Top 1200 Drum Beats Quotes & Sayings - Page 17

Music makes my heart beat. The more i hear, sing and perform on stage my heart beats stronger than ever. I want to live like this until the day i die.

I remember my first trip to Toronto. There was this street musician playing an instrument I've never seen before - like, he had a hang drum on the left side and this random bagpipe, bodhran stick type of thing. It was the craziest thing ever! So I sampled it for a beat.

In India, it's hard not to have Gandhi as a hero. To give up everything - including power and money - and to live for his countrymen, that beats everything else. He's a role model of selflessness.

I'd like to convince you that the universe has a soundtrack and that soundtrack is played on space itself, because space can wobble like a drum.

The tears of my eyes watered your heart but failed to evoke a response from the barren grounds of what beats in you. They will still come and I will welcome them because they contain you.

Safe! safe! safe!' the pulse of the house beats wildly. Waking, I cry 'Oh, is this your buried treasure? The light in the heart.

I had wanted to play drums since the age of 9 when I saw a drum set in the window of a music store for the first time. We took lessons at a local music school and began playing together after about 6-9 months of lessons.

On 'Utopia,' I mix sick beats with ethereal elements while trying to keep the focus very much on the songwriting. If you strip any of these songs down to just the vocal and a piano, there's a real song in there.

Justin Broadrick has stated that the drum machine sound was heavily influenced by hip hop artists in the late 80s, particularly the beat on “Christbait Rising” which Broadrick was quoted as saying, “It was my attempt at copying the rhythm sample on 'Microphone Fiend' by Eric B & Rakim”.

The vision seemed to enter the house with me-the stretcher, the phantom-bearers, the wild crowd of obedient worshippers, the gloom of the forests, the glitter of the reach between the murky bends, the beat of the drum, regular and muffled like the beating of a heart-the heart of a conquering darkness.

I really prefer the actual experience of being onstage and living the character from beginning to end with the energy of the audience. There's nothing that beats that feeling, and yet I really have trouble with the eight shows a week.

I answer one of your letters, then lie in bed in apparent calm, but my heart beats through my entire body and is conscious only of you. I belong to you; there is really no other way of expressing it, and that is not strong enough.

I grew up writing songs in my room on GarageBand, and I would make the beats just out of layering my vocals over and over again. Very Imogen Heap-inspired.

I've always tried to stay away from doing remixes to songs that were popular, because too many people do that. But that's something the fans want to hear, me over those type of beats. So I do it for them.

When I was five years old, my parents gave me a drum set for Christmas. My mom played the piano, and Dad played the saxophone badly. But that Christmas morning, I remember we all played together, and I thought it was the greatest day ever.

Race, blood, lineage, and nationality don't matter; they're just the way that small minds keep score. All that matters about blood is that it's warm and that it beats through a loving heart.

I like to speak with more experienced people - with the staff, the manager - and get a lot of advice. But from a young age, I always remember that talent is good, but hard work beats talent.

Many were starting to use computerized synthesizers & drum machines to produce an entirely new style of music. It was being punted by the critics that the guitar was old hat; I was reminded of the way my father & his clarinets were written off in the late Fifties.

I'm not capable of wielding the guitar like Jimmy Page, one of my all-time favorite guitarists. My skill set is more based on the grinding, sort of human heartbeat - almost playing the guitar more like a drum.

Most actors will tell you, when they've got emotional stuff that's hard to carry around for hours and hard to try to do justice too, it just beats your butt.

I've always loved the mixture of crushing live drums with a programmed groove, that really cool blend, like in the verse there's a really funky drum beat that is programmed then it comes in to the chorus; you've got that enormous human feel where the band kicks in.

Bristol is known for having quite a good success rate of music - Massive Attack and Portishead, that drum and bass, dance music scene. I never listened to that stuff when I was a kid, but my parents did, and my parents knew some of those people.

I go to clubs and if I notice the DJs are playing the records faster, then I'll push the beats a little on the next record I make. A lot of people don't know how to watch out for things like that.

Josh is the guy in the band who's just so friendly and super, wanting to walk up to you and say, 'Hey, I'm Josh. I drum in this band, and I'm a big fan of you, and I really appreciate what you do.' Josh has all these great friends in the industry now.

I just look up to anyone who made music back then because you really had to be a musician. There were no samples or drum machines. Those people back in the day paved the way for people like me.

I became this guy that does drum programming, and I don't want to be that guy anymore. I don't want to sit in front of my computer for 18 hours programming 16 bars of music.

Many people don't know that New Jersey is a fertile breeding ground for writers, some of them quite renowned. And I would wager that most would be truly startled to learn that the star in the Jersey firmament is - drum roll here - Newark.

On 'Raw,' I'm the big mean girl who goes and beats everybody up; on 'Total Divas,' they will see a softer, vulnerable side of me that definitely isn't seen on 'Raw.'

If I get back into theater, I think I'd want to do a play. I enjoy singing, but it beats me up a bit. I get super paranoid and self-conscious about my voice.

Your career you will only hear the drum of setback but it is time to shine! Whatever situation you have been facing - this is the time you have been praying for to shine, to move, to overcome, in the mighty name of Jesus Christ!

