Top 1200 Divergent Series Quotes & Sayings - Page 5

I'm the first social media star cast as a regular on a Disney Channel series, and I think I'm the first one under 25 from social media to become a series regular.

In World Series, everything is a bit slower than F1. But each time I sit in the car, whether it is World Series or F1, once I am in the cockpit, I am mentally prepared for what the car is. I don't have to physically drive it to remember what it is doing.

From the onset of the 'Live-Read' series, we wanted to hit all the major writers and Woody Allen is simply one of the greatest screenwriters of all time. He has ability to match pathos and comedy and drama and then turn it all on a dime. If you're going to make a series based on dialogue, you can't find much better than Woody Allen.

The character and the actor in a long-running series slowly become one. I think there must be funny stories about actors who, in the pilot for a TV series, did some weird thing with their eyes, or some speech impediment or something, and the next thing you know, it's eight years later, and they're still doing that freaking gag.

I've done a movie and a TV series, and someday I'd like to do a successful movie and a successful TV series. That would be nice.

Once he became a series character, I made the conscious choice that he would never act like a series character, never wink at the reader, never pull his punches. Better for him, better for me.

If you are well-mannered towards those whose views are similar to yours, you may be said to exhibit a fairly good character. But, if you behave properly wit those holding divergent views from you or who criticize you, then you deserve to be credited with having an excellent character. (p. 99)

Ball teams do not always run true to form in a short series. In a season's campaign, class will tell; the best team will invariably win, unless disaster overtakes it. In a short series, some freak situation, same unusual play, may prove to be the turning point.

I like working in series, so instead of just doing one separate body of work, what if I come up with a different rhythm, instead of every week, what if I make it every year? And so I'm still setting up a series, a repetition, but it's a completely different work flow.

I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis.

It's very different doing a food show in America and doing one in Britain. I did a 20-part series for the BBC series called 'Eating With the Enemy.' The budget for all 20 episodes was probably the budget for a single episode of 'Top Chef.' It's the difference between making a home movie in your backyard and going to Hollywood.

India, Pakistan series has always been decided by the government. We toured in 2003-04 when I was the captain and it was for the first time since 1989-90 that we toured Pakistan. There were times even in those days when the series was planned but would get cancelled. So you have to leave it to the government.

We have a series of regular meetings with South African business. Big business. Black business. Agriculture. As well, of course, with the trade unions. A whole series of meetings like that which engage issues that these South African social partners need to address.

Whether you're a populist; whether you're a limited government conservative; whether you're libertarian; whether you're an economic nationalist - we have wide and sometimes divergent opinions. The center core of what we believe, that America is a nation with an economy, not an economy just in some global marketplace with open borders, but we are a nation with a culture and a reason for being.

I'd never thought much about a series, because I liked the idea of picking a script I liked with a character I thought I could sustain for an hour. In a series, you live with one character day in and day out - and you only hope it will be one that will not drive you crazy.

Wexford started off as a very conventional, tough cop and not a very original character because I had no idea I was writing a series, of course. I had no idea I'd created a series character.

Funnily enough, I did a play called 'Jumpy' on the West End before I did 'Divergent,' and there was an essence of that character I played, called Cam, in Will. In the sense of his vulnerability, and... he had a sense of humor that comes out of adversity, similar to Will.

For my 9th birthday, my only wish was to eat like a farmer boy. I had devoured 'The Little House on the Prairie' book series and wanted to be like Almanzo Wilder, the protagonist of 'Farmer Boy,' one of the later installments in the 'Little House' series.

There are so many great moments in Yankee Stadium. There is nothing better or no better place better to compete when you are good and the Yankees are good and you are playing a big series in September in Yankee Stadium, four game series, there is no greater excitement anywhere than the Yankee Stadium.

If you have one good series, you know, it's a blessing. Two good series is unusual. Three is a phenomenon, but right now, I'm working with these wonderful women on 'Hot in Cleveland,' and Valerie Bertinelli, and Wendy Malick and Jane Leeves are like, it's like the buddy-ship we had on 'Golden Girls' and 'Mary Tyler Moore.'

Sometimes I like to watch TV, though I never get to watch any of the shows in real time. I'm a fan of 'Downton Abbey,' 'Boardwalk Empire,' and 'Boss.' There's a British series called 'Luther,' but in England, they think a series means four episodes. And I like 'Mad Men.' Otherwise, it's always good to unwind with a book.

