Top 143 Dracula Quotes & Sayings - Page 2

We read the [Dracula] scripts, but Jess [De Gouw] and I are completely taken out of the hunts and anything with Van Helsing. We're just living our lives, as our characters.

We got on a moving train there. That's more of a financing arrangement on that [Dracula] film. It would be disingenuous to say we're producing it. So it was really about getting into business with our partner at Universal.

Asking politicians to give up a source of money is like asking Dracula to forsake blood.

I have one rule when adapting any text: nothing gets added; all the words are the original author's own. But in the ordering and recreation of the story, I can do as I please, and to me, the heart and the point of 'Dracula' is appetite.

Bram Stoker's 'Dracula' was a story about the fear of immigration; the bad old bloodsucker swooping in from Eastern Europe and also preying upon 'our' vulnerable women.

Contemporary audiences, other than those making a deliberate historical leap, would find, say, the 1931 'Dracula' impossibly slow.

'Zolten' is a common Hungarian name, it's my wife's maiden name and most importantly, it's the name of Dracula's dog.

Vampires used to be like Dracula, and now they're young teenage kids, so yeah, I like that.

When people ask me if Dean Martin drank, let me put it this way. If Dracula bit Dean in the neck, he'd get a Bloody Mary.

Dracula, if he could see modern corporations, wouldnt like them much. He took care of his people, at least as he saw it. They had very little freedom, but they had a protector.

Every actor's greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula.

If Dracula can’t see his reflection, how come his parting’s always neat?

I don't really watch much TV. I watch old movies and stuff like that, so I'm not up to date. My favorite vampire movie would definitely have to be the one with Gary Oldman [Dracula].

Ew, no!' Laurel said, brushing past him. Dracula covered half his face with his cape, shunned vampire-style, and scooted away to his perch behind the counter.

I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.

I enjoy the kind of characters that allow you to write the dark stuff. I love Rachmaninoff and Tchaikovsky, and when I'm writing for Dracula or Jekyll & Hyde, I get a chance to use that vocabulary.

Luscious, aren't I, poppet? Go on, stare. I don't mind.” -“You look like a Dracula porn movie reject” -“Let?s not speak of him. Like the devil, Vlad might appear if we do.” Denise & Ian

I was completely broke, so I started saying yes to everything. I said yes to a woman who approached me about shooting the Dracula ballet, even though I felt like I was probably going to sabotage it.

The books that stuck with me most as a child were 'A Wrinkle In Time', 'Dracula', 'Hatchet', 'Bunnicula', 'White Fang', and this YA/kids' book called 'Nobody's Fault' where a kid drowns one weekend as friends play around a flooded ditch.

It's logical when you become known to the industry with 'Dracula' and 'Frankenstein' that they typecast you and want you in their horror movies. That's how I got 'Blade,' of course, because they were fans.

When I heard that 'Dracula' was being made into a series by NBC and Carnival, I couldn't resist. I knew they would do something interesting with it. A period drama with a supernatural twist seemed like a whole lot of fun.

You know honestly I think there's a Dracula, a Wolf Man, and a Frankenstein's Monster in all of us. They are sides of our own character so that's why I think we can relate to them in terms of a 'I know how that feels' kind of thing.

I feel like I'm Dracula, dude, like, um... Nosferatu, you know.

Villains used to always die in the end. Even the monsters. Frankenstein, Dracula - you'd kill them with a stake. Now the nightmare guy comes back.

If you look closely at some scenes in Diner, my eyes look like Dracula's.

Whips and chains, handcuffs, smack a little body up with my belt. Scream, help play my game, dracula man, I'll get my fangs.

I became a horror fan during the early 1960s, back when Hammer was putting out their groundbreaking 'Dracula' series with Christopher Lee and Peter Cushing, and grew up watching 'Dark Shadows.'

I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.

If Dracula can't see his reflection in a mirror, how come his hair is always so neatly combed?

I'm very laid-back, and I meet people just by accident - never through agencies or anything like that. I met Paul Morrissey, who directed me in 'Dracula' and 'Frankenstein,' on a plane from Rome to Munich. He asked for my telephone number and wrote it in his passport.

More immediately, I'm currently working on another Dracula in which there will be connections with ancient Egypt. That's about as far as I want to go in commenting on current work.

