Top 1200 Drum And Bass Quotes & Sayings - Page 4

What's really good is African drum music.

Let there be bass.

It's funny: when I started playing bass in 1984, you had guys like Paul Simonon fron the Clash, John Paul Jones, Lemmy, and Nikki Sixx was the head guy in Motley Crue, and you had all this post-punk stuff like Magazine and Killing Joke where the bass sort of lead the way. Not that I picked it to sort of be a main dude, but it intrigued me.

But I've gravitated more towards the drum set.

I was with Miles Davisfor a couple of years as his bass player, and it was a beautiful experience. After two years I said to him, "Listen, man, I want to leave your band." He goes, "Why?" I said, "Because I want to develop not just as a bass player, but I want to get more into composition, into producing, and I'm working with Aretha Franklin and Luther Vandross and all these guys, and I want to really see how much I can grow and develop." He actually gave me his blessing.

I don't ever have any bass in my monitors at all; I instead like to lock in with the guitar. I know the bass player has got to be locked in with the drummer, but to me, metal music is about the guitar and drums locking in and operating like a machine together. I played with my brother forever, and we were magically locked in together.

The drum in a dream pounds loud to the dreamer.

A bass player has to think and play like a bass player. A drummer has to play and think like a drummer, and stay out of the way of the vocalist. The guitar player has to respect everybody else.

I'm the quiet bass player.

You can't play bass in a vacuum.

I'd be very honored to be the ambassador to drum solos.

I played upright bass. I wanted to write great tunes, play the bass, be a band leader, and smoke a big funny pipe like Charlie Mingus. So I went out and bought the pipe when I was around 18 or 19 years old. You know even women smoke a pipe in Glasgow. I worked with Carla Bley and she smoked a pipe, which I find fascinating.

My drum sticks are in the "Hall of Fame." I know that.

Your war drum ain't / louder than this breath.

I've used [drum machine] because I have to have the perfect tempo.

One interesting thing - I play bass and guitar and stuff like that. I know those instruments really well. But I don't know how to play clarinet or trombone or any of these other instruments. I don't actually know how to play ukulele even though I've played it a lot in the past. Because of the weird tuning it's not exactly like a guitar. That's one of the reasons I like that instrument - it makes for surprises. It's not so predictable as the bass or the guitar is for me.

Dumb as a drum vith a hole in it, sir.

I kind of go to the beat of my own drum.

I play bass, and I wanted to be a musician.

I'm 13 to 17, 18 years old; I thought that's what the world was like. It never occurred to me that this was a very unusual period in music history. So I went on assuming that one day I'm going to have my band like my heroes had their own band. So people ask me this question all the time - they go, "Bass is basically a background instrument." The other thing is that in urban music, Black music, the bass has a much higher profile.

I will not dance to your war drum!

I'm not a musician, I just play bass.

I think women assess time passage much better than men - because of their biological clocks - and they are much more realistic about measuring out time, whereas men tend to hang onto things. Women acknowledge the biology of their time, and dance through the beat of that drum...whereas men just drum.

Unfortunately, like, homework and school wasn't the thing that I was obsessing over. It was, you know, music and making music and how to like - and drum machines. And we met Rick Rubin, and Rick Rubin had a drum machine. So I would just cut school and go to his house - his dorm room.

When I started playing the bass, I became kind of fascinated by it and started investigating various styles of bass playing, and I was really struck with funk music, mainly American funk music - Stanley Clarke, Funkadelic and that kind of stuff. That comes out in a couple of songs like 'Barbarism Begins at Home.'

I started playing bass in my friend's band for some reason. It was just something I did because, well, he asked me if I wanted to play bass and he played me this song - Nirvana's version of "Molly's Lips", the Vaselines song - and he said, "You can do this! This is not hard!" and it's like a two-note song. I learned that and then I thought I was a genius.

I'm not a player who beats his own drum.

Hip-hop was a big part of my life growing up, especially West Coast gangster rap. The reason I was able to listen to it so freely was that my mom couldn't hear any of it, so we would be driving along just blaring Too $hort's horrible misogynistic stuff, and my mom would just turn to us and say, "This is great. I can feel the bass. It sounds so nice." And we're like, "Yeah, mom. We can feel the bass, too."

I was playing bass when I was a kid; I play bass now. I used to draw pictures when I was a kid, and I draw pictures now. I talked backwards and weird when I was a kid, and I talk backwards now.

Bass is for people who can't play guitar

I will sing whatever I'm given to sing. Growing up, I would sing anything that I was given. If the choir needed a first tenor, I would sing first tenor. If they needed a bass, I would sing bass. Throughout my life, I just figured out ways to hit notes I needed to hit.

Love is the reality, and poetry is the drum.

I try to drum each day. It's therapeutic.

The drum is surely the lord of music, is it not?

There is no music unless the drum and the drummer are one.

In the morning on Sunday, a drum is sounded at about 8 o'clock.

If you've got a problem, take it out on a drum.

I'll never play a drum solo you can't dance to.

He Who Marches Out Of Step Hears Another Drum

Strike up the drum and march courageously.

Your heart is a drum keeping time with everyone.

I need one more bass less.

The first drum beat we all heard was our mother.

I hadn't had that much time practicing behind the drum kit. I've spent an inordinate amount of time listening to and programming drum parts, but it's completely different. One of the beautiful things about using a sampler is since you are so detached from traditional technique, you're forced to have a macro perspective of the project. With an instrument, it's the opposite. With drums specifically, there's nothing that provides more instant gratification and nothing that's funner to play.

For my money, Ray Brown is the greatest living bass player. Every great thing that's happened on bass since Ray Brown -- all of us point back to him. That's where it started, you know. Ray Brown is definitely a walking master, and to get to play with him is obviously an opportunity that no one should ever pass up.

The bass line is the anchor for me. I started with the bass, and either doubled that and then added the harmonies, or sometimes added my own harmonies that I've always wanted to sing on the song. And then it just went on from there - singing violin parts and trumpet parts and just trying to emulate the sounds of the instruments.

My bass is my weapon.

I like to drum for various theatrical things.

There is no dogma that the organ or harmonium can be used in church, but not the drum.

I love rainy and bad-weather days because this type of weather gives me a mental advantage, especially when I'm fishing in a tournament. When the weather is inclement, most fishermen start thinking of reasons why they can't catch bass. But, because I fish so often in bad weather, I'm thinking of all the reasons I can catch bass in bad weather conditions.

I have a playroom with my drum set, a guitar, and amplifier at home.

My drum sticks are in the 'Hall of Fame.' I know that.

Oh, the brave Music of a distant drum!

The voice of the drum is a spirit thing.

Only the drum is confident, it thinks the world has not changed

I was playing legit snare with a traditional grip, not a matched grip. After I broke my left wrist, I couldn't hit a snare drum anymore. From the age of 13 to 17, I couldn't really get a pop on the snare drum. I would hit it, and my wrist would almost shatter.

I wept when the muse Ulla bent over me. Blinded by tears I could not prevent her from kissing me, I could not prevent the Muse from giving me that terrible kiss. All of you who have ever been kissed by the Muse will surely understand that Oskar, once branded by that kiss, was condemned to take back the drum he had rejected years before, the drum he had buried in the sand of Sapse Cemetery.

I've never been a huge fan of drum solos.

A hare is not caught with a drum.

I don't really believe in the use of drum machines live.