Top 929 Disney Quotes & Sayings - Page 12

At one point, I was hell-bent on being a Disney animator, and sort of got over that in college and wanted to do my own stuff. You know, towards the end of college I had actually planned to go to the Boston Conservatory of Music for musical theater.

One thing I always heard from the begining when I talked about this being a movie - was that the rule is that animated movies don't work unless they're Disney movies for kids. Unless they're family movies.

The only way to describe my involvement in 'Planes' is that it's an absolute dream come true for me. Getting to be a bad guy in any project is fun, let alone being a Disney villain. I can't imagine anything getting better than that!

Marvel and Disney and all the other superhero movies have to stay within this box and this is an opportunity to jump outside that box. To be the apple among oranges, and really embrace it. So, in terms of us getting what we wanted and what we originally wrote, we largely stayed consistent to that.

Whether you're doing Shakespeare or Disney, good work is good work.

Our partnership with Disney included a two-hour Cinderella list takeover that features supermodel Coco Rocha's first-ever fashion collection, which incorporated behind-the-scenes footage and interviews to support her HSN debut.

So many people from the West are coming into India, all the studios have come into India, and they're making films here, whether that's Fox, Warner Bros, Disney, everyone. That stands as testament for us, so why are we afraid of sharing our talent with the world? We must.

My ideal beach house has bookshelves full of paperbacks that can tolerate a little sand, a DVD library that includes some Disney classics for the little ones, board games, and jigsaw puzzles. At least one big flatscreen television is a must.

I always dreamed of being a voice in a Disney movie, and even in those dreams, I never once dreamed of being a princess. I just wanted to be a voice.

People grew up on the animated movie. Bill Condon is Bill Condon. And nobody does those movies better than Disney does.

I wrote 'Don't Look Back' in November 2011, and when I wrote the novel, it wasn't contracted, so there was a freedom in that - no expectations or anything like that. It was also my first contemporary novel I'd written and sold, which was to Disney/Hyperion in January of 2012.

I just co-created a story for a Disney movie that I'm working on with my fiancée. And also about to finish up writing a T.V. pilot set in New Orleans that I'm really excited about. So I'm definitely trying to stay as busy as possible, for sure.

Honestly, I'm interested in politics; I'm interested in giving back in some form, performing some sort of civic duty. But I'm not exploring a run for governor or senator or anything along those lines. I'm focused on running Disney.

You know the fairy-tale drill, especially from the Disney versions: the heroines endure awful stuff in rites of passage that lead to a joyous resolution of, usually, marriage to a prince. 'Into the Woods' follows that template, then asks, 'What happens after Happy Ever After?'

If you are going to describe the history of animation, you'd look at the early Disney work, then 'Bugs Bunny,' 'Road Runner' and other Warner Brothers theatrical productions. But when you got to 'Rocky and Bullwinkle,' you'd see they were unique: They assumed you had a brain in your head.

I'm a collector of cartoons. All the Disney stuff, Bugs Bunny, the old MGM ones. It's real escapism, it's like everything's alright. It's like the world is happening now in a far away city. Everything's fine.

I think this is a trait that runs throughout the queer community, the obsession with the hyper-feminine female villains. And we see it in Disney movies and in movies like 'Death Becomes Her,' and in characters like Poison Ivy and Catwoman.

Someone's career that I admire would have to be Justin Timberlake's because he started off on Disney and he made this huge film career and huge solo music career. I really respect him as an artist.

When I flew from Orlando to Los Angeles in 1960, I sat next to a guy from Disney who was paying 75¢ an acre for land. I thought he was some special kind of fool - and since they built the park, history has proven there was a fool sitting in one of our seats.

I wished that, for once, faery tales – real faery tales, not Disney fairy tales – would have a happy ending.

We love the great Disney songs - they have always inspired us in our work and in our lives! But for 'Let It Go,' we looked elsewhere - to powerful female singer-songwriters like Tori Amos, Aimee Mann, Sara Bareilles, Adele.

I grew up watching Mickey Mouse and going to Disney World, like, 2,000 times. Mickey Mouse is like my guru.

With the quality of films it seems animation can do almost anything these days. It’s amazing what goes on. But for us it’s always about trying to tell a good story, with great characters. And that will probably always be the philosophy as far as Disney and Pixar is concerned.

Innocent parents might have thought that a musical cartoon version of a fairy tale would be a child's ideal introduction to movie magic. Yet Walt Disney taught moral lessons in the most useful way: by scaring the poop out of the little ones.

I started out as a producer. and I used to work at Disney. and I worked with a lot of the animators and went on to become great friends with a lot of these guys and worked on a lot of projects together.

Balto' was one of my favorite movies. Balto is the Disney character that's like half-dog, half-wolf. There's a statue of Balto in Central Park.

Well, just to dispel all the myths, Walt [Disney] was not anti-Semitic. He was not racist in any way, shape, or form. He was not frozen when his life ended. He's not in some frozen vault right now waiting to make a big comeback.

Luckily, I went to school at CalArts, and then ended up here at Disney, starting in the Animation Building and working my way up. I started as an animator, and then did character designing and storyboarding, and eventually, directing.

I love soundtracks to movies and am always touched by the music if it's good. The music in some old Disney movies, like 'Pinocchio,' 'Alice in Wonderland' and 'Peter Pan' really gets to me.

I'm never quite sure how far to go with praising young kids because the next thing you will see him probably driving a Mercedes and he'll have his socks over his knees and four earrings in and a Walt Disney hat.

