Top 890 Dow Jones Quotes & Sayings - Page 12

I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.

My youngest son has a very clear idea of what he wants to be when he grows up: he wants to be Indiana Jones, Batman and Jack Sparrow. Yes, all three at the same time. So he basically wants to be an archaeologist who wears tights and fights crimes on pirate ships. That's pretty cool, huh?

There actually had been a tradition within English music of the '60s of people looking eastwards, maybe in quite a naïve way, but nonetheless, you had musicians like George Harrison or Bryan Jones recording the musicians of Joujouka in North Africa.

Reading Homicide by David Simon was the first time I said, "What if this was in a world of superheroes?" That was a very good idea. What if Chinatown took place in a world of superheroes, that became Jessica Jones. Just things that I love, you can match up the genres and have fun with it, those moments.

I've never seen a truly great fighter get knocked onto the ropes unconscious... knocked out cold before... and I saw Roy Jones get knocked out twice in a row.

When I'm breaking in a character like Jessica Jones, I have this amazing opportunity to create her backstory. It's all of the work that happens before I'm ever on camera... Writing 'Bonfire' was like doing all of that fun stuff; it was like 300 pages of prep work.

When Bridget [Jones] does finally get pregnant, she 's bound to mess it up, but what I tried to show is the importance of love and kindness rather than perfection, and the importance of support from friends who help you to laugh at your mistakes and pick yourself up afterwards.

I was fortunate enough to hook up with Quincy Jones and had a lot of success. But the music of the '80s really changed when the '90s hit. For me to chase that dream or career of music, I started a family, started on 'Melrose Place,' so it was something I didn't have the time or energy.

He had a voice that was the truth, raw and unfiltered. You can't get any realer, any more tortured or any more alive. No one can do what George Jones does, and that's why 50 years later, he still stands out as one of the greatest singers in any genre of all time.

George Jones will always be one of the most amazing singers who ever lived. He was a true Country Music legend who made music very personal to the listener – I think more than anyone else. He will be dearly missed, but always remembered.

Stylistically, every fight in the division is a hard fight. Lyoto Machida is unorthodox, Jon Jones is long and tall with good wrestling, Ryan Bader has good wrestling. You can't pick one and say, 'I want to fight him.'

The Cold War was over, presidential sex scandals superseded foreign concerns, and the American public was more interested in reading about fiendish serial killers, dependable mystery series protagonists, and any book thought to be in the vein of Bridget Jones and her abbreviation-happy diary.

My best games for England were under Eddie Jones. Eddie got the best out of me. He understood that I needed an arm around me, needed my tyres pumped up.

I fell in love with acting at a very young age, when I was 9 years old and started doing community theater. As far as wanting to make a profession out of it, I was about 13 or 14. When I first saw Indiana Jones in "Raiders of the Lost Ark", when I saw Harrison Ford, I knew I wanted to be in movies.

I'm so tired of stories starting, 'Maud Jones was walking her dog down Broadway.' You've got to go over to the back page somewhere to finally find out the damn dog was run over by a truck. Get the thing told, for heaven's sake. Everybody doesn't have to be an O. Henry.

Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.

In part, it's so difficult to come up with something original, to come up with a character nowadays. If you created a globetrotting adventurer, he'd be compared to Indiana Jones. If you created a super spy, he'd be compared to James Bond.

'Free State of Jones' went beyond that. It got into how the South wasn't as homogenous as we thought it was - or even the North for that matter, where we like to assume everyone wanted to free the slaves and they were all abolitionists. It actually shows how complex these ideologies were on both sides.

I knew everything about her backstory. I skimmed through all the books and read through everything that happened between Sam (Chaske Spencer), Emily and Leah (Julia Jones), so by the time we started filming, I knew everything that had to do with my storyline.

Twenty years from now we want people to come out and see us sing and dance in Las Vegas. Like Sammy Davis Jr., like Julio Iglesias, like Tom Jones. I believe there is a big future for us.

You ask DeAndre Hopkins or you ask Julio Jones who's the best receiver, I don't expect them, even if they did think it was me, I would expect them to say it was them because that's the kind of mentality you should have.

I want to fight Anthony Johnson again, for sure. I want to fight Jon Jones again. I want to fight the guys that beat me, those who are at the top.

