Top 58 Downloads Quotes & Sayings

You don't sell as many records as you used to because of illegal downloads, but I think there are other ways you can make money through your music. Whether it's through merchandise or teaming up with other companies or brands or whatever, there are ways.

I stay away from the arts... writing songs, being creative - those are downloads from God. You can't do data analytics on art.

When people lose their jobs, they can either get another job or be entrepreneurs. In the music industry, a lot of people have attempted the latter by starting their own labels, but in the age of digital downloads, it's very difficult to succeed.

There were a lot of video store owners and managers out of work, once pornography became more about streaming and downloads. But the other thing is that there are a lot of people who make money by finding a place to stand and add almost nothing. It's particularly ironic if your job title is pimp. On some level, in a healthier world where sex work could be rationalized and the risk reduced, your whole job title would be extraneous anyway. It's not exactly a point of great grievance if you're a pimp that suddenly your prostitutes don't require the same level of reliance.

The peace of God, which surpasses all understanding, will guard your hearts and minds through Christ Jesus . As we do our part rejoice in the Lord, pursue a gentle spirit, pray about everything, and cling to gratitude, God does his part. He bestows upon us the peace of God. Note, this is not a peace from God. Our Father gives us the very peace of God. He downloads the tranquility of the throne room into our world, resulting in an inexplicable calm. We should be worried, but we aren't. We should be upset, but we're comforted.

The downloads, the licensing, commercials, radio - it's made me more money than any song I've ever written, and it only went to No. 26. It wasn't a big hit at all. But it's a career song ["I Can't Drive 55"].

Ultimately, the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.

It's extremely hard to build a company with a product that everyone loves, is free and has no business model, and then to innovate a business model. I did that with Kazaa, had half a billion downloads but that wasn't a sustainable business.

There's definitely some sort of dissent brewing between record labels, publishing companies and artists [about the compensation they get from streaming services] Spotify is returning a HUGE amount of money [to the record labels]. If we continue growing at our current rate in terms of subscriptions and downloads, we'll overtake iTunes in terms of contributions to the recorded music business in under two years.

I would like to inform the public that I have entered into a licensing agreement with Agi Music for manufacturing and distributing my songs in any format and have also granted the license to distribute my songs on digital and new media formats, including mobile ringtones, caller tunes, and online downloads.

I like to think illegal downloads only do real damage to the endless amounts of careless pop music though.

The Fugazi Live Series site, when we realized the Internet, the way it works - the speeds and its development - made it possible to have one source of infinite copies, was incredible for us. Using tapes or CD's to make copies would have been so unwieldy. We have shows that have zero downloads, which makes me sad, but they're all freely available at any time. The most downloaded show was the one with the best audio quality, but I didn't think it was a very interesting show.

We authors certainly don't know what is going to happen to our books. Are they going to disappear into the ether, following music downloads, or are ebooks going to open up a whole new world of readers? And how much are we being paid per copy? We haven't a clue.

The availability of downloads is fantastic, but you don't know which musicians are playing on the songs anymore. It's kind of making musicians faceless, you don't get musical solos on records anymore. You know who the singer is but it's the poor old musicians who suffer.

I don't know where streaming will go in the future. The analytics that we're seeing tell us that streaming is the next thing, and downloads are going down. I feel like with the history of this platform, from vinyl to where we are now, it just seems like the next logical step.

I remember at one point, with a previous release of mine, I stumbled upon a shareware site, and the total number of downloads was in the thousands, maybe the hundreds of thousands. But there's no doubt that the Internet and that kind of sharing has been a huge benefit for the band.

Yeah, I could get an internet page and maybe get a thousand downloads of new songs but it's a lot of work. I'm 57 now, I really feel like I've got the T-shirt. I just like performing. It's instant. I go off, I do the show, it's over. I like that.

For the most part, rock fans don't go and buy CDs any more, very rarely. It's pretty much about downloads and streaming.

With 'Fallout 4,' we've done over 20 million downloads, and most of that is mods. That's a staggering number. It has always done well on the PC - but the console audience has such a hunger for it because they've waited so long. We think there's a really good future there, with both 'Skyrim' and 'Fallout 4,' that we hope to continue to add to.

Transparency at the MSRB is dubious with data downloads too costly for all but the Vanguards of the world.

Sharing music is not a crime. It shouldn't be. There should be a deeper meaning to making music than just selling downloads.

Monetization of rights in an era of YouTube, Google, online piracy and free downloads is the biggest challenge for the entire entertainment industry.

Free downloads is something that I like to do its just not as publicised and it is the future of music.

We're living at a time when attention is the new currency: With hundreds of TV channels, billions of Web sites, podcasts, radio shows, music downloads and social networking, our attention is more fragmented than ever before.

As far as what people think of me, maybe my stuff should just be put online for free downloads when I'm gone.

A person who shakes a leg to 'Zor ka jhatka' at a disc doesn't care about its picturization in the film. He enjoys and downloads it because of the merit of the song.

