Top 1200 Disney Cartoon Quotes & Sayings - Page 19

The entire economy relies on the suspension of disbelief. So does a fairy story or an animated cartoon. This means that no matter how soberly the financial experts dress, no matter how dry their language, the economy they worship can only ever be as plausible as an episode of 'SpongeBob SquarePants.'

I was definitely more of a movie/cartoon guy than comics, but I really do like graphic novels - I don't have the time to sit down and read Stephen King like I used to, so I find picking up 'Saga' every now and then and just diving back into it is a great way to stay reading.

I was lucky enough to realize my dream. When I was a little kid in Santa Barbara, sitting on the floor in my grandmother's house, dreaming of maybe one day working for Walt Disney, and to have that dream come true, I think that's pretty remarkable.

I love Turner Network television; I love Adult Swim. That's actually how I got my start on Cartoon Network was through Adult Swim, originally. I had a special appearance on 'Aqua Teen Hunger Force!'

The last person to stand still and repeat himself was Walt Disney. He refused to repeat himself. So to think that he'd be making the same kind of film in the year 2001 that he made in 1941 is absurd.

I took a lot of influences from Studio Ghibli, which is the Japanese animation studio that made 'Spirited Away' and 'Castle in the Sky.' They're like the Japanese version of Disney - but without all the schmaltz.

The rare opportunity of writing music for a movie about the making of 'Mary Poppins' was impossible to ignore. The fact that it could provide emotional content in relief of the struggles that the Sherman brothers and Walt Disney endured was reason enough to take on the challenge.

As far as the timing, well, I'd write that off to luck as much as anything - I happened to be out looking for a development deal, and Disney happened to think my team and I might be the right people to make a Mickey Mouse game.

Luckily, I went to school at CalArts, and then ended up here at Disney, starting in the Animation Building and working my way up. I started as an animator, and then did character designing and storyboarding, and eventually, directing.

I'm a collector of cartoons. All the Disney stuff, Bugs Bunny, the old MGM ones. It's real escapism, it's like everything's alright. It's like the world is happening now in a far away city. Everything's fine.

There's a wonderful cartoon of Reagan in a Western hat and he's saying, "A pregnant woman in every home, a gun in every holster. Make America a man again." That sums up his attitudes: pro-military, anti-equality, pro-rich, anti-poor.

The best holiday I went on as a kid was to Disney World. I wore the same Minnie Mouse dress for 5 days straight and refused to go on any rides apart from It's A Small World. I think my parents wanted to kill me.

There are only a couple characters and people in the world where, in history, where you can go anywhere in the world and say that character or person, that name, that song, and everyone knows what it is. Mickey Mouse is one, Disney, in general. In terms of gaming, Super Mario, he's everywhere.

I was a huge pop music fan as a kid, but the bands I was into were like 5ive and N-Sync. It was like watching a cartoon. There was so much going on, and the production was so well mixed. Stevie Wonder was able to give you those melodies and production but back it up with such creative integrity and real musicianship and artistry.

I love soundtracks to movies and am always touched by the music if it's good. The music in some old Disney movies, like 'Pinocchio,' 'Alice in Wonderland' and 'Peter Pan' really gets to me.

My dream was to draw for 'The Beano.' When I was 10 years old, I started drawing cartoon strips with 'The Beano' in mind. I lived in that world. You own a comic, it's yours and adults don't understand it. You could pile them up under the bed, and if you were off school ill, you'd go through them all.

With the quality of films it seems animation can do almost anything these days. It’s amazing what goes on. But for us it’s always about trying to tell a good story, with great characters. And that will probably always be the philosophy as far as Disney and Pixar is concerned.

I wished that, for once, faery tales – real faery tales, not Disney fairy tales – would have a happy ending.

Generally, we try not to write down to kids. We really just try to write a visual, character-driven cartoon that has a lot of slapstick and really appeals to us. I guess we are just lucky that other adults find that amusing, too.

It doesn't matter what you do. In the end, you are going to be judged, and all the times that you're not at your most dignified are the ones that will be recalled in all their vivid, heartbreaking detail. And then of course these things will be distorted and exaggerated and replayed over and over, until eventually they turn into the essence of you: your cartoon.

We moved amazingly fast because our product was acceptable to a broad market: tots, teenagers, adults. Even to some people who never before liked cartoons. When we started we knew Disney already had the kids. So we figured we should be broader.

Disney features, especially the early ones, were horror movies with cute critters: Greek tragedies with a hummable chorus. Forcing children to confront the loss of home, parent, friends and fondest pets, these films imposed shock therapy on four-year-olds.

I support Children's Hospital of Los Angeles through Disney Channel and Britti Cares International in support of children with various diseases and illnesses and donate my time with pride and dignity.

I watched the Disney Channel all the time growing up. 'Lizzie McGuire' was my all-time favorite. I'm pretty sure I had every piece of merchandise that involved Lizzie. And I loved 'That's So Raven.'

In the electronic game world, I know I have a reputation for doing the cyberpunk thing, and for doing the serious epic fantasy thing, but if you go back to when I was a kid, I've been a Disney fan all my life.

Love for coworkers, love for customers, love for the product and love for self. Walt Disney instilled all of these "loves" in his company. Each of these factors is critical to achieving success in any organization.

I was eight years old when Miley Cyrus made her debut on Disney Channel's 'Hannah Montana' and beginning my senior year of high school when she delivered the VMAs performance that single-handedly butchered the teddy-bear industry.

Anorexia is a response to cultural images of the female body - waiflike, angular - that both capitulates to the ideal and also mocks it, strips away all the ancillary signs of sexuality, strips away breasts and hips and butt and leaves in their place a garish caricature, a cruel cartoon of flesh and bone.

