Top 1200 Drama Class Quotes & Sayings - Page 2

I like drama. My first movie that I did, 'Soul Survivors', was a drama, and I'm just drawn to that; that's sort of my forte.

Sometimes I feel that in religious content, religious drama, it's almost told like a tale, like an account of facts, and in 'A.D. The Bible Continues,' it's drama, it's real drama that we like to see on TV today, seeing the characters struggle and doubt and be completely in conflict with each other, kind of like 'House of Cards.'

I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.

The Christian faith is the most exciting drama that ever staggered the imagination of man - and the dogma is the drama.

In 'Scream,' there is very real drama that would be in almost any drama.

Eccentricity is usually owned by middle-class and upper-class people. If you are working class and eccentric, then you're just mad.

I guess you can tease me about being a drama queen, because that did heighten the drama.

Bradman is a whole class above any batsman who has ever lived: if Archimedes, Newton and Gauss remain in the Hobbs class, I have to admit the possibility of a class above them, which I find difficult to imagine. They had better be moved from now on into the Bradman class.

My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.

Now we are proud that the government has moved from the class of the exploiters to the class of the people who were being exploited. And in the great name of the same class, I raise this nation's flag which is a strong symbol of this transfer.

Drama in our lives is the greatest indicator that we're not focused on meaningful goals. On the path to purpose you don't have time for drama.

Sherlock' changed the perception of me. I have these cheekbones and this face that suggest very middle-class or period-drama roles. I want to show everyone there's much more to me than Irene Adler.

There are only two kinds of class: First class and no class.

I grew up in a working class neighborhood in Sweden, which, during my teens, gentrified and is now completely middle class and even upper middle class.

Obviously, when you do something with drama and comedy in it - and by that, I mean a scene that has drama and comedy in it - you know the minute you introduce music, you're either scoring the drama or you're scoring the comedy, and therefore the scene becomes either dramatic or comedic.

Good drama, challenging drama - and comedy for that matter - has a place in the daytime schedule.

I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.

You can't get away from violence in drama. If you do not have conflict, you do not have drama.

The United States is a special case, and for me, very interesting. It's studied carefully and we know a lot about it. One of the most striking features of the elections is the class-based character of the vote. Now, class is not discussed or even measured in the United States. In fact, the word is almost obscene, except for the term "middle class." And you can't get exact class data; the census doesn't even give class data. But you can sort of see the significance of it just from income figures.

Having written both comedy and drama, comedy's harder because the fear of failure's so much stronger. When you write a scene and you see it cut together, and it doesn't make you laugh, it hurts in a way that failed drama doesn't. Failed drama, it's all, 'That's not that compelling,' but failed comedy just lays there.

I don't like drama. Drama actually makes me nauseous.

There is no drama like the drama on the athletic field.

There’s class warfare, all right, but it’s my class, the rich class, that’s making war, and we’re winning.

When I decided to go to university I didn't know what I wanted to do. When I had an opportunity to take an elective I took Drama by chance, even though I'd never taken a Drama course or even been in a play in high school. Two years later I was majoring in Drama and I knew I wanted to be an actor.

Drama's not safe and it's not pretty and it's not kind. People expect the basic template of television drama where there might be naughty villains, but everyone ends up having a nice cup of tea. You've got to do big moral choices and show the terrible things people do in terrible situations. Drama is failing if it doesn't do that.

In the United States, the working class are Democrats. The middle class are Republicans. The upper class are Communists.

When you make drama you are like Picasso. Drama is whatever you want it to be.

There are so many people that say they are actors and they don't spend for 5 minutes a day working on their craft. You need to train and need to take classes to keep your tools sharp. I'm always in class, whether it's theater or drama workshops.

In high school, I was the class comedian as opposed to the class clown. The difference is the class clown is the guy who drops his pants at the football game, the class comedian is the guy who talked him into it.

I've never gotten hired for drama because I'm a good improviser. I don't think people who write drama scripts want you playing with them as much.

I always found that drama, really good drama, has a lot of comedy in it.

I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.

I love gritty drama. I'm passionate about films and drama that make you think - hard-hitting, gravelly characters.

Throughout my career, I've never really been a guy who created drama or wanted to deal with drama.

With 'Mismatched,' we hope to bring back the Young Adult drama/ teenage drama genre.

It turned out I was pretty good in science. But again, because of the small budget, in science class we couldn't afford to do experiments in order to prove theories. We just believed everything. Actually, I think that class was called Religion. Religion class was always an easy class. All you had to do was suspend the logic and reasoning you were being taught in all the other classes.

It's not some big event that creates the drama, it's the little things of everyday life that bring about that drama.

The ego-drama is nothing compared with the theo-drama. The fun begins when we let God write our stories.

Having written Camp David as a drama, I could see the drama maybe a little more clearly when I wrote the book.

I have been a part of four different genres - a political satire, gangster drama, thriller and period drama.

My upbringing was middle-class but my parents' families were both working-class so I had this odd combination of working-class background but in a privileged position.

I don't want no drama in my life, even though we have a little bit, but no more letting people control you. That's drama, because then you become something that you're not.

I went to drama college in England - the Central School of Speech and Drama, in London. I was there for not quite two years, then I got Star Wars.

Those two years at drama school were nutty and weird. I didn't love it at all - I loved my class; I have so many great friends from that time - but I learned less. I just learned more of what I didn't like.

If the West Point class of 1915 is called 'the class the stars fell on' for the number of World War II generals it produced, my junior-high class of 1950 is the class a ton of bricks fell on from Hollywood's gut-wrenching portrayals of mother-love in '40s-era movies.

In class society everyone lives as a member of a particular class, and every kind of thinking, without exception, is stamped with the brand of class.

When looking out the window and watching the water becomes a drama, then literally everything is a drama.

You couldn't make a cheap drama. That would be too low-budget. Drama has to have good photography and well-known actors.

I tend to think in dramatic terms. In life, there may be an actual drama, but it would be the fictionalized, imagined drama that engaged me.

I was in an acting class taught by Eric Morris, and Jack Nicholson was in the class. He wrote the script for 'Head', so all of us in the class got little tiny parts in the movie.

After the play of 'Fleabag,' we had conversations with different channels and with film companies about whether 'Fleabag' should be a half-hour sitcom, an hourlong, serialized drama, or a film. And I knew that it couldn't be a drama because I wanted to hide the drama - that had to be the surprise. I knew it had to be comedy.

There is quite a lot of mutual misunderstanding between the upper middle class and the working class. Reviewing what's been said about the white working class and the Democrats, I realized that there's even a lot of disagreement about who the working class IS.

Everyone loves good dressing room drama. But nothing beats main stage drama!

Drama is basically what I do, so it's a compliment that people think it's hard for me to get back to drama.

The anger from Occupy Wall Street is coming from this simple fact: America no longer seems to be a place where you can work your way up, from rags to riches, from lower class to middle class to upper class.

I dropped chemistry because there was a cute boy, and I figured out if I dropped chemistry, I would be in his drama class.

An intelligent class can scarce ever be, as a class, vicious, and never, as a class, indolent. The excited mental activity operates as a counterpoise to the stimulus of sense and appetite.

In the West, it's just a given that art exists in this high-class place. But in Japan, there's no high class. The minute you come out, you're low class.

What's a better foundation for drama? You have power, you have ambition, you have sex... that's the stuff of drama.

The man who was known as 'no drama Obama' during the campaign has given us nothing but depleting and infuriating drama since he arrived in office.