Top 1200 Drum Beats Quotes & Sayings - Page 20

I used to do the beat box. A friend of mine, he was the rapper and after, we'd be doing a block party or something or a house party, and he's gettin' all the attention and I'd end up with a handful of spit, you know, from doing the beats.

At the beginning I wasn't really rapping. I had poetry, so it was a spoken word vibe. Then I found beats that you could sing over - lo-fi, ambient stuff. So I was singing over them and trying to put things into practice.

You made us for yourself, Lord, and our heart is restless until it rests in you. In this creative restlessness beats and pulsates what is most deeply human - the search for truth, the insatiable need for the good, hunger for freedom, nostalgia for the beautiful, and the voice of conscience.

I grew up around electronic instruments. To me, the turntable is an electronic device. At the same time, I had access to drum machines and keyboards through my uncle; then track recorders into computers. At an early age, I was messing with computers more than most hip-hop musicians.

Sometimes I listen to a beat and I think its so dope and I don't know what to bring to that. And some beats I listen to and I just love them as instrumentals and I listen to them when I'm riding around.

Mumford and Sons and Adele are both incredible artists and are great for popular music. There's a lot of club music with heavy beats, so to have that Mumford record and hear banjos being used is so cool.

Having toured a lot really influences some of the decisions you make in the studio - is this part anthemic enough for people to want to sing to it at a show? is this part dynamic enough? Is this drum beat 'arena' enough? You think about it a lot when you are creating, for sure.

The man does not beat your head because you got a Cadillac or because you got a Ford; he beats you because you're black!

The old footage of my dad, I always knew we were cut from the same cloth, because my dad was such a renegade and always marched to the beat of his own drum. To see where we were both dancing and being silly together, it's too beautiful for words. I was really happy to have that.

The spirit of the drum is something that you feel but cannot put your hands on, It does something to you from the inside out . . . It hits people in so many different ways. But the feeling is one that is satisfying and joyful. It is a feeling that makes you say to yourself, ' I'm glad to be alive today! I'm glad to be part of this world!

I make make music in my own time, messing around with beats and riffs I write. Always practicing performing in my room most times I probably look like an idiot dancing around haha.

If you like energy, if you like attitude, if you like tough beats with black rhythms with a bit of soul and a bit of realness, come and check out the Prodigy.

Seeing is believing and believing is knowing and knowing beats unknowing and the unknown.

My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.

I worked at an ice cream parlor called Chadwicks. We wore old-timey outfits and had to bang a drum, play a kazoo, and sing 'Happy Birthday' to people while giving them free birthday sundaes. Lots of ice cream scooping and $1 tips.

A lot of times I use live musicians, but I don't want it to have that live funky sound so I'll just take the best loop of a drum part and repeat it over and over and over again so that there's consistency and it feels a little bit more programmed. But I have a love/hate relationship with comping as well.

When someone beats a rug, the blows are not against the rug, but against the dust in it.

You know, as I'm progressing with my sound, I just realize when you got a simple sound with crazy percussion in the beats, it makes it. It kinda shapes my sound when it comes to what makes a Tay Keith beat.

I was DJing for this party promotion called 1st Flight Entertainment, having to DJ on the weekends and then also going to school in the same week. So I just figured out how to balance that, then make beats on the side too.

As I got into my teens, I started reading better books, beginning with the Beats and then the hippie writers, people like Wallace Stegner up in Northern California, and all the political New Journalism stuff, the Boys on the Bus dudes and Ken Kesey.

It is time that beats in the breast and it is time That batters against the mind, silent and proud, The mind that knows it is destroyed by time.

When you talk or write or film, you work with the music inside you, the music that formed you. Different generations have different musics in them, so whatever they do, it's going to come out differently, and it will speak in beats of their own generation.

As far as the work I did with Timbaland, it was his sound and I just kinda floated in his direction. I just rapped over his traditional beats.

I'm not going to do the Ben Harper house record or the Ben Harper drum 'n' bass record.

My rage is gone, And I am struck with sorrow. Take him up. Help, three o' th' chiefest soldiers; I'll be one. Beat thou the drum, that it speaks mournfully, Trail your steel spikes. Though in this city he Hath widowed and unchilded many a one, Which to this hour bewail the injury, Yet he shall have a noble memory. Assist.

My music is airy; it's spacious. It requires you to be able to rap and articulate your message over it. That's what the beat demands of you. Not a lot of people try to rap over my beats because it's a bit of a task.

Life beats up on everyone from time to time. If you don't want to reach out to a trusted friend or professional, find hope, optimism and perhaps a path out of your situation in the stories of others.

There are methods to creating a mayhem that sounds different from your usual mayhem. Because mayhem and a heavy drum backbeat end up sounding like Green Day or something. But if you put a different beat within it to create some air and lightness, the chaos comes through better.

It's me who is my enemy Me who beats me up Me who makes the monsters Me who strips my confidence.

If you put four different people on a podium conducting the same downbeat, you get four different sounds. It's a little mysterious and fascinating. There's so much you can do with motions and body movements besides giving accurate beats.

