Top 890 Dow Jones Quotes & Sayings - Page 14

This show [Jessica Jones] was exploring the aftermath, and that is unique. You're sitting there going, "I know what happens. This is the aftermath." You watch her daily life and how she dealt with people, like new prospects for love or friends that were close to her, but she didn't know if she could trust them or if they were enemies.

Really the truth is just a plain picture. A plain picture of, let's say, a tramp vomiting in the sewere. You know, and next door to the picture Mr. Rockefeller or Mr. C. W. Jones on the subway going to work. You know, any kind of picture. Just make a collage of pictures.

Fighters DON'T know how to jab. You take Roy Jones, for instance. He paws his jab. He throws it out, it don't land. And then he'll hit you with a left hook, hit you with a right hand. But he doesn't really know the jab. A guy needs to learn the jab, know the jab, and use the jab. And these guys don't do it today.

I did come up with the term "sack" to describe the devastation I was bringing on the poor, cringing quarterbacks in the NFL. "Sack the quarterback." That was nice. I thought it was lots better than saying, "Jones tackles the QB behind the line for another loss of yardage ..." It had a ring to it, and it caught on with the sports writers. But I tell you, doing it was a lot more fun than talking about it.

Phil Ramone and Quincy Jones were very close. Phil Ramone was one of the greatest record producers of all time. I don't know if they talk about him enough in the film, but he produced [Frank] Sinatra, Barbra Streisand, all of Billy Joel, Paul McCartney - Phil Ramone was one of the major record engineers and producers.

Back in 1978, when I was still in high school, I went to see a Broadway show, 'Paul Robeson,' starring James Earl Jones. It was all about Robeson's journey as a human being, an artist, a champion of civil rights. Had I not seen the play, I might not have known who Robeson was. I was certainly never taught about him in school.

[Toby Jones] is completely different. It's a completely different character. He's the darkest villain we've had. There was always something charming and engaging about Moriarty. There was something fascinating and actually amoral, rather than immoral, about Charles Augustus Magnussen. This guy is the purest evil. Sherlock [Holmes] is actually appalled by him.

My daddy was a carpenter that worked with the Jones boys, who are the most notorious in America. The black gangsters, you know, they were no joke. And he was their master carpenter. He used to build their homes, and all I saw when I was 11 years old were dead bodies and tommy guns and stogies, and backrooms, you know, Drexel Wine and Liquor, with the big piles of money underneath.

You think about people like Hank Williams, who stood on that spot of wood, and Mr. Acuff, and, of course, George Jones. And just about anybody you can think of who has made country music has been on that stage. That's what makes you so nervous - to think about the historical part of the Opry and how it's played such a part in country music.

When you look at my record at 10-0 as a professional and look at Jon Jones' record when he was 10-0, who was his toughest guy? Stephan Bonnar, and he did not finish him. I have fought higher-caliber opponents at this stage in my career than Jon did in his at 9-1; His tenth fight was Matt Hammil.

One of the most obvious aspects of the music to people who know jazz is: How does it feel in the swing? These are things that are very subtle and that jazz musician appreciate in a particular way. I appreciate the way Tommy Flanagan swings, the way that Barry Harris swings, the great pulse that Hank Jones and Bill Evans have - end every one of them is different.

Republicans are just rich, old, white people - that's all they are. You ever see the Republican National Convention? All white people - six black people: paid actors. James Earl Jones in his most difficult, challenging role! Tune in and attempt to watch him look pleased during a George Bush speech. And Clarence Thomas - as himself.

Who doesn't have a friend who worships her lover with a passion that seems baffling to everyone that knows them? Before you met him for the first time, she'd talked him up like he was a cross between Indiana Jones, Barack Obama and The Doctor. When you finally meet him, he's a quiet little thing who looks like a baked bean in glasses, and actually says 'harumph' as spelt.

As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies.

I never had any thought the whole week. I figured my caddie [Jerry Beard] knew the course a lot better than me, so I put out my hand and played whatever club he put in it. I'd say, "How hard do I hit it?" He'd tell me and I'd swing. The guys who come down here once a year and try to get smart with Mr. Jones' course are the dumb ones.

