Top 576 Donkey Kong Quotes & Sayings - Page 10

Explore popular Donkey Kong quotes.
Last updated on October 8, 2024.
My wife once said that one of her great ambitions was to walk down the streets of Hong Kong with her children. So we all went to Asia on one occasion. Then she said she'd like to walk down the streets of Jerusalem with her children. So we arranged our family finances and all went to Jerusalem.
That's right. Uh-huh. Uh-huh," Nick said arrogantly. "You might know karate, boy, but I know gorilla, and I'm a level 40 champion in it. Let's hear it for Diddy Kong! Ew! Ew! Ew! Ew! Ew!" He mimicked the sound of a gorilla as he held on for dear life.
What I miss from the States, I guess, is going to museums and to see small rock shows in small bars. We don't have that in Hong Kong. Unfortunately because the property market is so high, all rent is so expensive, they can't afford to have a rock music bar because those things don't make a lot of money, and they're paying a lot of rent.
The usual struggle squeezing my bloated Citroën, absurdly named “Picasso,” in or out of any old Italian town. I should be taking a year over this and doing it on a donkey. Eventually found the road to the church of the Madonna of San Biagio, a foursquare temple sitting all alone in the plain. Sangallo's fantasy of the Doric order in honey-colored sandstone, with shell-niches, rosettes, oculi under heavy entablatures. Any one ignorant of geometry scarcely dare enter this shrine to number, measure, and weight. So clean and crisp I could eat it for breakfast.
Most Chinese filmmakers grew up watching television; they watched films on television, not in cinemas. The scope of their vision is not big enough, they're not yet detail-oriented enough. You have to watch films in cinemas for years to understand the depth and scope of vision needed in filmmaking. Directors in China usually come from an academic background; they graduate as film directors. Whereas the directors from Hong Kong learn their trade on sets, beginning at the lowest rung.
In Hong Kong, Dallas, or at home —and regardless of whether or not I have been to bed — breakfast is a personal ritual that can only be properly observed alone, and in a spirit of genuine excess. The food factor should always be massive: four Bloody Marys, two grapefruits, a pot of coffee, Rangoon crepes, a half pound of either sausage, bacon, or corned beef hash with diced chilies , a Spanish omelette or eggs Benedict, a quart of milk, a chopped lemon for random seasoning, and something like a slice of Key lime pie, two margaritas, and six lines of the best cocaine for dessert.
I contend that there really are no more con men. There's no need for con men anymore. There's no need for the very sophisticated, suave guy, the well-dressed guy. Today, you steal with the computer from thousands of miles away - from China, from Libya, from Hong Kong. Your victim's never going to see you, so there's no need to be any of that.
The swelling and towering omnibuses, the huge trucks and wagons and carriages, the impetuous hansoms and the more sobered four-wheelers, the pony-carts, donkey-carts, hand-carts, and bicycles which fearlessly find their way amidst the turmoil, with foot-passengers winding in and out, and covering the sidewalks with their multitude, give the effect of a single monstrous organism, which writhes swiftly along the channel where it had run in the figure of a flood till you were tired of that metaphor. You are now a molecule of that vast organism.
Pull a string, a puppet moves ... each man must realize that it can all disappear very quickly: the cat, the woman, the job, the front tire, the bed, the walls, the room; all our necessities including love, rest on foundations of sand - and any given cause, no matter how unrelated: the death of a boy in Hong Kong or a blizzard in Omaha ... can serve as your undoing. all your chinaware crashing to the kitchen floor, your girl will enter and you'll be standing, drunk, in the center of it and she'll ask: my god, what's the matter? and you'll answer: I don't know, I don't know.
I can't imagine here would be a Chinese Gorbachev. But the party will gradually open up. For instance, it has already set a time limit for political reforms in Hong Kong. And in four years time, there won't be a strongman to name the General Secretary at the party congress. That means that the various factions will have to develop better rules for naming their leader. But there won't be a timeline for political reform.
Recently Mr. Mawdsley’s donkey escaped from his stall, raced down the road, and somehow found his way into an enclosed pasture. Mr. Caird’s prized mare was innocently grazing when the ill-bred seducer had his way with her. Now it appears the mare has conceived, and a feud is raging between Caird, who demands financial compensation, and Mawdsley, who insists that had the pasture fencing been in better repair, the clandestine meeting would never have occurred. Worse still, it has been suggested that the mare is a shameless lightskirt and did not try nearly hard enough to preserve her virtue.
