's idea of the real.

I think I do myself a disservice by comparing myself to Steve Jobs and Walt Disney and human beings that we've seen before. It should be more like Willy Wonka... and welcome to my chocolate factory.

When I was little, I watched a lot of Disney movies - so I always imagined a big fairytale wedding as a kid. But when marriage became real, I felt an intimate wedding with close family and friends would be better.

Actually I think 'A Midsummer Night's Dream' could sit very very perfectly in the middle of a Disney world I think.

Okay, let's talk about cartoon labels for half a second - some people think anything with a dog or a car or a colorful alien is garbage, which is not true. Look at Big Moose Red. It's, like, a $6 wine with a cheesy label, and it's actually a solid wine.

You know in that moment of Disney when Ariel gets legs for the first time? I felt like that. I was like, 'I've got legs.'

Radio Disney is the greatest. As a place where young people can come together, have a place to hear music that doesn't think about genre or whatever, it's an amazing place to have a home!

I had worked at Disney since they bought the company that I had worked for, ABC in the mid-90s.

It's all about being comfortable, being easy and having you be able to wear something and not having it wear you. It's classic. Every time I've tried to be bold and crazy, I feel like a Japanese animated cartoon character.

The first time I got on stage I was 10 years old and I did impressions. I did cartoon characters and I really got the bug for this life when I saw that people were laughing and saw the attention I was getting.

I understand the visual media very well, as I used to write comic books for Walt Disney, and I've written a graphic novel. How you carry a story in pictures is different than how you do it in text.

Ray Toro is a very eccentric, crazy genius type guy. I think he's a genius. He just got this thing at the VMA. The way he played, it makes you go 'Jesus!' He's really sweet, really kind of lovable. He's like a cartoon character.

When Walt Disney was making his films, he trusted his instincts and made films for himself, but they appealed to everybody, not just kids.

Disney, who brought joy, arguably, to billions of people, was, perhaps, or had some... racist proclivities. He formed and supported an anti-Semitic industry lobby. And he was certainly, on the evidence of his company's policies, a gender bigot.

I guess I've done a couple of boys-y movies and on the whole you get bracketed into things you've just done, so it was an imaginative surprise from my Disney family to pull me out of the hat, as it were in Cinderella.

My ideal night for me, personally, is watching Disney movies and drinking a glass of wine by myself in the hotel room. That's my ideal night.

What about Mickey Mouse? Disney tried very hard to make him a star. But Mickey Mouse is more of a symbol than a real character.

Disney Channel is celebrities coated in sugar. Everything is really happy; everything is really bright.

I took a job at the Walt Disney Company and after 18 months decided to go to business school at Harvard. I was awestruck by the campus. My first reaction was I dont belong here. Then I said, Im here; lets get on with it.

Seohyun's so pure that if Seohyun wasn't a singer, she'd still be singing nursery rhymes. Seohyun watches TV until 2am in the morning. What she watches is the cartoon channel.

While talking to Wardha, I realized that Disney is actually the surname of the man behind the studio, but one only identifies it with animation. Now I have a new dream. If I can achieve the same level of legend with the Nadiadwala name, that would be awesome.

I feel bad for my little cousins who don't see themselves being represented, or the little girls in my community who won't have a chance to see a Disney princess... who resembles them.

I was around when there was only one channel and when that second channel arrived, it came with the wonderful world of Disney on a Sunday night. We would drop our bicycles and run home to see it, it was just pure escapism.

I always wanted to be a character, when I worked at Disney, but I wasn't short enough for certain characters and I wasn't tall enough for others. I wanted to be a chipmunk; I think 4'10" was the cutoff.

I don't really get recognized for Lost anymore or even the Disney movie I did because I was so much younger. I really looked so different. I've really grown a lot.

'Only Fools and Horses' was just one of those shows that could keep on going and going, that excited me. 'Hartbeat with Tony Hart' and 'Rolf's Cartoon Club' were my huge favourites, though. I used to love drawing and always sent work in to the show.

If you look at wrestling when I started to get my big break back in 1992, I changed wrestling from the cartoons of Hulk Hogan and Iron Sheik and the matches with the leg drop and the hand behind the ear and the playing to the crowd. They were just cartoon characters if you ask me.

Typically, Disney provides one of their charter planes to get me from one spot to the other. A lot of times, if we go to the hotel at the game site, I'll take a shower and change and head over to the game.

When I was a freshman in high school, I read a book about the making of Disney's 'Sleeping Beauty' called 'The Art of Animation.' It was this weird revelation for me, because I hadn't considered that people actually get paid to make cartoons.

I grew up in a bit of a vacuum. And as a kid, you see 'Monty Python's Flying Circus' and you're like, 'Oh, it's a cartoon.' There's mixed media. It's funny, and there's stop-motion. But as an adult, you figure it out, how the entire underpinnings of their comedy was poking fun at the rank and file of the British aristocracy and the monarchy.

I do what I do because of Walt Disney - his films and his theme park and his characters and his joy in entertaining.

A good cartoon is always good on two or three levels: surface physical comedy, some intellectual stuff - like Warner Brothers cartoons' pop-culture jokes, gas-rationing jokes during the war - and then the overall character appeal.

More than just a zoo, the Animal Kingdom is an extraordinary experience of animals, rides and performances. The exhibits have the scale and creativity you associate with Disney. The African safari ride is terrific and worth riding several times.

I've worked in animation for a long time. I started in Spain and I wanted to make feature films. That desire to figure out how to make animated features brought me to the U.S. to work for Disney.

I worked on Crash, the TV series, some Disney shows like Get Connected, Brain Surge & iCarly on Nickelodeon, but Make It Pop is my very first lead role in a series.

In the same period that the Americans have lived under one constitution our French friends notched up five. A Punch cartoon has a 19th century Englishman asking a librarian for a copy of the French constitution, only to be told: 'I am sorry Sir, we do not stock periodicals.'

I thought about 'Johnny Quest' and how I loved that cartoon and what a cool name he has. I tried to come up with other names and thought 'Johnny Phantom' would be cool, a superpowered kid who was a ghostbuster.

When completed, Disney's California Adventure will feel more immersive and richer. It will have more heart.

I know that the work is good and they're excited over at ABC and Disney and it's getting some really good feedback. It's not just a little, insignificant kind of role. It's meaty, which is good.

It's really cool to get these guests on the show BoJack Horseman: not just actors, but, "Can I get Jonathan Lethem on my weird talking horse cartoon show to talk about how growing up in Brooklyn, he always dreamed of being a ringtone?"

Home gigs can be hard because it's an odd collision. More than anything, I feel self-conscious when my family are in the audience. I'm doing this job which is not quite acting - part of it is me, part performance. You're presenting a cartoon of yourself to people who know you as a line-drawing.