Top 1200 Drama Class Quotes & Sayings

I think when people talk about lighter drama, they tend to use that term, not derogatorily, but 'lighter' means sort of less to a degree, but if you're an actor, light drama is often mistaken for easier drama.

Drama read to oneself is never drama at its best, and is not even drama as it should be.

People will always respond to high-class drama.

I often think now I'm a lot older, what would have happened if I was born in the middle of the city, where there was a drama class.

I made mistakes in drama. I thought drama was when actors cried. But drama is when the audience cries.

My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.

I do know that when I look around in show business, I see a lot of people who were in my drama class in high school.

They put me in the drama class, and that's the path I've taken.

The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable.

I love really exploring... you know, a cop drama for example is a great way to explore class in this country and explore, you know, really, identity in the country and who we are in a way that is extremely exciting, but it's also real, you know, it's also real people and real drama. The same with the military. I mean, a good science fiction story is also great.

In order to be a world-class expert in anything, be it audiology, drama, music, art, gymnastics, whatever, one needs to have a minimum of 10,000 hours of practice. Unfortunately, it doesn't mean that if you put in 10,000 hours that you will become an expert, but there aren't any cases where someone has achieved world-class mastery without it! So the time spent at the activity is indeed the most important and influential factor.

My mom pushed me to take drama class.

I think my movie addresses the struggles of communities facing class distinctions, which are timeless. The questions of how we live together and what we do for money are really the stuff of drama.

When the Democrats are attacked for [inciting class warfare] they shrink back. They don't say what obviously should be said, "Yes, there is class warfare. There has always been class warfare in this country." The reason the Democrats shrink back is because the Democrats and the Republicans are on the same side of the class war. They have slightly different takes. The Democrats are part of the upper class that is more willing to make concessions to the lower class in order to maintain their power.

Actually, the year anniversary of what you just heard, my son Grahame and I are going to be in a play together, and I'm acting for the first time in front of an audience that doesn't consist of a high school drama class.

I literally grew up in drama. I used to watch drama - the catharsis of the play - then see drama at home.

It's like the high school production of something you saw at Steppenwolf, with the most gifted students in drama class playing the John Malkovich and Joan Allen roles.

I come from a very close class. I lucked out because drama schools are often very competitive... I have fourteen classmates.

In history class, I wrote a poem, 'The Royalists and the Roundheads.' I would write poems about driftwood in art class and little stories about the sun, moon, and stars in science class. Since not many kids were writing in class, I got away with it.

I was seventeen and the star of my high school play. I was supposed to kiss my leading man, but I couldn't stand the guy. I really didn't want to kiss him. All during rehearsals, I refused to kiss him. Then my drama teacher told me, "If you don't kiss him on opening night, you'll flunk drama class. So I kissed him, and that was my first kiss.

There is always drama and there will always be drama, but its the way its presented in my head that makes it so interesting. Everyone gets their time in the middle of the drama.

I knew I wanted to go to college and I wanted to study it acting, so I just looked for the best school that I could get into. Luckily, I had very supportive parents. I went to a conservatory that is basically drama school. You take one English class and one history class for four years but you don't take any other science or anything like that. It's strictly, from 7am until night, all acting. It's a lot. Some people find it too much, but for me I was preparing for a career and I never really looked back.

Drama class was one of the only areas at school I responded to.

My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.

When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.

When I first started getting into acting, I was doing improv in acting class, and I had done a serious monologue and everyone was cracking up laughing and I went to the drama teacher and said I don't want to be the class clown anymore, I want to do serious work, too, and they loved that, and so I started mixing in drama.

In PhD, my topic was Stage Techniques in Sanskrit Drama - theory and practice. I wanted to combine my drama training with Sanskrit drama, which has a very rich history in literature.

Drama drama drama. The public wants it, so let them get the whole ugly mess. Why not?

People think comedians don't do drama. Comics are drama. And what is drama, as opposed to comedy? It's all the same to me.

There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus, the kid stuff takes patience and commitment. And if you don't grow as people and as a couple, within all of that, then you've got some real drama.

We don't have drama in public schools in France. I had never taking an acting class.

I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.

The upper class desire to remain so, the middle class wish to overthrow the upper class, and the lower class want a classless system.