My parents read me fairy tales every night and I used to believe I was a fairytale princess, like every young girl. I had all the Disney dressing-up costumes and would play every character.

When I was 16, I filmed an episode of 'Full House' where my family goes to Disney World. I remember putting on baggy overalls just to hide my stomach. When I watched it, I was pretty disappointed and bummed out looking at myself... I didn't feel good about my own body.

The most exciting and, by far, the most important part of our Florida project, in fact, the heart of everything well be doing in Disney World, will be our experimental prototype city of tomorrow. We call it EPCOT.

Disney was kind enough, thoughtful enough and believed enough in me, as a director, to wait for me to be available.

The history of our times calls to mind those Walt Disney characters who rush madly over the edge of a cliff without seeing it, so that the power of their imagination keeps them suspended in mid-air; but as soon as they look down and see where they are, they fall.

I think The 'Cheetah Girls' was originally supposed to be one film, but then it became two and three, which was a huge deal. But like all Disney franchises, they have to come to an end at some point. I was so grateful we went out with a bang. I think we died off peacefully.

Hazel GRACE!” he shouted. “You did not use your one dying Wish to go to Disney World with your parents.” “Also Epcot Center,” I mumbled. “Oh, my God,” Augustus said. “I can’t believe I have a crush on a girl with such cliché wishes.

I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.

I did attend a convention with the production company behind 'The Woman' and 'Jug Face,' and I loved it and thought, 'I have to come back, as they are so much fun!' But those tickets are really expensive, and you're buying merchandise, and you want autographed pictures with people, so it's kind of like Disney World.

I mean when I was working shall we say with Disney, you know they sent me the script for the film Hercules and I had to imagine what all the characters looked like. And to develop those characters, so nothing exists visually when I get the script.

Just get on any major highway, and eventually it will dead-end in a Disney parking area large enough to have its own climate, populated by large nomadic families who have been trying to find their cars since the Carter administration.

Disney is beloved again. They can now attract the talent again and they can hold onto the talent again. People trust them again. It's all return since they went back to the why.

You men out there probably think you already know how to dress for success. You know, for example, that you should not wear leisure suits or white plastic belts and shoes, unless you are going to a costume party disguised as a pig farmer vacationing at Disney World.

The rare opportunity of writing music for a movie about the making of 'Mary Poppins' was impossible to ignore. The fact that it could provide emotional content in relief of the struggles that the Sherman brothers and Walt Disney endured was reason enough to take on the challenge.

I was eight years old when Miley Cyrus made her debut on Disney Channel's 'Hannah Montana' and beginning my senior year of high school when she delivered the VMAs performance that single-handedly butchered the teddy-bear industry.

We moved amazingly fast because our product was acceptable to a broad market: tots, teenagers, adults. Even to some people who never before liked cartoons. When we started we knew Disney already had the kids. So we figured we should be broader.

The only way to describe my involvement in Planes is that its an absolute dream come true for me. Getting to be a bad guy in any project is fun, let alone being a Disney villain. I cant imagine anything getting better than that!

Walt Disney wasn't making films for kids. Neither were the Muppets. A lot of the great, really cool films, they weren't making them for kids.

I'm trying to build a Disney. Not only as a creator, but also be able to create universes where then that content can go into toys, and live on multimedia platforms, whether it's apps, books, movies, cartoons. It's like building a whole world, which takes a lot of money.

Sterling Holloway, the actor who had originally voiced Pooh, decided to retire in the mid-1980s. Disney decided that they wanted to continue this character with their 'New Adventures of Winnie the Pooh' TV series.

Government at all levels in the USA right now is engaged in a quixotic campaign to sustain the unsustainable. We're determined to run WalMart, Disney World, the Interstate Highways, suburbia, and an imperial military by other means than oil. We'll squander a lot of dwindling resources in the process.

Netflix, despite the fact that they compete very aggressively with Prime Video on the Amazon side, they run everything on top of AWS and have for several years - same with Disney, Warner, Fox, HBO and Turner, they all run on AWS.

Growing up, I was obsessed with Disney movies like 'The Little Mermaid,' 'Aladdin' and 'Beauty And The Beast.' I was always singing the songs from these movies, so to find myself in the studio with Alan Menken was an amazing experience. In fact, it was a dream come true.

Disney features, especially the early ones, were horror movies with cute critters: Greek tragedies with a hummable chorus. Forcing children to confront the loss of home, parent, friends and fondest pets, these films imposed shock therapy on four-year-olds.

I was very flattered when Disney Junior reached out and invited me to come voice Ariel for this special primetime edition of 'Sofia the First.' As the parent myself, I really appreciate the positive messages that this animated series is trying to put out there.

Then, early, early, early in the morning-just as in countless Disney films-I heard a rooster crow. But guess what? They don't do it just once.

There are only a couple characters and people in the world where, in history, where you can go anywhere in the world and say that character or person, that name, that song, and everyone knows what it is. Mickey Mouse is one, Disney, in general. In terms of gaming, Super Mario, he's everywhere.

I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.

His feeling was the name Walt Disney represented all of us. Walt was hanging by his teeth financially and really I think he was for most of his career. Not at all like today.

My sister and I are pretty dorky, so we drive around at night in her car listening to old Disney songs and feed the coyotes cans of wet cat food, which I'm sure is a terrible idea. Meanwhile, 'Cinderella' and 'Sleeping Beauty' showtunes are playing in the background.