Top 1200 Dreaming And Doing Quotes & Sayings - Page 20

I was never the class clown or put on shows at home. I never thought of acting as something I could do with my life. When I was a kid, I used to run around wrapped in toilet paper so I could be the Mummy. But that wasn't a sign that I was dreaming of being an actor. I was just an odd child.

And just when I thought the pain had dulled, my mind would betray me and bring Dad back to life in my dreams. Sometimes I didn't realize that he was dead until I awoke and then it was like a punch in the stomach. And sometimes I knew in my dream that I was dreaming, and I woke up crying.

Growing up doing those Kiwanis Clubs, doing those Cub Scout banquets, doing those church shows, I learned to find that sensibility that most people could laugh at - that all ages and demographics could laugh at.

I am telling you that I am very grateful and am so proud of you for being a symbolic generation that is calling for change to the better, that is dreaming for a better future, and is making the future.

Wakening from the dreaming forest there, the hazel-sprig sang under my tongue, its drifting fragrance climbed up through my conscious mind as if suddenly the roots I had left behind cried out to me, the land I had lost with my childhood - and I stopped, wounded by the wandering scent.

I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.

We must work to change in our hearts and minds what it looks like to be undocumented. It is the high schooler dreaming of college who isn't aware of his status. It is the single mother working grueling hours in a warehouse just to provide for her children. It is the family that sits next to you in church. It is your neighbor.

I really do feel like I'm doing what the people that elected me in the first place wanted me to do. I'm not doing it in the same fashion they thought, or that I thought, when I ran for office in 2010. But I will be doing what they wanted me to do, and that is to try to fix Washington.

Most people grow up dreaming of going to Hollywood and some of them work and work and work and finally end up in Hollywood.

I dreamed of myself in a dream, and told the dream, which was mine, as if it were another person's of whom I dreamed. Indeed what is life when thinking of the past, but dreaming of a dream dreamt by another who seems to be oneself?

Work addiction seems to be an addiction we are proud of. We almost seem to brag with mock displeasure that we are "overwhelmed" with busyness, sometimes as an excuse for not really being able to do what we really want to be doing. Work addiction is a symptom not of working your brains out but of your brain working you out. Why are you doing what you're doing for a career and how do you like doing it? Do you like your answer?

It's like, whether or not you're humiliated or embarrassed or you do well is contingent on the choices that you make in your work. So that is a lot of pressure to be like, 'Oh no, am I doing the right thing? Am I doing something cool? Am I doing something bad?'

As a novelist, you could say that I am dreaming while I am awake, and every day I can continue with yesterday's dream. Because it is a dream, there are so many contradictions and I have to adjust them to make the story work. But, in principle, the original dream does not change.

I was tired of doing collections, tired of doing runway shows... there was just so much wasted time and energy doing all the runway product and all the filler product. We also decided not to do wholesale, which gives me a lot of freedom; I can basically do what I want and I don't need to fit into any department in a store.

It's a tremendous challenge, because there have been so many characters created over the years. Every time you think you come up with a great name, you find out somebody has already done it. Dreaming up the stories isn't that hard, but coming up with a good title is the toughest part.

Vision gets the dreams started. Dreaming employs your God-given imagination to reinforce the vision. Both are part of something I believe is absolutely necessary to building the life of a champion, a winner, a person of high character who is consistently at the top of whatever game he or she is in.

Ah, I am the judge of dreams, and you are the judge of love. Well, I find you guilty of dreaming good dreams, and sentence you to a lifetime of working and suffering for the sake of your dreams. I only hope that someday you won't declare me innocent of the crime of loving you.

It's a passion when you're doing it for other people and you're doing it for the people around you making the film and the people who are going to see the film, and the giving. When you start thinking about you doing it for some sort of self-gain, then I think it becomes an obsession. It becomes a negative experience.

Lips half-willing in a doorway. Lips half-singing at a window. Eyes half-dreaming in the walls. Feet half-dancing in a kitchen. Even the clocks half-yawn the hours And the farmers make half-answers.

Whatever we have done in withdrawing from full consciousness of the One Mind, we are doing now. Whatever we are doing will always be within us to do, even when we are not doing it, and therefore is not to be resisted, but transcended. These are reminders I frequently use: "That's always within me." "This, too, can be experienced with a completely expanded awareness."