It's what you bring to the table for downloads and how many pay-per-views you can get. For an up and coming heavyweight, it's difficult to break into that scene. You have to take a pay cut.

Back in '96, I was on "The Price Is Right" pointing at refrigerators, and "Extra," the TV show, came down. They were the first entertainment entity that put people up on the Internet, so they put my picture up, and America Online called the next day and said I got a zillion or whatever downloads. I didn't know what a download was!

Back in '96, I was on 'The Price Is Right' pointing at refrigerators, and 'Extra,' the TV show, came down. They were the first entertainment entity that put people up on the Internet, so they put my picture up, and America Online called the next day and said I got a zillion or whatever downloads. I didn't know what a download was!

Every time someone downloads a picture, the photographers get paid about 30% of what we charge.

Napster hijacked our music without asking. They never sought our permission. Our catalog of music simply became available as free downloads on the Napster system.

People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.

My books are offered through Podiobooks.com and the iTunes Music Store as free audio downloads. I don't sell them.

I know a lot of people that still buy comics, go to the shop every week, I know people who read them on an iPad. My brother reads on an iPad every week, he downloads his comics every week.

Marc Maron's podcast success has nothing to do with my podcast success. If I do a quarter of a million downloads, I can show that to an advertiser as a fact, and that's that.

Trust is everything. If I didn't have trust, there would be no downloads, no show, and no business.

Today, we see some "file sharing" sites that rely on fans uploading cracked copies of ebooks, and which then make money off those books by charging for downloads (via cash subscriptions or advertising). Again: I take a dim view of this. They're making money off the back of my work without paying me.

The collectability of music is something lost in the age of MP3s and album downloads. Holding an album in your hands and having the full-sized artwork reconnects the artist and the listener.

Yeah, if someone's selling downloads and collecting money for our songs I would be unhappy about that but if they're trading it I don't mind, obviously if I make a thousand records or CDs or whatever, I like to sell a thousand.

Publishers see free downloads as threatening the sales of the book.

Ultimately the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.

I don't have and have never had an email address. I'm old school. But as far as downloads go, my only objection is I like the sound of CDs better, so I buy those. I think the sound quality is better.

'God Made Girls' was such a success for me. I'm so blessed to have over half a million downloads on that song. I was the highest-charting new female in 2014, and I couldn't have done that without Big Machine and their support.

I don't care about the clubs, I don't care about the radio, all I care about is getting my digital downloads.

YouTube is a free service that is extremely easy to use. There are no downloads, and hundreds of audio and video formats are instantly converted to Flash, which makes it fast and easy for the community to watch and share video.

It's tough, with the iTunes and all the downloads... You've really got to make an impact to be heard and be unique and different.

The rawness and the richness of music on vinyl almost went away, but it still seems to be on a lot of people's radar, and for good reason. It does something different than more accessible means of music playing, like MP3 players and downloads and whatnot. You get in front of these archaic contraptions that go 'round and 'round.

Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.

Until the governments don't have a clear law against piracy and the digital downloads are not working worldwide properly, the record industry will keep on suffering.

Music was everything. But what the digital revolution has done, with streaming services and downloads, is take the value out of music. When things lose value they lose their meaning.

The label's going great, because we're not idiots. We're not trying to sue everyone that downloads everything. We try to give the fans a bunch of free stuff, and then have them buy the record. Without buying the record, it doesn't support your artist. These idiots like Radiohead and Sharon Osbourne that are like, "Free Ozzfest!", "Pay what you can for a record!" - Radiohead's already got their yachts and mansions. Sharon Osbourne already has her empire.

The rawness and the richness of music on vinyl almost went away, but it still seems to be on a lot of people’s radar, and for good reason. It does something different than more accessible means of music playing, like MP3 players and downloads and whatnot. You get in front of these archaic contraptions that go ’round and ’round.

A lot of things went incredibly well for 'Scrubs': from a ridiculous number of downloads on the iPods, to whenever they issue a new season on DVD it kinda sells out, and we got nominated for an Emmy. To be picked up for six years is all gravy, man.

Buying reviews of ebooks that include downloads is a well-known way to 'juice' an ebook's sales rank and attract new readers.

Young people, particularly in their teens and 20s, are not consuming sports the way my generation did. They are doing lots of things; they are multitasking. They are getting downloads; they are getting alerts on their computers or on their cellphones, and they are consuming sports in a more real-time but less full-time basis.

My songs were already a hit track with over 100 million views/comments and multi-hundred thousand downloads on online websites before coming to Bollywood.

I firmly believe that the next great breakthrough in bioscience could come from a 15-year-old who downloads the human genome in Egypt.

People will download the music for free and they'll pay for it if they want to give you a compliment. They don't have to pay for it. And the only way the artist can make money was by touring 'cause the record label didn't take that money. Unfortunately now, cause the record company's not making money from the downloads, now they want to take money away from everything.