Top 1200 Drama Class Quotes & Sayings - Page 20

The greater the darkness, the better the drama.

He was not subordinate to God - Adam was walking as a god! What he said "went," what he did "counted"; and when he bowed his knee to Satan and put Satan up above him then there wasn't anything God could do about it because a "god" had placed Satan there. Adam, remember, was created in the god-class, but when he committed high treason he fell below the god-class.

I am not blind to the shortcomings of our own people. I am not unaware that leaders betray, and sell out, and play false. But this knowledge does not outweigh the fact that my class, the working class, is exploited, driven, fought back with the weapon of starvation, with guns and with venal courts whenever they strike for conditions more human, more civilized for their children, and for their children's children.

'Haqeeqat' was a good war drama.

But what the working-class can do, when once they grow into a solidified organization, is to show the possessing class, through a sudden cessation of all work, that the whole social structure rests on them; that the possessions of the others are absolutely worthless to them without the workers' activity; that such protests, such strikes, are inherent in the system of property and will continually recur until the whole thing is abolished - and having shown that effectively, proceed to expropriate.

To become a world-class university takes a lot of time. There are simply no shortcuts. People tend to assume, and I have encountered this sort of thinking all over the world, that if they just sink enough money into a university, it will emerge in a few years as a first-class institution. But such rapid growth never happens. It takes time; it takes generations.

Romcoms are challenging, but I'm hungry for drama.

You're an actor, you want to do a scene in class. But one of the things I've always had is I've always had a really good memory. So I would go and watch a movie and then I would see a scene in the movie and I go, hey I'd like to do that in class this Wednesday.

I started at drama school at 18.

I went to the Goodman School of Drama in Chicago.

If it wasn't for my drama teacher, I wouldn't be here right now.

Money is what fueled the industrial society. But in the informational society, the fuel, the power, is knowledge. One has now come to see a new class structure divided by those who have information and those who must function out of ignorance. This new class has its power not from money, not from land, but from knowledge.

The drama is a great revealer of life.

I went to London for drama school but I hated it.

I liked the drama of getting stoned.

The most sinister of all taxes is the inflation tax and it is the most regressive. It hits the poor and the middle class. When you destroy a currency by creating money out of thin air to pay the bills, the value of the dollar goes down, and people get hit with a higher cost of living. It's the middle class that's being wiped out. It is most evil of all taxes.

In a drama, you don't make a fool of yourself.

Drama is anticipation mingled with uncertainty.

They're really competitive at drama in Texas.

When the ability to have movement across social class becomes virtually impossible, I think it is the beginning of the end of a country. And because education is so critical to success in this country, if we don't figure out a way to create greater mobility across social class, I do think it will be the beginning of the end.

I trained at the Oxford School of Drama.

Drama is easy. Comedy's hard.

History and the task of the future no longer signify the struggle of class against class or the conflict between one church dogma and another, but the settlement between blood and blood, race and race, Folk and Folk. And that means: the struggle of spiritual values against each other.

The moral climate within the ruling class in this country is not that different from the moral climate within the ruling class of Hitler's Germany

I think English punk died in '79 or '80. Maybe '82 at the latest. As far as American punk goes, it wasn't the same as English punk. It wasn't a working-class movement that was protesting the conditions under which this class had to work. I don't think American punk ever died.

I shook myself; I was dreaming. As I went to bed the words of the eighth-grade class's teacher, when the class got to Evangeline , kept echoing in my ears: "We're coming to a long poem now, boys and girls. Now don't be babies and start counting the pages." I lay there like a baby, counting the pages over and over, counting the pages.

For me, all drama is based on conflict.

The socialism of centralised state control of industry and production, is dead. It misunderstood the nature and development of a modern market economy. It failed to recognise that the state and public sector can become a vested interest capable of oppression as much as the vested interests of wealth and capital. it was based on a false view of class that became too rigid to explain or illuminate the nature of class division today.

I was in love with a girl in my class when I was in primary school, and she obviously thought I was a freak, so that wasn't working out. And the the guys in my class, every two weeks they'd say, 'Hey, we spoke to her, and she really likes you now. You should go and ask her again.' And then I'd go and ask her again.

Life is short, I have no time for drama.

Albert Camus's 'La Peste' - 'The Plague' - had an enormous impact on me when I read it in high school French class, and I chose my senior yearbook quote from it. In college, I wrote a philosophy class paper on Camus and Sartre, and again chose my yearbook quote from 'La Peste.'

I love using drama and humour.

I had no sympathy for drama queens.

I was a drama major through college.

Boxing is drama on its grandest scale.

Every great drama has its foreshadow.

I went to the Carnegie Mellon School of Drama.

You cannot have the drama without comedy.

Every relationship has its drama and baggage.

I don't need drama to stand out.

Drama is something I'm good at, I guess.

Difficulty is inevitable. Drama is a choice.

Drama starts where logic ends.

I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.

We used to call the 1% the ruling class, but America's never felt comfortable using that terminology. It was taboo to talk about class war. Americans are okay talking about it like this; everyone wants to be part of the 99%, even the cops are like, "No, no, man. I'm part of the 99% too." No one wants to be part of the 1%.

My freshman year, I ran for student class president and lost. The next year, I ran for student class vice president, and I won.

People tend not to dwell on drama.

I don't have time for heartache or problems, especially drama.

There is pathos and drama in 'Half Girlfriend.'

I remember, in school, writing Janet Jackson and Michael Jackson and asking them to come get me out of class. I would imagine them running down the hall and asking my teacher, 'Ms. Daniels, can we get Missy out of class? We're here to see Missy.'

Life is something to be done, and so is drama.

You have to go to the ultimate situation in drama.

No-Drama Obama? Yeah, that's not me.

Kiss scenes are one of the flowers of a drama.

Good drama must be drastic.

Luckily, I remembered something Malcolm Cowley had taught us at Stanford - perhaps the most important lesson a writing class (not a writer, understand, but a class) can ever learn. 'Be gentle with one another's efforts,' he often admonished us. 'Be kind and considerate with your criticism. Always remember that it's just as hard to write a bad book as it is to write a good book.'

Joss Whedon writes beautiful drama. His sensitivity and his sense of drama and scenes are pretty exceptional. There's no one else writing like him, really, in sci-fi and TV. That's not to say there are no astonishing writers on TV. I was nervous about coming to America and playing an English person who speaks very English when all the writers are American, because it's a very particular thing to imitate, and if it's badly imitated, it sounds painfully contorted and silly. And he writes very well for English people. It was Joss Whedon who persuaded me.

The world is a drama, staged in a dream

Thousands are the children of poor foreigners, who have permitted them to grow up without school, education, or religion. All the neglect and bad education and evil example of a poor class tend to form others, who, as they mature, swell the ranks of ruffians and criminals. So, at length, a great multitude of ignorant, untrained, passionate, irreligious boys and young men are formed, who become the "dangerous class" of our city.

Divorce transforms habit into drama.