It's usually human drama that carries with it issues of race or class that attracts me. That was certainly the case with 'No Crossover.'

The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.

You can play Mozart all you want and pretend that it gives you class, but what is class, you know? Class is a bus driver on the M103 who gets off the bus to help somebody on board even though he's tired, he's exhausted, and he's two months behind on his mortgage. That's real class.

I think plays have nothing to do with one's own personal life. Not in my experience, anyway. The stuff of drama has to do, not with your subject matter, anyway, but with how you treat it. Drama includes pain, loss, regret - that's what drama is about!

That was a bizarre and unlikely event, which has misled a generation of drama students from my old drama school that dreams really do come true. I was an unemployed actor. I had been an actor for about eight years, and had worked in theater, and done a tiny bit of TV, and somehow an audition video of mine ended up on Kevin Costner's television screen, and he rang me up and invited me to fly first-class to Hollywood and be in his movie The Postman.

I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.

Korea can't become a 'first-class' nation unless regulation and 'a sense of power' disappear. The nation's politics is the fourth-class, bureaucratic are the third-class, and business is the second-class.

Not infrequently, Southern food now unlocks the rusty gates of race and class, age and sex. On such occasions, a place at the table is like a ringside seat at the historical and ongoing drama of life in the region.

In all social systems there must be a class to do the menial duties, to perform the drudgery of life. That is, a class requiring but a low order of intellect and but little skill. Its requisites are vigor, docility, fidelity. Such a class you must have, or you would not have that other class which leads progress, civilization, and refinement.

My mum grew up in Oldham and was going to work at a cigarette factory till she decided to go to drama school, so there's part of me that wants to represent the Northern working-class background.

Both of the Quaid brothers, Randy and Dennis, were in my class, and Tommy Schlamme, who produced and directed The West Wing with Aaron Sorkin, among many others. Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.

Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.

I think there's a tendency in England, when you look at the past, to either have upper middle class period drama with its own rules, or if you're going to look at working class people, you have to do that in a particular 'Isn't it a shame, aren't they oppressed' way, or it's treated comically.

I loved drama class at school. I never took it seriously, as I was playing football. But maybe when I retire, I'll have a dabble.

Look, there is a sort of old view about class which is a very simplistic view that we have got the working class, the middle class and the upper class, I think it is more complicated than that.

I got in drama class in high school and I only got in there because there were girls and I thought maybe I could make a grade above a C in something.

I was a drama-class nerd. I did whatever school production we put on.

I took a drama class in elementary school, and I just remember having so much fun with it. From there, I just studied, got better as I went along, and continued to grow.

There's a film I did called 'Front of the Class', about a teacher who had Tourette's. That was a beautiful blend of drama and comedy. There's some great moments of levity in the script.

CONJUGATE THIS: I cut class, you cut class, he, she, it cuts class. We cut class, they cut class. We all cut class. I cannot say this in Spanish because I did not go to Spanish today. Gracias a dios. Hasta luego.

You just find the best actors that you can. There's an inherent drama within the framework of scares and killings and all that. In 'Scream,' there is very real drama that would be in almost any drama.

I'm a big fan of unflinching drama and bold drama. If you shy away from dark subject matters, there's only certain places for TV drama to go. If there are shows that can break through that and be brave, those are the shows that I personally enjoy watching. I try and do work that I would watch.

In high school, driver's ed was at the same time as drama class. And I had to take drama class. Now I can sing the lead in 'Oklahoma!,' but I can't drive.

There should be a class on drugs. There should be a class on sex education-a real sex education class-not just pictures and diaphragms and 'un-logical' terms and things like that.....there should be a class on scams, there should be a class on religious cults, there should be a class on police brutality, there should be a class on apartheid, there should be a class on racism in America, there should be a class on why people are hungry, but there are not, there are classes on gym, physical education, let's learn volleyball.

I was never really a nerd. I'm not really into comic books or Dungeons and Dragons or any of that kind of stuff. I was in drama class, and I'm a big movie and music buff. And I'm into sports.

Humor is important for is pacing. If your whole book is just drama drama drama, it's going to wear down the reader.

I read the original webtoon 'Itaewon Class' before seeing the drama. The character of Park Sae Roy left a particularly deep impression on me, and I really liked him.