I was very impressed by Walt Disney and the idea that you could have a dream and you could realize it to the point where people could walk around within it... It still resonates with me. I wanted to be somebody who believed in their ideas that much.

When I was 16, I filmed an episode of 'Full House' where my family goes to Disney World. I remember putting on baggy overalls just to hide my stomach. When I watched it, I was pretty disappointed and bummed out looking at myself... I didn't feel good about my own body.

I have many friends and close collaborators working with Maker, which inspired my decision to join forces with the team, and couldn't be more excited to be part of the many exciting things happening at Maker and Disney.

Balto' was one of my favorite movies. Balto is the Disney character that's like half-dog, half-wolf. There's a statue of Balto in Central Park.

My ideal beach house has bookshelves full of paperbacks that can tolerate a little sand, a DVD library that includes some Disney classics for the little ones, board games, and jigsaw puzzles. At least one big flatscreen television is a must.

Finn crossed his arms and glared at Volusian. It was kind of a bold move, considering Finn looked like a cartoon character and Volusian looked like he ate the souls of small children. For all I knew, he probably did.

Then, early, early, early in the morning-just as in countless Disney films-I heard a rooster crow. But guess what? They don't do it just once.

When we constantly ask for miracles, we're unraveling the fabric of the world. A world of continuous miracles would not be a world, it would be a cartoon.

I love wearing Converse or Vans and wear a lot of bombers or denim jackets. I'm also a bit of loser, so wear a lot of film and band T-shirts. My friends say that I look like a cartoon character because I'm always wearing the same kind of stuff.

I started out as a producer. and I used to work at Disney. and I worked with a lot of the animators and went on to become great friends with a lot of these guys and worked on a lot of projects together.

My parents read me fairy tales every night and I used to believe I was a fairytale princess, like every young girl. I had all the Disney dressing-up costumes and would play every character.

I just co-created a story for a Disney movie that I'm working on with my fiancée. And also about to finish up writing a T.V. pilot set in New Orleans that I'm really excited about. So I'm definitely trying to stay as busy as possible, for sure.

One thing I always heard from the begining when I talked about this being a movie - was that the rule is that animated movies don't work unless they're Disney movies for kids. Unless they're family movies.

The history of our times calls to mind those Walt Disney characters who rush madly over the edge of a cliff without seeing it, so that the power of their imagination keeps them suspended in mid-air; but as soon as they look down and see where they are, they fall.

His feeling was the name Walt Disney represented all of us. Walt was hanging by his teeth financially and really I think he was for most of his career. Not at all like today.

I have a studio at my house, and there is a sister studio for Disney which is about 45 minutes away, and we haven't dropped a beat. In the art of animation and voiceover work, you can pretty much work from anywhere.

We are all trained by Disney to believe that the wedding is the finish line, but the wedding is just another starting line. In light of this fact, we should quit the huge, fancy, debt-inducing weddings.

The UTV/Disney fit works because UTV Motion Pictures was already very strong in producing and creating its own films beyond just co-producing, acquiring or distributing titles.

The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is "How do you continue to surprise the audience, but make them good surprises?" Not every surprise is good, but you want to continue jolting people.

Inasmuch as I am a spiritual man, I do believe in God - I think that He created an order for the world; I believe that, in constantly bombarding Him with requests for miracles, we're also asking that He unravel the fabric of the world. A world of continuous miracles would be a cartoon, not a world.

If you're a cartoon character or most TV characters, sure, you'll fight, because the punches are juicy-sounding and they don't leave marks. But in real life, if somebody punches you in the eye, it doesn't make any noise and your eye is swollen for, like, six months. It's a nightmare to get punched in the eye.

Back then, my idol was Bugs Bunny, because I saw a cartoon of him playing ball - you know, the one where he plays every position himself with nobody else on the field but him? Now that I think of it, Bugs is still my idol. You have to love a ballplayer like that.

When I went to California Institute of the Arts, I was classmates with a lot of like-minded weirdoes, some of who have gone on to create other cartoon shows-J.G. Quintel, 'Regular Show;' Pen Ward, 'Adventure Time.' We were all friends in school and pushed each other and made each other laugh.

The only way to describe my involvement in 'Planes' is that it's an absolute dream come true for me. Getting to be a bad guy in any project is fun, let alone being a Disney villain. I can't imagine anything getting better than that!

Our partnership with Disney included a two-hour Cinderella list takeover that features supermodel Coco Rocha's first-ever fashion collection, which incorporated behind-the-scenes footage and interviews to support her HSN debut.

The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is 'How do you continue to surprise the audience, but make them good surprises?' Not every surprise is good, but you want to continue jolting people.

Whether you're doing Shakespeare or Disney, good work is good work.

When you think about Walt [Disney]'s life, I don't know of anybody on Earth over the last hundred years who has touched as many people as he did. He's touched every nation on Earth.

I was hesitant to do 'Mulan II.' For me, I felt like the story that needed to be told, this legendary character of Mulan, was already encompassed in the first movie, and I was worried they would try to create this crazy cartoon character out of this legendary character of China.

For a while, all the studios had their art-house divisions, but that went by the by pretty quickly. Now, they're really focusing on these huge blockbusters, spending a fortune on cartoon pictures and comic-strip movies and superhero movies, and they aren't making pictures like 'How Green Was My Valley,' which was an Oscar winner in its day.

I love the stories of changelings and the thought that the Fey were these ancient, capricious creatures who were tricky and dangerous. I've always preferred the Brothers Grimm faery tales to the Disney fairy tales.

Sterling Holloway, the actor who had originally voiced Pooh, decided to retire in the mid-1980s. Disney decided that they wanted to continue this character with their 'New Adventures of Winnie the Pooh' TV series.