Top 1200 Drawing Attention Quotes & Sayings - Page 4

Sculpture is, in the twentieth century, a wide field of experience, with many facets of symbol and material and individual calligraphy. But in all these varied and exciting extensions of our experience we always come back tot the fact that we are human beings of such and such a size, biologically the same as primitive man, and that it is through drawing and observing, or observing and drawing, that we equate our bodies with our landscape.

A good novelist pays attention to his characters. A good biographer pays attention to the documents before her. A good critic pays close attention to the thing she's brought to evaluate.

There was a period there where I was like, "No, no, no, this is crazy. I don't want to take any more drawing classes and talk about what looks best. I want to study math and psychology and physics and all these nerdy things with computers." That was fun and great, but that didn't work out. At the end of high school, I was like, "Uhh, what's easier? Drawing is easier, I'll do that".

All I wanted was attention from girls when I was a kid. Then I got my braces off, and then there was too much attention, and I was also mad that they didn't pay attention to me in the first place. Then I was just like, I couldn't put on blinders and focus on one because there were too many options.

I've been painting and drawing and taking pictures as long as I've been writing music - and I've actually been drawing longer than I've been writing music.

I always start drawing any job by planning out to some degree the locales and trying to nail the characters. If they're existing characters, I'll draw them several times on rough paper just to get a feeling for them. The ideal when you're drawing a comic is to have everything in your head, not to have to refer to notes.

I'm trying to cause people to be interested in the particulars of their lives because I think that's one thing literature can do for us. It can say to us: pay attention. Pay closer attention. Pay stricter attention to what you say to your son.

Intellectually, perspective [drawing] is a breakthrough, because here, for the first time, the physical space we live in is being depicted as ifit were an abstract, mathematical space. A less obvious innovation due to perspective is that here, for the first time, people are actually drawing pictures of infinities.

Attention is the key to transformation- and full attention also implies acceptance.

I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.

Pay attention to the hungry, both in this country and around the world. Pay attention to the poor. Pay attention to our responsibilities for world peace. We are our brother's keeper.

If we are paying attention to something, it's important. That's how we decide to pay attention. But a communicator can reroute our attention to something that isn't important, but make it seem important as a consequence.

If something catches your attention, it's probably going to catch the attention of others, too.

I love attention. Maybe my desire for attention is a little too out of control, but I'm very honest.

I did sit in cinemas as a kid looking at English and American movies thinking, "Wouldn't it be great if the characters were like real people?" And the worst thing is films are constantly advertising themselves, drawing attention to their style of things. But actually I make films that I think are extremely sophisticated and cinematic. But you don't want the audience thinking about the bloody film. You want them to think about what's going on, and believe in it. Be flies on the wall, you know?

True intimacy is a human constant. People of all types find it equally hard to achieve, equally precious to hold. Age, education, social status, make little difference here; even genius does not presuppose the talent to reveal one's self completely and completely absorb one's self in another personality. Intimacy is to love what concentration is to work: a simultaneous drawing together to attention and release of energy.

Writers have to be careful not to confuse personal attention with the attention that's going towards the book.

If you're desperate enough for attention, any attention will make you feel better.

It shifted attention away from that and Ive never been someone who liked the attention from the media anyway.

Drawing - it's the first language of human beings, before writing, before even talking, before words, human beings was drawing.

I met designers that are in the business for ten years in the movies, and their biggest complaint is things don't look anything like they were designed. Look at my drawing! But nobody ever sees the drawing, that's the thing. So I knew right from the beginning that I would design everything in 3D on my computer, and those models literally went to the machines. So every little radius on most of the vehicles you see there, I built with my mouse and keyboard.

There's a big difference between grabbing attention and rewarding attention.

What information consumes is rather obvious: it consumes the attention of its recipients. Hence a wealth of information creates a poverty of attention, and a need to allocate that attention efficiently among the overabundance of information sources that might consume it.

Are you such a dreamer To put the world to rights? I'll stay home forever Where two and two always makes a five I'll lay down the tracks Sandbag and hide January has April's showers And two and two always makes a five It's the devil's way now There is no way out You can SCREAM and you can shout It is too late now Because... You have not been Payin' attention! Payin' attention! Payin' attention! Payin' attention! You have not been paying attention!

We would never call inexplicable little insights hunches, for fear of drawing the universe's attention. But they happened, and you knew you had been in the proximity of one that had come through if you saw a detective kiss his or her fingers and touch his or her chest where a pendant to Warsha, patron saint of inexplicable inspirations, would, theoretically, hang.

I seemed to have instinctually a strong idea of how the strip had to be written from the beginning. That changed too, but it was more in the direction of where it was headed. I didn't have a clue as to the drawing style, because the drawing style that I was groomed on from the beginning was newspaper comic strips, which were much more conventional.

I really like United States so I pay attention to what goes on here. I don't really pay attention to what goes on overseas or in other countries, unless it affects us, then I'll pay attention.

Painting dissolves the forms at its command, or tends to; it melts them into color. Drawing, on the other hand, goes about resolving forms, giving edge and essence to things. To see shapes clearly, one outlines them--whether on paper or in the mind. Therefore, Michelangelo, a profoundly cultivated man, called drawing the basis of all knowledge whatsoever.