Rap is rock 'n' roll. Rock is when you push the buttons in the system; when you say, I'm not going along with what you're saying. That's rock, whether it's done with guitars, or it's done with just beats.

I hate meeting new people even new clients who intend to give me money. I try to be pleasant but I'm not very good at it. The best I can usually pull off is 'professional if somewhat chilly.' It's not ideal no. But it beats 'awkward and bitchy.

I am the beast, Feed me rappers or feed me beats

I like him. I have a weakness for losers. Invalids, foreigners, the fat boy of the class, the ones nobody ever wants to dance with. My heart beats for them. Maybe because I've always known that in some way I will forever be one of them.

Experimenting is part of the process. I remember when I was younger, I spent a whole year just writing on straight trap beats because I just wanted to be able to do that at a high level. So it's about perfecting your craft in every way.

Sick, irritated, and the prey to a thousand discomforts, I go on with my labor like a true workingman, who, with sleeves rolled up, in the sweat of his brow, beats away at his anvil, not caring whether it rains or blows, hails or thunders.

When I tried to send him beats in 2010, he told me I was too expensive for him. I told Future we had to work together, that it would be beneficial for both of us, that we didn't have to worry about the money.

I really like Caravan Palace's electro swing stuff. They incorporate the electronic, but when you see them live, they're all on stage playing live music. They're all playing their instruments. They drop these beats with the DJs that are so incredible.

Studies show when people yell, they get themselves even angrier. Interesting factoid: If you and/or your partner's heartbeat becomes higher than 100 beats per minute during an argument, you will not be able to fully understand/process what the other is saying.

I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.

No acting, no production, could take the place of that moment when you come out in the dark on to the stage and the drummer plays four beats on the hi-hat and then lights and music. It just takes your breath away. No words can do what music can.

I went out of my way to make 'Immortal' sound perfect. 'Immortal,' 'Just What I Am,' and 'King Wizard,' those are perfect beats. Not a lot of people can perform on them. I say that meaning they're tailor-made for me.

I use minimal software to make my music - a wav editor and a calculator for my beats to make sure everything falls on mathematical precision. If you were just mapping this out visually, it works by math. I guess it's slightly engineering influenced.

I use music in the operating room to help create a healing environment for patients and staff. There is a reason that certain heart rates are healthy and certain beats of music heal and relax us.

I've never worked hands-on with a producer. I've been on my own writing, just taking beats and doing what I have to do. I've been on my own. To have Timbaland invite me in and say that 'I want to work with you' is amazing. He's a legend.

I didn't have a resume when Lil Wayne hired me. I didn't have a resume when Beats by Dre flew me across the country to be their 12th employee. I still don't have a resume!

I've been going to Europe for some time on the festival circuit, and once you get in that element and see others reacting to it, it's easier to understand. You get trapped in the wave. The beats are driving and super-aggressive - like, so hard. I was curious.

This was totally influenced by me and the direction that I am writing about and the stuff that I am writing about. There is just no way that you can be as intense as what I have been through in my life over a drum beat machine, sample, or loop; it's just not going to happen.

I wrote two plotted books, got some of the fundamentals of storytelling down, then... it's sort of like taking the training wheels off, trying to write a book that's fun in the same way without relying on quite such mechanical or external beats.

I'm a freak, everything has to be totally flat when I play. Ed Will, my jazz teacher, set up everything completely flat, and then you'd tilt your snare drum away from you, so I do that too. So my snare tilts away from me.

When I first got into the studio once again, and I started hearing the beats, the anger and bitterness was coming out of me. I guess somewhat I was also being brainwashed by what was going on today. I thought that to fit in, I had to do what was hot right now, which is not the case.

The axe is fifteen pounds. You have to make sure you don't hurt or hit someone. And hit the beats, because they have five cameras. It has to look real. That in itself becomes challenging because you have to learn it straight away.

I'm always making tracks. I find that when you make tons of tracks, you stumble upon genius. You can't always turn the drum machine on and right away there's a hot track. Sometimes you luck out. But it can take a lot of time between thinking about the artist, listening to music for inspiration or going to clubs.

When I return to the writing process after being away from it for a while, the first part of it always is being honest with myself: What am I into right now? Is it rock bands and guitars, is it noise, is it dance beats and electronics? Is it space, is it clutter?

We would work up a tune that would make me learn a drum pattern I hadn't played before. In the early stages, the pattern wouldn't just fall into place, and I would start thinking about it. And the more I thought about it, the worse it would get.

Toasting is basically what you call rapping. It came off of playing the beats at the parties, however it be. You find a space in the beat, and you have somebody live just basically saying rhymes over the beat.

If you're not fascinated by Korea yet, you damn well should be. The most innovative country on earth deserves a hilarious and poignant account on the order of Euny Hong's The Birth of Korean Cool. Her phat beats got Gangnam Style and then some.

And have I not told you that what you mistake for madness is but over-acuteness of the sense? --now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.

I love hearing strong, confident beats in music because I love to dance. At the same time, melody is really important to me because I love singing.

I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.