As the show [Dracula] goes on,Jonathan Harker gets darker and darker, and further into that side of it all. All of the worlds end up colliding and meshing together.

Dracula, if he could see modern corporations, wouldn't like them much. He took care of his people, at least as he saw it. They had very little freedom, but they had a protector.

I had always liked, well, who didn't love Lestat and fall in love with 'Interview with the Vampire,' and 'Nosferatu,' and Coppola's 'Dracula' with the awesome costumes? So I loved all that.

There was a gap of seven years between the first and second Dracula movies. In the second one as everybody knows, I didn't speak, because I said I couldn't say the lines.

When I was a kid, going to Universal Studios, which was all I wanted to do, all the time, there was a show that was all the monsters, and I loved that show. I was obsessed with Dracula. I was obsessed with Frankenstein. I was obsessed with the Wolfman.

I'd been a Bond girl and in Dracula films and 'Coronation Street,' but I was always hunting for work. After 'The New Avengers,' I never had to wait for work again.

Count Dracula had directed me to go to the Golden Krone Hotel, which I found, to my great delight, to be thoroughly old-fashioned, for of course I wanted to see all I could of the ways of the country.

I stopped appearing as Dracula in 1972 because in my opinion the presentation of the character had deteriorated to such an extent, particularly bringing him into the contemporary day and age, that it really no longer had any meaning.

The 1890s was perhaps the most Gothic decade ever: 'Dracula,' 'The Picture of Dorian Gray' and 'The Time Machine,' not to mention 'Heart of Darkness' and 'The Interpretation of Dreams,' were all written between 1890 and 1899.

I have always credited the writer of the original material above the title: Mario Puzo's The Godfather, Bram Stoker's Dracula, or John Grisham's The Rainmaker. I felt that I didn't have the right to Francis Coppola's anything unless I had written the story and the screenplay.

When I was a kid, before there were VCRt, my parents had a movie projector, and we'd watch Frankenstein and Dracula. I just always though that stuff was cool - creepy comics and monsters and horrific stuff. Music lends itself to that whole theme.

Me and my parents would watch old 'Frankenstein' and 'Dracula' and all those old black and white movies - as a kid, I'd lie in bed thinking that they would come out at night.

This is an area you always need to address when you're dealing with Dracula is the fact that there is something kind of attractive in his darkness - which there isn't in other horror characters.

It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.

I certainly didn't want to make another movie that's 'just another Dracula film.'

Someone asked me yesterday if Dracula met Saruman and there was a fight, who would win. I just looked at this man. What an idiotic thing to say. I mean, really, it was half-witted.

Each of us needs something - food, liquor, pot, whatever - to help us survive. Dracula needs blood.

When I read the script, I said to one of the producers, "I know you probably want Jonathan Harker really fluffy, but I'm not gonna do that. It needs to be a mask. There needs to be a duel between Harker and Dracula."

Giving Cristiano that much time and space on the ball is like giving Dracula the keys to the blood bank

There was one vampire movie that Gerard Butler was in, 'Dracula 2000,' and they touched on something interesting, but it only worked in the context of that particular movie, which was that the original vampire was Judas.

My parents were dismayed by my love of horror movies as a young girl, then even more dismayed when I kept rooting for Dracula to win instead of Van Helsing.

For my part, if the audience wanted to see Dracula again, I would be happy to reprise the role. It is an immortal character that can appear anywhere because it lies beyond time. Possibilities are endless.

I stole a lot from Gary Oldman. I stole the hairdo from his incarnation of Dracula. We cheated it just enough, so we couldn't get accused of copyright infringement.

I think it's a blessing that the show [Dracula] is on a network because it forces everyone to use their imaginations and be creative. The power of suggestion comes back. So, in the sex scenes, no one is ever fully naked, but I feel the suggestion is so much sexier.

Frankenstein' was more programmed, but 'Dracula' we did as it came along because at the beginning we weren't sure how it was going to end - it wasn't written in the script.

Bram Stoker's 'Dracula,' in my reading, is really obviously about disease and our relation to disease.

Dracula did bring a hell of a lot of joy to a hell of a lot of women.

I'd seen 'Interview with A Vampire' and saw Dracula movies growing up, but I never thought, 'I love vampires; I have to do a show about vampires.'

Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed.