Top 1200 Disney Cartoon Quotes & Sayings - Page 20

If you are going to describe the history of animation, you'd look at the early Disney work, then 'Bugs Bunny,' 'Road Runner' and other Warner Brothers theatrical productions. But when you got to 'Rocky and Bullwinkle,' you'd see they were unique: They assumed you had a brain in your head.

Netflix, despite the fact that they compete very aggressively with Prime Video on the Amazon side, they run everything on top of AWS and have for several years - same with Disney, Warner, Fox, HBO and Turner, they all run on AWS.

To see cartoon-me positioned (alphabetically) amongst so many of my women heroes and role models ... well, I just broke down and cried. Happy tears. I surely hope that this one-of-a-kind collection of radical American women reaches the hands of all children who want to grow up and become amazing women.

Someone's career that I admire would have to be Justin Timberlake's because he started off on Disney and he made this huge film career and huge solo music career. I really respect him as an artist.

I like that cartoons are now not only animated drawings, they are a way of doing something: 'That song sounds very cartoony', or 'He has a cartoon face'. Like the word 'poetic', which usually means something different than a poem. But most of all cartoons are comforting, that's the real reason I need them.

Well, just to dispel all the myths, Walt [Disney] was not anti-Semitic. He was not racist in any way, shape, or form. He was not frozen when his life ended. He's not in some frozen vault right now waiting to make a big comeback.

I always dreamed of being a voice in a Disney movie, and even in those dreams, I never once dreamed of being a princess. I just wanted to be a voice.

I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.

I think The 'Cheetah Girls' was originally supposed to be one film, but then it became two and three, which was a huge deal. But like all Disney franchises, they have to come to an end at some point. I was so grateful we went out with a bang. I think we died off peacefully.

I'm never quite sure how far to go with praising young kids because the next thing you will see him probably driving a Mercedes and he'll have his socks over his knees and four earrings in and a Walt Disney hat.

My sister and I are pretty dorky, so we drive around at night in her car listening to old Disney songs and feed the coyotes cans of wet cat food, which I'm sure is a terrible idea. Meanwhile, 'Cinderella' and 'Sleeping Beauty' showtunes are playing in the background.

I wrote 'Don't Look Back' in November 2011, and when I wrote the novel, it wasn't contracted, so there was a freedom in that - no expectations or anything like that. It was also my first contemporary novel I'd written and sold, which was to Disney/Hyperion in January of 2012.

When I flew from Orlando to Los Angeles in 1960, I sat next to a guy from Disney who was paying 75¢ an acre for land. I thought he was some special kind of fool - and since they built the park, history has proven there was a fool sitting in one of our seats.

If your opponent has you by fifty pounds, winning a fight against him is a dubious proposition, at best. If your opponent has you by eight thousand and fifty pounds, you’ve left the realm of combat and enrolled yourself in Road-kill 101. Or possibly in a Tom and Jerry cartoon.

Disney is beloved again. They can now attract the talent again and they can hold onto the talent again. People trust them again. It's all return since they went back to the why.

They don't tend to feature the kind of vaginas I like in adult films. I tend to like a thick, heavy pussy - the kind of pussy that looks like it just smoked an exploding cartoon cigar.

Just get on any major highway, and eventually it will dead-end in a Disney parking area large enough to have its own climate, populated by large nomadic families who have been trying to find their cars since the Carter administration.

I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.

No matter where they are or who they're with, dogs are incapable of being anything but themselves. Show me a dog that puts on airs or laughs politely at an unfunny joke and I'll show you a human in a dog costume, possibly one owned and licensed by the Walt Disney Company.

My first job now is as a mother, everything else is secondary. My kids understand that I am an actress, and they are always so surprised to hear my voice on a cartoon character, or see my face on a video box. If it ever gets to be too much though, the career and the kids, I will simply set the career aside.

I love wearing the exact same thing all the time because I think it makes you like a cartoon character. They always wear the same outfit and everybody always remembers them for it, so I feel like I should do the same thing.

Universal Orlando may have the new Harry Potter Wizarding World, but Disney World has the Hari Puttar Experience, based on the Bollywood movie, 'Hari Puttar: A Comedy of Terrors.'

Growing up, I was obsessed with Disney movies like 'The Little Mermaid,' 'Aladdin' and 'Beauty And The Beast.' I was always singing the songs from these movies, so to find myself in the studio with Alan Menken was an amazing experience. In fact, it was a dream come true.

We love the great Disney songs - they have always inspired us in our work and in our lives! But for 'Let It Go,' we looked elsewhere - to powerful female singer-songwriters like Tori Amos, Aimee Mann, Sara Bareilles, Adele.

At one point, I was hell-bent on being a Disney animator, and sort of got over that in college and wanted to do my own stuff. You know, towards the end of college I had actually planned to go to the Boston Conservatory of Music for musical theater.

Marvel and Disney and all the other superhero movies have to stay within this box and this is an opportunity to jump outside that box. To be the apple among oranges, and really embrace it. So, in terms of us getting what we wanted and what we originally wrote, we largely stayed consistent to that.

I did attend a convention with the production company behind 'The Woman' and 'Jug Face,' and I loved it and thought, 'I have to come back, as they are so much fun!' But those tickets are really expensive, and you're buying merchandise, and you want autographed pictures with people, so it's kind of like Disney World.

When I read the news that Wonder Woman was going to be resurrected for a blockbuster movie in 2016, 'Batman vs. Superman', it made me excited - and anxious. Would the producers give her a role as fierce as her origins - and maybe some shoulder straps - or would she just be cartoon eye candy?

In a story, for example, you'll start off with a character who is a little bit of a cartoon. That's not satisfying and you start revising. And as you revise you always are making it better by being specific and by observing more closely, which actually is really the same as saying you love your characters. The close observation equals love of them.