When I'm drawing, I'm drawing with the light, being completely open and creative. I can't draw in the evening. I need light and I need warmth if it is a summer thing, and I need cold if it is a winter collection. The good thing is that I have houses to go to whenever I'm working. I draw according to the place.

Through meditation and by giving full attention to one thing at a time, we can learn to direct attention where we choose.

Matisse makes a drawing, then he makes a copy of it. He copies it five times, ten times, always clarifying the line. He’s convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.

Animation wasn't my love, but drawing was. I loved drawing, and when it came time to graduate from high school, I looked around and it was like, "Wow, I don't really want to study math. I don't really want to study science. I don't really want to study literature. Is there a place where I can go and draw cartoons?"

If typography is calling attention to itself, it's taking that attention away from what the words are saying.

You want attention, you want to grab some of that airspace that exists out there in a world that's very difficult to get it because it's so competitive and to get it for more than a few seconds. Any attention is good and that can be what we would normally consider as bad attention so I wanted to make you aware of that dynamic.

I think the business of writing a great deal of it is the business of paying attention to your characters, to the world they live in, to the story you have to tell, but just a kind of deep attention and out of that if you pay attention properly the story will tell you what it needs.

If you can command a lot of attention, that's what is valuable, and many in the commercial ecology would like to have a piece of that attention.

My sister was born a couple years after I was, and I realized that I wasn't getting enough attention, as much attention as I used to before she showed up, and then I learned pretty early on that if I could do a silly dance or make grown-ups laugh, then the attention would come back to me, and I would be accepted.

A child is imprinted not by simply teaching. But their attention is like soft clay. The attention field of adults is stratified. They are like hard clay and we push them on each side of the child's attention field.

Attention is the mind's feet; if you do not control your attention strictly, it runs into misleading pathways.

People hunger for more attention. Full attention will be the aphrodisiac of the future.

The beginning of personal transformation is absurdly easy. We have only to pay attention to the flow of attention itself.

What's interesting to me is the fact that creatively, I can do anything now and people will pay attention, and if I suck, hopefully they will stop paying attention very quickly, but if I'm good, then I have my foot in the door, and people have paid attention, and I did a good job, and people are like, 'Oh, wow!'

Simply paying attention allows us to build an emotional connection. Lacking attention, empathy hasn't a chance.

I showed the grown ups my maasterpiece, andI asked them if my drawing scared them. They answered why be scared of a hat? My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant.

In drawing after drawing, pastel after pastel, painting after painting, the contours of Degas's dancing figures become, at a certain point, darkly insistent, tangled and dusky. It may be around an elbow, a heel, an armpit, a calf muscle, the nape of a neck.

Human beings have a lot of problems identifying themselves with other human beings who don't resemble them exactly. But there's something about drawing that means that anyone can identify to a drawing. I mean, people can identify themselves with Donald Duck and Mickey Mouse.

In drawing attention to the physical characteristics of women leaders, they can be dismissed as either too pretty or too ugly. The net effect is to prevent women's identification with the issues. If the public women is stigmatized as too 'pretty,' she's a threat, a rival--or simply not serious; if derided as too 'ugly,' one risks tarring oneself with the same brush by identifying oneself with her agenda.

A recurring dream probably merits close attention. Something wants you to pay attention.

It shifted attention away from that and I've never been someone who liked the attention from the media anyway.

One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.

I have a terrible attention span, so if something can keep my attention, I know that that's at least a great start.

I love the attention and I hate the attention, you know? It's not always good for your soul.

I have always directed my attempts at the figurative representation of objects by way of summary and not very descriptive brushstrokes, diverging greatly from the real objective measurements of things, and this has led many people to talk about childish drawing.. ..this position of seeing them (the objects) without looking at them too much, without focussing more attention on them than any ordinary man would in normal everyday life..

All those people who went out [to Occupy Wall Street] missed work, didn't get paid. Those were individuals who were already feeling the effects of inequality, so they didn't have a lot to lose. And then the individuals who were louder, more disruptive and, in many ways, more effective at drawing attention to their concerns were immediately castigated by authorities. They were cordoned off, pepper-sprayed, thrown in jail.

It is in order to really see, to see ever deeper, ever more intensely, hence to be fully aware and alive, that I draw what the Chinese call 'The Ten Thousand Things' around me. Drawing is the discipline by which I constantly rediscover the world. I have learned that what I have not drawn, I have never really seen, and that when I start drawing an ordinary thing, I realize how extraordinary it is, sheer miracle.

People who study primate societies make a distinction between two kinds of cultural interactions, agonic and hedonic. In agonic societies, you gain status by asserting dominance over others. In hedonic societies, you gain status by drawing attention to yourself. Open source is a hedonic culture.

Making clothes involves what I like...color, pattern, shape and movement...I like the everyday process...the people, the pressure, the surprise of seeing the work come alive walking and dancing around on strangers. Like red lipstick on the mouth, my products wake up and brighten and bring the wearer to life...drawing attention to her beauty and specialness...her moods and movements...her dreams and fantasies.

I think what everybody really wants is attention; we just want someone to pay attention to us.

I work on stretched linen canvas, sized so that the surface already has a sense of tension when I begin. It is a very rich and reactive surface. I begin by drawing on the canvas with a kind of loose line, very simply and freely. I paint very thinly, which allows me to change the drawing if I want to.

Some people need a huge amount of attention, and they are worthy of that attention, and they're still exhausting.