Top 1200 Disney Company Quotes & Sayings - Page 2

If you look at Disney's slate compared to the other Hollywood studios, it stands out because of big titles and strong franchise films which also extend beyond cinemas, to merchandising or theme parks given the legacy of the four brands - Disney, Pixar, Marvel and now Lucasfilm.

I was kind of the black sheep with the Disney kids. I was uninterested in making friends with most of them. I didn't really fall into 'the Disney mold.' I was more or less the kid hanging out with the crew members and got along with them far better.

I remember early in my career with Disney, which was a very strange time in the company - there were a couple of executives who were very supportive of me and kind of let me do my own thing.

When a nanotech company matures and becomes a real business, it becomes something else. It becomes a biotech company or a cleantech company or a memory chip company. Nanotechnology has fueled the core innovations in electronics and energy.

I mentioned before, these [classic Disney films] are classic mythological tales, a hero's journey, and have been told for thousands of years. Disney has updated them, and made them accessible for us.

Working with Disney is really and truly like working with a family. Everyone is so supportive and so wonderful. I've worked with Disney since I was twelve, and they've given me so many opportunities that I'll forever be grateful for.

Growing up, I was always really inspired by Disney, and I had a great love of everything they created. My mum was huge fan, and she used to collect stills, and so they were all around the house, and we very much grew up on the early Disney films.

No matter where they are or who they're with, dogs are incapable of being anything but themselves. Show me a dog that puts on airs or laughs politely at an unfunny joke and I'll show you a human in a dog costume, possibly one owned and licensed by the Walt Disney Company.

Generally, what people tend to underestimate is the cyborg nature of Groupon. We are a company that has the DNA of being both a technology company and a heavily operational company.

I've had a terrific life, from building one company to be the second largest company in the securities industry and merging that into American Express, and becoming president of that company.

I actually had a movie green lit at Disney the same week 'Burlesque' was green lit - a movie for Disney called 'Mash-Up', about a high school marching band.

One of my earliest memories is being inside the recording studio and I see the shadow of a figure that looks an awful lot like Walt Disney. Then the door opened and Mr. Disney walked in and said, 'Hi Clint.' I won't ever forget that.

I fancy all the Disney princes, obviously. I also fancy some objects and animals that are in Disney films, like the French Candlestick from 'Beauty and the Beast,' and I used to be slightly jealous of the feather duster that he used to slightly get off with.

I have made 34 pictures, 10 of them for Disney, and none of them for Disney were really bad characters. So I think that recently I have kind of begun to hide behind certain actor's devices in order to make a dividing line between what I used to do and the characters I have been asked to do today.

I never said that I wanted to be the only company, is it my fault that I ran my company well? Wouldn't you want the best for your company? Also consider that I started of small.

I saw 'Sleeping Beauty' when I was, like, 6 years old at the Mercury Theatre. Then, when I came to Disney, I was in the company of these wonderful artists. People like Glen Keane, like Mark Henn, who were brilliant animators who could really bring these things to life.

The NFL has gone a long way to Disney-fy its image, but it's not Disney. It's the MMA. It's a violent, brutal human war, with rules. The same guy who says, 'I'm going to rob everybody,' is the same guy who would be successful in the NFL.

I discovered that the best innovation is sometimes the company, the way you organize a company. The whole notion of how you build a company is fascinating." Steve Jobs

Disney World?” Ari felt like his head was about to explode. “Disney World?” His gravelly voice rose into a harsh shriek. “They’re not on vacation! They’re on the run! They’re running for their lives! Death is following them like a bullet, and they’re on the Big Thunder Mountain Railroad?

Shareholder activism is not a privilege - it is a right and a responsibility. When we invest in a company, we own part of that company and we are partly responsible for how that company progresses. If we believe there is something going wrong with the company, then we, as shareholders, must become active and vocal.

I wouldn't leave Disney to do Disney.