'Indiana Jones' wasn't physically tough, but they are the only two films I've ever been ill on. On 'The Last Crusade,' I got sciatica. That's when the sciatic nerve, which goes through the funny hole in your pelvis down your leg, swells and rubs against the nerves.

I can make music out of anything. Even that phone ringing, I could sample that. I grew up listening to Missy, Britney, Kelis, Lil Kim, Grace Jones, all the eccentric, out-there women. And men like Freddie Mercury, David Bowie. Those are my peopledem.

There was an enormous revival of pulp fiction that started in the '60s and continued into the '70s, which in large part gave rise to things like 'Star Wars' and 'Indiana Jones,' among others. But I developed an appetite for the original stuff at the time, and that appetite has never really abated.

I'm better than Jon Jones. I'm better than Sean Combs. I am even better than John Holmes.

I was looking for Quincy Jones, that's who I was obsessed with. Watching Mike [Jackson], I always knew that I had to be a showman on stage, because when people come to you live you always want them to come back. You gotta give them something to remember.

Arnold Palmer is my favorite, just getting to know him and all of the film on him and his game. He was the first real superstar in golf. You had Bobby Jones and all of those guys, but Arnold Palmer was bigger than life.

Before the TV show of Jessica Jones, the response to Miles [Morales] is so overwhelming, and so constant, and it's been five years now. I can't even express to you how powerful it is on my end. It's overwhelming how much it was needed, that I didn't know that's what was needed.

I know it affected me when I saw certain actors growing up. I had a drama teacher that would take us to see plays in New York, and it was seeing James Earl Jones and Raul Julia - I mean, this guy comes from the place my mother comes from. He's doing Shakespeare right now, and it doesn't seem to matter that he has an accent.

I loved him [Ke Huy Quan as Short-Round in Indiana Jones and the Temple of Doom] - everyone loved him when I saw the film. Now I'm a grown-up and I watch it I'm not so sure - he's so loud. He yells for the entire film.

I am not a diva: I am a Jones. 'Diva' is so overused. Diva, icons, the whole thing, legends... To be a diva, what is that?

Philip Jones Griffith documented the Vietnam War, and through his images that were published in Time Life Magazine, it showed me the horrors of war and at that time, I wanted to be a war photographer, based off his work.

No offense to the other people that we work with, but we spend 14-hour days with each other. You're dying for some sort of new rhythm to play with and another person to have fun with. It's like, "Oh, I can't wait to hang out with Zoe Lister Jones today and not deal with that Jake Johnson."

The short story and the truth is that I was taking vocal lessons here in New York... One day, instead of my lesson, the piano player and I went into a studio... and we put down some demos... Those demos got to Quincy Jones through an agent... He listened to them, he called me, and we started to record.

I find Jessica Jones a much more interesting character to write for than Wonder Woman. Wonder Woman is so noble and heroic, and I don't find that as interesting as one who's really damaged and flawed and has post-traumatic stress disorder.

Making money, getting yourself status in this world is not everything at all. But it has become everything in America. That you really have to get going and keep up with the Jones'. Get a house and a car and other things. And pretty soon you're stymied. Things own you.

The reason I wanted to become an organ player was because I heard Ray Charles play on Quincy Jones' arrangement of "One Mint Julep." I heard that sound, and it just struck me. I thought that's what I want to do with my life. That's the sound I want to try to make.

People tell me not to do a soap, but it was a great learning experience because I became familiar with the technical aspects of the business. Besides, look who came out of soaps - Julianne Moore, Demi Moore, Tommy Lee Jones, Parker Posey, Kathleen Turner. All amazing people.

The way Alvin Ailey has transformed modern dance and dance in general is the fact of variety. It's a cornucopia of ways to move. There are choreographers in the company as - as diverse, as different from each other as Donald McKayle and Bill T. Jones, or Jawole Zollar and John Butler, Lar Lubovitch, you know, and Judith Jamison.

There will be a Led Zeppelin as long as there's a Jimmy Page, John Bonham, John Paul Jones and Robert Plant. This isn't a nostalgia band playing the hits forever. If anything ever happened and somebody left - which I really can't see happening - I don't think we'd bother to carry on. The magic for me is as it is now.

People ask, "What do you think about being called Puff Mommy?" Puff's a very successful young man, so I don't have a problem if that's what they wanna call me. If anybody calls me a female Quincy Jones, that's way, way complimentary. That's something I'll cherish for life.