I've never seen 'The Goonies.' I've never seen 'Indiana Jones.' I watched 'UHF' over and over again when I was little, and that was it. I had no time for any other movies. I watched 'Naked Gun,' 'UHF,' and 'Airplane!' over and over.

Look at how many North Carolina kids have played for me or tried out for me or coached with me. I've had Dennis Wuycik, Steve Previs, Billy Chamberlain, Donald Washington, Darrell Elston, Tommy LaGarde, Bobby Jones. You name it, I've had them. Whatever Coach has ever asked me to do, I've done. Because I love the school, and I worship him.

Then, you know, the other more-traditional role of the producer in, like, the kind of Quincy Jones sense is kind of part arranger. So you're coming up with, like, these - you hear these songs that are quite bare-bones, and you dream up what's the band doing? What's the rhythm section doing? What's the guitars, strings, pianos - that sort of thing. It's almost like a little toolbox.

Regarding 'Ferris Bueller,' I was in the Czech Republic once, in Prague, making a movie at the same time as Jeffrey Jones, who played the principal, who was making a different movie. The Super Bowl was going to be playing at this bar at midnight, so we decided we would go watch the Super Bowl at this bar at midnight in Prague together.

After 'Jessica Jones' came out, I started hearing firsthand from a lot of women who were so inspired by the character, who felt represented, who felt like watching Jessica on screen helped them in their own lives. Women are devouring content like that because everybody is complicated; not everybody is one thing.

I was there when Sam Raimi showed Stan Lee the first cut of the first Spider-Man movie. I was on a couch next to Stan, watching how special effects had finally caught up to his imagination. It was insane. And I'm thinking, "He had to wait until he was 80 years old for that to happen." When they announced 'Powers' and 'Jessica Jones,' I thought, "Oh, that's nice!"

Can anybody tell me why reporters, in making mention of lady speakers, always consider it to be necessary to report, fully and firstly, the dresses worn by them? When John Jones or Senator Rouser frees his mind in public, we are left in painful ignorance of the color and fit of his pants, coat, necktie and vest - and worse still, the shape of his boots. This seems to me a great omission.

I did some background work for a movie called 'Bobby Jones: Stroke of Genius' in Atlanta and got bit by the bug. That was it. I saved a few thousand dollars and packed up my car. I had hoped that I would start working just doing some modeling stuff or something while I studied acting. I thought I could support myself that way.

Davy Jones was the grooviest of the Monkees, which makes him one of the grooviest pop stars who ever existed. He was the best dancer in the Monkees, the Cute One, the one with the coy English accent, the bowl-cut boy-child who shook those cherry-red maracas and always got the girl. He was also the guy who stole David Bowie's original name.

'Bonfire' was kicking around for a very long time. It was an idea I wanted to explore for a television show. Then I was given this weird gift of time when 'Jessica Jones' finished season one. I got really organized and just kind of banged it out, but it took a long time. It took two years to even have a first draft.

I look at decisions like - it's like an Indiana Jones movie. The guy comes to a rope ladder, and he's being chased. There's uncertainty on the other side, but he knows when he gets to the other side, he's going to take his machete and cut the rope ladder behind him. He has no retreat.

Indiana Jones: Archaeology is the search for fact... not truth. If it's truth you're looking for, Dr. Tyree's philosophy class is right down the hall. ... So forget any ideas you've got about lost cities, exotic travel, and digging up the world. We do not follow maps to buried treasure, and "X" never, ever marks the spot. Seventy percent of all archaeology is done in the library. Research. Reading.

My parents subscribed to both Time and Newsweek and in 1978, I remember the covers of both that December were of the bodies in the jungle. The fact that many of the people who drank the cyanide - as well as Jim Jones himself - were originally from Indiana, that stayed with me. I wanted to know why they did such a baffling, horrendous thing, why they would kill their children.

At halftime [of Game 7], one of our oldest guys on the team, James Jones, came to me, and he's like, "Man, it's time for you to do something. You've been sleeping the whole playoffs, the whole final series." First couple of shots I got coming out, I was like, "You know what, I'm gonna shoot it." Fortunately they fell, and we started making our way back.

I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).

There's no reason not to employ, seek out and take a chance on a woman filmmaker that you might not have been looking at her direction. She's not done it before because you've not given her the opportunity to do it before, and I'm just happy that folks like Jessica Jones' Melissa Rosenberg and folks like Ryan Murphy are also embracing this idea.

