Top 1200 Disney Character Quotes & Sayings

Explore popular Disney Character quotes.
Last updated on November 9, 2024.
When I go to the Magic Kingdom at Walt Disney World, they have wonderful topiary in the shapes of characters. I apply the principle to my life. "Prune away that which is not a Disney princess!" I think Michelangelo said that.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
While not my personal favorite of the Disney princess films, 'The Little Mermaid' wins hands-down in my book for best Disney adaptation. Little girls waited for more than 150 years for Hans Christian Andersen's 'The Little Mermaid' to have a happy ending. Walt Disney finally gave it to her.
I loved Winnie the Pooh, the Disney character, and I loved his wit and warmth. — © Kelly Macdonald
I loved Winnie the Pooh, the Disney character, and I loved his wit and warmth.
The fun and imaginative world of Disney is always full of fairytale fantasies. A Disney damsel is creative and resourceful - especially when it comes to beauty tips and tricks!
Walt Disney World is tribute to the philosophy and life of Walter Elias Disney... and to the talents, the dedication, and the loyalty of the entire Disney organization that made Walt Disney's dream come true. May Walt Disney World bring Joy and Inspiration and New Knowledge to all who come to this happy place... a Magic Kingdom where the young at heart of all ages can laugh and play and learn -- together.
I always wanted to be a character when I worked at Disney, but I wasn't short enough for certain characters, and I wasn't tall enough for others.
What's all this fuss about plutonium? How can something named after a Disney character be dangerous?
One reason for keeping Disney animation separate from Pixar was that by solving their own problems when they finished a film, Disney could say, 'Nobody bailed us out; we did it.' And it's a very important social thing for them to do that.
Working with Disney is really and truly like working with a family. Everyone is so supportive and so wonderful. I've worked with Disney since I was twelve, and they've given me so many opportunities that I'll forever be grateful for.
From what I've understood, it's an entirely different world, and it's a tough world to get your foot in the door, but I've always wanted to be a voice of a Disney character.
Cogsworth, the character I did on 'Beauty and the Beast,' could be a bit flamboyant onscreen, because basically, he is a cartoon. But they didn't want Cogsworth to become Disney's gay character, because it got around a gay man was playing him.
Disney has been such a big part of my early career. I've done two pilots for Disney, and I've been working with them since I was 16, and I just turned 21.
I like to watch a bit of Disney, sprinkle some cocaine on some melon and just sit and eat it. I'm joking, I'm joking. There's no Disney.
Disney is no longer just Mickey Mouse; Disney is family entertainment. And we're seeing more and more brands change into something that is far greater and broader than individual products and services.
All I've been a part of has been thanks to the Disney company: the job, experience, travel, opportunities have come thanks to Disney. Working for Disney was not part of my original plan, but it was part of God's, and it shows that God is still moving.
Oswald is an interesting character. Disney lost the rights to him in 1928 to Universal, who was distributing the cartoons and basically handed him over to Walter Lantz.
Walt Disney had a very clear sense of why. He was about happiness. Remember when Disney was founded, it was during war. People said that life sucked. And he said, "No." He was an eternal optimist who said: "Life is beautiful. It's about giving. It's about family." Look what happened. His cause grew and people committed themselves to helping him grow the Disney why and it was hugely successful.
I've been working with Disney all these years doing voice work, and now I'm signed with Disney Fine Arts, doing 'Beauty and the Beast' oil paintings. So it's been an ongoing wonderful job.
Euro Disney is not my vibe. I can't really deal with Disney, man. It's not my thing. — © Jamie Campbell Bower
Euro Disney is not my vibe. I can't really deal with Disney, man. It's not my thing.
My grandfather was actually a union organizer at Walt Disney. He was an animator. He used to draw Donald Duck for Walt Disney.
I was kind of the black sheep with the Disney kids. I was uninterested in making friends with most of them. I didn't really fall into 'the Disney mold.' I was more or less the kid hanging out with the crew members and got along with them far better.
It's a great Disney tradition, isn't it? For every single character to die in all their movies.
A lot of Disney Channel actors and actresses, when they stop working for Disney Channel, they have a real aversion for not wanting to be remembered by Disney Channel.
The only movies I saw till I was 17 were made by Disney. My parents had this thing. Disney was like, you know, "Ford is a good car. Disney makes good movies that are good for kids and safe."
I love Disney. I know that some Disney stars want to break out of the Disney mold, but no, if they let me, I would work with Disney until I die.
The Disney deal for us, we are very excited to be their Pay 1 partner, where we are a big licensing partner of Disney all over the world in all different windows.
I'm a total Disney freak. I want to live in Disney World.
The first Disney movie I saw I think was 'Snow White.' I loved all the Disney princess movies.
I mentioned before, these [classic Disney films] are classic mythological tales, a hero's journey, and have been told for thousands of years. Disney has updated them, and made them accessible for us.