I'm always amused by the way questions are asked. "What did you intend?" That's not even a recognizable verb. You don't intend when you write. You sit down and you're thinking things and dreaming things and someone says something and you think "Ah!" That's how it happens. Intention is not part of the game.

When you're doing comedy constantly, you're organized: you know where everything is, you know how to get out of it, you know how to stretch it. But, like, doing 'SNL,' I stopped doing spots, and then I would finally do some sets - it take me so long to, kind of, get in the rhythm of it.

I'm not doubtful that I am doing what I should be doing - writing for theater - and that I'm doing it in a way no one else does it. Whether anyone else is paying attention or anyone else cares, I'm still ambivalent about that. It's still an open question.

I would much rather have somebody say, "You know what? I just didn't like what you were doing," then say, "They didn't know what they were doing." I know what I'm doing. If it's going to be bad, or if it's great, it's me, in either case.

"No one is doing what we're doing." This is a bummer of a lie because there are only two logical conclusions. First, no one else is doing this because there is no market for it. Second, the entrepreneur is so clueless that he can't even use Google to figure out he has competition. Suffice it to say that the lack of a market and cluelessness is not conducive to securing an investment. As a rule of thumb, if you have a good idea, five companies are going the same thing. If you have a great idea, fifteen companies are doing the same thing.

The concepts of community and community life, have since the Dreaming, always held special significance for Aboriginal people because both provided the physical, cultural, spiritual and social environments, which supported children, young people, families and the aged.

Dreams are rough copies of the waking soul Yet uncorrected of the higher will, So that men sometimes in their dreams confess An unsuspected, or forgotten, self; -Since Dreaming, Madness, Passion, are akin In missing each that salutory rein Of reason, and the grinding will of man.

I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.

There hadn’t been one specific moment. It was like gradualy waking up. You go from being asleep to the space between dreaming and awake and then into consciousness. It’s a slow process, but when you’re awake, there’s no mistaking it. There was no mistaking that it had been love.

That's been one of the best things about doing 'Game of Thrones.' My social circle in London has more or less doubled just by doing it because nearly everyone is based in London. And I hadn't long moved to London before doing it, so it's been really great in terms of meeting people to hang out with while I'm there.

From The Spiral Dance to Dreaming the Dark to Truth or Dare, Starhawk has led us to places of risk and guided us to think in a new way, a womanly order. Now, in fiction, with the aid of her characters, she will save the earth and all the sacred things that dwell therein.

I actually like doing commercials. I don't like doing them to the exclusion of everything else, but I like doing them. The 30-second format is very hard. I sometimes call it American Haiku. And I think some of the commercials I've done are not so bad.

A child came up to me and asked 'am I dreaming?' I had a similar experience coming to the Art Gallery of South Australia when I was a child. My mum had done a workshop here and it stayed with me. It's an important formative time.

I found ways to maintain my performance through working with professionals and doing things that other people weren't doing. Later in my career, I had a great physical therapist who kept me out on the track. We were doing innovative things like ice baths back in the early '80s when everyone else thought it was crazy.

We think we're doing it all. But the animals are doing the real work of holding it all together, and keeping us on our path. As are the plants. It's as if we think the stars and sun and moon and the earth itself aren't doing any work. It's as if we think that all of nature is unintelligent except for us.

Suppose you had the revolution you are talking and dreaming about. Suppose your side had won, and you had the kind of society you wanted. How would you live, you personally, in that society? Start living that way now!

I didn't want to repeat my parents life. I saw in their lives a routine and a lack of dreaming, a lack of the possibilities, a lack of passion. And I didn't want to live without passion.

You know, I actually like doing commercials. I don't like doing them to the exclusion of everything else, but I like doing them.

Practical people would be more practical if they would take a little more time for dreaming.

You have to take the good with the bad. Some players only talk to the press when they are doing good. When you're doing bad you shouldn't shy away from them and when doing good, don't run up to them.

Why don't you think we should dream of an African team winning the World Cup for the first time? People never allow this thought to cross their minds, and it is shameful. When you try to even say it, people look at you as if you're joking, but they forget that dreaming is the first step to success.