George Clooney and Brad Pitt, with those 'Oceans' films they do, they get to work together, make a whole lot of money, and make a major film statement. Imagine if once a year, myself, Denzel Washington, Laurence Fishburne, James Earl Jones, we did some relevant film together to make a statement.

They're a handful, but Emily deals with that all the time and, as an actor, I deal with that all the time, so you just ignore it. When Julia [Jones] first came on set, she was like, "How do you deal with it?," and I told her, "You just tune it out after awhile." They were competing with each other, doing push-ups and just being ridiculous, so you just have to zone out.

A couple of years ago my friend and business partner Jeffrey Richards was doing the Gore Vidal play, The Best Man, starring James Earl Jones. I asked Jeffrey out to lunch and asked him what he thought of James playing Grandpa in You Can't Take It With You. Jeffrey thought it was a fabulous idea and so did James.

I saw it on the Twitter of today, on the online boards. There was a huge amount of negative reaction that's been forgotten because the quality eventually shined through. But usually it takes people a while to see what they've got on their plate. And I think, with "Jessica Jones," it's this anomalous thing where, and because of the original property being so good, people saw it right away, which is very unusual.

It's funny: when I started playing bass in 1984, you had guys like Paul Simonon fron the Clash, John Paul Jones, Lemmy, and Nikki Sixx was the head guy in Motley Crue, and you had all this post-punk stuff like Magazine and Killing Joke where the bass sort of lead the way. Not that I picked it to sort of be a main dude, but it intrigued me.

George Jones and I happen to share the same birthday. The first and only time I met him (which I believe was at the Opry if my memory serves me), I told him that. His response, 'You must be trouble.' Takes one to know one, I am so proud to say. George, his music and his mischievous trouble, will all be missed. He is a country legend.

I was lucky to have a guitar teacher who asked me what I wanted to learn. I brought in "High & Dry" by Radiohead and "Mr. Jones" by Counting Crows and he was like, "Alright, I'm gonna teach you these, but you're also gonna learn some stuff that I want you to learn." He taught me Jimi Hendrix and Eric Clapton, so I was getting the technical stuff and the fun stuff.

As soon as I sat down to write music, really, with Café Blue. I just can't think about that when I sit down to write. I don't let myself. I actually don't allow myself to look at sales figures. Ever. I get the general impression that I'm not selling like Norah Jones, but I don't really pay too much attention, because I think it would corrupt me.

In Jones's experience, the decision to turn one's life around in a different direction rarely arrived with fireworks and marching bands. Often, the decision came with tears and regret. Then, almost impossibly, the power of forgiveness would fill an unseen void, allowing a new day's optimism and sense of purpose to take hold and point that life in a new direction.

[After playing Indiana Jones and Han Solo] hero image concerns me a little, though not for my sake. All it means to me is that I have a responsibility not to get caught doing anything terrible and thereby jeopardise my credentials. Not that I do terrible things, like running over dogs or anything like that. It just makes you think twice before you say or do things in public.

Bridget [Jones] was always, at heart, about the gap between how you feel you're expected to be and how you actually are and that gap has only widened. Young people now are entering an uncharted sea, where there's huge pressure to judge yourself on how many Likes or Followers you get on Facebook, Twitter, or Instagram, rather than the on important things like being kind, honest, resilient, funny and a good friend.

When I think of the future, I think a lot of Quincy Jones and how he is an inspiration. Look at the quality of his work over so many years. He didn't even make his best record, 'Thriller,' until he was 50. That gives me something to look forward to. Nothing pulls you back into the studio more than the belief that your best record is still ahead.

I saw this film Moon, it's directed by Duncan Jones, David Bowie's son. Sam Rockwell plays this astronaut that is stuck in a space station on the moon. You just have to see it. It's easy to do something really cheesy with sci-fi, and to do something that's already been done, but I think the story was something I hadn't heard before, so it was really great.

I liked Jimmy Snuka, Tony Garea, Larry Zbyszko, Bob Backlund, Bruno Sammartino, Chief Strongbow, SD Jones (even though they never let him win), Captain Lou, Ted DiBiase...Uh...I'm forgetting some people...Greg Valentine. Chris Rock and Ric Flair are the best. Ric Flair is the king.