Disney was a family film studio. I was supposed to be their young, leading man. After they found out I was involved with someone, that was the end of Disney.
Disney is just Disney. It's a company that's very good at what it does - controlling and promoting an image - until something happens that it can't control or cover up.
When I sat there in 1971 and watched my grandfather open Walt Disney World, I was a little 11-year-old girl who worshiped the ground he walked on. You probably couldn't have found much daylight between the NRA and the Disney company.
You need that same creative force that exists in a building like Disney [Walt Disney Concert Hall] to actually tackle that most prosaic of problems.
Disney was a family film studio and I was supposed to be their young, leading man. After they found out I was involved with some guy, that was the end of Disney.
Disney is our contemporary landscape. The best art will reflect that and challenge you. Disney comforts you, whereas the best art shakes up your comfort level and perception.
Disney has a bible for their characters, so that people who draw Disney characters have to make them look correct.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
I think 'Wreck-It Ralph' can stand proudly in the pantheon of the great Disney animated films. It's a fairy tale disguised as something more contemporary. With its balance of heart and comedy, it is still very much rooted in the Disney legacy.
I had done a bunch of stuff before I even went to Disney. I'm so grateful for what Disney gave me and the experiences that I got, but at the end of the day, I can do so much more than what I did on that channel and in those movies.
What about Mickey Mouse? Disney tried very hard to make him a star. But Mickey Mouse is more of a symbol than a real character. — © Joseph Barbera
What about Mickey Mouse? Disney tried very hard to make him a star. But Mickey Mouse is more of a symbol than a real character.
Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.
I always wanted to be a character, when I worked at Disney, but I wasn't short enough for certain characters and I wasn't tall enough for others. I wanted to be a chipmunk; I think 4'10" was the cutoff.
You can't have a bad time at Disney World. It's not allowed. They have hidden electronic surveillance cameras everywhere, and if they catch you failing to laugh with childlike wonder, they lock you inside a costume representing a beloved Disney character such as Goofy and make you walk about in the Florida heat getting grabbed and leaped on by violently excited children until you have learned your lesson.
The problem is that every time people have deviated from the Disney playbook in hand-drawn animation, they've done so with staff that are nowhere near Disney-level talent or Disney-level budgets.
I think Pixar has the opportunity to be the next Disney - not replace Disney - but be the next Disney.
The death of Walt Disney is a loss to all the people of the world. In everything he did, Walt had an intuitive way of reaching out and touching the hearts and mind of young and old alike. His entertainment was an international language. For more than 40 years, people have looked to Walt Disney for the finest quality in family entertainment. There is no way to replace Walt Disney. He was an extraordinary man. Perhaps there will never be another like him… The world will always be a better place because Walt Disney was its master showman.
Marx was fortunate to have been born eighty years before Walt Disney. Disney also promised a child's paradise and unlike Marx, delivered on his promise.
Pixar's short films convinced Disney that if the company could produce memorable characters within five minutes, then the confidence was there in creating a feature film with those abilities in story and character development.
I want to meet everybody on 'Disney Channel' and 'Disney XD' that are alive.
One of my earliest memories is being inside the recording studio and I see the shadow of a figure that looks an awful lot like Walt Disney. Then the door opened and Mr. Disney walked in and said, 'Hi Clint.' I won't ever forget that.
I wasn't that much of a Disney buff growing up, but I love the mystical and magical nature of Peter Pan, and I have connected with that character through Owen [Suskind] in making this film ["Life, Animated"].
I used to watch, on television on Sunday nights, they had the Disney hour then and the castle coming up and 'When you wish upon a star... ' That was my very first Disney memory.
I think that might have been an element in it, and people have asked me that very thing. Remember, Disney is the majority shareholder, but it is not an operating division of Disney.
The picture is being promoted as Disney's 'Spirited Away,' although seeing just 10 minutes of this English version of a hugely popular Japanese film will quickly disabuse any discerning viewer of the notion that it is a Disney creation.
What we try to do at Disney and through Disney character voices is really maintain the integrity of our classic characters at all costs. So Ariel needs to be me for every project, and if there are any other Ariels floating around out there, it's not necessarily Disney.
Historically, Disney Channel stars don't survive well outside of the Disney environment. — © Dylan Sprouse
Historically, Disney Channel stars don't survive well outside of the Disney environment.
Cartoonist Walt Disney has made the twentieth century's only important contribution to music. Disney has made use of music as language.
Too many of Disney animators, and a lot try to emulate Disney, are trying to hit what they call quality levels. They're boring mannerisms.
Those in power at Disney, the very generous figures at Disney Animation, have convinced themselves I'm a good-luck charm for their movies, which is great. It's working out really well for me, and it seems to be a mutually beneficial arrangement.
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