We started with things like locating ski runs or locating a transmission line corridor or locating a new town or doing a coastal zone plan. We ourselves weren't doing the planning work, but we were doing all the mapping work for the landscape architects and planners who would subsequently incorporate the maps into their actual designs.

I learned about this talent show on TV that was basically the Estonian version of 'American Idol.' So I lied about my age, went on the show, and won. I think my story is about working really hard and dreaming really big.

My job is to show them clearly what they are doing, and what they are doing wrong on the pitch. To help them know why and understand why, even if you prepare and understand the plan, why you are doing always the same mistakes.

My goal is go out, try and be an entertainer, try to have the best match I can but be smart about it. If people are enjoying it, enjoying what I'm doing, then that's awesome because I'm enjoying what I'm doing, and I'm very passionate about what I'm doing.

When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.

Doing things the way you see it, going by your own heart and soul, that is pure artistic integrity. Whether the hair is six or sixty inches long, the eyes have make-up or not, the riffs are in 'E' or 'F' sharp, the amps are Marshall or not, all those things don't matter if you are doing it for the right reason, which to me means doing it for yourself!!

I was in school, but I wasn't into school. I wasn't doing what I wanted to be doing in school, which was film studies. That was what I intended on doing, but I didn't go away to a university because I wanted to stay in L.A. and audition while I took classes, so I elected to go to a community college and just take G.E. courses. It was terrible.

Work is doing it. Discipline is doing it every day. Diligence is doing it well every day.

I get bored very easily, so I love doing different things, changing, doing a job for a month and then doing another one for six months and then moving into a different group of people. I love being able to stop. That's one of the greatest benefits we have in our profession.

I am a man who used to wear the tights. We traveled the country doing two Shakespeare plays for bored college students for about a year. I think I'd probably still be doing it now if I hadn't just randomly decided to go to a sketch group audition. That led to doing improv, which led to the Daily Show. But it was fun while it lasted.

Most authors writing books like 'He's Just Not That Into You' dream of doing what I was being asked to do. I didn't like it. I'm good at giving advice, but doing it on TV and radio felt wrong, and when people resisted my point of view, I was like, 'Why am I doing this? This was not the plan.' So I stopped. It didn't make me feel good.

That's what the court needs-a happy king, a king who can't stop dreaming of being lost in someone who wants to be just as lost. Tell me you'll let me get lost in you.

Everybody has a job to do, and you just know that every day you have to do what it takes to get there. Of course, everybody has those days where you don't feel like doing it. I'm just like anybody else in that respect. But there's a difference between not feeling like doing it and not doing it period.

I started off by doing everything myself, driving the truck, going to the woodshop, buying the wood, designing the furniture, cutting it out, making it myself, finishing it, polishing it, and delivering it, and writing the invoice and writing the letters, doing the books, doing the telephone bill and everything else like that.

People asked me, 'Why aren't you doing something more important?' When I was doing well in the D-League, they were like, 'Why can't you get an NBA job? Or a college job?' I don't think people thought much of what I was doing. That's fine. I was learning. Not just X's and O's, but team dynamics.

If we, each doing our own part, if we do good to others, if we meet there, doing good, and we go slowly, gently, little by little, we will make that culture of encounter: we need that so much. We must meet one another doing good.

That's a big part of my life - doing things that I'm not prepared to do. Doing things that I don't know how to do, and keep doing them until I get good at them. I always try to put myself out of my comfort zone and out of my depth, and hopefully somewhere along the line I'll catch up.

Life was not to be sitting in hot amorphic leisure in my backyard idly writing or not writing, as the spirit moved me. It was, instead, running madly, in a crowded schedule, in a squirrel cage of busy people. Working, living, dancing, dreaming, talking, kissing- singing, laughing, learning.

I often wonder what would have happened to me if I hadn't made that decision. I suppose I would have sunk. I suppose I would have found some kind of hole and tried to hide or pass. After all, we make ourselves according to the ideas we have of our possibilities. I would have hidden in my hole and been crippled by my sentimentality, doing what I was doing, and doing it well, but always looking for the wailing wall. And I would never have seen the world as the rich place that it is. You wouldn't have seen me here in Africa, doing what I do.