Top 676 Doom And Gloom Quotes & Sayings - Page 12

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Last updated on April 21, 2025.
Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come: Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
For long the two enemies looked at one another, Hook shuddering slightly, and Peter with the strange smile upon his face. "So, Pan," said Hook at last, "this is all your doing." "Ay, James Hook," came the stern answer, "it is all my doing." "Proud and insolent youth," said Hook, "prepare to meet thy doom." "Dark and sinister man,“For long the two enemies looked at one another, Hook shuddering slightly, and Peter with the strange smile upon his face. "Dark and sinister man," Peter answered, "have at thee.
To a Mistress Dying Lover. YOUR beauty, ripe and calm and fresh As eastern summers are, Must now, forsaking time and flesh, Add light to some small star. Philosopher. Whilst she yet lives, were stars decay'd, Their light by hers relief might find; But Death will lead her to a shade Where Love is cold and Beauty blind. Lover. Lovers, whose priests all poets are, Think every mistress, when she dies, Is changed at least into a star: And who dares doubt the poet wise? Philosopher. But ask not bodies doom'd to die To what abode they go; Since Knowledge is but Sorrow's spy, It is not safe to know.
Yet if you go to the supermarket and look at food that's produced through industrial agriculture, look at what's happened to the prices. Have they been going down? They've been going up and they will continue to go up. So the choice is either, do we hitch onto a system of agriculture that's doomed and will doom the planet with it, and go along the route of industrial agriculture, or do we want to shift to a kind of system that we know is going to be, in the long run, cheaper, because we'll have a planet left at the end of it? We need to factor that cost in.
A lot of our fellow liberals ... seem to me rather to doom themselves to futility in public affairs because the won't recognize that there's a zone of natural affection midway between the inner, or family one, and the outer, or all-humanity one. I suppose they are somehow short of a zone themselves and they seem to get vexed... The common man knows better, just as he'd know better if some philosopher told him he ought not to make invidious distinctions by feeding his own children in preference to others. But of course he can't explain; he just ... goes on feeding the kids.
The prophet who fails to present a bearable alternative and yet preaches doom is part of the trap that he postulates. Not only does he picture us caught in a tremendous man-made or God-made trap from which there is no escape, but we must also listen to him day in, day out, describe how the trap is inexorably closing. To such prophecies the human race, as presently bred and educated and situated, is incapable of listening. So some dance and some immolate themselves as human torches; some take drugs and some artists spill their creativity in sets of randomly placed dots on a white ground.
I feel that we have, as Mexicans, two things: one, a natural distrust of institutions. I hate organised religion, I hate organised politics, I hate the idea of the military and the police. Because we grew up distrusting all these sacred institutions, the only thing you have left is a vague, national sense of impending doom. Why do we drink and how are we so merry? Because we know that pretty soon, our time's up. There is a sense of fatality that makes us pretty chirpy people. You try to live. The only reason that dying is important is that it gives life sense.
Lines I die but when the grave shall press The heart so long endeared to thee When earthy cares no more distress And earthy joys are nought to me. Weep not, but think that I have past Before thee o'er the sea of gloom. Have anchored safe and rest at last Where tears and mouring can not come. 'Tis I should weep to leave thee here On that dark ocean sailing drear With storms around and fears before And no kind light to point the shore. But long or short though life may be 'Tis nothing to eternity. We part below to meet on high Where blissful ages never die.
The essence of justice is mercy. Making a child suffer for wrong-doing is merciful to the child. There is no mercy in letting the child have its own will, plunging headlong to destruction with the bits in its mouth. There is no mercy to society nor to the criminal if the wrong is not repressed and the right vindicated. We injure the culprit who comes up to take his proper doom at the bar of justice, if we do not make him feel that he has done a wrong thing. We may deliver his body from the prison, but not at the expense of justice nor to his own injury.
When we fully understand the brevity of life, its fleeting joys and unavoidable pains; when we accept the facts that all men and women are approaching an inevitable doom: the consciousness of it should make us more kindly and considerate of each other. This feeling should make men and women use their best efforts to help their fellow travelers on the road, to make the path brighter and easier as we journey on. It should bring a closer kinship, a better understanding, and a deeper sympathy for the wayfarers who must live a common life and die a common death.
You sleep with a dream of summer weather, wake to the thrum of rain—roped down by rain. Nothing out there but drop-heavy feathers of grass and rainy air. The plastic table on the terrace has shed three legs on its way to the garden fence. The mountains have had the sense to disappear. It's the Celtic temperament—wind, then torrents, then remorse. Glory rising like a curtain over distant water. Old stonehouse, having steered us through the dark, docks in a pool of shadow all its own. That widening crack in the gloom is like good luck. Luck, which neither you nor tomorrow can depend on.
There is not much talking now. A silence falls upon them all. This is no time to talk of hedges and fields, or the beauties of any country. Sadness and fear and hate, how they well up in the heart and mind, whenever one opens pages of these messengers of doom. Cry for the broken tribe, for the law and the custom that is gone. Aye, and cry aloud for the man who is dead, for the woman and children bereaved. Cry, the beloved country, these things are not yet at an end. The sun pours down on the earth, on the lovely land that man cannot enjoy. He knows only the fear of his heart.
God knows we have our own demons to be cast out, our own uncleanness to be cleansed. Neurotic anxiety happens to be my own particular demon, a floating sense of doom that has ruined many of what could have been, should have been, the happiest days of my life, and more than a few times in my life I have been raised from such ruins, which is another way of saying that more than a few times in my life I have been raised from death - death of the spirit anyway, death of the heart - by the healing power that Jesus calls us both to heal with and to be healed by.
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
I thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars but my thoughts, and they floated light as moths among the branches of the perfect trees. All night I heard the small kingdoms breathing around me, the insects, and the birds who do their work in the darkness. All night I rose and fell, as if in water, grappling with a luminous doom. By morning I had vanished at least a dozen times into something better.
Only Thee That I want thee, only thee---let my heart repeat without end. All desires that distract me, day and night, are false and empty to the core. As the night keeps hidden in its gloom the petition for light, even thus in the depth of my unconsciousness rings the cry ---`I want thee, only thee'. As the storm still seeks its end in peace when it strikes against peace with all its might, even thus my rebellion strikes against thy love and still its cry is ---`I want thee, only thee'.
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