So, the first step to opening a restaurant is, don't. Opening a restaurant is a series of putting out fires every single day. I mean, even once you're open, it's still a series of putting out fires. Step one: don't.

Just having women come up to me and say they love the workout series, and that they have it and have guys come up and say, "I bought it for my girlfriend and she loves it." I feel really lucky and have gratitude for that, and now I get to put out a new series so I'm very happy.

I think finite series gives you more time to write down your journey in any show. When it's a finite series, you know the start and know your end. The writers and actors know what is going to happen, so the interest is not lost.

I did my first series lead back in 1991 on a show called 'Reasonable Doubts' and have done many shows with other actors who are deaf. But 'Switched at Birth' is the first TV show where there is more than one actor who is deaf or hard of hearing and who are series regulars.

We each appear to hold within ourselves a range of divergent views as to our native qualities.. And amid such uncertainty, we typically turn to the wider world to settle the question of our significance.. we seem beholden to affections of others to endure ourselves.

I made a series set in India that was more of a conventional fishing show. The fish were very uncooperative, so we were casting around for other bits of local color. We heard local stories of something pulling people into the water. They called it the Kali man-eater. We did a bit of a feature on this, and if formed part of that series.

If you find a TV series that you like, you like the tone of the TV series or the movie.

I'm married now, so I have a life. I had to get a life. That's one thing I really had to do, you know. You do that kind of work on television series after television series and you don't have a life. So, that's part of what I did while I was gone, I got a life.

I'm very happy with the response for everything I've done, but, you know, sometimes you get things like, 'Oh, 'Spaced' Series One wasn't as good as 'Spaced' Series Two.' Or 'Shaun of the Dead' is not as good as 'Spaced,' or, 'Hot Fuzz' is not as good as 'Shaun.' Or, now, 'The World's End' is not 'Shaun of the Dead.'

The best possible thing in baseball is winning The World Series. The second best thing is losing The World Series.

I've really been very focused on 'Jessica Jones.' Our series was well on its way to being created by the time we even saw scripts from 'Daredevil,' and 'Luke Cage' didn't even have a showrunner hired then. Jeph Loeb [Marvel TV boss] is the master of the connective tissue, but each series exists in its own world.

When we shot the first series of Aerobic Striptease, we shot five DVD's, so we slowly put out each DVD and timed it out that they were all done and shot and ready to go. We just started shooting the next series once we felt it was time to work on the next one.

I did the 1972 Sapporo Games, and I was also the Reds announcer and was folded into the NBC coverage for the 1972 World Series. I also did the 1979 World Series for ABC.

'Divergent' was my utopian world. I mean, that wasn't the plan. I never even set out to write dystopian fiction, that's just what I had when I was finished. At the beginning, I was just writing about a place I found interesting and a character with a compelling story, and as I began to build the world, I realized that it was my utopia.

When I was a teenager and my brother Frank was in the World Series in '57 and '58 against the Yankees, Braves winning in '57 and the Yankees in '58, little did I know the next time these two teams would meet in the World Series, I would be managing the Yankees.

Keith's [Briffa] series...differs in large part in exactly the opposite direction that Phil's [Jones] does from ours. This is the problem we all picked up on (everyone in the room at IPCC was in agreement that this was a problem and a potential distraction/detraction from the reasonably consensus viewpoint we'd like to show w/ the Jones et al and Mann et al series).

There is this strange fog of being a young man that I would refer to as soft time. Time does not go forward there. It's a series of doors that kind of wind back into one another, like a series of doors in the upper floor of a house. You revisit the same lessons over and over again, or you choose to ignore them.

What I do know is how difficult it is in this industry to get a show on the air. There's so many different stages: getting a script bought by the network, then getting a pilot made and having that pilot go to series, and then, when that series gets on the air, having people watch it.

The '30 for 30' strand started life as a series of behind-the-scenes docs for the sports channel ESPN. It has now spawned an equally fascinating series of podcasts. Like the films, these podcasts don't rely on access, the usual currency of sports journalism, and are strangely excited by stories that are complicated and require telling at length.

After 'Divergent,' I got a job rewriting a sci-fi script at Paramount. I think they really liked what I did, so I got a call saying, 'We're about to shoot 'Ninja Turtles' in three or four months; do you wanna come in and do a little work on the script?' That was the beginning of a many-month 'Ninja Turtle' odyssey.