Sellars's "myth of Jones" is deployed against what Sellars calls "the myth of the categorial Given": the idea that to be aware of something is to be aware of it as something. This short circuit between "awareness of" and "awareness as" inhibits the project of self-understanding because it perpetuates the assumption that there is a point where being and knowing coincide.

If Donald Trump behaves well, personally, and morally - I agree with Van [Jones] on this - if he distances - if he disassociates himself from forces that he unfortunately coddled and even fostered a little in this campaign, if he is responsible about the way in which he goes about his policy, initiatives on immigration and ObamaCare, trade and other areas, he has a huge opportunity, because the truth is that a lot of this stuff isn't that - there is a lot that can be done.

I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.

I thought about the future, the oceans and continents he would cross, far away from everyone who knew and loved him. Far outside the sphere of his mothers prayers. Among the women of the future, there was one who would know his secrets and bear his children, and witness the changes the years worked on him. And it wouldnt be me. -Liberty Jones

I graduated from Jones College, man, in Jacksonville, Florida, baby! I couldn't get in anywhere else, man. I was the worst student ever. I couldn't get in anywhere else. My father insisted I go to college, so I graduated, made the dean's list and everything.

Ethan and I are done," I said finally. "I'm sorry." "He was my first boyfriend." "I know." "The only real boyfriend I've had. I'm a senior in high school and he was my only real boyfriend." "I know." "And I won't find another one at Jones Hall. That is guaranteed." "Okay." "This is all very sad and tragic," I said. Alan unwrapped a sleeve of Smarties. "Yet, oddly, you don't seem that upset." "I know.

I love Soul, R+B, Electronic, and good pop. Really, the only thing I don't listen to is country and heavy metal. I love Marvin Gaye, John Legend, Al Green, Fat Freddys Drop, Sade, Grace Jones, Bazoo Bijou, Prince, John Lennon, London Grammar, Daft Punk, Dr John, Dusty Springfield, Peggy Lee, Gotye, and on it goes.

I want to affect culture. I want to have my mark on everything. I give examples of people like Bill Cosby, Quincy Jones - those are the people who I look up to. The game wouldn't be the same without them. What happens in the course of 5 years isn't really important to me. I care about what they'll say about me in 50 years.

Twenty years after the Andy Griffith Show when Andy did Matlock, he hired me for four episodes. I told him I wanted to develop an Aunt Bea type role for Matlock, but he was against it. I did appear on other popular TV shows, like Family Affair, My Three Sons, Barnaby Jones and Little House on the Prairie.

I have never lied about my relationship with Bill Clinton. The only proven liar, at this point, and the only admitted liar, is Bill Clinton; not Gennifer Flowers, not Kathleen Willey, not Paula Jones and not Monica Lewinsky, at this point. He is the only proven liar.

She was witchy, yes, and in charge of a cauldron roiling with ideas and stories, but she always gave the impression that the stories, the ones she wrote and wrote so very well and so wisely, had simply happened, and that all she had done was to hold the pen. (On Diana Wynne Jones)

I want to be taken seriously as the type of musician that plays stuff like an electric rake. I mean, how seriously do you take someone like Spike Jones? They take him pretty seriously - a really good musician who made a great contribution in terms of humor, which is part of what I try to do too.

I've done two motorcycle pictures: I did 'Beyond The Law,' and I did one produced by Tarantino called 'Hell Ride,' with Dennis Hopper and David Carradine and Vinnie Jones. And I just think 'Hell Ride' was a lot more of what a biker movie should be. But the good part of 'Beyond The Law' was that I had a good time with Charlie Sheen.

Well, I don't let anyone record with me that is not a fan of mine or believe in my music. Everybody that records for me, from Bob Dylan on down to George Jones, everybody loves me and my music, and I knew they would do their best that they could do, and they did. I didn't doubt them a bit. There's some country people that I wouldn't want, which didn't record with me.

As a kid growing up in Latrobe, PA, I could dream about being an Olympian like Jesse Owens or Johnny Weissmuller. I could also dream about being a great golfer like Bobby Jones or Byron Nelson. But the idea of being an Olympic golfer never occurred to me.