I did this film called 'Prom.' It was a Disney movie. And at that point, I didn't know what the hell I was doing. I had no idea how to act. It was purely instinctual. I just remember the first scene I did and the first take, it feeling so right.

The gospel has but a forced alliance with war. Its doctrine of human brotherhood would ring strangely between the opposed ranks. The bellowing speech of cartoon and the baptism of blood mock its liturgies and sacraments. Its gentle beatitudes would hardly serve as mottoes for defiant banners, nor its list of graces as names for ships-of-the-line.

The most exciting and, by far, the most important part of our Florida project, in fact, the heart of everything well be doing in Disney World, will be our experimental prototype city of tomorrow. We call it EPCOT.

You know the fairy-tale drill, especially from the Disney versions: the heroines endure awful stuff in rites of passage that lead to a joyous resolution of, usually, marriage to a prince. 'Into the Woods' follows that template, then asks, 'What happens after Happy Ever After?'

I think this is a trait that runs throughout the queer community, the obsession with the hyper-feminine female villains. And we see it in Disney movies and in movies like 'Death Becomes Her,' and in characters like Poison Ivy and Catwoman.

Honestly, I'm interested in politics; I'm interested in giving back in some form, performing some sort of civic duty. But I'm not exploring a run for governor or senator or anything along those lines. I'm focused on running Disney.

There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren't safe. They were really dark and troubling.

Government at all levels in the USA right now is engaged in a quixotic campaign to sustain the unsustainable. We're determined to run WalMart, Disney World, the Interstate Highways, suburbia, and an imperial military by other means than oil. We'll squander a lot of dwindling resources in the process.

I'm trying to build a Disney. Not only as a creator, but also be able to create universes where then that content can go into toys, and live on multimedia platforms, whether it's apps, books, movies, cartoons. It's like building a whole world, which takes a lot of money.

I grew up watching Mickey Mouse and going to Disney World, like, 2,000 times. Mickey Mouse is like my guru.

And didn't it always go like that--body parts not lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting.

I did 14 movies in six years, I had a cartoon TV show, and I don't want to do that again. I just want to make unique pieces of art. That's why I quit everything when I was 14 and sat around for eight years before I did another movie.

I remember early in my career with Disney, which was a very strange time in the company - there were a couple of executives who were very supportive of me and kind of let me do my own thing.

President Obama was in Disney World today where he unveiled his new plan to create jobs. He was joined by Mickey Mouse and Minnie Mouse but not Goofy. He had to stay behind to tend to his vice presidential duties.

So many people from the West are coming into India, all the studios have come into India, and they're making films here, whether that's Fox, Warner Bros, Disney, everyone. That stands as testament for us, so why are we afraid of sharing our talent with the world? We must.

Hazel GRACE!” he shouted. “You did not use your one dying Wish to go to Disney World with your parents.” “Also Epcot Center,” I mumbled. “Oh, my God,” Augustus said. “I can’t believe I have a crush on a girl with such cliché wishes.

The only way to describe my involvement in Planes is that its an absolute dream come true for me. Getting to be a bad guy in any project is fun, let alone being a Disney villain. I cant imagine anything getting better than that!

Walt Disney wasn't making films for kids. Neither were the Muppets. A lot of the great, really cool films, they weren't making them for kids.

You men out there probably think you already know how to dress for success. You know, for example, that you should not wear leisure suits or white plastic belts and shoes, unless you are going to a costume party disguised as a pig farmer vacationing at Disney World.

People talk a lot about, 'You're a Disney princess! You're Cinderella!' and this and that. But for me, it's all about the fact that I worked with Cate Blanchett and was directed by Kenneth Branagh. That's the 'Cinderella' story for me.

Seeing Rush the first time was huge for me. That was my favorite band and I couldn't believe they were actually in the same building as me. I was totally freaking out when the show started and when they started to play it was almost like cartoon characters coming to life. I couldn't get my head around the fact that it was really them.

I'm not sure if it's fair to call it a "fairy tale," but I really loved Mulan, the Disney film. It was my favorite. I guess it's not really a fairy tale, but you do get Eddie Murphy as a dragon.

I was very flattered when Disney Junior reached out and invited me to come voice Ariel for this special primetime edition of 'Sofia the First.' As the parent myself, I really appreciate the positive messages that this animated series is trying to put out there.

People grew up on the animated movie. Bill Condon is Bill Condon. And nobody does those movies better than Disney does.

I mean when I was working shall we say with Disney, you know they sent me the script for the film Hercules and I had to imagine what all the characters looked like. And to develop those characters, so nothing exists visually when I get the script.

I'm not sure if it's fair to call it a 'fairy tale,' but I really loved 'Mulan,' the Disney film. It was my favorite. I guess it's not really a fairy tale, but you do get Eddie Murphy as a dragon.

Disney was kind enough, thoughtful enough and believed enough in me, as a director, to wait for me to be available.

I plan to release just as much music as I can. Movies, I should be working on a cartoon, reality show, everything. Everything I could do, like a clothing line, like a lot of things are in the works. I plan on just performing everywhere. I'm gonna be worldwide!

I just like The Little Mermaid cartoon. Say what you want. I have a fish tank, it's a long story. I have a fascination with the ocean, and you put a hot chick in there, it just adds more to it! I liked The Little Mermaid. It's a cool movie. It's one of those I watch over and over again.

I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.

My lawyer's opinion is that the cops might not actually be able to charge me with criminal damage any more - because theoretically my graffiti actually increases the value of property rather than decreasing it. That's his theory, but then my lawyer also believes wearing novelty cartoon ties is a good look.