When doing a series, I look for something that has an idea you can think about, something that I'm noticing and aware of and thinking about, because when you're doing a series, you think about more than just jokes... you know, when you're doing a comedy, you think about what's going to reflect people's experiences, in a way.

Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride; it will soon come to breakfast cereal mascots.

Not long time ago there was a striking example of the extent to which English has diverged: a television company put out a programme filmed in the English city of Newcastle, where the local variety of English is famously divergent and difficult, and the televised version was accompanied by English subtitles!

It is nice that we finished the game today. At the end we finished the series with a convincing victory against Bangladesh. We came here without some key players but I must say our young players showed a lot of characters in the series which will help Sri Lanka cricket in the future.

I think the most significant change in my life is the decision to do a series. An hourlong dramatic television series on a broadcast network swallows you and chews you up and refuses to spit you out. You're making a decision that's going to be a profound and significant impact on the practical aspects of your life.

My grandmother had a Ph.D in library science, so I grew up in a library, and I would appreciate those books and the smell of them and how they'd have these series, and it was cool to me. I always felt like, if I had an opportunity, I'd create an album that felt like a series.

For the second series of 'Luxury Comedy', I tried to drop the 'Noel Fielding' from it. I thought that would make it less like a solo project and more like a show. Also, it would probably have been easier to take the reaction to the first series if it had been a project rather than my name and face!

But that would put me on a path that would make me totally divergent from who I am. I don't have to go through the heartache many other people go through, of figuring out what makes them "wealthy." I know what brings me joy.

There exists, for everyone, a sentence - a series of words - that has the power to destroy you. Another sentence exists, another series of words, that could heal you. If you're lucky you will get the second, but you can be certain of getting the first.

Human history can be viewed as a slowly dawning awareness that we are members of a larger group Groups of people from divergent ethnic and cultural backgrounds working in some sense together [is] surely a humanizing and character building experience. If we are to survive, our loyalties must be broadened further, to include the whole human community, the entire planet Earth.

We are delighted to work with the Republican National Committee to build a conservative Congressional majority in 2014. They have a keen understanding for the need to bring together sometimes divergent groups with the common purpose of resurrecting a Reagan-like conservative coalition that appeals to all Americans with a message of hope, opportunity and the chance to achieve the American Dream.

My greatest personal Survivor Series moment was facing The Rock in 1998 and having Mr. McMahon turn on me. That set into motion one of the best series of matches I've ever had and some of the most important with The Rock. Not only did we have great matches, but then we became teamed up following the rivalry, so that was big.

Fulla is the Arab world's answer to Barbie. Now, according to proponents of the clash of civilizations, Barbie and Fulla occupy these completely separate spheres. They have different interests. They have divergent values. And should they ever come in contact... well, I've got to tell you, it's just not going to be pretty.

I used to watch the old 'Flash Gordon' series on TV, and it was thrilling to rocket to the planet Mongo every week. But after a while, I figured out that although Flash got the girl and all the accolades, it was really Dr. Zarkov who made the series work. Without Dr. Zarkov, there could be no Flash Gordon.

Traveling fast over complex technical terrain requires a high level of technical ability and the endurance to support it. These two quite divergent capabilities need to be developed over years of practice. Omitting either limits your potential.

I'm not looking for a series. I love TV. I love developing characters over a long amount of time. I think for an actor it gives you so much material and every season it gives more background and interest and richness. So I would definitely do another series. I'm just waiting for the right thing to come along.

I was in something called 'Garth Marenghi's Darkplace' which was a real cult comedy; it's sort of a spoof horror sort of thing, and it only ever had one series, but I liked the fact that it only had one series because it's kind of got this little gemlike quality to it that there were only ever six episodes.

There are indeed 'values' in the Harry Potter series, but they're confused with anti-values. Potterworld is a scrambled moral universe. There are Christian symbols in the series, but the author misappropriates them, mutates them, and integrates them into a supposedly larger and broader system where evil symbols are dominant.

Men of widely divergent views in our own country live in peace together because they share certain common aspirations which are more important than their differences.... The common responsibility of all Americans is to become effective, helpful participants in a way of life that blends and harmonizes the fiercely competitive demands of the individual and society.