The life's work of Walt Disney and Ray Kroc had come full-circle, uniting in perfect synergy. McDonald's began to sell its hamburgers and french fries at Disney's theme parks. The ethos of McDonaldland and of Disneyland, never far apart, have finally become one. Now you can buy a Happy Meal at the Happiest Place on Earth.

The picture is being promoted as Disney's 'Spirited Away,' although seeing just 10 minutes of this English version of a hugely popular Japanese film will quickly disabuse any discerning viewer of the notion that it is a Disney creation.

Those in power at Disney, the very generous figures at Disney Animation, have convinced themselves I'm a good-luck charm for their movies, which is great. It's working out really well for me, and it seems to be a mutually beneficial arrangement.

I did attend a convention with the production company behind 'The Woman' and 'Jug Face,' and I loved it and thought, 'I have to come back, as they are so much fun!' But those tickets are really expensive, and you're buying merchandise, and you want autographed pictures with people, so it's kind of like Disney World.

Walt Disney had a very clear sense of why. He was about happiness. Remember when Disney was founded, it was during war. People said that life sucked. And he said, "No." He was an eternal optimist who said: "Life is beautiful. It's about giving. It's about family." Look what happened. His cause grew and people committed themselves to helping him grow the Disney why and it was hugely successful.

I won't speak for the entertainment industry. I speak for Disney. I've seen people in the industry come to work every morning paranoid about what the other person or other company is doing. That means you're spending time and focus on somebody else's business instead of your own.

Disney is our contemporary landscape. The best art will reflect that and challenge you. Disney comforts you, whereas the best art shakes up your comfort level and perception.

I like to watch a bit of Disney, sprinkle some cocaine on some melon and just sit and eat it. I'm joking, I'm joking. There's no Disney.

Sometimes, violent details have been eliminated from fairy tales simply because they were deemed too graphic. So one does not, at the end of Disney's version of 'Cinderella,' see the stepsisters' eyes get pecked and pecked by doves, because Disney wanted to market the story for wholesome family viewing.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

The Disney archives, it's 84 years of history. The one way in which I feel I'm a kindred spirit with Walt Disney is that neither one of us ever throws anything away. He never threw anything away.

Adidas is one of the biggest companies in the world. To have a company like that, a mainstream company, a major sports company, to say they want me, it's awesome.

Once a company develops out of its consumer base, you will often see a well-funded multinational company come in and take over that space. The black-owned company either stays a niche company or just disappears. This is something we don't want to happen.

That dreadful alligator attack in Orlando would never have happened if Disney had put up real warning signs, like other Florida resorts do. But wild alligators don't fit the Disney image, so they were no proper warnings, and a child died for no reason.

What brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg, and all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.

I tried to do everything I could to study Walt Disney. I would read every book I could on the company, and then I found out more about him as a person, as an entrepreneur, and it was just fascinating to me that this guy was able to live a great life with his family but also do these amazing things at work.

My aesthetic is not a Disney aesthetic at all, but when I met with the wonderful producers at Disney, they weren't looking for me to do their aesthetic. I'd already spent 20 years in the theater, so if they were going to hire me, they'd be hiring me for what I have to offer.

Do you have a Wish?' he asked, referring to this organization, The Genie Foundation, which is in the business of granting sick kids one wish. 'No' I said. 'I used my Wish pre-Miracle.' 'What'd you do?' I sighed loudly. 'I was thirteen,' I said. 'Not Disney,' he said. I said nothing. 'You did not go to Disney World.' I said nothing. 'HAZEL GRACE!' he shouted. 'You did not use your one dying Wish to go to Disney World with your parents.' 'Also Epcot Center,' I mumbled. 'Oh, my God,' Augustus said. 'I can't believe I had a crush on a girl with such cliché wishes.

Before Disney, I did other shows so I was aware of the business. They're all the same in that they're a professional environment. The only difference between a Disney show and other network shows are in the age of the actors you're working with and the age of the intended audience.

