Top 1200 Dramatic Life Quotes & Sayings - Page 3

I am interested in the non-dramatic moments in life. I`m not at all attracted to making films that are about drama. A few years back, I saw a biopic about a famous American abstract expressionist artist. And you know what? It really horrified me.

I've lived this very dramatic life, with high points and terrible low points. Nothing has been ordinary, and I want to have the experience of the last breath. I want a little drama to it.

If I'm being honest, yes, I've always been into the underdog instead of the golden boy or guy with the easy life. It doesn't seem that dramatic from a storied perspective to play someone that has it easy or is incredibly normal.

The history of life was not the bumbling progress - the very English, middle-class progress - Victorian thought had wanted it to be, but violent, a thing of dramatic, cumulative transformations: in the old formulation, more revolution than evolution.

My team and I used the actual footage to create a three-act story of the life of Ayrton Senna. There are no talking heads and no voiceover. Senna narrates his own epic, dramatic, thrilling journey.

A man can only grow to a certain point when alone; to grow further you need some "irrational shocks", like a wife and children; a dramatic change to your own life.

My grandmother had the most dramatic effect on my life because she set me in one direction, and I had to go back the other direction for my sanity, and for my ability to be a social human being.

At the peak of his scientific triumphs, Newton became a 'head,' a student of the inner spiritual world - or in modern terms, a neurologician. Modern physicists do not dwell on this dramatic life-change in their hero.

You can be a lot more subtle on TV, which is funny because I feel like TV is known for being the opposite of that. The thing we experience in life is that things are not overly dramatic, and things often happen in really small ways.

Perusing colorful storylines on the backs of book jackets, I realized that none of them could possibly be as dramatic as my life to date. Then sadly, I also realized I could never find the ending of my story from the safety of an armchair.

Many people think making a film about history... about war... about the Holocaust, it might be heavy, dramatic and traumatic. I don't see things like that... you can find irony everywhere. It's how I look at life.

The courage of life is often a less dramatic spectacle than the courage of a final moment; but it is no less a magnificent mixture of triumph and tragedy.

Sometimes the greatest love is not found in the dramatic scenes that poets and writers immortalize. Often, the greatest manifestations of love are the simple acts of kindness and caring we extend to those we meet along the path of life.

Writing about conflict has provided these dramatic opportunities to talk about really substantial moments in a person's life. I'm not writing about superheroes; I'm writing about ordinary people.

I was so frustrated with my whole life that I walked up this hilltop and screamed at the heavens. It was very dramatic - but then again, I am an actress - and I said, "Fine! I'll be a character actress! Just tell me what you want me to do!" I was so angry at the universe.

To continue living, we have to die. That's the story of humanity - generation after generation - that we are going to die. There's nothing dramatic about death except that one loses one's life.

Simply put, dramatic irony is when a person makes a harmless remark, and someone else who hears it knows something that makes the remark have a different, and usually unpleasant, meaning. For instance, if you were in a restaurant and said out loud, "I can't wait to eat the veal marsala I ordered," and there were people around who knew that the veal marsala was poisoned and that you would die as soon as you took a bite, your situation would be one of dramatic irony.

Too many poets write poems which are only difficult on the surface, difficult because the dramatic situation is easily misunderstood. It's not difficult to write poems that are misunderstood. A drunk, a three-year-old-they are easily misunderstood. What is difficult is being clear and mysterious at the same time. The dramatic situation needs to be as clear in a poem as it is in a piece of good journalism. The why is part of the mystery, but the who, what, where, and when should all be understood.

Whether you plan to labor with an epidural or the Pitocin Fairy pins you down or you end up having an emergency C-section, there are still choices you can make throughout your entire birth experience that allow you to feel some control over what is probably the most dramatic day of your life.

When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.

Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?

I've run into people in my life who were so dramatic; people who are so extreme and so frustrating to be around that you end up thinking about them and talking about them for literally years after your experience with them is over.

As long as humans have existed, we have always desired to live longer. Every society, every religion, every culture. Of course, they all failed at dramatic life extension.

But in some ways, the most significant choices one makes in life are done for reasons that are not all that dramatic, not earth-shaking at all; often enough, the choices we make are, for better or for worse, made by default.

If you do not have an alert and curious interest in character and dramatic situation, if you have no visual imagination and are unable to distinguish between honest emotional reactions and sentimental approaches to life, you will never write a competent short story.

You see, for me a painting is a dramatic action in the course of which the reality finds itself split apart. For me, that dramatic action takes precedence over all other considerations. The pure plastic act is only secondary as far as I'm concerned. What counts is the drama of that plastic art, the moment at which the universe comes out of itself and meets its own destruction.

A nation that expects the government to prevent churches from burning, to control the price of bread or gasoline, to secure every job, and to find some villain for every dramatic accident risks an even larger loss of life and liberty.

I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.

You really come to life on stage but outside - this is a bit of a sad clown cliché - there is that element of loneliness you get from travelling and being on the road. Stand-ups can bring a lot of that to a dramatic role and make it work for them.

Jesus himself, as the gospel story goes on to its dramatic conclusion, lives out the same message of the Sermon on the Mount: he is the light of the world, he is the salt of the earth, he loves his enemies and gives his life for them, he is lifted up on a hill so that the world can see.

I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.

A movement with some lasting organization is a lot less dramatic than a movement with a lot of demonstrations and a lot of marching and so forth. The more dramatic organization does catch attention quicker. Over the long haul, however, it's a lot more difficult to keep together because you're not building solid...A lasting organization is one in which people will continue to build, develop and move when you are not there.