In Hong Kong, in our generation that started out in the 1970s, being a director wasn't a big deal. We didn't even have director's chairs. We weren't particularly well paid. The social standing of a film director wasn't that high. It was a sort of a plebeian job, a second or third grade one. And the studio heads are always practical, there's never any fawning because someone is a director. There's very little snobbery about one's position as a director. The only ones people treated differently were those that were also stars; or the directors who also owned their companies.
Even during the promotion I told people that I didn't like Rush Hour. The jokes I didn't understand and the fighting, compared to my Hong Kong films was terrible. A lot of people didn't like it. But mostly people did like it, they really liked it. Rush Hour really brought me to the American family audience.
On the mission I brought a flag from China, I brought the stone sculpture from Hong Kong, and I brought a scroll from Taiwan. And what I wanted to do is, because as I was going up and I am this Chinese-American, I wanted to represent Chinese people from the major population centers around the world where there are a lot of Chinese people. And so, I wanted to bring something from each of those places and so it really wasn't a political thing and I hope people saw it that way. I was born here, I was raised in the U.S., and I'm an American first, but also very proud of my heritage.
I think East Asian countries, I think they're very fortunate to have Buddhism survive as a strong influence because right from the time when Buddha himself, 2,500 years ago, made the point about the importance of education, and the word "Buddha" also means enlighten[ed] or educated. So all the Buddhist countries, not only Japan and Korea and China and Hong Kong and Thailand but also even Burma and Sri Lanka, had a higher level of education.
Rising sea levels will result in tens to hundreds of millions more people flooded each year with a warming of 3 or 4°C. There will be serious risks and increasing pressures for coastal protection in South East Asia (Bangladesh and Vietnam), small islands in the Caribbean and the Pacific, and large coastal cities, such as Tokyo, Shanghai, Hong Kong, Mumbai, Calcutta, Karachi, Buenos Aires, St. Petersburg, New York, Miami and London.
I remember when I was working on Mission: Impossible 2, John Woo said, "In Hong Kong, there's not much money and a lot of time. In Hollywood, a lot of money, not much time." Personally I'd prefer not much money, a lot of time.
I made a life-size drawing of King Kong's head which was about eight feet-by- six feet. I tried to measure the head (scaled to other things in the movie I could estimate the size of) that was in the movie in the early '30s, and I liked that I was making something "life-size" that was kind of a fictional thing.
What gives me concern in so much of the comment is the implication that the people of Hong Kong have to be given a reward, like children, for being good last year, and bribed, like children, into being good next year. I myself repudiate this paternalistic, indeed colonialist, attitude as a gross insult to our people.
I think my function working in China is to bring my experience and what we've gone through in the Hong Kong industry to China. I hope there'll be more and more new Chinese companies with vision, that understand producing and film financing. My plan for the future is to work with as many new companies as possible, to pass on my experience as to what is commercial film.
I love the whole kind of notion of transformation for me is (what) excites me about not only acting, but storytelling. I love, I love that notion of a slightly larger-than-life artistic truth, you know, magnifying real emotional truth (or) finding something about human condition (which), you wouldn't necessarily think you can learn from characters such as Kong or Gollum, but actually they are, you know, these huge amplifications of a human psyche and I suppose those kind of roles have always attracted me definitely.
China is soon to be probably the most powerful nation in the world, but they only making like $10,000 a year, and that's doing it. They're balling on $10,000 a year, and this is the strongest nation? But it's a billion people. The way it breaks down, if you really look at it, it's still built on the poor, on the backs of hundreds of millions of destitute, impoverished farmers that you'll never see. You just see Shanghai and you see Hong Kong.
This distraction is what one wants, which is very, very bad for the muse, because the muse hates not being in the line of sight. It's no longer an external conflict, like, oh, I have all these demands and I don't like them. The split is in the self.?This may explain why, when I was in Santa Barbara before I went to Singapore and then now to Hong Kong, there was a writing moment when I was writing a poem a day. I had never done that before.