I have a younger brother and sister who actually play in my band, and we were always into Disney music, big time. The first time I heard myself sing was when I recorded myself singing a Disney song. I remember it because it was awful, and I didn't expect to hear that. I think it was 'A Whole New World' from 'Aladdin.'

Walt Disney’s Mickey Mouse... by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren’t necessarily plugged into comic strip history... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers.

What brought me to Disney was the new regime, which is now the old regime - came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg - and all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.

One reason for keeping Disney animation separate from Pixar was that by solving their own problems when they finished a film, Disney could say, 'Nobody bailed us out; we did it.' And it's a very important social thing for them to do that.

Disney is no longer just Mickey Mouse; Disney is family entertainment. And we're seeing more and more brands change into something that is far greater and broader than individual products and services.

I think 'Wreck-It Ralph' can stand proudly in the pantheon of the great Disney animated films. It's a fairy tale disguised as something more contemporary. With its balance of heart and comedy, it is still very much rooted in the Disney legacy.

It is accurate that the Walt Disney Company and ESPN are committed to diversity and inclusion. These are long-standing values that drive fundamental fairness while providing us with the widest possible pool of talent to create the smartest and most creative staff. We do not view this as a political stance but as a human stance.

Take the serious side of Disney, the Confucian side of Disney. It's in having taken an ethoswhere you have the values of courage and tenderness asserted in a way that everybody can understand. You have got an absolute genius there. You have got a greater correlation of nature than you have had since the time of Alexander the Great.

I watching this Disney documentary, and I'm not Disney, but I was thinking about Mickey Mouse and he became an icon. Walt moved onto other things but he made him exist. I was thinking, 'Wow, is 'Samurai Jack' my 'Mickey Mouse?' Am I stupid to stop working on it?'

Cartoonist Walt Disney has made the twentieth century's only important contribution to music. Disney has made use of music as language.

Sleepy pulled the car to a stop in front of this paved entranceway, which was flanked on either side by these enormous palm trees, kind of like the Polynesian Resort at Disney World. In fact, the whole place had kind of a Disney feel to it. You know, really big, and kind of modern and fake.

A company can be an amazing company, but they can set their valuation of their company so high to where they price themselves out.

I don't know a kid who grew up in the '90s who wasn't obsessed with Disney, and I guess I never grew out of that phase, honestly. It's not just Disney: it's anything that has to do with fairytales for me. I think I just have Peter Pan Syndrome or something.

I so love the animation process. Interesting, everything that I do in animation, the kind of crafting and skills of storytelling, totally work within the structure of the Disney nature films. In a weird way, I like to think that animation is like painting, and Disney nature is like sculpting. Animation you start with a blank canvas and you paint. With Disney nature, you start with a big block of imagery and you hone it down into your final story. Somewhere you end up with something kind of pretty to watch.

I auditioned for 'Coco' when I was nine years old, and I had no idea I was auditioning for a Disney/Pixar movie. When I was 10, they told me that it was going to be a Disney/Pixar movie, and I was just mind-blown. I was so shocked and thankful that I was going to Pixar.

Marx was fortunate to have been born eighty years before Walt Disney. Disney also promised a child's paradise and unlike Marx, delivered on his promise.

How Hungama became the top children's channel in India is interesting because we were up against, not just Disney, but also Time Warner's Cartoon Network. It was an illustration of the fact that for any company that wants to grow in emerging markets, localizing content is the key.

What's been unique about our acquisition is that Google is leaving us independent. That actually means that the company is structured the same... We really are a company within a company.

I've been working with Disney all these years doing voice work, and now I'm signed with Disney Fine Arts, doing 'Beauty and the Beast' oil paintings. So it's been an ongoing wonderful job.

At Travelers, we were much more opportunistic. It was very successful, but it wasn't an integrated financial services company. We had a property casualty company, a life company, a brokerage company. We were a financial conglomerate. It wasn't a unified, coordinated strategy of any sort. When it merged with Citi, that became a big issue; Citi, at that time, wasn't yet a fully integrated, coordinated company.