The worst storyline I've ever been involved in I wasn't involved in, because I was clever enough to get pregnant with my second child and they wrote me out and they replaced me with Christine Jones. And thank God - that was the worst storyline.

Publishers have published women's fiction into a corner, and now we are all trying to punch our way out of it. We just have to write the best books we possibly can and hope that, once the pink covers and Bridget Jones have faded from memory, we might finally be allowed just to be called writers.

Country music as we know it would be vastly different if it weren't for George Jones. He's in our musical DNA. All country artists will have to figure out how to even begin to live up to his kind of legacy. 'Honky Tonk Heaven,' here he comes... though we're not ready to let go.

That goes back to 1932, although it was really implemented in '33 under Jesse Jones, and it invested in mostly banks initially and preferred stock and that sort of thing. So there are two things needed in the system, the one that's needed overwhelmingly is liquidity. I mean, when people are trying to [unintelligible], there has to be somebody there to buy.

What created democracy was Thomas Paine and Shays Rebellion, the suffragists and the abolitionists and on down through the populists and the labor movement, including the Wobblies. Tough, in your face people... Mother Jones, Woody Guthrie... Martin Luther King and Caesar Chavez. And now it’s down to us.

My dad's sense of humor was direct and sometimes surreal - his quick wit is well known amongst our family and friends. He raised me on Spike Jones records and W.C. Fields movies, and his sense of humor fell somewhere in between.

I read Leisel Jones' book. She said she retired at 27 and said, 'Now what?' because swimming was the biggest part of her life. So for me, that's why I'm keeping up my studies on the side even if it's going to take a bit longer than normal, but at least I'll have it.

When Hank Jones had his night off, I would get somebody to take my place as intermission pianist and I'd play the show with Ella, so I would get a chance to play with Ray Brown and Charlie Smith as well.

I had a brother six years older than me, so I wasn't just listening to teenybopper stuff. My brother had the cooler music, but my parents had the Burt Bacharach, Tom Jones, the Association, the Fifth Dimension; these groups were un-cool, but I secretly loved them.

It used to be that Christian institutions and systems of dogma sustained the spiritual life of Christians. Increasingly, spirituality itself is what sustains everything else. Alan Jones is a pioneer in reimagining a Christian faith that emerges from authentic spirituality. His work stimulates and encourages me deeply

[Eddie Locke] had a huge impact in my life. He was a great jazz drummer. He was mentored by Papa Joe Jones and he played for many years with Coleman Hawkins and Roy Eldridge and actually got me on a gig with Roy Eldridge when I was 20 that I'll never forget.

What created democracy was Thomas Paine and Shays' Rebellion, the suffragists and the abolitionists and on down through the populists and the labor movement, including the Wobblies. Tough, in your face people... Mother Jones, Woody Guthrie... Martin Luther King and Caesar Chavez. And now it's down to us.

I have never been able to understand the compelling phrase, 'keeping up with the Joneses.' It does not matter very much whether I keep up with Tom Jones or anybody else; what is important is to keep up with myself by making my today a little better than my yesterday.

'Bloodlight and Bami' delivers. Ms. Jones shucks her own oysters - stressfully. She does her own make up and performs her own vexed yet amusing contract negotiations.

When I was a young kid, my pops introduced me to it. He took me to Harlem, 145th and Edgecombe, to watch the filming of Claudine with James Earl Jones and Diahann Carroll. That was my first taste of seeing a set and the cameras, and I was bit by the acting bug at a young age.

I did a film in Nairobi, Kenya called 'The Last Elephant,' with John Lithgow, Isabella Rosallini, and James Earl Jones. So I was in seventh heaven, alright? About a year later I get a call from my agent and he says they want to see you for this project called Candyman. I thought he was joking so I hung up.

Dave Guy, the trumpet player, is an incredible musician. He came into the studio one day, and they had just cut a cover of "Sign, Seal, Deliver" for something with Sharon Jones, and I just was blown away by how they got that sonic. I mean, it was just so much the real deal.

I went to this club in North Carolina and saw Sharon Jones and the Dap-Kings perform. Just looking at the demographics of the audience, I thought it was interesting. A few weeks later, I was at the same spot to see Talib Kweli perform. And 60-70 percent of the crowd were the same people.