Christ was vitoe magister, not scholoe; and he is the best Christian whose heart beats with the purest pulse towards heaven; not he whose head spinneth out the finest cobwebs.

We're not just R&B guys. We can do pop, rock, blues . . . a wide variety. We are musicians and play several instruments. We understand how to record things live and work with an orchestra. We can also program with a drum machine and work with all the other computerized components that are current today.

Farewell the plumed troop, and the big wars That make ambition virtue! O, farewell! Farewell the neighing steed and the shrill trump, The spirit-stirring drum, th' ear-piercing fife, The royal banner, and all quality, Pride, pomp, and circumstance of glorious war!

When you play to an audience, you come away energized. It's the promo that really breaks an artist. Some lad sitting on a box trying to create a drum sound in a dry little studio. Everyone goes, 'Great - okay, now on with my day.' You go back to the bus, and you weep.

The thing that's good about music-making software like the DAW-kinda systems is that they're all generally the same; the kind of interface is normally laid out in a similar way. Depending on the program, the sounds might be quite different, but they tend to all have a drum machine or synthesizer or a sampler.

I swear I am the worst gamer. I try, I try, and I try, but for some reason, you know, it - yeah. I got - everybody beats me. Let's just put it that way.

Happy he With such a mother! faith in womankind Beats with his blood, and trust in all things high Comes easy to him; and tho' he trip and fall, He shall not blind his soul with clay.

Naturally, any time that our national team beats Australia is pleasing but the first time we beat them in 10 years at Stratford in 2005 was a day I'll never forget.

This thing all things devours: Birds, beasts, trees, flowers; Gnaws iron, bites steel; Grinds hard stones to meal; Slays king, ruins town, And beats high mountain down.

I actually started making beats first and that was before 2010. I think I was like 14. They were really bad. I used to sample like Arabic music for some reason.

When I use electronic beats and program things, there's something quite brain about that - you're feeling it in your body but it's like a puzzle you wanna solve, and it gets very detailed. I really enjoy that side of music.

You form pretty strong opinions about the guys you compete against. You're all very competitive; you're all very selfish. So it's easy to drum up some strong opinions in a second's notice, like, 'Argh! This guy!'

A lot of the stuff I listen to is glitchy electronic stuff and stuff with beats.

I wish it was possible to do the work and not have to talk about it, but it is traditional in the theater to go into the village square and bang the drum and say, 'Come see this show, come see this show.'

We all have music in us - your heartbeat is your drum, your voice is your sound - and music is supposed to put you in tune with nature.

I've always been into computers. When I was getting out of high school and forming my identity musically, all of it was really coming into the fold, computers and drum machines. It felt like, you know, I'm in the right place at the right time. I liked the collision.

Since I first picked up the violin, I've been very interested in tone and texture: I would have very visceral reactions to the texture of a snare drum or a pedal steel guitar or a violin.

I dropped Nascimento in the first round, but he came back, and I had to dig really deep because he was gaining the whole time. He ruptured my left ear drum with a right hand in the fifth round, which caused a few hearing problems, but I was able to overcome it.

I had some really early recordings when I was 16 or 17. I was rapping over jungle beats with my friends. We used to do pirate radio stations in my area, down near Brighton. They were pretty terrible.

Let a man who has to make his fortune in life remember this maxim: Attacking is the only secret. Dare and the world yields, or if it beats you sometimes, dare it again and you will succeed.

I used to play the piano, I was pretty decent, so that was the only thing I could hold onto in terms of coming up with melodies; but at the time I [still] just couldn't, so my early beats were really sample-based.

I remember, as a kid, my dad always told me, "Getting older beats the alternative." Although, now my father actually is the alternative, so I don't know what he would say. He's completely dead.

Nothing beats having a genuine compassion for human souls. If there is one thing I know, it's that people want to be acknowledged; they want to be heard; and above all, they want to be appreciated.

Growing up in the mid-to-late '90s in London, you start seeing the explosion of drum'n'bass and then the birth of U.K. garage and grime. I decided to focus a lot of my energies as an aspiring MC. It was a very natural way to express yourself as a kid from a certain kind of neighborhood.

Music always has to do with vibrations for me. I love to record everyone's heartbeats, in way. None of us beats at the same pace and a song is a magical moment where different entities, for a split second, meet up.

The sound levels on stage were so loud with all that constant banging and smash, smash, smash; it did untold damage to the fine nerve endings in the inner ear, though it is worse in the left, which is the side of my snare drum and the monitor.

I have a place in Chicago and I get there as much as I can... The city is so unbelievably beautiful. It's one of the greatest cities on the planet. My heart beats differently when I'm in Chicago. It slows down and I feel more at ease.

Hey listen -- I've proved a lot of things. That's how I pay my rent. Theories and little observations. A puckish remark now and then. Occasional maxims. It beats picking olives, but let's not get carried away.

I had no idea 'The Dream Weaver' would be so successful. Everything just fell into place with that album. I pioneered a number of ideas with that album and subsequent tour. The all-keyboard approach with no guitars was a new one, and I was one of the first to use a drum machine in concert. It was an amazing time.

Nothing beats SoulCycle for dumbing all the way out or re-calibrating a mood in less than an hour, which is reassuring, since I typically wake up in a panic that's candy-coated with a low-grade rage.