As the carriage whipped forward, they passed the alley she had spent so many days staring at—it was there, and then gone as they careened around a corner, nearly knocking over a costermonger pushing a donkey cart piled high with new potatoes. Tessa screamed. Will reached past her and yanked the curtain shut. "It's better if you don't look," he told her pleasantly. "He's going to kill someone. Or get us killed." "No, he won't. Thomas is an excellent driver." Tessa glared at him. "Clearly the word excellent means something else on this side of the Atlantic.
Places come to exist in our imaginations because of stories, and so do we. When we reach for a "sense of place," we posit an intimate relationship to a set of stories connected to a particular location, such as Hong Kong or the Grand Canyon or the bed where we were born, thinking of histories and the evolution of personalities in a local context. Having "a sense of self" means possessing a set of stories about who we are and with whom and why.
The situation they [journalists and Edward Snowden] were in was incredibly heightened. The stakes were high. There was a lot of pressure, a lot of tension, a lot of sense of claustrophobic, clandestine energy that I think was exhilarating for us to explore and recreate. We were fortunate to shoot a fair amount of our stuff at the actual hotel where it all happened in Hong Kong. That added another element of very similitude to the situation, so I feel like it was exciting.
In 1874, Mary Fraser accompanied her husband Hugh to Hong Kong, arriving hours after a typhoon had wrecked the island. Some 10,000 boat families had drowned in the harbour. There was no way to avoid the bloated bodies, and when Mary disembarked, she felt her foot land on something soft.
You can imagine in China it's like: 'Ching chong hugong, ching chong kong, Danny Devito. Ching chong chong chong chong. The View. Ching chong! — © Rosie O'Donnell
You can imagine in China it's like: 'Ching chong hugong, ching chong kong, Danny Devito. Ching chong chong chong chong. The View. Ching chong!
Hong Kong people, they treat me more like a director, like a producer, like a filmmaker. If they recognize me, they treat me as a producer more than a star. And also, I make one movie in three years. I think they already forget who I am, because I've been away too long!
Animation had been used only for things like King Kong and the destruction of cities, which was very popular in the 1950s. I got tired of destroying cities. I destroyed New York, I destroyed San Francisco's Golden Gate Bridge, Rome, and Washington. I was looking for a new outlet, and I came across the Sinbad legends.
Dubai was brilliant, they looked around the world. They saw Hong Kong, Singapore, New York, Chicago, Sydney, London all ran British common law. British common law is much better for commerce than is French common law or sharia law. So they took 110 acres of Dubai soil, put British common law with a British judge in charge, and they went from an empty piece of soil to the 16th most powerful financial center in [the] world in eight years.
Princeton has made an enormous difference in my life, and I am delighted to be able to express my gratitude in such a tangible way. The generosity of earlier generations of donors made it possible for me to attend Princeton as a young student from Hong Kong, and I have always wanted to do all I could to assure that students in the future.. from the United States and around the world.. will have the same kinds of opportunities I had to learn from faculty members who are leaders in their fields at a university that remains second to none in its commitment to teaching.
Some dogs could play fetch all day long, while others have absolutely no interest in chasing a ball. Some might love "find the treat" type puzzle toys and others may completely ignore them. The important things are that your dog finds the toy interesting without becoming obsessed over it, and that it is size and safety appropriate for your dog. A Chihuahua is probably not going to be a good match to a Kong as big as she is, and you wouldn't want to risk having your Malamute swallow one of those smaller size tennis balls.
I deal with students every day - from China, Germany, the United States, Hong Kong and Taiwan. And I've noticed that the Chinese students are the least trained in having a sense of aesthetics. They lack any ability to sense what is beautiful or what is proper. They can be learned and skillful, but they lack the ability to make their own free judgment. It is really sad to see young adults of 20, 25 years who were never taught to make their own decisions. People who can't do that don't get a sense of responsibility. And if you lack a sense of responsibility, you push the blame onto the system.
My mother wrote a teen column for the South China Morning Post in the 1950s when she was growing up in Hong Kong. Her name was Lily Mark, but she sometimes wrote under her confirmation name, Margaret Mark. That was how she met my father.
Indonesia has already been governed for too long by sclerotic uncles who have sold their nation off to foreign companies and governments. These people have no morals and no compassion. If you negotiate with them, they will only do what they have been doing for decades: they will cheat and lie, trying to buy time. They don't give a damn about Indonesia and its people! They want those Porsches and diplomas for their kids, and luxury condominiums in Australia, the United States, Singapore and Hong Kong.
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