You cannot suddenly make Lower Manhattan into a sad place because we saw such a dramatic loss of life. You have to balance the memory, which is so important, and use it as a kind of Archimedean Point to create a lively, incredibly interesting, and culturally significant piece of a city and neighborhood.

Insincerity in a man's own heart must make all his enjoyments, all that concerns him, unreal; so that his whole life must seem like a merely dramatic representation.

I was really, really, really nervous when I got this role because I did feel it was important to make Alice [Cullen] just as lovable as I read her being on paper and, kind of, full of vitality. In my head she is just this light and breath of fresh air in very dramatic settings - because I feel like we're always extremely dramatic in this film. I wanted people to be able to relate to her.

In reality, genuine epiphanies are extremely rare. In contemporary adult life maturation & acquiescence to reality are gradual processes. Modern usage usually deploys epiphany as a metaphor. It is usually only in dramatic representations, religious iconography, and the 'magical thinking' of children that insight is compressed to a sudden blinding flash.

I hate Bollywood. The movies are all garbage, just terrible. It's my opinion; obviously, there are billions who like and love them. I don't like all the singing, dancing and all the dramatic crying. I have never seen a Bollywood film in my life.

I was very dramatic - very, like, 'It's never going to happen. My life is over at 16 because I'm not already famous. I'm not going to get my record deal. I'm not going to be able to sing for a living.'

Intern will resonate not only with doctors, but with anyone who has struggled with the grand question 'What should I do with my life?' In a voice of profound honesty and intelligence, Sandeep Jauhar gives us an insider's look at the medical profession and also a dramatic account of the psychological challenges of early adulthood.

Software-industry battles are fought by highly paid and out-of-shape nerds furiously pounding computer keyboards while they guzzle diet Coke. The stakes aren't very dramatic. Life? Liberty? The pursuit of happiness? Nope, it's about stock options.

Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.

I remember, when I was young, to have a literary or artistic vocation was really dramatic because you were so isolated from the common world. You felt that you were marginal, and if you dared to try to organise your life around your vocation, you knew you'd be completely segregated.

I love playing a role, anything that's dramatic. I'm enjoying living that kind of life: being someone else, getting to die, being a temptress. I enjoy being someone else on stage.

I think shows that are completely dramatic are a lie. People use humor to cope. That is how we deal with things. In the darkest situations, there's humor. And if you don't show that, you're not being true to real life.

I remember my dad saying to me, 'But Fiona don't you want to go and do the dramatic society. You can still do your women's groups as well.' And I said, 'Dad, feminism is a way of life! It's not a hobby!'

I have never done anything except write, but I don't possess the vocation or talents of a narrator, have no knowledge at all of the laws of dramatic composition, and if I have embarked upon this enterprise it is because I trust in the light shed by how much I have read in my life.

Growing up, there were a lot of funerals that I attended, and the adults at the funerals went out of their way to make sure that I wasn't traumatized or overly depressed by them. So death is always a celebration of life for me, and it's also hugely dramatic.

In the film world, and I know this from just talking to other people, that I'm known as a kind of dramatic, serious, almost humorless actor, and the fact is I'm a funny guy, and I spend most of my life trying to find a lighter side of things and on stage was given plenty of opportunity to do that.

I could be dramatic and go "He saved my life!", but sometimes you just need to see it again. Sometimes you need to see that person want it so badly for all the right reasons, and it makes you realize that no matter what you do you already won.

Sometimes I think it is ... frustration with life as it is lived day to day that compels me to write such long letters to people who seldom reply in kind, if indeed they reply at all. Somehow by compressing and editing the events of my life, I infuse them with a dramatic intensity totally lacking at the time, but oddly enough I find that years later what I remember is not the event as I lived it but as I described it in a letter.

Life is full of trials and tribulations. It's dramatic when you don't treat people right when you're in the tribulations, but I know now how to get out of it. You have to make a decision to say 'No more', and then you know what to do when the trials happen.

I grew up in a very celebratory town. We celebrate everything, from life to death and everything in between. So a lot of dramatics come into my aesthetic. And I'm an actor, so that adds more to the dramatic - I don't mean over-the-top. The main thing is never to be boring.

An ex-girlfriend once got upset when I told her that music is the most important thing in my life. It's more important than anyone else could ever be. I don't want to be overly dramatic and say it's the only thing that gets me up and keeps me going. But people in your life come and go. As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I've always been able to rely on.

Ive lived this very dramatic life, with high points and terrible low points. Nothing has been ordinary, and I want to have the experience of the last breath. I want a little drama to it.

One of the marvels of personality is its resistance to prediction. One man's paralyzing trauma is another man's invitation to take control of his life; one woman's grounds for insanity is another woman's ground to a dramatic shaping of self.

The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.

Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out?

I like poetry, but honestly, I like dramatic literature more. If I had to pick between Rumi and Dostoevsky, I would pick Dostoevsky without even thinking about it. Ninety-nine out of 100 Iranians would probably pick Rumi. Kiarostami, too, would probably pick Rumi first. I try to have the meaning be in the action of the story, not in the symbolism. I want it to be in the action, and it's dramatic action that creates the meaning.

If R. Akiva was perhaps overly generous in judging his generation, it can perhaps be ascribed to the belief, based on his own experience, that everyone is capable of a dramatic life change.

Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.